194:, and observing himself observing his surroundings. He also pursues romantic and sexual relationships with two Spanish women, lying to them and others to elicit sympathy and avoid responsibility. He tells several people that his mother has recently died, recounts a friend's experience of a failed attempt to rescue a drowned woman as if it was his own, and uses his (sometimes feigned) lack of Spanish fluency to falsely suggest that his thoughts are too profound and complex to convey outside of his native language. Especially when called upon to participate in poetry readings or discussion panels, Gordon grapples with feelings of fraudulence and anxiety.
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The protagonist doesn't unequivocally undergo a dramatic transformation, for instance, but rather the question of "transformation" is left open, and people seem to have strong and distinct senses about whether the narrator has grown or remained the same, whether this is a sort of coming of age story
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The first-person narrator of the novel, Adam Gordon, is an
American poet in his early 20s participating in a prestigious fellowship in
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circa 2004. The stated goal of his fellowship is to write a long narrative poem highlighting literature's role in the
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considered it one of his favorite books of the year. It won the 2011
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240:. At one point in the novel, Gordon reads a selection from
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486:"New Statesman - Books of the year 2011: Benjamin Kunkel"
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During his time in Spain, Gordon often carries
Ashbery's
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or whether it charts a year in the life of a sociopath.
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2011 debut novel by
American poet and critic Ben Lerner
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