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52:
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she conceives the idea of gaining by stratagem what seems impossible through open force. At once she bounds from deepest sorrow to the height of mirth: to her lamenting brother, his downcast friend, the helpless throng, she turns with promise of the gayest escapade she will prepare for all of them, for the very
Carnival which the State-holder had so strenuously forbidden shall be celebrated this time with unwonted spirit, as that dread rigorist had merely donned the garb of harshness the more agreeably to surprise the town by his hearty share in all the sport he had proscribed.
587:
learns from him that, in pursuance of an ancient law unearthed by
Friedrich, he is about to be condemned to death for an amorous indiscretion. His affianced, whom the hostility of her parents has prevented his marrying, has become a mother by him; the hatred of the relatives allies itself with Friedrich's puritanic zeal: he fears the worst, and has one only hope of rescue, that the pleading of his sister Isabella may succeed in softening the tyrant's heart. Luzio promises to go at once to Isabella in the cloister of the Elisabethans, where she has lately entered her novitiate.
613:
fault so human and in nowise past all pardon. As she observes the impression of her warmth, with ever-greater fire she goes on to address the hidden feeling of the judge's heart, which cannot possibly have been quite barred against the sentiments that made her brother stray, and to whose own experience she now appeals for help in her despairing plea for mercy. The ice of that heart is broken: Friedrich, stirred to his depths by
Isabella's beauty, no longer feels himself his master; he promises to Isabella whatever she may ask, at price of her own body.
671:
forth, rejoicing in the thought of having restored
Marianne to her faithless mate at this very moment, and in the possession of what she believes to be the stipulated patent of her brother's pardon; she is on the point of renouncing all further revenge when, breaking open the seal by the light of a torch, she is horrified at discovering an aggravation of the order of execution, which chance and bribery of the gaoler had delivered into her hands through her wish to defer her brother's knowledge of his ransom.
667:
song with the refrain: "Who'll not carouse at our behest, your steel shall smite him in the breast." Brighella approaching with a company of the watch, to disperse the motley gathering, the revellers are about to put their murderous projects into execution; but Luzio bids them scatter for the present, and ambush in the neighbourhood, as he here must first await the actual leader of their movement: for this is the place that
Isabella had tauntingly divulged to him as her rendezvous with the State-holder.
583:
abomination to the strait-laced minister. At the commencement of the piece we see public officers hard at work on the houses of amusement in a suburb of
Palermo, closing some, demolishing others, and taking their hosts and servants into custody. The populace interferes; great riot: after a roll of the drums the chief constable Brighella (basso buffo), standing at bay, reads out the edict of the State-holder according to which these measures have been adopted to secure a better state of morals.
2012:
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hypocritical State-holder who dares so cruelly to tax her brother's infinitely lesser fault, at least attainted with no treachery. Her violence unwittingly exhibits her to Luzio in the most seductive light; fired by sudden love, he implores her to leave the nunnery for ever and take his hand. She quickly brings him to his senses, yet decides, without a moment's wavering, to accept his escort to the State-holder in the House of
Justice.
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his side, is recognised. Amazement, indignation, joy: the necessary explanations are soon got through; Friedrich moodily asks to be led before the judgment-seat of the King on his return, to receive the capital sentence; Claudio, set free from prison by the jubilant mob, instructs him that death is not always the penalty for a love-offence.
686:
Fresh messengers announce the unexpected arrival of the King in the harbour; everyone decides to go in full carnival-attire to greet the beloved prince, who surely will be pleased to see how ill the sour puritanism of the
Germans becomes the heat of Sicily. The word goes round: 'Gay festivals delight
649:
As soon as she has returned him to the gaoler, her bearing once more passes to ebullient glee: she resolves indeed to chastise the weak-kneed by prolonging his uncertainty about his fate, but still abides by her decision to rid the world of the most disgraceful hypocrite that ever sought to frame its
624:
Everyone deems her crazy, and
Friedrich chides her most severely for such inexplicable folly: a few words from her suffice to set his own brain reeling; for beneath her breath she promises fulfilment of his fondest wishes, engaging to despatch a messenger with welcome tidings for the following night.
608:
Here the trial is about to take place, and I introduce it with a burlesque examination of various moral delinquents by the chief constable
Brighella. This gives more prominence to the seriousness of the situation when the gloomy figure of Friedrich appears, commanding silence to the uproarious rabble
595:
Within the quiet cloister walls we make the acquaintance of this sister, in confidential converse with her friend Marianne, who also has entered as novice. Marianne discloses to her friend, from whom she has long been parted, the sad fate that has brought her hither. By a man of high position she had
674:
After a hard battle with the devouring flames of love, and recognising his powerlessness against this enemy of his peace, Friedrich has resolved that, however criminal his fall, it yet shall be as a man of honour. One hour on Isabella's bosom, and then his deathâby the selfsame law to whose severity
670:
For the latter Luzio lies in wait: he soon detects him in a stealthy masker, whose path he bars, and as Friedrich tears himself away he is about to follow him with shouts and drawn rapier, when by direction of Isabella, concealed among the bushes, he himself is stopped and led astray. Isabella comes
666:
In effect he induces every friend and acquaintance to assemble at the entrance to the Corso that evening, as if for leading off the prohibited grand Carnival procession. At nightfall, when the fun is already waxing wild there, Luzio arrives, and stirs the crowd to open bloodshed by a daring carnival
620:
Isabella, ashamed and bewildered, recognises the madness of her thought, and succumbs to mute despair. But while Friedrich is displaying his utmost rigour afresh to the people, and delivering sentence on the prisoner, Isabella suddenly remembers the mournful fate of Marianne; like a lightning flash,
213:
was Wagner's second opera and his first to be performed, when the budding composer was just 22 years of age. It has many signs of an early work, carrying a style modeled closely on contemporary French and Italian comic opera. It is also referred to as the forgotten comedy, being one of Wagner's only
612:
She comports herself with noble moderation in this private colloquy with a man she fears and yet despises, commencing with nothing but an appeal to his clemency and mercy. His objections make her more impassioned: she sets her brother's misdemeanour in a touching light, and pleads forgiveness for a
582:
An unnamed King of Sicily leaves his country on a journey to Naples, as I suppose, and deputes to his appointed State-holderâcalled simply Friedrich, to mark him for a Germanâthe full authority to use all royal powers in an attempt to radically reform the manners of his capital, which had become an
682:
Fresh confusion, climax of Isabella's despair: suddenly from the back is heard Brighella's burlesque cry for help; himself entangled in the coils of jealousy, he has seized the disguised State-holder by mistake, and thus leads to the latter's discovery. Friedrich is unmasked; Marianne, clinging to
641:
What the heroine's hasty plan may be, we learn at the beginning of the second, where she gains admittance to her brother's gaol to prove if he is worth the saving. She reveals to him Friedrich's shameful proposals, and asks him if he craves his forfeit life at this price of his sister's dishonour?
678:
At her call to instant revolt against the odious tyrant the whole populace assembles, in wildest turmoil: Luzio, arriving on the scene at this juncture, sardonically adjures the throng to pay no heed to the ravings of a woman who, as she has deceived himself, assuredly will dupe them all; for he
657:
The madcap Luzio, whom she also means to punish for his impudent proposal to a novice, she tells of Friedrich's passion, and remarks on her feigned decision to yield to the inevitable in such a flippant fashion that she plunges him, at other times so feather-brained, into an agony of despair: he
599:
Isabella's horror finds vent in a tempest of wrath, only to be allayed by the resolve to leave a world where such monstrosities can go unpunished.âWhen Luzio brings her tidings of the fate of her own brother, her abhorrence of his misdemeanour passes swiftly to revolt against the baseness of the
586:
General derision, with a mocking chorus; Luzio, a young nobleman and jovial rake (tenor), appears to wish to make himself the people's leader; he promptly finds occasion for espousing the cause of the oppressed when he sees his friend Claudio (likewise tenor) conducted on the road to prison, and
645:
Isabella, about to tell him of his rescue, now pauses in dismay; for she sees her brother falling from the height of nobleness to weak avowal of unshaken love of life, to the shamefaced question whether the price of his deliverance be quite beyond her. Aghast, she rises to her feet, thrusts the
616:
Hardly has she become conscious of this unexpected effect, than, in utmost fury at such incredible villainy, she rushes to door and window and calls the people in, to unmask the hypocrite to all the world. Already the whole crowd is pouring in to the judgment hall, when Friedrich's desperate
617:
self-command succeeds in convincing Isabella, by a few well-chosen phrases, of the impossibility of her attempt: he would simply deny her accusation, represent his offer as a means of detection, and certainly find credence if it came to any question of repudiating a charge of wanton insult.
596:
been persuaded to a secret union, under the pledge of eternal fidelity; in her hour of utmost need she had found herself abandoned, and even persecuted, for the betrayer proved to be the most powerful personage in all the state, no less a man than the King's present State-holder.
653:
She has arranged for Marianne to take her place in the rendezvous desired by Friedrich for the night, and now sends him the invitation, which, to involve him in the greater ruin, appoints a masked encounter at one of the places of amusement which he himself has closed.
642:
Claudio's wrath and readiness to sacrifice himself are followed by a softer mood, when he begins to bid his sister farewell for this life, and commit to her the tenderest greetings for his grieving lover; at last his sorrow causes him to quite break down.
609:
that has forced the doors; he then begins the hearing of Claudio in strictest form. The relentless judge is upon the point of passing sentence, when Isabella arrives and demands a private audience of the State-holder.
246:
On 16 February 1965, in the United Kingdom, the first performance was given at University College, London, in a semi-professional production staged by the UCLU Music Society in the old Gymnasium.
675:
the life of Claudio still shall stand irrevocably forfeit. Isabella, who perceives in this action but an additional villainy of the hypocrite, once more bursts out in frenzy of despairing grief.
687:
him more than all your gloomy edicts.' Friedrich, with his newly married wife Marianne, has to head the procession; the Novice, lost to the cloister for ever, makes the second pair with Luzio.
240:'s husband and the lead tenor broke out backstage before the curtain had even risen; only three people were in the audience. It was never performed again in Wagner's lifetime.
256:
In 1990, a staged production (with reduced orchestra) was mounted in San Francisco by Pocket Opera, led by, and with an English performing translation by, Donald Pippin.
978:
232:. Poorly attended and with a lead singer who forgot the words and had to improvise, it was a resounding flop and its second performance had to be cancelled after a
2025:
936:
207:, because it is a comedy, the outcome is a happy one: unrestrained sexuality wins as the carnival of the entire population goes rioting on after curtain-fall.
2348:
912:
722:
John Bell conducting the Chor und Orchester des Internationalen Jugend-Festspieletreffens (Bayreuth, August 17â20, 1972)(Mixtur, MXT 3001/3, 1983)
1931:
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swears that even should the noble maid intend to bear this untold shame, he will ward it off with all his might, though all Palermo leap ablaze.
2068:
1921:
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1353:
1089:
2353:
893:
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in Cooperstown, New York, USA. The cast was led by Mark Schnaible as Friedrich and Claudia Waite as Isabella; Corrado Rovaris conducted.
1006:. The act divisions, scene descriptions, additional paragraph breaks, and other minor modifications have been added to improve clarity.
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1977:
1128:
1597:
803:
1153:
1218:
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744:(Friedrich), BBC Northern Singers. Live, complete and uncut, concert recording 23 May 1976, with bonus tracks from a 1971
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On 19 July 2008, a fully staged production was premiered, by Glimmerglass Opera, in a production by Nicholas Muni, at the
2318:
1270:
868:
199:. In each opera, the self-abandonment to love brings the lovers into mortal combat with the surrounding social order. In
944:
558:
The synopsis is Wagner's own description of his scenario, in a translation by William Ashton Ellis published in 1898.
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In 2013, 200 years after the composer's birth, it was performed in Bayreuth for the first time. A production of the
216:
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1321:
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2213:
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729:
1992:
1607:
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2170:
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craven from her, and informs him that he now must add to the shame of death the full weight of her contempt.
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17:
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331:
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1488:
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286:
1297:
1213:
2128:
2046:
1703:
1467:
1285:
1230:
1987:
1577:
281:
In 2009, a concert production was presented at the International Festival of Young Singers at the
2116:
2015:
1982:
1942:
1876:
1871:
1265:
1114:
745:
737:
138:
2154:
1693:
1024:
308:
268:
229:
114:
1101:
2343:
1954:
1548:
1309:
1242:
1003:
275:
1667:
1225:
1056:
183:
2338:
2245:
1848:
1840:
1365:
1316:
773:
755:
8:
2082:
2077:
1886:
1781:
1509:
1502:
769:
324:
250:
158:
154:
91:
86:
1966:
1908:
1713:
1460:
1336:
898:
195:
921:
2268:
1814:
1683:
1425:
1304:
1237:
1072:
1045:
1037:
1028:
750:
715:, Christiane Sorrell, Hannelore Steffek, Ernst Salzer, Ludwig Welter, Franz Handlos,
512:
320:
2231:
2137:
1821:
1761:
1746:
1393:
958:
795:
304:
2333:
1915:
1881:
1776:
1771:
1726:
1698:
1678:
1516:
1435:
799:
763:
741:
716:
51:
2237:
1766:
1721:
1673:
1415:
1137:
759:
380:
146:
43:
1292:
872:
233:
189:
2307:
1972:
1948:
1805:
1741:
1541:
1280:
785:
733:
725:
704:
393:
293:
58:
2297:
1960:
1798:
1751:
1736:
1641:
1587:
1444:
1064:
789:
781:
708:
700:
696:
300:
292:
Since 2011, a production of this work has formed part of the repertoire of
1891:
1756:
1646:
777:
712:
338:
307:, a hall for sports, because Wagner had banned his early operas from the
237:
181:; these themes recur throughout much of Wagner's output, most notably in
351:
249:
In 1983, in North America, a successful revival was given, conducted by
1936:
1617:
372:
2076:
2257:
1997:
1926:
1555:
2252:
1360:
1177:
811:
452:
312:
150:
1019:
Deathridge, John (2001). "Richard Wagner", pp. 1020â1046, in
1495:
1106:
563:
468:
243:
The opera was rarely performed over the following hundred years.
173:
Restrained sexuality versus eroticism plays an important role in
1191:
814:
is occasionally found on radio broadcasts and compilation CDs.
2021:
409:
316:
142:
2292:
1058:
Richard Wagner's Prose Works. Vol. VII. In Paris and Dresden
330:
On 24 September 2015, the opera premiered in Romania at the
766:
as Telramund, and Judith Turner as Ortrud (Ponto POCD1055)
699:
conducting the Austrian Radio Chorus and Orchestra, with
854:
719:. Vienna 1962. (Melodram, 3-LP set 244, 2-CD set 10040)
2281:
214:two comic works, the other being the better-known
894:"In Wagner's Backyard, Early Works Get Their Due"
2305:
1489:Das Judenthum in der Musik (Jewishness in Music)
806:. Frankfurt am Main 2012 (Oehms Classics OC 942)
311:. It was staged by Aron Stiehl with elements of
1932:List of films using the music of Richard Wagner
1833:
628:Thus ends the first act, in wildest commotion.
2062:
1922:International Association of Wagner Societies
1533:
1122:
661:
228:Wagner conducted the premiere in 1836 at the
2349:Operas based on works by William Shakespeare
758:with a cast led by Margaret Curphy as Elsa,
546:Nuns, judges, guards, townspeople, musicians
261:
201:
175:
164:
126:
33:
679:still believes in her shameless dishonour.
2069:
2055:
1169:
1129:
1115:
1055:Ellis, William Ashton, translator (1898).
50:
1097:International Music Score Library Project
350:
804:Frankfurter Opern- und Museumsorchester
14:
2306:
1061:. London: Kegan Paul, Trench, TrĂŒbner.
355:Richard Wagner (c. 1840; age 27).
223:
56:1922 vocal score with illustration by
2050:
1110:
337:In 2016, the opera was staged by the
1044:. London: Harvard University Press.
1027:. New York: Penguin / Putnam, 2001.
2031:
989:. L'Almanacco di Gherardo Casaglia
754:, sung in English and conducted by
24:
2354:Works based on Measure for Measure
1136:
577:
25:
2370:
1083:
1071:. New York: Henry Holt & Co.
869:"ĐĐĐĐĐĐĐ-ĐĐĐĐ Đ: Das Liebesverbot"
363:Roles, voice types, premiere cast
170:, it was composed in early 1836.
2291:
2106:
2030:
2020:
2011:
2010:
1598:MĂ€nnerlist gröĂer als Frauenlist
1364:
1352:
1340:
1320:
1308:
1296:
1284:
1269:
1241:
1229:
1217:
285:plus a staged production at the
1013:
913:"Das Highlight der Festspiele:
730:BBC Northern Symphony Orchestra
1993:Richard Wagner Museum, Lucerne
1349:Die Meistersinger von NĂŒrnberg
996:
971:
951:
929:
905:
886:
861:
847:
838:
825:Die Meistersinger von NĂŒrnberg
603:
217:Die Meistersinger von NĂŒrnberg
153:written by the composer after
13:
1:
2171:Round Heads and Pointed Heads
1482:A Communication to My Friends
1042:Wagner and the Erotic Impulse
892:George Loomis (30 May 2013):
831:
690:
283:Kammeroper Schloss Rheinsberg
798:conducting the Choir of the
590:
377:Premiere cast, 29 March 1836
7:
1732:Houston Stewart Chamberlain
1689:Bayreuth Festival Orchestra
1149:List of works for the stage
1021:The New Penguin Opera Guide
817:
636:
553:
332:Cluj-Napoca Hungarian Opera
10:
2375:
2319:Libretti by Richard Wagner
2263:Shakespearean problem play
1406:Das Liebesmahl der Apostel
977:Casaglia, Gherardo (2005).
941:â KolozsvĂĄri Magyar Opera"
662:Outside Friedrich's Palace
287:Staatstheater Braunschweig
2224:
2189:
2146:
2115:
2104:
2090:
2006:
1900:
1864:
1790:
1712:
1704:Richard Wagner Foundation
1659:
1634:
1569:
1526:
1468:The Artwork of the Future
1452:
1379:
1256:
1205:
1162:
1144:
855:"Online at Operabase.com"
844:Deathridge 2001, p. 1022.
544:
99:
82:
74:
66:
49:
41:
32:
2314:Operas by Richard Wagner
1578:Die Laune des Verliebten
925:(in German). 2013-07-09.
762:as Heinrich der Vogler,
631:
572:
344:
2359:Stefan Zweig Collection
1983:Wagner-Werk-Verzeichnis
1943:Nietzsche contra Wagner
1877:Richard Wagner Memorial
1872:Richard Wagner Monument
1266:Der Ring des Nibelungen
1214:Der fliegende HollÀnder
141:38), is an early comic
104:29 March 1836
27:Opera by Richard Wagner
2329:German-language operas
2155:The Law Against Lovers
2147:Theatrical adaptations
1694:Bayreuth Festspielhaus
356:
269:Wexford Opera Festival
262:
230:Stadttheater Magdeburg
202:
176:
165:
127:
115:Stadttheater Magdeburg
34:
1955:The Perfect Wagnerite
1549:Ride of the Valkyries
1475:Autobiographic Sketch
480:novice in a monastery
354:
276:Glimmerglass Festival
267:was performed at the
2324:Operas set in Sicily
2246:Mariana in the South
2134:Promos and Cassandra
1154:List of compositions
959:"Tetro Real website"
774:Bavarian State Opera
756:Nicholas Braithwaite
746:Sadler's Wells Opera
494:captain of the watch
2214:Measure for Measure
2206:Measure for Measure
2198:Measure for Measure
2083:Measure for Measure
2078:William Shakespeare
1887:Wagner Ice Piedmont
1791:Cultural depictions
1782:Eva Wagner-Pasquier
1608:Wieland der Schmied
1510:Music of the Future
1386:Symphony in C major
792:. 1995 (Orfeo D'or)
770:Wolfgang Sawallisch
711:, Willy Friedrich,
365:
325:Gewandhausorchester
251:Wolfgang Sawallisch
224:Performance history
166:GroĂe komische Oper
159:Measure for Measure
92:Measure for Measure
2179:Desperate Measures
1967:Der Ring in Minden
1909:The Case of Wagner
1668:Bayreuther BlÀtter
1461:Art and Revolution
1380:Non-operatic music
1337:Tristan und Isolde
899:The New York Times
568:Time: 16th century
389:governor of Sicily
361:
357:
196:Tristan und Isolde
2279:
2278:
2044:
2043:
1860:
1859:
1684:Bayreuth Festival
1660:Bayreuth Festival
1655:
1654:
1630:
1629:
1623:
1622:(1858; text only)
1613:
1612:(1850; text only)
1603:
1593:
1583:
1570:Unfinished operas
1565:
1564:
1441:
1431:
1426:Wesendonck Lieder
1421:
1420:(1844, rev. 1855)
1411:
1401:
1390:
1375:
1374:
1331:
1330:
1252:
1251:
1201:
1200:
1069:The Tristan Chord
1038:Dreyfus, Laurence
937:"Richard Wagner:
551:
550:
534:Danieli's servant
487:Mathilde Limbach
473:Karoline Pollert
414:Ignaz FreimĂŒller
321:Constantin Trinks
303:was shown in the
162:. Described as a
122:
121:
16:(Redirected from
2366:
2296:
2295:
2287:
2232:Thomas Middleton
2190:Film adaptations
2163:Das Liebesverbot
2138:George Whetstone
2110:
2071:
2064:
2057:
2048:
2047:
2034:
2033:
2024:
2014:
2013:
1865:Named for Wagner
1834:Film adaptations
1831:
1830:
1762:Siegfried Wagner
1747:Katharina Wagner
1632:
1631:
1621:
1611:
1601:
1591:
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1203:
1202:
1185:Das Liebesverbot
1167:
1166:
1131:
1124:
1117:
1108:
1107:
1095:: Scores at the
1091:Das Liebesverbot
1007:
1000:
994:
992:
986:
981:Das Liebesverbot
975:
969:
968:
966:
965:
955:
949:
948:
943:. Archived from
939:Szerelmi tilalom
933:
927:
926:
915:Das Liebesverbot
909:
903:
890:
884:
883:
881:
880:
871:. Archived from
865:
859:
858:
851:
845:
842:
796:Sebastian Weigle
703:, Ernst Salzer,
501:Wilhelm Kneisel
464:Claudio's sister
421:a young nobleman
405:a young nobleman
366:
364:
360:
305:Oberfrankenhalle
265:
263:Das Liebesverbot
211:Das Liebesverbot
205:
203:Das Liebesverbot
179:
177:Das Liebesverbot
168:
130:
128:Das Liebesverbot
111:
109:
94:
61:
54:
37:
35:Das Liebesverbot
30:
29:
21:
2374:
2373:
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2365:
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2304:
2303:
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2290:
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2220:
2185:
2142:
2111:
2102:
2086:
2075:
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1856:
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1772:Winifred Wagner
1727:Eva Chamberlain
1708:
1699:Jahrhundertring
1679:Bayreuth Circle
1651:
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1084:External links
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271:, in Ireland.
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2081:
1988:Museo Wagner
1965:
1961:Rhinemaidens
1953:
1941:
1914:
1907:
1849:
1841:
1822:
1813:
1806:
1799:Wagner Dream
1797:
1752:Minna Wagner
1737:Ludwig Geyer
1666:
1642:Holztrompete
1616:
1606:
1596:
1588:Die Hochzeit
1586:
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1257:Music dramas
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1068:
1065:Magee, Bryan
1057:
1041:
1023:, edited by
1020:
1014:Bibliography
1002:Ellis 1898,
998:
991:(in Italian)
980:
973:
962:. Retrieved
953:
945:the original
938:
931:
920:
914:
907:
897:
888:
877:. Retrieved
873:the original
863:
849:
840:
823:
809:
790:Hermann Prey
782:Sarah Coburn
749:
736:(Isabella),
709:Kurt Equiluz
701:Heinz Imdahl
697:Robert Heger
685:
681:
677:
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627:
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508:an innkeeper
507:
493:
479:
463:
448:their friend
447:
435:their friend
434:
420:
404:
388:
336:
329:
301:Oper Leipzig
298:
291:
289:in October.
280:
273:
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245:
242:
236:between the
227:
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134:
125:
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89:
18:Liebesverbot
2339:1836 operas
2036:WikiProject
1892:3992 Wagner
1852:(1982 film)
1844:(1904 film)
1825:(1986 film)
1818:(2012 film)
1810:(1983 film)
1757:Nike Wagner
1647:Wagner tuba
1527:Other opera
1293:Die WalkĂŒre
1170:Early works
778:Sabine Hass
713:Hilde Zadek
604:A courtroom
492:Brighella,
387:Friedrich,
379:Conductor:
339:Teatro Real
238:prima donna
190:Die WalkĂŒre
149:, with the
2308:Categories
2249:(Tennyson)
2241:(Tennyson)
2209:(1979; TV)
2091:Characters
1937:Musikdrama
1635:Inventions
1618:Die Sieger
1503:Mein Leben
1226:TannhÀuser
964:2017-01-11
879:2014-03-13
832:References
691:Recordings
527:Schindler
462:Isabella,
428:Schreiber
373:Voice type
341:, Madrid.
234:fist fight
184:TannhÀuser
108:1836-03-29
67:Librettist
2272:(Millais)
2258:Bed trick
1998:Wahnfried
1927:Leitmotif
1823:Wahnfried
1556:Liebestod
1305:Siegfried
1238:Lohengrin
1004:pp. 11â16
751:Lohengrin
740:(Luzio),
591:A convent
506:Danieli,
498:baritone
478:Mariana,
433:Antonio,
419:Claudio,
259:In 1994,
42:Opera by
2253:Bletting
2016:Category
1850:Parsifal
1842:Parsifal
1453:Writings
1397:Overture
1361:Parsifal
1178:Die Feen
1102:Libretto
1093:, WWV 38
1067:(2001),
1040:(2010).
818:See also
812:overture
637:A prison
554:Synopsis
524:soprano
521:Dorella
484:soprano
453:baritone
446:Angelo,
313:operetta
296:Moscow.
151:libretto
100:Premiere
83:Based on
75:Language
2269:Mariana
2238:Mariana
2225:Related
2129:Cinthio
2117:Sources
1901:Related
1802:(opera)
1496:Leubald
1395:Polonia
732:, with
564:Palermo
562:Place:
469:soprano
403:Luzio,
106: (
2334:Operas
2284:Portal
2217:(2020)
2201:(1943)
2182:(2004)
2174:(1936)
2166:(1834)
2158:(1662)
2098:Angelo
1807:Wagner
1602:(1838)
1592:(1832)
1582:(1830)
1440:(1870)
1430:(1858)
1410:(1843)
1400:(1836)
1389:(1832)
1192:Rienzi
1075:
1048:
1031:
985:
650:laws.
538:tenor
439:tenor
425:tenor
398:GrÀfe
193:, and
78:German
2298:Opera
2026:Audio
632:Act 2
573:Act 1
410:tenor
369:Role
345:Roles
317:revue
143:opera
1073:ISBN
1046:ISBN
1029:ISBN
810:The
802:and
513:bass
315:and
2136:by
2127:by
2080:'s
139:WWV
2310::
919:.
896:,
788:,
784:,
780:,
776:.
707:,
334:.
327:.
319:;
253:.
220:.
187:,
137:,
2286::
2070:e
2063:t
2056:v
1558:"
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1466:"
1463:"
1459:"
1130:e
1123:t
1116:v
1079:.
1052:.
993:.
983:,
979:"
967:.
917:"
882:.
857:.
133:(
110:)
20:)
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