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In 1762 Pasquale
Antonibon reported to the state that his operation consisted of 136 workers in the factory and 100 "pedlars" selling the wares. He had four large and twelve small kilns, and owned plots where he could extract materials. By 1768 he reported he had 6,000 pieces of porcelain in stock.
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within five miles of Nove, affecting at least one rival in nearby
Rivarotta. However, the Antonibons attempts to get a monopoly on the use of moulds were never successful. A local competitor complained of Pasquale Antonibon's "haughty and fierce nature" and the "authority and diligence" he used to
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in fashionable styles, which continued to be made alongside the porcelain. Production of porcelain began in 1762 and ended when
Antonibon died in 1773. But it resumed in 1781, when Francisco Parolin (or Parolini) leased the factory for twenty years in a partnership with the Antonibons, known as the
160:. Production of porcelain continued intermittently until the Antonibon family resumed operations in 1825. They made some porcelain until 1835, thereafter only making earthenwares of various types. In 1784 Pasquale's son Giambologna was old enough to take over the management of the family assets.
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from 1770, then 110 from 1780. By the 1790s the Tretto deposits seemed to be running out. Both Cozzi and Le Nove lobbied the government hard to ameliorate this situation by monopolies and import duties, against each other and foreign manufacturers, but smuggling of foreign porcelain into Venice
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get his way. In 1773 the various privileges were renewed, except for the maiolica monopoly, which changing
Venetian policy now deprecated. In 1778 new porcelain factories in the republic's territories were banned, to protect the existing three manufacturers, Cozzi, Le Nove and a factory in
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The
Venetian government archives include extensive collections of petitions, complaints and reports throughout the 18th century documenting these efforts by the Antonibons and other owners, and some allegations of sabotage at the factories, enticing away of workers, and the theft of moulds.
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Before they began making porcelain, the
Antonibons already enjoyed water rights enabling them to build grinding-mills, a ban (shared by other manufacturers) on their workers joining competitors without a four-year break, and from 1756 a monopoly on the manufacture of
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factory to learn their secrets. Porcelain production seems to have started in 1762, but was then paused until 1765 as
Antonibon was ill. Some of the employees had by then gone to work for the Cozzi porcelain factory. By 1768 production was on a large scale.
116:, book illustrations, and decorative prints. These provided a ready source of images for the porcelain-painters of Le Nove, of whom the head was Giovanni Marcon, brought in by Parolin and still working for Baroni in about 1820.
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According to some scholars, the samples of supposed "Le Nove porcelain" sent by
Antonibon to the Venetian government supporting a licence application in 1758 may actually have been made by the long-closed
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The factory had been founded in 1728 by
Giovanni Battista Antonibon, and taken over by his son Pasquale in 1751. For his production of porcelain he hired Sigusmund Fischer, who had worked at
184:, controlled by Bortolo Facci. He exploited this position by charging such a high price that Cozzi porcelain was more expensive in Venice than imported pieces. The price rose from 46
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In 1778 the factory, by then leased out, employed 120 workers making maiolica and 30 porcelain; in 1787, in the
Parolin period, there were 37 porcelain-makers.
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from about 1765, though soft-paste pieces are still assigned dates after this. Some of the factory's products are also classified as
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The first two periods, under the ownership of Pasquale Antonibon and Parolin, are regarded as much the best, although
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describes some early pieces by the next owner, Giovanni Baroni, as "very charming", and notes the marks of
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Bassano was the home of the prolific publishing house of the Remondini family, whose large output included
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At the Centre of the Old World: Trade and Manufacturing in Venice and on the Venetian Mainland (1400–1800)
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Both the Cozzi and Le Nove factories used kaolin from the only known Italian source, Mount Tretto in the
56:"Parolin period". This lasted until 1802. Production of porcelain continued intermittently until 1835.
218:. After a further renewal in 1793, all privileges were revoked at the end of 1794 under a new policy.
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itself, and used the same clays, so it can be difficult to distinguish between the two.
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51:. It was made at a factory owned by Pasquale Antonibon, who was already making fine
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Favaro, 294 (note) cites Arthur Lane, later supported by Raffaella Ausenda.
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factory in the 1720s, with painted decoration recently added in Nove.
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136:. He also sent Lorenzo Levantin, an employee, to work in the French
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Favaro, Giovanni, "Old and New Ceramics", in Lanaro, Paola (ed),
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82:. The production was generally similar to that of the
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Warman's English and Continental Pottery and Porcelain
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was made in the 18th century in the town now called
356:, "Parolin period (1781–1802)" in the Metropolitan.
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689:
464:Chaffers, 430–431; Battie ignores later periods
643:Marks and Monograms on Pottery and Porcelain
718:Manufacturing companies established in 1762
626:Sotheby's Concise Encyclopedia of Porcelain
603:. Wallace-Homestead Book Company. p.
303:, "Parolin period (1781–1802)", hard-paste
288:Pastoral Group, Parolin period, hard-paste
273:(from a set of the continents), unglazed
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128:Cups and saucers with insects, after 1775
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713:Italian companies established in 1762
673:, 1985, Metropolitan Museum of Art,
671:Eighteenth-century Italian Porcelain
197:reduced the effectiveness of these.
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391:Hallwyl Museum notes (In Swedish)
315:Vase, Parolin period, hard-paste
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698:Ceramics manufacturers of Italy
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271:Personification of the Americas
192:(load) in 1765 to 100 lire per
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381:, 24, 1954, Faber; Battie, 103
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365:Le Corbeiller, 8; Battie, 103
333:Le Corbeiller, 8; Battie, 103
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45:'s mainland territories, the
703:1762 establishments in Italy
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251:Detail of cover for bowl,
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71:, the Italian version of
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97:Covered bowl and stand,
595:Bagdade, Susan (1991).
158:William Ewart Gladstone
669:Le Corbeiller, Clare,
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164:Economics and politics
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156:pieces belonging to
65:hard-paste porcelain
61:soft-paste porcelain
25:soft-paste porcelain
375:Vase in the V&A
138:Vincennes porcelain
63:was made, but some
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43:Republic of Venice
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681:, 9780870994210,
663:, 9780772720313,
639:Chaffers, William
614:978-0-87069-577-3
379:Italian Porcelain
275:biscuit porcelain
134:Meissen porcelain
31:Le Nove porcelain
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645:, 1874 edition,
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21:Bowl with cover
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683:fully online
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258:, hard-paste
216:Este, Veneto
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581:Favaro, 308
572:Favaro, 306
563:Favaro, 302
554:Favaro, 288
545:Favaro, 286
527:Favaro, 285
518:Favaro, 282
509:Favaro, 294
473:Favaro, 303
455:Favaro, 307
446:Favaro, 305
437:Favaro, 295
428:Favaro, 294
419:Favaro, 302
401:Favaro, 295
256: 1765
238: 1750
102: 1765
86:factory in
80:earthenware
692:Categories
679:0870994212
661:0772720312
634:1850292515
589:References
59:Initially
48:terrafirma
708:Porcelain
180:, now in
178:Dolomites
114:wallpaper
78:, a fine
76:creamware
69:terraglia
231:Maiolica
211:maiolica
53:maiolica
624:, ed.,
233:plate,
120:History
39:Bassano
37:, near
677:
659:
647:online
632:
611:
88:Venice
321:Notes
194:carro
190:carro
182:Schio
675:ISBN
657:ISBN
630:ISBN
609:ISBN
188:per
186:lire
35:Nove
605:163
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641:,
607:.
253:c.
235:c.
112:,
99:c.
617:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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