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and once again offers to marry Pamira and make peace with the Greeks. Cleomene would rather see Pamira die than married to their enemy. Neocle returns and reveals to
Maometto that he isn't Pamira's brother, he's the man her father wants her to marry. Maometto, enraged, departs for the field of battle. Pamira enters and Neocle makes father and daughter reconcile. The three of them pray for God's protection. Jero, the guardian of the graves, enters with the Greek warriors; he blesses their banners and recalls ancient Greek victories at Marathon and Thermopylae. The men march off to battle, while Pamira and the women pray for God's mercy. When they hear Turkish cries of victory, the women prepare to die. Maometto, victorious, returns to claim Pamira; but she and the women kill themselves rather than submit. The building collapses, revealing behind it the city of Corinth in flames.
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him his daughter Pamira in marriage. But she reveals that she loves a certain
Almanzor whom she met recently in Athens. Cleomene starts questioning her about Almanzor, but he is called away to the battle. Before leaving he gives his daughter a sword which she must use on herself if the Turks succeed in capturing the city.
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Neocle enters the catacombs, mastering his fear. He joins the Greeks who are preparing to make a final stand. In the distance, Pamira and the Greek women are heard in prayer. Cleomene recognizes Pamira's voice; but, feeling betrayed by her, he swears she is no longer his daughter. Maometto approaches
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role of Neocle, but from the 1860s it disappeared entirely from the repertory and was no longer staged for roughly the next eighty years. However, the opera's overture remained widely popular and never left the concert orchestra repertory. More recently the overture has been performed and recorded by
682:
Cleomene, governor of
Corinth, realizes that his depleted troops cannot withstand another attack. But Neocle, a young Greek officer, encourages the Greeks to keep fighting the Turks that are besieging the city. The soldiers depart for a new attack. Cleomene, impressed by Neocle's valor, has promised
691:
The Turks are celebrating their victory and praising their leader, Maometto. Cleomene, now a prisoner, is brought in, and
Maometto urges him to surrender; he refuses. Pamira rushes in to her father, then recognizes, in Maometto, the man she knew as Almanzor. Maometto offers to marry Pamira and make
705:
Alone, Pamira is torn between her love for
Maometto and her duty to her father and Greece. Maometto enters and tries to comfort her. Preparations begin for their wedding, but a commotion outside the tent interrupts the proceedings. It is Neocle, who has come to take Pamira back to the Greeks.
706:
Maometto, angry, is about to kill the intruder when Pamira claims he is her brother. The Greeks prepare for a new battle, and from the citadel
Cleomene calls to Pamira. She deserts Maometto to join her father and country. Maometto vows that by sunrise every Greek will be dead.
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in July 1831. In the United States, the first performance was given in French by the
Italian Opera House in New York in February 1833 and in Italian in February 1835. The opera became popular across Europe in its Italian translation by
258:
Liszt wrote an
Introduction and Variations for piano based on a march from this opera. That work was deemed lost or mistitled until 1976 when the introduction was discovered by Nancy B. Reich at Manhattanville College's library.
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in a topical nod to the then-raging Greek war for independence from the
Ottomans, and translated it into French. This time, Rossini succeeded, and the opera was performed in various countries over the next decade or so.
1962:
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used the La Scala version for its premiere of the opera. The Met production was conducted by
Schippers again and starred Beverly Sills in her Met debut, now opposite
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882:(Recording of a performance at the MET given in Italian in a version prepared by Thomas Schippers for La Scala, under the title ‘’L'Assedio de Corinthe")
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311:, Rossini tried yet again, with yet another version (which included two ballets, as called for by French operatic tradition), transplanted it to the
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from the original Neapolitan and Venetian versions and even from other obscure Rossini operas (as Rossini himself commonly did). In 1975, the
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peace with the Greeks. Cleomene, however, insists she must marry Neocle. When Pamira refuses, Cleomene curses her and leaves her to Maometto.
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286:. That original version had premiered in Naples on 3 December 1820 – six years before the Missolonghi siege and massacre. The original
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Since 1975, the only production of the opera in the US has been the October 2006 stagings of the French version by the
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where Rossini tried out a somewhat revised version in 1823, this time with a happy ending using music from his own
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The French version of this late Rossini opera was a partial rewrite of the composer's 1820 Italian opera,
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Outside the US, the opera has been staged several times. It was produced in
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conducting. The opera used a performing edition by noted musicologist and
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was Rossini's first French opera (known also in its Italian version as
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1250:, Vol. Four. pp. 364 – 65. London: Macmillan Publishers, Inc.
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1030:"Liszt's Variations on the March from Rossini's Siège de Corinthe"
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has little, if any, connection with the opera as to its content.
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for its cruelty – also inspired a prominent painting by
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217:(1821–1829). The same incident – condemned throughout
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1226:(1990), Ithaca, New York: Northeastern University Press.
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The tombs of Corinth, illuminated by a multitude of fires
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several contemporary classical orchestras, including the
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and contralto Martine Dupuy, and under the direction of
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The Bel Canto Operas of Rossini, Donizetti, and Bellini
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L'occasione fa il ladro, ossia Il cambio della valigia
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in 1982 in Calisto Bassi's Italian version, starring
1690:
Il viaggio a Reims, ossia L'albergo del Giglio d'Oro
1526:
Il barbiere di Siviglia, ossia L'inutile precauzione
1110:
Beghelli, Marco & Gallino, Nicola (ed.) (1991),
1070:, 3rd edition (London: John Calder, 1978), folio 669
678:
SCENE ONE: Vestibule of the senate palace at Corinth
1963:
Conservatorio Statale di Musica "Gioachino Rossini"
385:was finally revived again in a production starring
1651:Matilde di Shabran, ossia Bellezza e Cuor di Ferro
262:
2050:
1447:Il signor Bruschino, ossia Il figlio per azzardo
1415:Ciro in Babilonia, ossia La caduta di Baldassare
1706:Moïse et Pharaon, ou Le passage de la mer rouge
1579:Adelaide di Borgogna, ossia Ottone, re d'Italia
1635:Bianca e Falliero, ossia Il consiglio dei tre
1539:La gazzetta, ossia Il matrimonio per concorso
1327:
959:(Recording of a performance in French at the
469:. In 1992 the same production was revived in
328:The first performance, in French, was at the
1183:Gossett, Philip; Brauner, Patricia (2001), "
2114:Cultural depictions of Mehmed the Conqueror
1133:on vocalimages.com. Retrieved 16 June 2014
413:expert Randolph Mickelson that made use of
397:revived it for the Rossini centennial with
245:had indeed besieged the city in the 1450s.
227:Greece Expiring on the Ruins of Missolonghi
1374:
1334:
1320:
992:Virtuosi Brunensis and Camerata Bach Choir
968:Cat: CD 597; Charles Handelman, Live Opera
38:
2109:Works about the Greek War of Independence
1555:La Cenerentola, ossia La bontà in trionfo
307:But in 1826, two years after settling in
2104:Opera world premieres at the Paris Opera
649:
229:), and was mentioned in the writings of
205:and ultimate destruction of the town of
1158:Complete Beverly Sills performance list
957:Orchestra and the Prague Chamber Chorus
168:, the libretto of which was written by
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196:
1341:
1315:
1292:Warrack, John and West, Ewan (1992),
1027:
1212:, Portland, Oregon: Amadeus Press.
1147:on operadis-opera-discography.org.uk
921:Cat: 7140-7142 & Cat: NE 7372/3
401:, in her La Scala debut, as Pamira,
1176:. L'Almanacco di Gherardo Casaglia
839:(Recorded in July and August 1974)
372:Academy of St. Martin-in-the-Fields
13:
994:(Recording of performances at the
290:was not well received, neither in
14:
2130:
1595:Adina, ossia Il califfo di Bagdad
1307:
1247:The New Grove Dictionary of Opera
1088:
344:(translated by Calisto Bassi) in
2033:
2032:
1726:
1547:Otello, ossia Il Moro di Venezia
1530:
1510:Elisabetta, regina d'Inghilterra
2094:Operas set in the 15th century
1294:The Oxford Dictionary of Opera
1272:Rossini: The Man and His Music
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1104:
1082:
1073:
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687:SCENE TWO: A Square in Corinth
1:
1274:, Dover Publications, 1987.
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723:
514:Premiere Cast, 9 October 1826
182:) and was first given at the
44:Set for Act 3 in the premiere
1195:, New York: Penguin Putnam.
1091:"Annals of Music in America"
912:Orchestra and Chorus of the
7:
2064:Operas by Gioachino Rossini
1193:The New Penguin Opera Guide
1114:, Milan: Garzanti, p. 786.
1112:Tutti i libretti di Rossini
654:Décor for Act 1-Scene 1 of
643:
201:The opera commemorates the
10:
2135:
1236:Osborne, Richard (1998), "
1172:Casaglia, Gherardo (2005).
1068:Annals of Opera, 1597-1940
747:Opera House and Orchestra
213:troops during the ongoing
93:Third Siege of Missolonghi
16:Opera by Gioachino Rossini
2119:Ottoman Empire in fiction
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2001:Duetto buffo di due gatti
1986:
1955:
1920:
1901:
1852:
1817:
1778:
1749:
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1391:La cambiale di matrimonio
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832:London Symphony Orchestra
518:François Antoine Habeneck
215:Greek War of Independence
98:
88:
80:
59:
49:
37:
26:
21:
1940:(1991 biographical film)
1932:(1942 biographical film)
1028:REICH, NANCY B. (1976).
966:Audio CD: House of Opera
709:
695:
672:
500:
103:9 October 1826
1842:Petite messe solennelle
611:Alexandre-Aimé Prévost
2099:Works set in the 1450s
2069:French-language operas
1973:Rossini Opera Festival
1787:Ecco, ridente in cielo
1431:La pietra del paragone
1399:L'equivoco stravagante
1174:"Le siège de Corinthe"
1131:Biography of Mickelson
961:Rossini Opera Festival
955:Opéra National de Lyon
836:Ambrosian Opera Chorus
659:
479:Rossini Opera Festival
1995:La boutique fantasque
1910:The Barber of Seville
653:
588:Henri-Étienne Dérivis
563:a young Greek officer
2089:Operas set in Greece
1891:Péchés de vieillesse
1698:Le siège de Corinthe
1486:Aureliano in Palmira
1463:L'italiana in Algeri
1354:List of compositions
1238:Le siège de Corinthe
1185:Le siège de Corinthe
1145:Le siège de Corinthe
1034:Fontes Artis Musicae
963:, Pesaro, 5 August)
880:Orchestra and Chorus
786:Orchestra and Chorus
656:Le siège de Corinthe
555:Laure Cinti-Damoreau
383:Le siège de Corinthe
342:L'assedio di Corinto
317:Le siège de Corinthe
252:The Siege of Corinth
180:L'assedio di Corinto
136:The Siege of Corinth
126:Le siège de Corinthe
54:The Siege of Corinth
22:Le siège de Corinthe
2007:Matinées musicales
1921:Cultural depictions
1875:La regata veneziana
1603:Ricciardo e Zoraide
1518:Torvaldo e Dorliska
1066:Alfred Loewenberg,
919:Audio CD: Nuova Era
914:Teatro Carlo Felice
905:Maurizio Comencini,
527:Governor of Corinth
481:: in 2000 starring
324:Performance history
315:with the new title
304:at the conclusion.
263:Revised version of
233:. The reference to
197:Composition history
2059:History of Corinth
1978:Rossini in Wildbad
1860:Six string sonatas
1619:Eduardo e Cristina
1494:Il turco in Italia
1383:Demetrio e Polibio
1222:Osborne, Richard,
996:Rossini in Wildbad
970:Cat: (unnumbered)
940:Giuseppe Filianoti
930:Stephen Mark Brown
878:Metropolitan Opera
791:Audio CD: Arkadia
660:
658:at the Paris Opéra
491:Giuseppe Filianoti
419:Metropolitan Opera
340:. It was given as
241:, although Sultan
170:Cesare della Valle
2046:
2045:
2013:Messa per Rossini
1956:Named for Rossini
1937:Rossini! Rossini!
1894:(1857–1868)
1794:Largo al factotum
1745:
1744:
1677:
1676:
1627:La donna del lago
1473:
1472:
1343:Gioachino Rossini
1270:(re-issue 1987),
1079:Almanacco Amadeus
1007:
1006:
1003:Cat: 8.660329-30
990:Jean-Luc Tingaud,
875:Thomas Schippers,
829:Thomas Schippers,
784:Teatro alla Scala
641:
640:
495:La Fura dels Baus
463:Katia Ricciarelli
443:Ciro in Babilonia
330:Salle Le Peletier
301:La donna del lago
237:is an example of
184:Salle Le Peletier
145:Gioachino Rossini
143:in three acts by
122:
121:
114:Salle Le Peletier
32:Gioachino Rossini
2126:
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1987:Related articles
1902:Film adaptations
1808:Una voce poco fa
1735:Ugo, re d'Italia
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1423:La scala di seta
1407:L'inganno felice
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987:Lorenzo Regazzo
980:Majella Cullagh,
935:Ruth Ann Swenson
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885:Audio CD: Bensar
779:Thomas Schippers
759:Franco Bonisolli
728:
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636:Ferdinand Prévôt
505:
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487:Ruth Ann Swenson
467:Pier Luigi Pizzi
448:Elizabeth Futral
407:Thomas Schippers
376:Neville Marriner
223:Eugène Delacroix
160:Alexandre Soumet
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72:Alexandre Soumet
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797:Cat: LCD 135–2;
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571:Adolphe Nourrit
515:
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483:Michele Pertusi
446:which featured
438:Baltimore Opera
423:Shirley Verrett
415:insertion arias
405:as Neocle, and
352:and it reached
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1359:List of operas
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1308:External links
1306:
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1296:, 782 pages,
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1189:Holden, Amanda
1181:
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1143:Recordings of
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1040:(3): 102–106.
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983:Michael Spyres
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887:Cat: OL 41975
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665:Place: Corinth
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499:
450:as Pamira and
387:Renata Tebaldi
348:on 26 January
325:
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219:Western Europe
198:
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156:Luigi Balocchi
120:
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67:Luigi Balocchi
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2016:
2014:
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1323:
1318:
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1314:
1303:
1302:0-19-869164-5
1299:
1295:
1291:
1288:
1287:0-486-25396-1
1284:
1281:
1277:
1273:
1269:
1268:Toye, Francis
1266:
1264:
1263:1-56159-228-5
1260:
1257:
1256:0-333-73432-7
1253:
1249:
1248:
1243:
1242:Stanley Sadie
1239:
1235:
1233:
1232:1-55553-088-5
1229:
1225:
1221:
1219:
1215:
1211:
1207:
1204:
1202:
1201:0-14-029312-4
1198:
1194:
1190:
1186:
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1175:
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1169:
1168:
1159:
1154:
1148:
1146:
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1132:
1127:
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1120:88-11-41059-2
1117:
1113:
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1092:
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901:Luciana Serra
897:
896:Dano Raffanti
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867:
862:
861:Beverly Sills
857:
856:Harry Theyard
854:
851:
850:
845:
841:
837:
833:
828:
826:
821:
816:
815:Beverly Sills
811:
810:Harry Theyard
808:
805:
804:
790:
785:
780:
777:
775:
770:
769:Marilyn Horne
765:
764:Beverly Sills
760:
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749:
744:
733:
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721:
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680:
679:
667:
664:
663:
657:
652:
637:
634:
631:
628:
627:
623:
621:
620:mezzo-soprano
618:
615:
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603:
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584:
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579:
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553:
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546:
542:
541:
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537:Louis Nourrit
535:
533:
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524:
523:
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513:
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498:
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488:
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475:Luciana Serra
472:
468:
464:
460:
455:
453:
452:Vivica Genaux
449:
445:
444:
439:
434:
432:
431:Harry Theyard
428:
424:
420:
416:
412:
408:
404:
403:Marilyn Horne
400:
399:Beverly Sills
396:
392:
388:
384:
379:
377:
374:conducted by
373:
368:
364:
360:
359:Calisto Bassi
355:
351:
347:
343:
339:
336:on 9 October
335:
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303:
302:
297:
293:
289:
285:
281:
277:
273:
266:
260:
256:
254:
253:
249:'s 1816 poem
248:
244:
240:
236:
232:
228:
224:
220:
216:
212:
208:
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194:
193:
190:on 9 October
189:
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58:
55:
52:
48:
41:
36:
33:
29:
25:
20:
2074:Grand operas
2017:
2005:
1993:
1968:Prix Rossini
1943:
1935:
1927:
1909:
1889:
1881:
1873:
1865:
1845:(1864, 1867)
1840:
1837:(1831, 1841)
1834:Stabat mater
1832:
1824:
1818:Sacred music
1801:Sombre forêt
1768:Robert Bruce
1766:
1758:
1738:(unfinished)
1733:
1720:
1714:Le comte Ory
1712:
1704:
1697:
1696:
1688:
1665:
1657:
1649:
1641:
1633:
1625:
1617:
1609:
1601:
1593:
1585:
1577:
1569:
1561:
1553:
1545:
1537:
1524:
1516:
1508:
1500:
1492:
1484:
1461:
1453:
1445:
1437:
1429:
1421:
1413:
1405:
1397:
1389:
1381:
1293:
1271:
1245:
1237:
1223:
1209:
1192:
1184:
1178:(in Italian)
1166:
1165:
1153:
1144:
1138:
1126:
1111:
1106:
1094:. Retrieved
1084:
1075:
1067:
1062:
1037:
1033:
1023:
1014:
1013:
871:Justino Díaz
844:EMI Classics
825:Justino Díaz
801:Cat: CA 034
793:Cat: CD 573;
774:Justino Díaz
718:
714:
713:
704:
700:
699:
690:
686:
685:
681:
677:
676:
655:
562:
545:his daughter
544:
526:
516:(Conductor:
497:production.
456:
441:
435:
427:Justino Díaz
410:
382:
380:
341:
327:
316:
306:
299:
287:
271:
269:
264:
257:
250:
226:
200:
179:
175:
174:
163:
135:
134:
125:
124:
123:
53:
2079:1826 operas
1948:(1996 film)
1912:(1947 film)
1853:Other works
1682:Later works
1643:Maometto II
1375:Early works
1096:19 February
910:Paolo Olmi,
847:Cat: 64335
511:Voice type
454:as Neocle.
334:Paris Opéra
313:Peloponnese
272:Maometto II
265:Maometto II
231:Victor Hugo
209:in 1826 by
207:Missolonghi
188:Paris Opéra
165:Maometto II
50:Translation
2053:Categories
2019:Rossiniana
1667:Semiramide
1502:Sigismondo
1280:0486253961
1244:, (Ed.),
1218:0931340713
1010:References
998:Festival)
978:Marc Sala,
842:Audio CD:
745:Conductor,
724:Recordings
668:Time: 1459
578:Mahomet II
525:Cléomène,
284:Negroponte
282:colony of
247:Lord Byron
107:1826-10-09
60:Librettist
1751:Pastiches
1046:0015-6191
742:Maometto
736:Cléomène,
561:Néoclès,
473:starring
411:bel canto
363:contralto
243:Mehmed II
147:set to a
2038:Category
1883:La Danza
1478:Maturity
1455:Tancredi
1208:(1994),
1054:23506355
916:, Genoa
740:Néoclès,
644:Synopsis
624:Frémont
594:Adraste
543:Pamira,
459:Florence
395:La Scala
391:Florence
381:In 1949
288:Maometto
280:Venetian
276:conquest
239:allegory
176:Le siège
152:libretto
139:) is an
99:Premiere
89:Based on
81:Language
1929:Rossini
1760:Ivanhoé
1725:(1829)
1659:Zelmira
1611:Ermione
1529:(1816)
1240:", in
1224:Rossini
1191:(ed.),
1167:Sources
750:Label
738:Pamira,
616:Ismène
605:Hiéros
550:soprano
365:in the
361:with a
332:of the
294:nor in
278:of the
235:Corinth
211:Turkish
186:of the
131:English
116:, Paris
105: (
2084:Operas
1886:(1835)
1878:(1835)
1870:(1817)
1862:(1804)
1829:(1820)
1771:(1846)
1763:(1826)
1717:(1828)
1709:(1827)
1701:(1826)
1693:(1825)
1670:(1823)
1662:(1822)
1654:(1821)
1646:(1820)
1638:(1819)
1630:(1819)
1622:(1819)
1614:(1819)
1606:(1818)
1598:(1826)
1590:(1818)
1582:(1817)
1574:(1817)
1571:Armida
1566:(1817)
1558:(1817)
1550:(1816)
1542:(1816)
1521:(1815)
1513:(1815)
1505:(1814)
1497:(1814)
1489:(1813)
1466:(1813)
1458:(1813)
1450:(1813)
1442:(1812)
1434:(1812)
1426:(1812)
1418:(1812)
1410:(1812)
1402:(1811)
1394:(1810)
1386:(1812)
1368:Operas
1300:
1285:
1278:
1261:
1254:
1230:
1216:
1199:
1118:
1052:
1044:
632:tenor
600:Bonel
597:tenor
567:tenor
354:Vienna
296:Venice
292:Naples
149:French
84:French
1779:Arias
1187:" in
1050:JSTOR
1015:Notes
975:2010
926:2000
892:1992
852:1975
806:1974
755:1969
734:Cast:
731:Year
710:Act 3
696:Act 2
673:Act 1
629:Omar
608:bass
532:tenor
508:Role
501:Roles
471:Genoa
367:tenor
346:Parma
309:Paris
203:siege
141:opera
28:Opera
1298:ISBN
1283:ISBN
1276:ISBN
1259:ISBN
1252:ISBN
1228:ISBN
1214:ISBN
1197:ISBN
1116:ISBN
1098:2015
1042:ISSN
583:bass
489:and
429:and
350:1828
338:1826
192:1826
158:and
389:in
154:by
30:by
2055::
1048:.
1038:23
1036:.
1032:.
834:,
520:)
485:,
433:.
425:,
378:.
172:.
133::
1810:"
1806:"
1803:"
1799:"
1796:"
1792:"
1789:"
1785:"
1335:e
1328:t
1321:v
1289:,
1180:.
1100:.
1056:.
985:,
952:,
942:,
937:,
932:,
903:,
898:,
868:,
863:,
858:,
822:,
817:,
812:,
781:,
771:,
766:,
761:,
225:(
129:(
109:)
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