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505:), thus becoming the proprietor of the ruined church. Since 1987, the church also houses exhibitions of contemporary art, two of which take place annually. Art plays a significant role among the local congregation, to the extent that services frequently address art in their theme. In 1991, the organ builder Sauer reintonated the Kemper organ, which is regularly used in services as well as in concert performances. Since November 2008, each Saturday at 12.00 midday, the "
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at the ground. Viewed from the western entrance, the girders give an impression to tapering towards the east. The pointed ogival arch of the girders grants the interior, despite its modernity, a sense of Gothic appeal, somewhat unusual for the rather sober
Protestant church architecture of the time.
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Klarwein relocated to Berlin shortly before building began, in order to personally supervise realization of the project, residing at
Joachim-Friedrich-Straße No. 47. Construction lasted from 1930 to 1933. On 19 March 1933 the church was inaugurated. Soon after its completion, Klarwein, his wife
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Inside, the actual main floor consisting of nave, aisles, choir and altar is elevated, above the ground-level floor housing a fellowship hall. The entrance at the building's western end is flanked on both sides by the cladding of two round staircases. The semicircular flights of stairs lead to the
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The unabashed modernism of the design was much debated prior to commencement of building work. The basic structure of the church is a concrete skeleton, clad by brick façades. The masonry of the facades is patterned in alternately raised and receded verticals along the building's sides, as well as
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inflicted severe damage on the church, and on 22 November 1943 it was gutted by fire. Following the war, reconstruction proceeded gradually until completed in 1965. From 1990-91, architect
Gerhard Schlotter undertook a further renovation and rebuild, enabling its use as an exhibition space for
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In 1927, this relatively affluent congregation, whose parish then comprised the locality of
Wilmersdorf, chose to build an additional church in the north of its district. The congregation tendered a competition and the architecture firms of
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church architecture in Berlin. The naming of the church after the city square it faces was originally considered a temporary solution until a more suitable one was chosen. The name stuck however, though the debate continues.
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from parishioners enabled the purchase of a new organ of 60 registers, built by E. Kemper & Sohn and installed after 1965, which required the removal of the second western loft gallery of seats.
450:. The original windows were completely shattered during the bombing of the city. In 1962, Sigmund Hahn designed a new central quire window and during the course of the renovation of 1990/1991
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main inner portal, which announces the dominant forms of the interior. The church's west-facing elevation, as a whole, provides an eye-catching flank to the eastern edge of
Hohenzollernplatz.
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displaying various figures, situated in the intermediate recessed spaces between the brick pilasters on the building's exterior. All were destroyed in the fire in 1943. The
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contrasts with the dark reddish brick. The slim, high bell tower became a landmark easily seen along much of
Hohenzollerndamm thoroughfare and beyond.
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the semi-cylindrical structures either side of the entrance, while evenly laid on the narrower east and west ends and bell tower, all done in
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Due to a high number of new parishioners moving in to the parish during the first decades of the 20th century, the existing three churches of
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530:: 22 vols., revis. and ext. new ed. by Dehio-Vereinigung, Berlin and Munich: Deutscher Kunstverlag, 2000, vol. 8: Berlin, p. 496.
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718:, who then prepared the exhibition on the occasion of Höger's 100th anniversary in the Kunstbibliothek Berlin, an institution of the
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509:", a 30 minute-long liturgy sung by the professional vocal ensemble Sirventes Berlin, attracts hundreds of listeners.
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545:, Berliner Arbeitskreis City-Kirchen (ed.), Berlin: Evangelische Kirche in Berlin-Brandenburg, 2000, pp. 76–78.
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The church is nicknamed "God's power house" ("Kraftwerk Gottes") by the Berlin inhabitants due to its appearance.
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contemporary art. Schlotter also restored the prayer hall to its original colours used before its destruction.
810:, Berliner Arbeitskreis City-Kirchen (ed.), Berlin: Evangelische Kirche in Berlin-Brandenburg, 2000, p. 78.
656:, Berliner Arbeitskreis City-Kirchen (ed.), Berlin: Evangelische Kirche in Berlin-Brandenburg, 2000, p. 76.
632:, Berliner Arbeitskreis City-Kirchen (ed.), Berlin: Evangelische Kirche in Berlin-Brandenburg, 2000, p. 77.
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with a corona of light, was also lost in 1943. The prayer hall is illuminated by three long windows in the
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Sie legten den
Grundstein. Leben und Wirken deutschsprachiger jüdischer Architekten in Palästina 1918–1948
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311:) in Höger's firm, according to his contract, all his designs were to be issued under Höger's name.
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Bringing in the bells to the spire, accompanied by girls (traditionally virgins) in
February 1932
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224:. The church is located on the eastern side of Hohenzollernplatz in the locality of
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This, combined with the building's sense of volume, earned the church the nickname
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added colorful new windows to the left and right of the quire. Höger's original
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See the number of articles in architectural reviews, from 1928 on, in:
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Sibylle Badstübner-Gröger, Michael Bollé, Ralph Paschke et al.,
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Evangelical Church of Berlin-Brandenburg-Silesian Upper Lusatia
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Evangelical Church of Berlin-Brandenburg-Silesian Upper Lusatia
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Karin Köhler, Christhard-Georg Neubert and Dieter Wendland,
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Karin Köhler, Christhard-Georg Neubert and Dieter Wendland,
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Karin Köhler, Christhard-Georg Neubert and Dieter Wendland,
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Karin Köhler, Christhard-Georg Neubert and Dieter Wendland,
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by Hermann Krauth are displayed in a by-room. Considerable
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On 1 April 1946 the northern section of the parish of the
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Entry in Berlin's list of monuments with further sources
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adorning the final, somewhat smaller, girder above the
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1933. Destroyed 1943. Ongoing reconstruction until 1965
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Buildings and structures in Charlottenburg-Wilmersdorf
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560:(1978), Berlin: CZV-Verlag, 1986, pp. 310–312.
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Sprengel Berlin (region), Kirchenkreis Wilmersdorf (
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The main entrance towards Hohenzollernplatz and the
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Handbuch der Deutschen Kunstdenkmäler / Georg Dehio
232:. The building is considered a leading example of
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808:Kirchen und Gotteshäuser in Berlin: Eine Auswahl
654:Kirchen und Gotteshäuser in Berlin: Eine Auswahl
630:Kirchen und Gotteshäuser in Berlin: Eine Auswahl
543:Kirchen und Gotteshäuser in Berlin: Eine Auswahl
698:, Berlin und Tübingen: Wasmuth, 1996, p. 294.
716:Letter to Eckhardt Berckenhagen, 29 June 1977
261:, were insufficient to contain the expanding
839:United Protestant church buildings in Berlin
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236:and a testimonial to the unique quality of
786:(1978), Berlin: CZV-Verlag, 1986, p. 312.
742:(1978), Berlin: CZV-Verlag, 1986, p. 310.
359:Decoration around the western main portal.
339:View to the northern windows and the quire
220:, a member of today's Protestant umbrella
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864:20th-century Lutheran churches in Germany
593:Handbuch der Deutschen Kunstdenkmäler /
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782:Günther Kühne and Elisabeth Stephani,
738:Günther Kühne and Elisabeth Stephani,
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267:Ev. Kirchengemeinde Berlin-Wilmersdorf
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263:Evangelical Wilmersdorf Congregation
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483:offertories
479:crucifixion
455:(in German)
432:(in German)
429:Erich Waske
417:(in German)
408:Furnishings
286:(in German)
279:Fritz Höger
226:Wilmersdorf
215:Evangelical
154:Fritz Höger
126: /
51:Affiliation
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521:References
251:Auenkirche
114:13°19′37″E
111:52°29′39″N
59:Protestant
501:(German:
421:sgraffiti
392:(German:
385:pilasters
371:The huge
350:verdigris
265:(German:
194:Materials
188:66 meters
172:Completed
507:NoonSong
436:oriented
425:tympanon
315:and son
92:Location
87:Location
77:Province
65:District
45:Religion
722:of the
377:girders
301:Hamburg
70:deanery
37:rectory
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467:basalt
366:ogival
257:, and
56:United
684:]
573:Notes
471:angel
448:quire
161:Style
152:with
812:ISBN
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634:ISBN
604:ISBN
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532:ISBN
399:The
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317:Mati
299:The
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