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225:, there is a remarkable and yet pleasingly measured contrast of yellow and orange against purple and blue. When compared to Signac's similar paintings from that period, Van Rysselberghe's painting has been described as having a heightened contrast, as well as being "more intimate and contemplative." Cornelia Homburg wrote about the painting:
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The unusual simplicity of the seascape is a mark of the period 1892-1894, his best in landscape. has a strong yellow that comes from a moist, but sunlit afternoon, forcefully opposed to lavender and blue, and each shares a
Belgian penchant for limiting the surface to very few
234:. This evening scene, with its intense hues, invites us to lose ourselves in reverie. The anchor poles and their reflection in the water provide a gentle rhythm to the composition, while the sailboat's calm path underlines the evocative atmosphere.
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Théo van
Rysselberghe employed a rather daring, restricted color scheme in some of his compositions in order to evoke a mood. purple and yellow could be used to produce Big Clouds or to create a very different impact in
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Ronald
Feltkamp, Théo van Rysselberghe, Catalogue raisonné, Brussels, 2003, no. 1892–009, illustrated p. 294; illustrated in colour p. 14
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In contrast to his travelling companion and friend Signac, Van
Rysselberghe was keen on permeating his paintings with atmosphere and animation. In
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Théo van
Rysselberghe, neo impressionniste (exhibition catalogue), Musée des Beaux-Arts, Ghent, 1993, no. 42, illustrated p. 102
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Van
Rysselberghe painted many waterscape paintings around 1890, among which is a portrait of Signac sailing on his boat and the
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technique, which, by the time he painted this oeuvre, had been completely absorbed and adjusted by the
Belgian artist.
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Serge Goyens de Heusch, L'impressionnisme et le fauvisme en
Belgique, Antwerp, 1988, illustrated in colour p. 197
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Pierre
Sanchez, Le Salon des 'XX' et de la Libre Esthétique, Bruxelles 1884–1914, Dijon, 2012, listed p. 389
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166:. Van Rysselberghe was generally considered the leading artist of this group. He was close friends with artist
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408:"Théo van Rysselberghe Barques de pêche–Méditerranée to highlight one: A Global Sale of the 20th Century"
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Serge
Lemoine; Marina Bocquillon-Ferretti; Emmanuelle Amiot-Saulnier; Dominique Lobstein (2005).
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Jean Sutter, Les Néo-Impressionnistes, Paris & Neuchâtel, 1970, illustrated p. 207
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133:. Painted in 1892, the painting is considered a very good example of Van Rysselberghe's
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Richard Shone, The Post-Impressionists, London, 1979, no. 179, illustrated p. 155
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193:(1892), painted during Van Rysselberghe and Signac's two-month excursion in
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311:. Marina Bocquillon-Ferretti, Musée d'Orsay, Serge Lemoine. p. 148.
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471:, in Connaissance des Arts, Paris, 15 June 1954, p. 74
357:"Théo van Rysselberghe L'Escaut en amont d'Anvers, le soir"
454:. The Solomon R. Guggenheim Museum, New York. p. 183.
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141:
205:). It was in this context that Van Ryselberghe realized
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In 1884 Van Rysselberghe was one of the founders of the
174:). Their friendship helped connect Van Rysselberghe's
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Association of Historians of Nineteenth-Century Art
263:, the painting was sold in June 2017 for 8,483,750
140:The painting was sold in June 2017 for 8,483,750
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754:Lady in White, Portrait of Mrs Van Rysselberghe
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247:After having been exhibited in museums such as
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437:Neo Impressionism and the Dream of Realities
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819:Madame van de Velde and Her Three Daughters
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232:The Scheldt Upstream from Antwerp, Evening
69:66.7 cm Ă— 90.5 cm (
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570:The Children of François van Rysselberghe
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766:Madame Van Rysselberghe and Her Daughter
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16:1892 painting by Théo van Rysselberghe
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238:Robert Harper wrote about this work:
739:Le canal en Flandre par temps triste
558:The Sisters of the Painter Schlobach
719:L'Escaut en amont d'Anvers, le soir
267:(about $ 11,684,302.65 in 2020) at
219:L'Escaut en amont d'Anvers, le soir
207:L'Escaut en amont d'Anvers, le soir
144:(about $ 11,684,302.65 in 2020) at
116:L'Escaut en amont d'Anvers, le soir
23:L'Escaut en amont d'Anvers, le soir
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898:Paintings by Théo van Rysselberghe
795:Champ de course Ă Boulogne-sur-Mer
271:, in London, to an unknown buyer.
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825:Fountain in the Park of Sanssouci
469:Les Expositions, Autour de Seurat
181:Société des Artistes Indépendants
170:(who was later inducted into the
839:The Mediterranean at Le Lavandou
678:A Family Gathering in an Orchard
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125:is an oil on canvas painting by
684:Portrait of Madame Charles Maus
595:Portrait of Marguerite van Mons
832:The Lecture of Emile Verhaeren
783:Portrait of Constantin Meunier
249:the Metropolitan Museum of Art
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845:Reclining Woman with Red Hair
705:Barques de pêche–Méditerranée
640:Rock at Perkiridy in Brittany
540:Armand Heins Painting Outside
328:. Mercatorfonds. p. 257.
294:. Mercatorfonds. p. 257.
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190:Barques de pêche–Méditerranée
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908:Post-impressionist paintings
691:Maria Sèthe at the Harmonium
588:Portrait of Camille van Mons
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789:Portrait of Emile Mayrisch
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322:Bertrand, Olivier (2006).
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616:The Mansur Gate in Meknes
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197:aboard Signac's boat the
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203:Édouard Manet's painting
634:Portrait of Alice Sethe
576:Portrait of Octave Maus
383:"Théo van Rysselberghe"
257:the Phillips Collection
747:Portrait of Irma Sèthe
450:R. L. Herbert (1968).
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236:
646:Portrait of Anna Boch
609:Sailboats and Estuary
526:Théo van Rysselberghe
325:Théo van Rysselberghe
308:Théo van Rysselberghe
291:Théo van Rysselberghe
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131:Théo van Rysselberghe
42:Théo van Rysselberghe
801:Sailboats on the Sea
83: in Ă—
813:Girl in a Straw Hat
602:Eglise Sainte Croix
439:. pp. 112–113.
435:C. Homburg (2014).
862:Plage de Cavalaire
712:L'homme Ă la barre
628:Campement au Maroc
552:Pool in the Kempen
261:Arthur G. Altschul
106:Private collection
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672:The Sambre Valley
452:Neo-Impressionism
158:Neo-Impressionist
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420:12 September
418:. Retrieved
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392:10 September
390:. Retrieved
381:Jane Block.
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366:12 September
364:. Retrieved
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903:Pointillism
726:The Rainbow
168:Paul Signac
148:in London.
135:pointillist
887:Categories
732:Big Clouds
415:Christie's
275:References
152:Background
122:An Evening
66:Dimensions
361:Sotheby's
269:Sotheby's
160:group of
146:Sotheby's
108:, Unknown
97: in)
582:Tänzerin
213:Painting
129:painter
102:Location
463:Sources
243:planes.
223:Evening
199:Olympia
195:le Midi
127:Belgian
92:⁄
78:⁄
870:(1916)
864:(1910)
847:(1906)
841:(1904)
835:(1903)
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255:, and
251:, the
176:Les XX
172:Les XX
163:Les XX
56:Medium
38:Artist
855:1910s
776:1900s
665:1890s
533:1880s
411:(PDF)
221:, or
422:2020
394:2020
368:2020
51:1892
48:Year
265:GBP
142:GBP
119:or
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