245:(2016). It captures the connection between the director and the subjects that she had filmed during her years behind the camera. While she worked for 25 years as a cinematographer, she traveled around the world to places such as Bosnia, Darfur, Kabul and Texas. Especially in Bosnia, Afghanistan, and Yemen, she witnessed and captured emotional, sometimes traumatic, events and interviews. She accessed spare footage from the films she shot, and edited portions that were meaningful to her together for the experimental documentary film. Johnson's
22:
96:
After graduating from Brown
University in 1987 with a BA in Fine Arts and Literature, Johnson entered the filmmaking world in West Africa, where she got her start in both fiction and nonfiction genres. She then studied film in Paris, and went on to be a principal cameraperson for a variety of
97:
documentaries, traveling to numerous countries to do so. In total, she has over 40 credits as cinematographer. Including other jobs in the camera and electrical department, she has a total of over 70 credits in different movies. Some of her film credits include
967:
324:. She, Sachs, and Torres were in similar social circles, became friends, and decided to have the experience of parenting together. They now live in neighboring apartments in Manhattan, and split the twins' time equally between both parties.
706:"Cameraperson review - a beautifully curated collage of outtakes; Cinematographer Kirsten Johnson's 25-year collection of spare documentary footage, premiering at Sundance, offers a fascinating and personal glimpse of the world"
439:
1099:
974:
375:
960:
31:(born 1965) is an American documentary filmmaker and cinematographer. She is mostly known for her camera work on several well-known feature-length documentaries such as
1090:
665:"Cameraperson review -- a life behind a lens; Documentary-maker Kirsten Johnson's memoir of her experiences filming lets us see the world through her viewfinder"
413:
49:, a film which consists of various pieces of footage from her decades of work all over the world as a documentary cinematographer. Directed by Johnson herself,
983:
289:, where it received a special award for innovation in nonfiction storytelling. The film is a dedication to her father and an exploration of human mortality.
264:, this film was made up of footage she initially shot for a different film. It focuses on a military surveillance balloon which is flown above the town of
620:
56:
Movies that
Johnson has either filmed or directed have received numerous nominations and awards over the years, and she is now a member of the
1419:
53:
went on to be praised for its handling of themes about documentary ethics interwoven with
Johnson's personal reflection on her experiences.
1374:
926:
853:
1083:
541:
57:
934:
160:
1068:
567:
462:
342:
1384:
775:
824:
1389:
1076:
705:
1414:
664:
1409:
1364:
75:
family who placed restrictions on her access to film and television. She had no exposure to the medium until she attended
909:
1369:
310:
1379:
1394:
644:
750:
1209:
952:
1399:
115:
1098:
221:
376:"Review | 'Dick Johnson is Dead' is a dread-fulfillment fantasy that's thoughtful and wistfully funny"
1282:
1036:
1199:
1147:
776:"U.S.Documentary Special Jury Award for Innovation in Nonfiction Storytelling-Dick Johnson is Dead"
306:
172:
168:
1404:
1324:
1050:
286:
269:
250:
152:
801:
1193:
120:
72:
1359:
898:
684:"Review of Cameraperson dir. by Kirsten Johnson, and: Stories We Tell dir. by Sarah Polley"
598:
575:
281:
125:
39:
545:
516:
8:
1154:
723:
444:
302:
209:
779:
1187:
199:
1004:
1000:
893:
861:
383:
350:
227:
79:. At Brown, Johnson was involved in Students Against Apartheid and took classes with
68:
Kirsten
Johnson was born in 1965. Her father is C. Richard Johnson, a psychiatrist.
1314:
1120:
1100:
Primetime Emmy Award for
Outstanding Directing for a Documentary/Nonfiction Program
1056:
239:
Johnson has directed 6 films, her most notable being personal collage-style memoir
80:
76:
1164:
1264:
1239:
1224:
1158:
652:
648:
276:
examines the number of
African American men in the U.S. criminal justice system.
189:
144:
104:
982:
1320:
1296:
1248:
1126:
1024:
1010:
440:"Kirsten Johnson's 'Cameraperson' is a poetic primer in documentary filmmaking"
414:"Documentarian Kirsten Johnson '87 reflects on Brown's influence on her career"
164:
99:
1353:
1308:
1292:
1139:
1020:
1016:
939:
865:
621:"Kirsten Johnson Pictures 2010 Sundance Film Festival - "The Oath" Portraits"
387:
354:
215:
194:
184:
136:
1276:
1270:
1170:
994:
517:"Women of Influence: Kirsten Johnson - Australian Cinematographers Society"
241:
45:
683:
491:
21:
1260:
1254:
131:
33:
599:"Laura Poitras's Documentary on Two Al Qaeda Cases - The New York Times"
1286:
1205:
1143:
1113:
1040:
917:
889:
641:
204:
148:
109:
1215:
1044:
321:
317:
298:
825:"Netflix Doc 'Dick Johnson Is Dead' Is One of 2020's Must-See Films"
724:"Kirsten Johnson's Cameraperson wins Sheffield Doc/Fest grand prize"
320:
her twins with a married couple, painter Boris Torres and filmmaker
1233:
268:
in
Afghanistan for unknown reasons. The Above premiered at the
265:
463:"A one-off journey to the heart of documentary filmmaking"
751:"Interview with Kirsten Johnson, Director of The Above"
253:
and won
Sheffield Doc/Fest's Grand Jury Award in 2016.
1336:
Between 1979–1994, the category was a juried award.
984:
171:. Johnson has shot films about everything from the
854:"At Home With a Very Modern, Very Artistic Family"
1351:
71:Johnson was raised in Seattle and Wyoming in a
944:
1084:
968:
256:In 2015 Johnson released a short film titled
343:"Cameraperson review – a life behind a lens"
103:(2002), a documentary on French philosopher
58:Academy of Motion Picture Arts and Sciences
1221:Adam Beckman and Christopher Wilcha (2008)
1091:
1077:
975:
961:
213:, and the Sundance premiere documentaries
183:). Her cinematography is also featured in
179:, 2012), to terrorism in the Middle East (
161:Academy Award for Best Documentary Feature
596:
681:
437:
309:, is the Sant Director of Smithsonian's
20:
935:Center for Social Media interview, 2003
1352:
851:
151:, for which Johnson won an award from
1072:
956:
943:
847:
845:
822:
301:where she is an adjunct professor at
123:Best Documentary. She also worked on
1420:Sundance Film Festival award winners
852:Hubert, Craig (September 15, 2016).
486:
484:
457:
455:
408:
406:
404:
83:, who influenced her significantly.
1375:American documentary film directors
340:
13:
842:
802:"Kirsten Johnson - NYU Journalism"
794:
438:Hornaday, Ann (October 13, 2016).
311:National Museum of Natural History
14:
1431:
883:
748:
481:
452:
401:
91:
292:
1385:American women cinematographers
816:
768:
742:
716:
698:
675:
657:
635:
613:
590:
341:Ide, Wendy (January 29, 2017).
572:www.praythedevilbacktohell.com
560:
534:
509:
431:
368:
334:
272:. Additionally, her 1999 film
167:and his revelations about the
1:
1390:American women film directors
910:Hollywood Reporter Review of
568:"Pray the Devil back to Hell"
327:
175:Christian chastity movement (
63:
1415:Primetime Emmy Award winners
274:Innocent Until Proven Guilty
234:
7:
1410:New York University faculty
1365:21st-century American women
116:Pray the Devil Back to Hell
10:
1436:
1245:Robert Trachtenberg (2013)
1045:Ahmir "Questlove" Thompson
945:Awards for Kirsten Johnson
544:. Emol.org. Archived from
521:www.cinematographer.org.au
222:This Film Is Not Yet Rated
1370:American cinematographers
1334:
1283:Elizabeth Chai Vasarhelyi
1180:
1106:
1037:Elizabeth Chai Vasarhelyi
990:
950:
597:MIKE HALE (May 6, 2010).
135:(2014), both directed by
86:
1380:American women academics
682:Weinberg, Robin (2017).
279:Her second documentary,
43:. In 2016, she released
1395:Brown University alumni
1119:Charles A. Bangert and
285:, premiered in 2020 at
920:Art of the Documentary
418:The Brown Daily Herald
287:Sundance Film Festival
270:New York Film Festival
25:
16:American film director
647:July 4, 2017, at the
121:Tribeca Film Festival
119:(2008) which won the
73:Seventh-day Adventist
24:
1230:Barak Goodman (2010)
1167:/ Lee Stanley (1993)
804:. Journalism.nyu.edu
601:. Movies.nytimes.com
297:Johnson is based in
282:Dick Johnson Is Dead
1155:George Hickenlooper
1132:David Heeley (1986)
823:Zuckerman, Esther.
782:on February 4, 2020
710:Guardian Newspapers
688:Oral History Review
669:Guardian Newspapers
578:on October 26, 2008
548:on October 27, 2018
445:The Washington Post
303:New York University
159:which won the 2015
1400:Collage filmmakers
1188:Stanley Nelson Jr.
858:The New York Times
107:, the documentary
26:
1347:
1346:
1341:
1340:
1135:Gene Lasko (1990)
1066:
1065:
1005:Frederick Wiseman
1001:Evgeny Afineevsky
492:"Kirsten Johnson"
228:American Standoff
197:-nominated short
1427:
1315:Davis Guggenheim
1138:Bob Eisenhardt,
1121:Alfred R. Kelman
1093:
1086:
1079:
1070:
1069:
1057:Davis Guggenheim
977:
970:
963:
954:
953:
941:
940:
877:
876:
874:
872:
849:
840:
839:
837:
835:
820:
814:
813:
811:
809:
798:
792:
791:
789:
787:
778:. Archived from
772:
766:
765:
763:
761:
746:
740:
739:
737:
735:
720:
714:
713:
702:
696:
695:
679:
673:
672:
661:
655:
639:
633:
632:
630:
628:
617:
611:
610:
608:
606:
594:
588:
587:
585:
583:
574:. Archived from
564:
558:
557:
555:
553:
538:
532:
531:
529:
527:
513:
507:
506:
504:
502:
488:
479:
478:
476:
474:
469:. March 20, 2017
459:
450:
449:
435:
429:
428:
426:
424:
410:
399:
398:
396:
394:
372:
366:
365:
363:
361:
338:
81:Anani Dzidzienyo
77:Brown University
1435:
1434:
1430:
1429:
1428:
1426:
1425:
1424:
1350:
1349:
1348:
1343:
1342:
1337:
1330:
1303:Kirsten Johnson
1265:Laura Ricciardi
1240:Martin Scorsese
1225:Marina Zenovich
1210:Matthew O'Neill
1176:
1159:Eleanor Coppola
1102:
1097:
1067:
1062:
1031:Kirsten Johnson
986:
981:
946:
890:Kirsten Johnson
886:
881:
880:
870:
868:
850:
843:
833:
831:
821:
817:
807:
805:
800:
799:
795:
785:
783:
774:
773:
769:
759:
757:
755:Field of Vision
747:
743:
733:
731:
730:. June 15, 2016
722:
721:
717:
704:
703:
699:
680:
676:
663:
662:
658:
653:Zeitgeist Films
649:Wayback Machine
640:
636:
626:
624:
619:
618:
614:
604:
602:
595:
591:
581:
579:
566:
565:
561:
551:
549:
540:
539:
535:
525:
523:
515:
514:
510:
500:
498:
490:
489:
482:
472:
470:
461:
460:
453:
436:
432:
422:
420:
412:
411:
402:
392:
390:
380:Washington Post
374:
373:
369:
359:
357:
339:
335:
330:
305:. Her brother,
295:
237:
190:Fahrenheit 9/11
145:Osama bin Laden
105:Jacques Derrida
94:
89:
66:
29:Kirsten Johnson
17:
12:
11:
5:
1433:
1423:
1422:
1417:
1412:
1407:
1402:
1397:
1392:
1387:
1382:
1377:
1372:
1367:
1362:
1345:
1344:
1339:
1338:
1335:
1332:
1331:
1329:
1328:
1321:Amanda McBaine
1318:
1312:
1306:
1300:
1297:Julia Reichert
1290:
1280:
1274:
1268:
1258:
1252:
1249:Jehane Noujaim
1246:
1243:
1237:
1231:
1228:
1222:
1219:
1213:
1203:
1197:
1191:
1184:
1182:
1178:
1177:
1175:
1174:
1168:
1162:
1151:
1148:Albert Maysles
1136:
1133:
1130:
1127:Emile Ardolino
1124:
1117:
1110:
1108:
1104:
1103:
1096:
1095:
1088:
1081:
1073:
1064:
1063:
1061:
1060:
1054:
1048:
1034:
1028:
1025:Julia Reichert
1014:
1011:Morgan Neville
1008:
998:
991:
988:
987:
980:
979:
972:
965:
957:
951:
948:
947:
938:
937:
932:
924:
915:
907:
900:New York Times
896:
885:
884:External links
882:
879:
878:
841:
815:
793:
767:
741:
715:
697:
674:
656:
634:
612:
589:
559:
533:
508:
480:
451:
430:
400:
367:
332:
331:
329:
326:
294:
291:
236:
233:
165:Edward Snowden
93:
92:Cinematography
90:
88:
85:
65:
62:
15:
9:
6:
4:
3:
2:
1432:
1421:
1418:
1416:
1413:
1411:
1408:
1406:
1405:Living people
1403:
1401:
1398:
1396:
1393:
1391:
1388:
1386:
1383:
1381:
1378:
1376:
1373:
1371:
1368:
1366:
1363:
1361:
1358:
1357:
1355:
1333:
1326:
1322:
1319:
1316:
1313:
1310:
1309:Peter Jackson
1307:
1304:
1301:
1298:
1294:
1293:Steven Bognar
1291:
1288:
1284:
1281:
1278:
1275:
1272:
1269:
1266:
1262:
1259:
1256:
1253:
1250:
1247:
1244:
1241:
1238:
1235:
1232:
1229:
1226:
1223:
1220:
1217:
1214:
1211:
1207:
1204:
1201:
1198:
1195:
1192:
1189:
1186:
1185:
1183:
1179:
1172:
1169:
1166:
1165:Bill Couturié
1163:
1160:
1156:
1152:
1149:
1145:
1141:
1140:Susan Froemke
1137:
1134:
1131:
1128:
1125:
1122:
1118:
1115:
1112:
1111:
1109:
1105:
1101:
1094:
1089:
1087:
1082:
1080:
1075:
1074:
1071:
1058:
1055:
1052:
1049:
1046:
1042:
1038:
1035:
1032:
1029:
1026:
1022:
1021:Steven Bognar
1018:
1017:Peter Jackson
1015:
1012:
1009:
1006:
1002:
999:
996:
993:
992:
989:
985:
978:
973:
971:
966:
964:
959:
958:
955:
949:
942:
936:
933:
931:
929:
925:
923:
921:
918:Interview in
916:
914:
913:
908:
906:
905:
901:
897:
895:
891:
888:
887:
867:
863:
859:
855:
848:
846:
830:
826:
819:
803:
797:
781:
777:
771:
756:
752:
749:Hynes, Eric.
745:
729:
725:
719:
711:
707:
701:
693:
689:
685:
678:
670:
666:
660:
654:
650:
646:
643:
638:
622:
616:
600:
593:
577:
573:
569:
563:
547:
543:
537:
522:
518:
512:
497:
493:
487:
485:
468:
467:Huck Magazine
464:
458:
456:
447:
446:
441:
434:
419:
415:
409:
407:
405:
389:
385:
381:
377:
371:
356:
352:
348:
344:
337:
333:
325:
323:
319:
314:
312:
308:
304:
300:
293:Personal life
290:
288:
284:
283:
277:
275:
271:
267:
263:
259:
254:
252:
249:premiered at
248:
244:
243:
232:
230:
229:
224:
223:
218:
217:
216:Finding North
212:
211:
206:
202:
201:
196:
195:Academy Award
192:
191:
186:
185:Michael Moore
182:
178:
174:
170:
166:
162:
158:
154:
150:
146:
142:
138:
137:Laura Poitras
134:
133:
128:
127:
122:
118:
117:
112:
111:
106:
102:
101:
84:
82:
78:
74:
69:
61:
59:
54:
52:
48:
47:
42:
41:
36:
35:
30:
23:
19:
1302:
1277:Brett Morgen
1271:Ezra Edelman
1200:James Miller
1181:2003–present
1171:Robin Lehman
1030:
995:Ezra Edelman
928:The Deadline
927:
919:
911:
903:
899:
869:. Retrieved
857:
832:. Retrieved
828:
818:
806:. Retrieved
796:
784:. Retrieved
780:the original
770:
758:. Retrieved
754:
744:
732:. Retrieved
727:
718:
709:
700:
691:
687:
677:
668:
659:
637:
625:. Retrieved
623:. Zimbio.com
615:
603:. Retrieved
592:
580:. Retrieved
576:the original
571:
562:
550:. Retrieved
546:the original
542:"Darfur Now"
536:
524:. Retrieved
520:
511:
499:. Retrieved
495:
471:. Retrieved
466:
443:
433:
423:November 15,
421:. Retrieved
417:
393:November 15,
391:. Retrieved
379:
370:
358:. Retrieved
347:The Observer
346:
336:
315:
307:Kirk Johnson
296:
280:
278:
273:
262:Cameraperson
261:
260:. Just like
257:
255:
247:Cameraperson
246:
242:Cameraperson
240:
238:
226:
220:
214:
210:Ladies First
208:
198:
188:
180:
177:Virgin Tales
176:
157:Citizenfour,
156:
140:
130:
124:
114:
113:(2006), and
108:
98:
95:
70:
67:
55:
51:Cameraperson
50:
46:Cameraperson
44:
38:
32:
28:
27:
18:
1360:1965 births
1261:Moira Demos
1255:Alex Gibney
871:December 3,
808:January 30,
786:October 16,
760:December 4,
627:January 30,
605:January 30,
582:January 13,
552:January 30,
526:December 3,
501:December 3,
473:December 3,
360:December 3,
173:Evangelical
163:, concerns
147:'s driver,
132:Citizenfour
129:(2010) and
34:Citizenfour
1354:Categories
1325:Jesse Moss
1287:Jimmy Chin
1206:Jon Alpert
1194:Kate Davis
1153:Fax Bahr,
1144:Peter Gelb
1114:John Korty
1051:Ryan White
1041:Jimmy Chin
902:Review of
834:January 5,
328:References
318:co-parents
149:Abu Jandal
110:Darfur Now
64:Early life
1216:Spike Lee
1107:1979–1994
866:0362-4331
829:Thrillist
388:0190-8286
355:0029-7712
322:Ira Sachs
299:Manhattan
258:The Above
235:Directing
207:-winning
143:is about
1234:Josh Fox
912:The Oath
904:The Oath
734:June 17,
728:BBC News
645:Archived
642:The Oath
316:Johnson
251:Sundance
181:The Oath
153:Sundance
141:The Oath
126:The Oath
40:The Oath
100:Derrida
1327:(2024)
1317:(2023)
1311:(2022)
1305:(2021)
1299:(2020)
1289:(2019)
1279:(2018)
1273:(2017)
1267:(2016)
1257:(2015)
1251:(2014)
1242:(2012)
1236:(2011)
1227:(2009)
1218:(2007)
1212:(2006)
1202:(2005)
1196:(2004)
1190:(2003)
1173:(1994)
1161:(1992)
1157:, and
1150:(1991)
1146:, and
1129:(1984)
1123:(1983)
1116:(1979)
1059:(2023)
1053:(2022)
1047:(2021)
1033:(2020)
1027:(2019)
1013:(2018)
1007:(2017)
997:(2016)
930:, 2004
922:(2005)
864:
386:
353:
225:, and
203:, the
200:Asylum
193:, the
87:Career
266:Kabul
1323:and
1295:and
1285:and
1263:and
1208:and
1039:and
1023:and
894:IMDb
873:2019
862:ISSN
836:2021
810:2017
788:2020
762:2019
736:2016
629:2017
607:2017
584:2022
554:2017
528:2019
503:2019
496:IMDb
475:2019
425:2022
395:2022
384:ISSN
362:2019
351:ISSN
205:Emmy
37:and
892:at
187:'s
169:NSA
1356::
1142:,
1043:/
1019:/
1003:/
860:.
856:.
844:^
827:.
753:.
726:.
708:.
692:44
690:.
686:.
667:.
651:,
570:.
519:.
494:.
483:^
465:.
454:^
442:.
416:.
403:^
382:.
378:.
349:.
345:.
313:.
231:.
219:,
155:.
139:.
60:.
1092:e
1085:t
1078:v
976:e
969:t
962:v
875:.
838:.
812:.
790:.
764:.
738:.
712:.
694:.
671:.
631:.
609:.
586:.
556:.
530:.
505:.
477:.
448:.
427:.
397:.
364:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
