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It's this album of two parts, the first half of it reflects my kind of renewed excitement about electronic music, and it's really I guess my own strange hybridization of pop song structure with EDM aesthetics. And then the second half of the record is more what I call typical Duncan Sheik
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self-indulgent art songs and it's more organic, sparse, internal and darker. But the whole thing is like a battery, the first half has a positive charge and the second half has a negative charge but it kind of works together as a whole.
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wrote that there was an "ambition and uncompromising nature" to this music with an "unpredictable nature" that shows that Sheik "cares little about the songs' commercial potential". In
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smash... is a... like a hybrid between his
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as well as his work scoring musical theater. The music was written contemporaneously to scoring
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in almost a decade and was supported by live performances around his
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is a 2015 studio album by
American singer-songwriter
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504:. Reviews > Album Reviews.
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330:"After All" – 4:58
285:"Sometimes" – 5:04
276:"Avalanche" – 4:46
233:Stephen Thomas Erlewine
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418:2015 in American music
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318:"So There" – 2:14
306:"Circling" – 6:05
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265:All songs written by
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194:Legerdemain
186:Legerdemain
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889:Covers 80s
630:The Record
483:Retrieved
429:References
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974:On a High
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584:. Music.
560:0006-2510
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984:Musicals
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121:Producer
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