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ridiculed this ballet in his article: "I love ballet for its constancy. New governments are created; new people appear in the picture; new facts are being born; the whole structure of life is changing; science and arts are watching these events with anxious attention, as they supplement and sometimes
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ru: «Я люблю балет за его постоянство. Возникают новые государства; врываются на сцену новые люди; нарождаются новые факты; изменяется целый строй жизни; наука и искусство с тревожным вниманием следят за этими явлениями, дополняющими и отчасти изменяющими самое их содержание — один балет ни о чем не
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to dance the role of Naïla. The first production opened at the Théâtre Impérial de l´Opéra in Paris on 12 November 1866. Guglielmina
Salvioni was such a success that the Paris theater critics praised her. Arthur Saint-Léon decided to continue working with her and invited her to Russia. She left for
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alter their very content - only ballet hears nothing and knows nothing <...> But never before was the one-dimensional thinking of ballet and its conservative beginnings so brightly expressed, as in the ballet "Le
Poisson Doré", staged last year at the Bolshoi theater of St Petersburg".
439:слышит и не знает…<…> Но никогда еще единомыслие балета и консервативных начал не выражалось с такою яркостью, как в балете "Золотая рыбка", поставленном прошлого года на сцене петербургского Большого театра» (see
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In these years, Russia's democratic movement grew. Representatives of the aristocracy occupied all the main important posts, but already a new class of
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As chief choreographer of the
Imperial ballet, Arthur Saint-Léon traveled from time to time to France and staged ballets at the
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glorified imperial power, which is understandable, since his work with the
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as the Golden Fish. A small role of butterfly was performed by the 11-year-old future prominent choreographer
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Ekaterina Vazem’s
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The complete work was then presented by the
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in Moscow. He wrote a new libretto, deleted the names, complemented the music of
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had arisen and were clamoring for the arts. Choreographer Saint-Léon's ballet
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Ballet in this version was several years. There was not more productions.
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La Danse Corps et
Graphies — La Source, «Carnet d’un voyage en Orient»
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Russia in 1867. At this time Arthur Saint-Léon finished the ballet
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the
Russian dancers played the role of Galia: Alexandra Kemmerer,
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Russian Ballet
Encyclopedia ru: Энциклопедия балета (страница 22)
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retired and
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ru: М. Е. Салтыков (Н. Щедрин). Собрание сочинений в 20 томах
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Ballets premiered at the Bolshoi Theatre, Saint Petersburg
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Chief ballet-master of the St. Petersburg Imperial troupe
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was dropped from the repertoire several months later.
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195:in Saint Petersburg on November 20/December 2 (
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178:The scenario of this ballet was derived from
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