191:
with finely carved drapery details. The necklaces the Lady wears are each different; one is composed of seven bullae which are all the same except for the central one, which is grooved. Below it is another necklace that has larger bullae, some shaped like curved triangles and some semicircular at the bottom. The string of beads worn second from the neck has olive-shaped, spherical and flat beads, above it is a string of spherical beads with two plates at the center. In real life, these beads would have been made of glassy paste, as such beads often appeared in the
Albufereta excavation.
25:
187:. The sculpture had been hammered to fragments and even burnt in places. These fragments were taken to the laboratory of the Provincial Archaeological Museum of Alicante, where restorer Vincent Bernabeu began with washing and identifying the bits, first the chin, then the lips, then collar and chest pieces, and many other fragments that did not fit together and were not part of the carved surface. The delicate and painstaking task of restoration began in October 1987 and was completed in June 1988.
372:
190:
The restored sculpture is of fine-grained greyish limestone. The Lady is wearing a tunic with a round neckline. A scalloped headband crosses the brow and connects the rodetes, which represent hollow wheels, probably of thin metal, on each side. Above the headband and rodetes the Lady wears a mantle
91:
206:. As nothing from the site is more recent than 300 BCE, and the site flourished between 430 and 350 BCE, it seems likely that the Lady dates from 400 to 370 BCE.
391:
284:
175:
A large piece of a stone rodete (wheel headgear) was found first, at a shallow depth. There followed other fragments of the bust of an
240:
421:
416:
396:
401:
68:
46:
39:
277:
179:
lady, and one large piece included the headdress, face and neck, which were found to have similarities to the
431:
426:
360:
270:
194:
In style, the Lady of
Guardamar is a bit more archaic than the other contemporary Iberian sculptures
33:
411:
50:
406:
161:
129:
244:
8:
215:
133:
344:
293:
336:
385:
352:
311:
220:
199:
184:
328:
195:
152:), is a limestone female bust, 50 centimetres (20 in) high, dated
157:
101:
262:
203:
180:
176:
165:
90:
371:
169:
137:
156:
400-370 BC, that was discovered in fragments in the
383:
278:
285:
271:
89:
69:Learn how and when to remove this message
160:archaeological site of Cabezo Lucero in
32:This article includes a list of general
384:
292:
266:
18:
392:Archaeological discoveries in Spain
13:
38:it lacks sufficient corresponding
14:
443:
370:
119:400 – 370 BC
23:
16:4th century BC Iberian sculpture
422:1987 archaeological discoveries
233:
1:
226:
153:
417:Sculptures of women in Spain
7:
361:Lady of Cerro de los Santos
209:
10:
448:
397:4th-century BC sculptures
368:
300:
172:, on September 22, 1987.
123:
115:
107:
97:
88:
83:
402:4th-century BC artifacts
53:more precise citations.
202:, with features more
432:Phoenician sculpture
427:Limestone sculptures
241:"Historia-Guardamar"
162:Guardamar del Segura
130:Guardamar del Segura
216:Carthaginian Iberia
256:Historia Guardamar
379:
378:
345:Bicha of Balazote
321:Lady of Guardamar
294:Iberian sculpture
150:Dama de Guardamar
146:Lady of Guardamar
143:
142:
127:22 September 1987
84:Lady of Guardamar
79:
78:
71:
439:
374:
287:
280:
273:
264:
263:
257:
255:
253:
252:
243:. Archived from
237:
155:
93:
81:
80:
74:
67:
63:
60:
54:
49:this article by
40:inline citations
27:
26:
19:
447:
446:
442:
441:
440:
438:
437:
436:
382:
381:
380:
375:
366:
337:Sphinx of Agost
302:
296:
291:
261:
260:
250:
248:
239:
238:
234:
229:
212:
128:
75:
64:
58:
55:
45:Please help to
44:
28:
24:
17:
12:
11:
5:
445:
435:
434:
429:
424:
419:
414:
412:Busts in Spain
409:
404:
399:
394:
377:
376:
369:
367:
365:
364:
356:
348:
340:
332:
324:
316:
306:
304:
298:
297:
290:
289:
282:
275:
267:
259:
258:
231:
230:
228:
225:
224:
223:
218:
211:
208:
141:
140:
125:
121:
120:
117:
113:
112:
109:
105:
104:
99:
95:
94:
86:
85:
77:
76:
31:
29:
22:
15:
9:
6:
4:
3:
2:
444:
433:
430:
428:
425:
423:
420:
418:
415:
413:
410:
408:
405:
403:
400:
398:
395:
393:
390:
389:
387:
373:
363:
362:
357:
355:
354:
353:Bull of Osuna
349:
347:
346:
341:
339:
338:
333:
331:
330:
325:
323:
322:
317:
314:
313:
312:Lady of Elche
308:
307:
305:
299:
295:
288:
283:
281:
276:
274:
269:
268:
265:
247:on 2009-04-13
246:
242:
236:
232:
222:
221:Lady of Elche
219:
217:
214:
213:
207:
205:
201:
200:Lady of Elche
197:
192:
188:
186:
185:Lady of Elche
182:
178:
173:
171:
167:
163:
159:
151:
147:
139:
135:
131:
126:
122:
118:
114:
110:
106:
103:
100:
96:
92:
87:
82:
73:
70:
62:
52:
48:
42:
41:
35:
30:
21:
20:
358:
350:
342:
334:
329:Lady of Baza
326:
320:
318:
309:
249:. Retrieved
245:the original
235:
196:Lady of Baza
193:
189:
174:
149:
145:
144:
65:
56:
37:
407:Iberian art
51:introducing
386:Categories
315:(pictured)
303:sculptures
251:2013-06-13
227:References
168:province,
158:Phoenician
124:Discovered
34:references
102:Limestone
301:Selected
210:See also
166:Alicante
134:Valencia
98:Material
59:May 2023
204:Iberian
198:or the
181:Iberian
177:Iberian
116:Created
47:improve
183:bust,
108:Height
36:, but
170:Spain
138:Spain
111:50 cm
359:The
351:The
343:The
335:The
327:The
319:The
310:The
164:in
388::
154:c.
136:,
132:,
286:e
279:t
272:v
254:.
148:(
72:)
66:(
61:)
57:(
43:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
