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436:, have been staged throughout Europe, despite the fact that they are (or precisely because they are) completely rooted in the life of the Flemish suburbs. This only goes to show that, by freely combining theatre, music and dance in the "family portraits" he renders so well, Alain Platel has succeeded in revealing the universality of human soul.
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In his own productions and in his influence on the overall aesthetics of les ballets C de la B, Alain Platel's work is characterised by the extensive, often chaotic combination of dance, theatre, live music, circus and other performance styles. Most of his later productions are structured around live
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Alain Platel has pursued an artistic career, rather than a profession or a craft. He is a unique personality, and has no parallel in the world of dance and theatre. His work as a social educator has led him to be deeply concerned with the human condition in his native region: East and West
Flanders,
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Between 1993 and 2003, les ballets C de la B produced an increasing number of larger-scale projects, securing international commissions and state funding from the
Flemish government. Run as a collective, the company's performers were encouraged to develop their own choreography and Platel shared
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in 1956. In 1969, he was accepted to study at the Hoste-Sabbattini Mime Centre in Ghent. He trained as a remedial educationalist, working with physically and mentally disabled children, but continued to study mime (with Wim
Vandekerckhove) and later to take courses at the Paul Grinwis Academy of
159:). They ironically called themselves 'Les Ballets Contemporains de la Belgique': a name which stuck, albeit in a shortened form. A producer from Antwerp's De Beweeging Festival was present at the performance and invited the newly formed company to perform at the festival.
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Platel's productions have always involved varied ensembles of performers with different skills, levels of training, backgrounds and body types, including amateurs, children and elderly performers. His work includes large-scale celebrations of amateur performance, such as
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and Ghent in particular. He is able to communicate, without artificiality or affectation, all the anxieties, contradictions, desperation, dreams and drives of a fascinating and tragic young generation that he truly empathises with. His productions, from
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Platel's choreographic work is also concerned with the unconscious: with uncontrolled, unconditioned or arbitrary movements, tics and spasms, which he has described as 'bastard dance'. The movement material explored in projects such as
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During his hiatus from directing, Alain Platel studied sign language and continued to work with amateur and semi-professional performers from varied backgrounds, as documented in his collaborations with the documentarian
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was the first in a succession of small-scale productions made by les ballets C de la B during the late 1980s and early 1990s, for which Platel shared directing roles with other members of the company.
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Les ballets C de la B quickly achieved a modest level of national success, but their major break came in 1993, when a group of international theatre programmers happened to see Platel's
194:). At the same time, Platel began incorporating live musicians within his choreography, in a series of productions constructed around the work of famous composers, beginning with
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Platel organised the Beste
Belgische Danssolo competition between 1995 and 1997, open to solos of any style and designed to discover new talent. The first competition was won by
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and Koen
Augustijnen. Platel's productions included three collaborations with the author and theatre-maker Arne Sierens and Ghent-based youth theatre company Victoria (
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Trencsényi, Katalin (2020). "'An
Experiment in Democracy': Alain Platel's Collaborative Dramaturgy". In Stalpaert, Christel; Cools, Guy; De Vuyst, Hildegard (eds.).
109:(born 9 April 1956) is a Belgian choreographer and director. In 1984, he founded les ballets C de la B, which has been called 'one of the world's most influential
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Ballet. In 1980, he attended a contemporary dance workshop led by the
Canadian choreographer Barbara Pearce in Paris, and went on to dance in her production
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performances of famous classical works, with the musicians being fully involved in the choreography. A particularly grand example of this is
232:(1999), Platel announced that he would no longer be making productions. Nevertheless, he returned to les ballets C de la B in 2003 with
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Kear, Adrian (2006). "Desire among the dodgems: Alain Platel and the scene of seduction". In
Kelleher, Joe; Ridout, Nicholas (eds.).
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at a festival in
Amsterdam, which led to European tour bookings and a rapidly growing profile on the international dance scene.
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featured a cast of seven drag queens, all aged between 55 and 65 years, inspired by the closing of a
Barcelona drag cabaret.
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Since 2006, Platel has continued to direct new work with les ballets C de la B, usually in collaboration with other artists.
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Platel founded les ballets C de la B in 1984 on a dare from a former teacher. Along with his sister Pascale and their friend
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265:, 2004). In 2006, Platel directed his own full-length documentary about the dancers of les ballets C de la B, entitled
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320:(2015) were collaborations with the director Frank Van Laecke and Platel's regular music director Steven Prengels.
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Bonjour madame, comment allez-vous aujourd'hui, il fait beau, il va sans doute pleuvoir, etcetera.
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380:(2018): a 'mass choreography' that involved 300 participants from various Ghent dance groups.
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Platt, Ryan (Jan 2010). "Human Failure and Humane Exhaustion: The Passion of Alain Platel".
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2015: Platel made Commandeur de l’Ordre des Arts et des Lettres de la République Française
400:(2014) was informed by Platel's own experience working with disabled children and adults.
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The Choreopolitics of Alain Platel's les ballets C de la B: Emotions, Gestures, Politics
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The Choreopolitics of Alain Platel's les ballets C de la B: Emotions, Gestures, Politics
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The Choreopolitics of Alain Platel's les ballets C de la B: Emotions, Gestures, Politics
210:(1998): the first of several works based on music by the director's favourite composer,
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589:(1985) — with Pascale Platel, Kate Vos, Alexander Claeys and Johan Grimonprez
372:(2001) which featured sixteen London choirs (reprised in 2006 in Brussels as
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2016: Gold Medal of the Royal Flemish Academy of Belgium for Science and Art
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and would go on to choreograph many of les ballets C de la B's productions.
1522:"Interview: Alain Platel discusses the challenges of grappling with Mahler"
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281:. This production cemented the director's collaboration with the composer
1122:"VII PRIZE EUROPE NEW THEATRICAL REALITIES: Heiner Goebbels/Alain Platel"
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269:. In the same year, Platel returned to the company as a director, with
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https://www.lesballetscdela.be/en/biographies/alain-platel/biography/
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companies'. Platel came to prominence alongside choreographers like
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Stalpaert, Christel; Cools, Guy; De Vuyst, Hildegard, eds. (2020).
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Stalpaert, Christel; Cools, Guy; De Vuyst, Hildegard, eds. (2020).
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727:(2014) — with Serge Kakudji, Rodriguez Vangama and Fabrizio Cassol
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1996: Awarded Masque d’Or de la Production Etrangère (Canada) for
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as an important inspiration, calling himself 'a child of Bausch'.
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2012: Doctor Honoris Causa from the University of Artois, France
155:, Platel devised and staged a performance in his loft in Ghent (
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2017: "Prix de la Critique" Special Jury Prize (Belgium) for
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1627:"Alain Platel: Stripping to the essentials to express chaos"
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2001: Ubu Prize for the best foreign production (Milan) for
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1999: Masque d'Or de la Production Etrangère (Canada) for
643:(1995) — music by Dick van der Harst, after Henry Purcell
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at the Concours Choréographique International de Bagnolet
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De Beste Belgische Danssolo (1995–1997) — with Victoria
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2015: Flemish Culture Prize for General Cultural Merit
1441:"An Interview with Alain Platel and Frank Van Laecke"
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Contemporary Theatres in Europe: A Critical Companion
694:(2008) — with Fabrizio Cassol, based on J. S. Bach's
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arranged for ten accordionists. This was followed by
929:"Step-by-step guide to dance: Les Ballets C de la B"
285:, which began with the participatory choral project
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715:(2012) — music by Giuseppe Verdi and Richard Wagner
336:(2011), which featured the 72-person chorus of the
202:company LOD muziektheater, which featured music by
733:(2015) — with Frank Van Laecke and Steven Prengels
989:Gielen, Pascal; Laermans, Rudi (1 January 1999).
583:(1984) — with Johan Grimonprez and Pascale Platel
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308:(2007) was made with actor Benjamin Verdonck and
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688:(2007) – with Fumiyo Ikeda and Benjamin Verdonck
556:2017: Catalan Performing Arts Critics Award for
244:and counted fourteen dogs among its performers.
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682:(2006) — based on Claudio Monteverdi's Vespers
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352:(2014) involves a Congolese band performing
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1264:"Spare change – dance pared back to basics"
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516:2011: Dora Mavor Moore Award (Toronto) for
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670:(2003) — music by Wolfgang Amadeus Mozart
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745:(2018) – with Fabrizio Cassol, based on
143:. As a director, Platel is self-taught.
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1347:"Alain Platel on making Because I Sing"
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891:Who's Who in Contemporary World Theatre
664:(1999) — with Arne Sierens and Victoria
649:(1996) — with Arne Sierens and Victoria
637:(1995) — with Arne Sierens and Victoria
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1547:"Le sacre du printemps (project info)"
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1158:. London: Bloomsbury. pp. 34–36.
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575:With les ballets C de la B (selection)
534:2015: Grand Prix de la Danse, Montreal
510:2007: Kontakt Festival Grand Prix for
248:Hiatus and return to directing (2003–)
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889:Meyer-Dinkgräfe, Daniel, ed. (2002).
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991:"The Flemish wave: myth and reality"
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547:2016: Doctor Honoris Causa from the
504:2004: Theatertreffen 3sat Prize for
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470:1998: Time Out Live Award (UK) for
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1345:Platel, Alain (13 February 2002).
893:. London: Routledge. p. 241.
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1754:Contemporary dance choreographers
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1625:Citron, Paula (12 October 2010).
1318:"Project: Best Belgian Dancesolo"
1019:. London: Bloomsbury. p. 2.
494:2001: Platel made Chevalier de l'
484:Europe Prize Theatrical Realities
417:Europe Prize Theatrical Realities
323:Platel currently lives in Ghent.
198:(1995), a co-production with the
147:Les ballets C de la B (1984–2003)
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1262:Turner, Brook (18 August 2011).
1094:Les Prix de la Danse de Montréal
962:"Face of Flanders: Alain Platel"
655:(1998) — music by J.S. Bach and
543:Edinburgh International Festival
423:, with the following motivation:
340:performing operatic choruses by
289:(2006), and would continue with
221:, who subsequently performed in
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960:Hope, Alan (25 November 2014).
739:(2015) — music by Gustav Mahler
364:with African polyphonic chant.
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709:(2010) — with Frank Van Laecke
619:(1989) — with Johan Grimonprez
607:(1988) — with Alexander Claeys
595:(1986) — with Alexander Claeys
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453:1996: Mobil Pegasus Prize for
441:Awards and honours (selection)
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1520:Rawal, Tejas (27 June 2017).
1090:"Laureate 2015: Alain Platel"
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676:(2006) — with Fabrizio Cassol
537:2015: Herald Angel Award for
496:Ordre des Arts et des Lettres
263:Ramallah! Ramallah! Ramallah!
721:(2014) – music by J. S. Bach
448:Concours, Pièces de Concours
415:In 2001, he was awarded the
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1708:Premio Europa per il Teatro
1601:"tauberbach (project info)"
1576:"Out of context — for Pina"
1493:"Coup Fatal (project info)"
1126:Premio Europa per il Teatro
446:1990: Prix Saint-Denis for
55:1956 (age 67–68)
10:
1790:
927:Roy, Sanjoy (5 May 2010).
753:Other projects (selection)
498:de la République Française
115:Anne Teresa de Keersmaeker
1764:Belgian theatre directors
1656:archivio.premioeuropa.org
1416:10.1162/pajj.2010.32.1.90
518:Out of context — for Pina
394:Out of Context — for Pina
374:Uit de Bol/Coup de chœurs
360:(2016) combines music by
134:Alain Platel was born in
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1180:"Portrait: Alain Platel"
1050:"Alain Platel: Director"
674:Uit de Bol/Coup de cœurs
403:Platel has acknowledged
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771:les ballets de ci de lĂ
267:les ballets de ci de lĂ
130:Early years (1956–1984)
1759:Belgian choreographers
813:. London: Bloomsbury.
779:(2006) – with Victoria
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240:, which used music by
236:, commissioned by the
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792:Les ballets C de la B
611:Architectuur als buur
525:2014: Champagne Prize
455:La Tristezza Complice
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378:le Sacre du Printemps
228:Shortly after making
87:les ballets C de la B
27:Belgian choreographer
18:Les ballets C de la B
1740:at Wikimedia Commons
641:La Tristeza Complice
411:Europe Theatre Prize
219:Sidi Larbi Cherkaoui
196:La Tristeza Complice
862:Akademie der KĂĽnste
549:University of Ghent
176:Hans Van den Broeck
46:Alain Platel (2021)
1631:The Globe and Mail
1379:Territory Festival
1184:Festival d'Avignon
696:St Matthew Passion
593:Mange p’tit coucou
338:Teatro Real Madrid
180:Christine De Smedt
1736:Media related to
1248:978-0-415-32939-2
1213:"Project archive"
1165:978-1-3500-8001-0
1026:978-1-3500-8001-0
858:"Alain Platel CV"
820:978-1-3500-8001-0
801:978-90-209-6443-1
794:. Tielt: Lannoo.
731:En avant, marche!
703:- for Pina (2010)
539:En avant, marche!
430:Bonjour Madame...
318:En avant, marche!
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777:Nachtschade
686:Nine Finger
570:Productions
405:Pina Bausch
396:(2010) and
316:(2010) and
306:Nine Finger
297:(2014) and
64:Occupations
1748:Categories
1714:2022-12-28
1661:2022-12-28
1447:. May 2010
1054:Timescapes
829:References
725:Coup Fatal
719:tauberbach
647:Bernadetje
398:tauberbach
350:Coup Fatal
295:Coup Fatal
287:Uit de Bol
275:Monteverdi
212:J. S. Bach
188:Bernadetje
713:C(H)OEURS
461:, Hamburg
459:Kampnagel
141:Patchwork
1679:"Awards"
1424:20627962
1351:Artangel
707:Gardenia
599:Alchemie
421:Taormina
392:(2006),
382:Gardenia
356:, while
334:C(H)Ĺ’URS
314:Gardenia
301:(2018).
293:(2008),
261:, 2002;
73:Director
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541:at the
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279:Vespers
95:Website
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342:Wagner
291:pitié!
242:Mozart
125:Career
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680:vsprs
512:vsprs
419:, in
390:vsprs
346:Verdi
327:Style
271:vsprs
136:Ghent
1690:2020
1638:2020
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