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Brighella

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devotedly or look for every opportunity to ruin and take advantage of him as he happens to see fit—whatever will gain the greatest advantage for himself and himself alone. He is fond of money, but spends it rapidly, and tends to be especially fond of the drink. In fact, he has few good qualities, save for his ability to entertain the audience.
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Brighella is a masterful liar, and can make up a spur-of-the moment lie for any situation. He is an inveterate schemer, and he is good at what he does. If his plans failed, it was almost always out of luck on behalf of the other characters. When he is a servant, he will either serve his master
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His character is usually from uptown Milano or Bergamo, and in the original Italian would often speak with the local accent. He could be very witty and fond of wordplay. He is also an accomplished singer, dancer and musician, and sometimes would play the guitar on stage.
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His walk is distinguishable from the traditional Zanni movement by the torso bending from side to side, while the head stays vertical. The knees stay open and the elbows bend down with each movement of the leg.
240:, he is often most cruel to those beneath him on the social ladder; he even goes so far as to kill on occasion. In later versions of his character these violent and malicious traits were lessened substantially. 342:: from the 17th century, a "wilfully blind husband and rascal as crafty as Brighella". He was Milanese and spoke the local dialect. As part of his costume, he apparently wore a distinctive large tunic. 794: 228:
owner: his character could be adapted to whatever the needs to the scenario might be, just as Brighella himself is adaptable to any circumstance. He is essentially
241: 209:. It is distinguished by a hook nose and thick lips, along with a thick twirled mustache to give him an offensive characteristic. He evolved out of the general 769: 280:
as meaning 'a brable, a braule, a contention'. Brighella in English would be therefore something like 'Fighty' or 'Brawly'. The other Italian word
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The Italian Comedy: The Improvisation Scenarios Lives Attributes Portraits and Masks of the Illustrious Characters of the Commedia dell'Arte
394:: sometimes the exact opposite of Brighella, otherwise an identical character; like twins. Frequently appeared alongside Brighella onstage. 408:: created in the late 16th century, spoke a mixture of Bolognese and Tuscan dialects. An upper-class Brighella. Could be capable of 774: 799: 724: 388:
actor Giovanni Gherardi, who performed this role, was able to perform the part of an entire orchestra with his voice alone.
183: 89: 374:: more prone to playing pranks than committing serious intrigues, he otherwise shared Brighella's fondness for malice. 61: 804: 750: 108: 779: 68: 46: 714: 533: 249: 75: 42: 57: 428: 232:'s smarter and much more vindictive older brother. They both share the same traditional birthplace: 35: 248:, theorizes that in France, the gentrified Brighella eventually culminated in the character of 547: 450:: a French Brighella, very fond of wordplay and puns. Sometimes wears a fur-lined plumed hat. 433: 147: 213:, as evidenced by his costume, and came into his own around the start of the 16th century. 385: 8: 528: 135: 368:: a gentler version of Brighella, fond of the ladies even if they were not fond of him. 82: 282: 123: 746: 720: 670: 644: 621: 598: 575: 143: 217: 788: 674: 625: 602: 267:
His name comes from an Italian word which can mean 'bother' or 'contention';
199: 195: 648: 579: 236:, a city in northern Italy. As in a stereotype of those who have risen from 221: 432:
mentions an etymology relating to a cult that modelled themselves on the
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A list of variations of the character, according to Duchartre, are:
24: 338: 186:, or else with a wooden sword. Later, he took to wearing a sort of 743:
The World of Harlequin: A Critical Study of the Commedia dell'Arte
426:. The name means, according to Duchartre, 'unlucky'. However, the 350: 237: 233: 151: 780:
Sipario Cyclopedia's entry on Brighella (in Italian and English)
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characters, although he often was portrayed as a member of the
187: 210: 206: 202: 191: 354:: a much more nervous and cowardly version of Brighella. 158:
and pants with green trim and was often equipped with a
681: 444:). The character was reputedly fond of vulgar wordplay. 795:
Fictional characters introduced in the 16th century
49:. Unsourced material may be challenged and removed. 712: 16:Character from de theatre style Commedia dell'arte 216:He is loosely categorized as one of the Zanni or 786: 190:with a matching cape. He wore a greenish half- 641:Commedia dell'arte : an actor's handbook 572:Commedia dell'arte : an actor's handbook 176: 168: 160: 286:('hellraiser') utilizes the same element. 745:. Cambridge: Cambridge University Press. 703: 109:Learn how and when to remove this message 142:) is a comic, masked character from the 122: 664: 615: 592: 787: 775:Carnival of Venice's page on Brighella 740: 687: 638: 569: 380:: a musical Brighella, often singing 660: 658: 565: 563: 289: 154:consisted of loosely fitting, white 47:adding citations to reliable sources 18: 713:Rudlin, John; Oliver Crick (2001). 665:Oreglia, Giacomo (1 January 1968). 616:Oreglia, Giacomo (1 January 1968). 593:Oreglia, Giacomo (1 January 1968). 252:, known from the plays and operas. 13: 272:'s 1611 Italian-English Dictionary 14: 816: 763: 655: 560: 704:Duchartre, Pierre Louis (1966). 422:: a French Brighella created by 127:Brighella, from the 16th century 23: 697: 669:. Hill & Wang. p. 73. 639:Rudlin, John (1 January 1994). 620:. Hill & Wang. p. 72. 597:. Hill & Wang. p. 71. 570:Rudlin, John (1 January 1994). 34:needs additional citations for 632: 609: 586: 1: 800:Clever Zanni class characters 708:. Canada: Dover Publications. 553: 7: 741:Nicoll, Allardyce (1976) . 541: 328: 10: 821: 770:A description of Brighella 182:, depending on region) or 643:. Routledge. p. 87. 574:. Routledge. p. 84. 429:Oxford English Dictionary 312:Giuseppe Antonio Angeleri 805:Fictional Italian people 412:or other physical feats. 759:My drama teacher (2017) 198:) displaying a look of 667:The Commedia dell'Arte 618:The Commedia dell'Arte 595:The Commedia dell'Arte 242:Pierre Louis Duchartre 177: 169: 161: 128: 534:Le Barbier de SĂ©ville 126: 440:that they gathered ( 43:improve this article 460:: see Francatrippa. 136:Bergamasque dialect 716:Commedia dell'arte 690:, pp. 77, 79. 548:Commedia dell'arte 466:: a chronic drunk. 301:Domenico Boroncini 246:The Italian Comedy 148:commedia dell'arte 129: 726:978-0-415-20409-5 436:and lived off of 386:ComĂ©die-Italienne 315:Tommaso Fortunati 290:Famous Brighellas 119: 118: 111: 93: 812: 756: 737: 735: 733: 709: 691: 685: 679: 678: 662: 653: 652: 636: 630: 629: 613: 607: 606: 590: 584: 583: 567: 527:: as created by 360:: see Fenocchio. 180: 172: 164: 114: 107: 103: 100: 94: 92: 51: 27: 19: 820: 819: 815: 814: 813: 811: 810: 809: 785: 784: 766: 753: 731: 729: 727: 700: 695: 694: 686: 682: 663: 656: 637: 633: 614: 610: 591: 587: 568: 561: 556: 544: 331: 324:Atanasio Zanoni 292: 194:(traditionally 144:Italian theatre 115: 104: 98: 95: 52: 50: 40: 28: 17: 12: 11: 5: 818: 808: 807: 802: 797: 783: 782: 777: 772: 765: 764:External links 762: 761: 760: 757: 751: 738: 725: 710: 699: 696: 693: 692: 680: 654: 631: 608: 585: 558: 557: 555: 552: 551: 550: 543: 540: 539: 538: 522: 517: 512: 507: 502: 497: 492: 487: 482: 477: 472: 467: 461: 451: 445: 413: 395: 389: 375: 369: 361: 355: 343: 330: 327: 326: 325: 322: 319: 318:Pietro Gandini 316: 313: 303: 302: 291: 288: 117: 116: 31: 29: 22: 15: 9: 6: 4: 3: 2: 817: 806: 803: 801: 798: 796: 793: 792: 790: 781: 778: 776: 773: 771: 768: 767: 758: 754: 752:0-521-29132-1 748: 744: 739: 728: 722: 719:. Routledge. 718: 717: 711: 707: 702: 701: 689: 684: 676: 672: 668: 661: 659: 650: 646: 642: 635: 627: 623: 619: 612: 604: 600: 596: 589: 581: 577: 573: 566: 564: 559: 549: 546: 545: 536: 535: 530: 526: 523: 521: 518: 516: 513: 511: 508: 506: 503: 501: 498: 496: 493: 491: 490:Gian Fritello 488: 486: 483: 481: 478: 476: 473: 471: 468: 465: 462: 459: 455: 452: 449: 446: 443: 439: 435: 431: 430: 425: 424:Henri Legrand 421: 417: 414: 411: 407: 403: 399: 398:Franca Trippa 396: 393: 390: 387: 383: 379: 376: 373: 370: 367: 366: 362: 359: 356: 353: 352: 347: 344: 341: 340: 336: 335: 334: 323: 320: 317: 314: 311: 310: 309: 307: 300: 299: 298: 296: 287: 285: 284: 283:attaccabrighe 279: 278: 273: 271: 265: 261: 257: 253: 251: 247: 243: 239: 235: 231: 227: 223: 219: 214: 212: 208: 204: 201: 200:preternatural 197: 193: 189: 185: 181: 179: 173: 171: 165: 163: 157: 153: 149: 145: 141: 137: 133: 125: 121: 113: 110: 102: 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: â€“  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 742: 730:. Retrieved 715: 705: 698:Bibliography 683: 666: 640: 634: 617: 611: 594: 588: 571: 532: 529:Beaumarchais 524: 519: 514: 509: 504: 499: 494: 489: 484: 479: 474: 469: 463: 457: 453: 447: 441: 437: 427: 419: 415: 406:Francatrippe 405: 402:Francatrippa 401: 397: 391: 377: 371: 363: 357: 349: 345: 337: 332: 306:18th century 305: 304: 295:17th century 294: 293: 281: 276: 268: 266: 262: 258: 254: 245: 224:, such as a 222:middle class 215: 175: 167: 159: 150:. His early 139: 131: 130: 120: 105: 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 688:Nicoll 1976 510:La Montagne 358:Truccagnino 321:Carlo Campi 196:olive-green 58:"Brighella" 789:Categories 554:References 505:Mascarille 500:Grattelard 480:Pasquariel 454:Fritellino 382:a cappella 69:newspapers 675:939808594 626:939808594 603:939808594 520:Labranche 495:Narcisino 475:Gradelino 464:Sgnarelle 458:Fristelin 420:Tirelupin 410:gymnastic 372:Fenocchio 365:Mezzetino 244:, in his 230:Harlequin 184:slapstick 170:batacchio 132:Brighella 99:July 2017 732:4 August 649:27976194 580:27976194 542:See also 470:Bagatino 448:Gandolin 442:tiraient 416:Turlupin 392:Sbrigani 378:Flautino 339:Beltrame 329:Variants 274:defines 178:battacio 140:Brighèla 515:Frontin 351:Scapino 238:poverty 234:Bergamo 218:servant 162:batocio 152:costume 83:scholar 749:  723:  673:  647:  624:  601:  578:  531:. See 525:Figaro 485:Buffet 438:lupins 434:Cynics 384:. The 346:Scapin 270:Florio 250:Figaro 226:tavern 188:livery 166:(also 146:style 85:  78:  71:  64:  56:  348:, or 277:briga 211:Zanni 207:greed 156:smock 90:JSTOR 76:books 747:ISBN 734:2009 721:ISBN 671:OCLC 645:OCLC 622:OCLC 599:OCLC 576:OCLC 205:and 203:lust 192:mask 62:news 456:or 418:or 404:or 174:or 45:by 791:: 657:^ 562:^ 400:, 308:: 297:: 138:: 755:. 736:. 677:. 651:. 628:. 605:. 582:. 537:. 134:( 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

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Bergamasque dialect
Italian theatre
commedia dell'arte
costume
smock
slapstick
livery
mask
olive-green
preternatural
lust
greed
Zanni
servant
middle class
tavern
Harlequin
Bergamo

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