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785:, who describes him as a man of fiery and uncontrollable temper... 'never a day passed without a stormy scene with singers, chorus and orchestra, coupled with threats to return to Italy at once.' These scenes always ended in Beecham's room, and after several such experiences Beecham called his bluff by producing tickets for Mugnone and his family to return to Italy the following day. 'He opened and closed his mouth, rolled his eyes, ruffled his hair and after several abortive attempts at speech finally roared out "I will never leave you".' A long speech of justification, explanation, and declaration of fondness for England followed, and the season proceeded: life was a little quieter after that, at least for Beecham, who considered Mugnone's interpretations of Verdi the finest he ever heard.
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61:, at the age of 12, in which he wished to take part in the basso comico role, though he had then only an alto voice. At 16 he began conducting. A year later he was recruited as a chorus director for an operetta troupe at the Teatro Nuovo, run by F. Sadowsky. From there he went on to the Garibaldi Theatre, first as chorus master and later as
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Around 1933 Mugnone gave to the
Museums of La Scala and the Rome Opera, and to the Naples Conservatorio, about 2000 documents including letters of Verdi, Massenet, Mascagni, Strauss and Leoncavallo, and a voluminous cache of Puccini materials.
37:, Naples) was an Italian conductor, especially of opera, whose most famous work was done in the period 1890–1920, both in Europe and South America. He conducted various operatic premieres, and was also a composer of operas.
205:'s annotations and flung it from him, saying: "Bah! Puzza di Parma!" (It stinks of Parma). The Verdi centenary celebrations of October 1913, at La Scala, opened with a memorable performance of
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Mugnone established his reputation in Italy and beyond, and conducted a tour with the double-bass player
Bottesini. In 1887 at the Costanzi Theatre (Rome) in a single season he conducted
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The son of
Antonio Mugnone, principal double-bass in the orchestra of the San Carlo Theatre in Naples, Mugnone studied from an early age at the Royal Conservatorio of
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wrote to Verdi: "Mugnone has understood the entire score with a great power of penetration." With the same work
Mugnone gave the inaugural concert of the
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246:(Venice 1892) did not fare well in Vienna, for after it was presented at the Teatro dell’Esposizione in 1892, the critic
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and elsewhere in South
America, where he made a significant impact. In Buenos Aires he gave the first South American
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Item by
Alessandro Tartaglione, Assessore alla Cultura del Comune di Marcianise, sopra il Teatro Mugnone (Italiano)
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A 'Teatro
Mugnone' (named in his honour ) has recently been bought and should be restored in the Italian Comune of
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in its original form as an oratorio. During the
Exhibition of 1899 he directed a Grand Opera season in Paris.
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434:) at La Scala in 1906. (Like Mugnone, Franchetti had been a student of Serrao). He conducted for
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His own compositions, however, and many of his most important premieres, were in the field of
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I Concerti
Popolari ed il Teatro Regio di Torino: Quindici Anni da Vita Musicale, 1872-1886
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Between May and August 1919 he conducted a Covent Garden
Italian season, including
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in 1893. Mugnone became famous for other revivals of important operas, including
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by Massenet (first Rome production, 30 December 1899, with Savelli and De Luca);
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by Massenet (first Rome production, 20 March 1900, with Bellincioni and Moreo);
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was premiered at Naples in 1905. Between 1904 and 1906 he had busy seasons at
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Leopoldo Mugnone (sitting at right) in a 1899 photograph with (among others)
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in Rome in 1900 (including interruptions for a bomb scare). His own opera
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pronounced it to be a mediocre and objectionable thing. It appeared in
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The Teatro Solis: 150 Years of Opera, Concert and Ballet in Montevideo
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900:(2 vols). (Societa Tipografico-Editrice Nazionale, Torino 1914–1915)
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New York Times 30 March 1921 Announces Mugnone season at Lexington
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448:(another Serrao pupil). In 1910 (17 March) he gave the premiere of
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on 16 May 1897. A story goes that he once got hold of a score with
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and other works, and the first England performance of Mascagni's
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Tosca's Rome: The Play and the Opera in Historical Perspective
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that Mugnano began to develop his work in operatic seasons in
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Aspettando il Teatro Mugnone, Omaggio al Mo. Leopoldo Mugnone
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Aspettando il Teatro Mugnone, Omaggio al Mo. Leopoldo Mugnone
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57:. He composed his first theatre work, a little opera buffa
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Other Italian premieres of this period given by him were:
438:'s famous La Scala debut in March 1906 as Katiusha in the
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73:(3 acts) were produced during the later 1870s at Naples.
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See Giovanni Borrelli, "Vita e Opere di L. Mugnone", in
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opera. In 1890 he conducted the sensational premiere of
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E. De Leva, "Leopoldo Mugnone nel dolore e nell’arte",
687:(in Italian) in August 1898. He conducted premieres in
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See list appended to G. Borrelli, "Vita e Opere, etc."
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by Mascagni (Naples, San Carlo, 19 January 1901, with
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76:Mugnone was himself the teacher of the conductor
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578:(Rome, 9 May 1890, with Bellincioni and Stagno);
781:). This appearance was under the management of
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417:(November 1906, with Giachetti and Zenatello).
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998:A Mingled Chime, Leaves from an Autobiography
868:Enzo Raucci,"Vita e Opere di L. Mugnone", in
173:, who especially admired his performances of
138:was the last artistic experience enjoyed by
943:(University of Chicago press, 2002), p. 24.
987:(Wesleyan University Press, 2003), p. 130.
889:A. De Angelis, "Aneddoti sit Mugnone", in
857:A Dictionary of Modern Music and Musicians
71:Mamma Angot al serraglio di Costantinopoli
624:(first at Rome, Teatro Nazionale, 1892);
287:Mugnone conducted the world premiere of
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1018:Mugnone-Verdi Story of bell-casting at
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232:with this work), at the Costanzi with
92:Leopoldo Mugnone in a 1896 caricature
983:S. Salgado & J. M. Sanguinetti,
952:List in G. Borrelli, "Vita e Opere."
498:(Rome, Costanzi, 11 Dec. 1888, with
474:(Naples, Circo Nazionale, May 1882);
65:. Two other early operettas by him,
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1112:20th-century Italian male musicians
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116:in Paris, and at the Municipale in
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963:Concise Oxford Dictionary of Opera
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1087:19th-century classical composers
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1000:(Hutchinson, London 1944, 180).
411:(November 1904) and Giordano's
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142:before madness overtook him.
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169:Mugnone was very esteemed by
1062:Italian male opera composers
965:(OUP, London 1974 printing).
479:Regina e Contadina di Sarria
67:Don Bizzarro e le sue figlie
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815:Il barbiere di Siviglia
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834:Archive and memorial
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388:Un ballo in maschera
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189:at the Paris Opera,
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657:Le Maschere
622:Leoncavallo
617:I Pagliacci
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850:Sources
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216:verismo
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199:Palermo
826:(with
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176:Otello
127:Carmen
49:under
31:Naples
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