295:
76:
271:
89:
307:
20:
322:
283:
224:
Both Cozzi and Le Nove lobbied the government hard to ameliorate this situation by monopolies and import duties, against each other and foreign manufacturers, but smuggling of foreign porcelain into Venice reduced the effectiveness of these. It was not surprising that both factories began to make
200:
The 1760s were profitable years for the factory, but a serious fire at the factory in 1771 was a major set-back, requiring the first of a number of re-financings over the next two decades. Both the Cozzi and Le Nove factories used kaolin from the only known
Italian source, Mount Tretto in the
111:), who had moved to Venice. Hewelcke began producing porcelain there in 1758, with Cozzi as a partner in the venture. But by 1763 the factory had closed, with surviving pieces vanishingly rare. The Hewelcke factory made the first porcelain produced in the city since
72:, giving a "thin hard grey paste with a shiny wet-looking surface". Their body is sometimes classified as "hybrid hard-paste porcelain" as although it contains kaolin it was apparently fired at lower temperatures than other hard-pastes.
142:
in fashionable styles, and continued to do so. Porcelain production began again after 1781, when F. Parolin leased the factory for twenty years. The production was similar to that of the Cozzi factory.
209:, controlled by a Bortolo Facci. He exploited this position by charging such a high price that Cozzi porcelain was more expensive in Venice than imported pieces. The price rose from 46 lire per
181:
to process his materials, and 30 ducats a month for 20 years, as well as legal protection. A pair of fairly large (30 cm (12 in) tall) vases from the factory in the
501:
45:, mostly painted with floral designs or with figures in landscapes and buildings, in "bright but rough" colours. They were rather derivative, drawing from
660:
294:
675:
260:
After an interval of some 250 years, the Cozzi name was revived by a new manufacturer trading as "Geminiano Cozzi
Venezia 1765", and making
130:, made (not continuously) between 1762 and 1773, when the founder, Pasquale Antonibon died. The factory, in the pottery centre now called
185:
are of a different type from others known, and seem to be an experiment in a new style and body material, perhaps used as gifts to the
650:
306:
655:
41:, which operated between 1764 and 1812. Production included sculptural figurines, mostly left in plain glazed white, and
665:
270:
257:
held an exhibition of Cozzi porcelain, showing over 600 pieces from many collections, with a published catalogue.
75:
621:
603:
585:
567:
540:
123:, began production; it became the most important Italian porcelain factory, and continues in the 21st century.
448:
Hess, Catherine (1990). ""Primo
Esperimento in Grande": A Pair of Vases from the Factory of Geminiano Cozzi".
560:
At the Centre of the Old World: Trade and
Manufacturing in Venice and on the Venetian Mainland (1400–1800)
321:
24:
169:
for mixing the ingredients. Unlike Vezzi, Cozzi obtained some support from the government of the
88:
589:
571:
553:
562:, 2006, Centre for Reformation and Renaissance Studies, Victoria University (Toronto, Ont.),
282:
249:
In 2016, the Museo del
Settecento veneziano ("Museum of the Venetian Eighteenth Century") at
238:
607:
241:. By 1784 Cozzi had a stock of 118,000 pieces of porcelain, mostly old and out of fashion.
103:, who had been involved with Nathaniel Friedrich Hewelcke, a German porcelain retailer from
254:
221:
from 1770, then 110 from 1780. By the 1790s the Tretto deposits seemed to be running out.
61:
57:
8:
670:
457:
186:
170:
135:
92:
56:
actually in the city of Venice in the 18th century. Initially the Cozzi factory made
617:
599:
581:
563:
536:
156:
127:
52:
The Cozzi factory was the last but most successful of the three factories which made
46:
165:. In 1767 it employed 45 people, plus 6 apprentices, had four kilns, and a mill at
19:
545:
250:
116:
174:
112:
366:
Hess, 230, 237 note 7; however, most museums do not bother with this distinction
313:
644:
214:
528:
182:
328:
234:
512:
173:, in terms of both legislation and finance. In 1765 he was granted 200
461:
261:
190:
178:
162:
152:
230:
202:
42:
34:
578:
Italian
Ceramics: Catalogue of the J. Paul Getty Museum Collections
226:
139:
120:
558:
Favaro, Giovanni, "Old and New
Ceramics", in Lanaro, Paola (ed),
166:
108:
104:
69:
100:
65:
38:
206:
131:
99:
The factory was started by
Geminiano Cozzi, a banker from
115:
ceased production in 1727. In the meantime, in 1735
126:The story of Venetian porcelain is completed with
642:
189:in thanks for its support. They are painted in
550:Marks and Monograms on Pottery and Porcelain
16:Porcelain made by the Cozzi factory in Italy
661:Manufacturing companies established in 1764
533:Sotheby's Concise Encyclopedia of Porcelain
633:Ansaldi, Marcella and Alberto Craievich,
357:Le Corbeiller, 8–10; Battie, 103 (quoted)
87:
74:
18:
441:
151:The Cozzi factory was in the parish of
643:
676:Italian companies established in 1764
614:An Illustrated Dictionary of Ceramics
193:blue with a scene of Neptune, and an
83:
637:(exh. cat.), Venice: Antiga Edizioni
612:Savage, George, and Newman, Harold,
598:, 1985, Metropolitan Museum of Art,
596:Eighteenth-century Italian Porcelain
447:
60:, but by the 1770s they were making
635:Geminiano Cozzi e le sue porcellane
13:
627:
49:in particular in the early years.
23:A Cozzi porcelain cup and saucer,
14:
687:
450:The J. Paul Getty Museum Journal
320:
305:
293:
281:
269:
651:Ceramics manufacturers of Italy
506:
495:
486:
477:
468:
432:
423:
177:towards the cost of building a
513:"Geminiano Cozzi Venezia 1765"
414:
405:
396:
387:
378:
369:
360:
351:
342:
1:
616:, 1985, Thames & Hudson,
522:
420:Le Corbeiller, 8; Battie, 103
237:of the sort pioneered by the
37:made by the Cozzi factory in
656:1764 establishments in Italy
580:, 2003, Getty Publications,
7:
79:Serving plate, c. 1769–1790
10:
692:
146:
138:, was already making fine
25:Metropolitan Museum of Art
666:Companies based in Venice
312:Figure of a dwarf, after
244:
576:Hess, Catherine (2003),
535:, 1990, Conran Octopus,
335:
239:Staffordshire factories
594:Le Corbeiller, Clare,
411:Savage and Newman, 103
213:(load) in 1765 to 100
96:
80:
27:
429:Hess (2003), 232, 236
348:Savage and Newman, 87
95:(covered bowl), 1770s
91:
78:
22:
474:Hess (2003), 230–236
62:hard-paste porcelain
58:soft-paste porcelain
195:Allegory of Venice
187:Republic of Venice
171:Republic of Venice
97:
84:Venetian porcelain
81:
54:Venetian porcelain
28:
606:, 9780870994210,
588:, 9780892366705,
570:, 9780772720313,
546:Chaffers, William
300:Dwarf, after 1785
128:Le Nove porcelain
47:Meissen porcelain
683:
552:, 1874 edition,
516:
515:company website.
510:
504:
499:
493:
490:
484:
481:
475:
472:
466:
465:
445:
439:
436:
430:
427:
421:
418:
412:
409:
403:
402:Le Corbeiller, 8
400:
394:
391:
385:
384:Le Corbeiller, 8
382:
376:
375:Hess (2003), 232
373:
367:
364:
358:
355:
349:
346:
324:
309:
297:
285:
273:
117:Doccia porcelain
691:
690:
686:
685:
684:
682:
681:
680:
641:
640:
630:
628:Further reading
525:
520:
519:
511:
507:
500:
496:
492:Favaro, 294–302
491:
487:
483:Favaro, 294–302
482:
478:
473:
469:
446:
442:
437:
433:
428:
424:
419:
415:
410:
406:
401:
397:
393:Hess (2003), 13
392:
388:
383:
379:
374:
370:
365:
361:
356:
352:
347:
343:
338:
331:
325:
316:
310:
301:
298:
289:
286:
277:
274:
247:
149:
113:Vezzi porcelain
86:
31:Cozzi porcelain
17:
12:
11:
5:
689:
679:
678:
673:
668:
663:
658:
653:
639:
638:
629:
626:
625:
624:
610:
592:
574:
556:
543:
524:
521:
518:
517:
505:
502:Museum webpage
494:
485:
476:
467:
440:
431:
422:
413:
404:
395:
386:
377:
368:
359:
350:
340:
339:
337:
334:
333:
332:
326:
319:
317:
314:Jacques Callot
311:
304:
302:
299:
292:
290:
288:Cup and saucer
287:
280:
278:
275:
268:
246:
243:
148:
145:
85:
82:
15:
9:
6:
4:
3:
2:
688:
677:
674:
672:
669:
667:
664:
662:
659:
657:
654:
652:
649:
648:
646:
636:
632:
631:
623:
619:
615:
611:
609:
605:
601:
597:
593:
591:
587:
583:
579:
575:
573:
569:
565:
561:
557:
555:
551:
547:
544:
542:
538:
534:
530:
529:Battie, David
527:
526:
514:
509:
503:
498:
489:
480:
471:
463:
459:
455:
451:
444:
438:Chaffers, 425
435:
426:
417:
408:
399:
390:
381:
372:
363:
354:
345:
341:
330:
323:
318:
315:
308:
303:
296:
291:
284:
279:
272:
267:
266:
265:
263:
258:
256:
252:
251:Ca' Rezzonico
242:
240:
236:
232:
228:
222:
220:
216:
212:
208:
204:
198:
196:
192:
188:
184:
180:
176:
172:
168:
164:
160:
159:
154:
144:
141:
137:
133:
129:
124:
122:
118:
114:
110:
106:
102:
94:
90:
77:
73:
71:
67:
63:
59:
55:
50:
48:
44:
40:
36:
32:
26:
21:
634:
613:
608:fully online
595:
590:google books
577:
572:google books
559:
549:
532:
508:
497:
488:
479:
470:
453:
449:
443:
434:
425:
416:
407:
398:
389:
380:
371:
362:
353:
344:
276:Serving dish
259:
248:
223:
218:
210:
199:
194:
183:Getty Museum
157:
150:
125:
98:
53:
51:
30:
29:
456:: 141–156.
329:centrepiece
327:Sculptural
255:Grand Canal
235:earthenware
645:Categories
622:0500273804
604:0870994212
586:0892366702
568:0772720312
541:1850292515
523:References
262:bone china
233:, refined
191:underglaze
179:water mill
163:Cannaregio
155:, in the
153:San Giobbe
68:from near
671:Porcelain
231:creamware
229:and then
205:, now in
203:Dolomites
43:tableware
35:porcelain
227:maiolica
158:sestiere
140:maiolica
121:Florence
119:, near
531:, ed.,
462:4166605
253:on the
167:Treviso
147:History
136:Bassano
134:, near
109:Meissen
105:Dresden
93:Écuelle
70:Vicenza
64:, with
620:
602:
584:
566:
554:online
539:
460:
245:Legacy
175:ducats
107:(near
101:Modena
66:kaolin
39:Venice
458:JSTOR
336:Notes
219:carro
211:carro
207:Schio
618:ISBN
600:ISBN
582:ISBN
564:ISBN
537:ISBN
217:per
215:lire
132:Nove
161:of
33:is
647::
548:,
454:18
452:.
264:.
197:.
464:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
_MET_ES4566.jpg)