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Kirche am Hohenzollernplatz

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292: 760: 31: 356: 336: 505:), thus becoming the proprietor of the ruined church. Since 1987, the church also houses exhibitions of contemporary art, two of which take place annually. Art plays a significant role among the local congregation, to the extent that services frequently address art in their theme. In 1991, the organ builder Sauer reintonated the Kemper organ, which is regularly used in services as well as in concert performances. Since November 2008, each Saturday at 12.00 midday, the " 387:
at the ground. Viewed from the western entrance, the girders give an impression to tapering towards the east. The pointed ogival arch of the girders grants the interior, despite its modernity, a sense of Gothic appeal, somewhat unusual for the rather sober Protestant church architecture of the time.
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Klarwein relocated to Berlin shortly before building began, in order to personally supervise realization of the project, residing at Joachim-Friedrich-Straße No. 47. Construction lasted from 1930 to 1933. On 19 March 1933 the church was inaugurated. Soon after its completion, Klarwein, his wife
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Inside, the actual main floor consisting of nave, aisles, choir and altar is elevated, above the ground-level floor housing a fellowship hall. The entrance at the building's western end is flanked on both sides by the cladding of two round staircases. The semicircular flights of stairs lead to the
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The unabashed modernism of the design was much debated prior to commencement of building work. The basic structure of the church is a concrete skeleton, clad by brick façades. The masonry of the facades is patterned in alternately raised and receded verticals along the building's sides, as well as
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inflicted severe damage on the church, and on 22 November 1943 it was gutted by fire. Following the war, reconstruction proceeded gradually until completed in 1965. From 1990-91, architect Gerhard Schlotter undertook a further renovation and rebuild, enabling its use as an exhibition space for
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In 1927, this relatively affluent congregation, whose parish then comprised the locality of Wilmersdorf, chose to build an additional church in the north of its district. The congregation tendered a competition and the architecture firms of
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church architecture in Berlin. The naming of the church after the city square it faces was originally considered a temporary solution until a more suitable one was chosen. The name stuck however, though the debate continues.
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from parishioners enabled the purchase of a new organ of 60 registers, built by E. Kemper & Sohn and installed after 1965, which required the removal of the second western loft gallery of seats.
450:. The original windows were completely shattered during the bombing of the city. In 1962, Sigmund Hahn designed a new central quire window and during the course of the renovation of 1990/1991 368:
main inner portal, which announces the dominant forms of the interior. The church's west-facing elevation, as a whole, provides an eye-catching flank to the eastern edge of Hohenzollernplatz.
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displaying various figures, situated in the intermediate recessed spaces between the brick pilasters on the building's exterior. All were destroyed in the fire in 1943. The
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contrasts with the dark reddish brick. The slim, high bell tower became a landmark easily seen along much of Hohenzollerndamm thoroughfare and beyond.
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the semi-cylindrical structures either side of the entrance, while evenly laid on the narrower east and west ends and bell tower, all done in
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Due to a high number of new parishioners moving in to the parish during the first decades of the 20th century, the existing three churches of
214: 250: 530:: 22 vols., revis. and ext. new ed. by Dehio-Vereinigung, Berlin and Munich: Deutscher Kunstverlag, 2000, vol. 8: Berlin, p. 496. 50: 718:, who then prepared the exhibition on the occasion of Höger's 100th anniversary in the Kunstbibliothek Berlin, an institution of the 400: 723: 858: 509:", a 30 minute-long liturgy sung by the professional vocal ensemble Sirventes Berlin, attracts hundreds of listeners. 853: 815: 791: 747: 703: 661: 637: 607: 565: 550: 545:, Berliner Arbeitskreis City-Kirchen (ed.), Berlin: Evangelische Kirche in Berlin-Brandenburg, 2000, pp. 76–78. 535: 291: 517:
The church is nicknamed "God's power house" ("Kraftwerk Gottes") by the Berlin inhabitants due to its appearance.
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contemporary art. Schlotter also restored the prayer hall to its original colours used before its destruction.
810:, Berliner Arbeitskreis City-Kirchen (ed.), Berlin: Evangelische Kirche in Berlin-Brandenburg, 2000, p. 78. 656:, Berliner Arbeitskreis City-Kirchen (ed.), Berlin: Evangelische Kirche in Berlin-Brandenburg, 2000, p. 76. 632:, Berliner Arbeitskreis City-Kirchen (ed.), Berlin: Evangelische Kirche in Berlin-Brandenburg, 2000, p. 77. 848: 446:
with a corona of light, was also lost in 1943. The prayer hall is illuminated by three long windows in the
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Sie legten den Grundstein. Leben und Wirken deutschsprachiger jüdischer Architekten in Palästina 1918–1948
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Bringing in the bells to the spire, accompanied by girls (traditionally virgins) in February 1932
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This, combined with the building's sense of volume, earned the church the nickname
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added colorful new windows to the left and right of the quire. Höger's original
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Cf. Ernst-Erik Pfannschmidt, another architect employed with Höger, in his
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See the number of articles in architectural reviews, from 1928 on, in:
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Sibylle Badstübner-Gröger, Michael Bollé, Ralph Paschke et al.,
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Sibylle Badstübner-Gröger, Michael Bollé, Ralph Paschke et al.,
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Evangelical Church of Berlin-Brandenburg-Silesian Upper Lusatia
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Evangelical Church of Berlin-Brandenburg-Silesian Upper Lusatia
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Karin Köhler, Christhard-Georg Neubert and Dieter Wendland,
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Karin Köhler, Christhard-Georg Neubert and Dieter Wendland,
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Karin Köhler, Christhard-Georg Neubert and Dieter Wendland,
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Karin Köhler, Christhard-Georg Neubert and Dieter Wendland,
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by Hermann Krauth are displayed in a by-room. Considerable
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On 1 April 1946 the northern section of the parish of the
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Entry in Berlin's list of monuments with further sources
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adorning the final, somewhat smaller, girder above the
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1933. Destroyed 1943. Ongoing reconstruction until 1965
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Buildings and structures in Charlottenburg-Wilmersdorf
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Sprengel Berlin (region), Kirchenkreis Wilmersdorf (
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The main entrance towards Hohenzollernplatz and the
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Handbuch der Deutschen Kunstdenkmäler / Georg Dehio
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The building is considered a leading example of 667: 830: 808:Kirchen und Gotteshäuser in Berlin: Eine Auswahl 654:Kirchen und Gotteshäuser in Berlin: Eine Auswahl 630:Kirchen und Gotteshäuser in Berlin: Eine Auswahl 543:Kirchen und Gotteshäuser in Berlin: Eine Auswahl 698:, Berlin und Tübingen: Wasmuth, 1996, p. 294. 716:Letter to Eckhardt Berckenhagen, 29 June 1977 261:, were insufficient to contain the expanding 839:United Protestant church buildings in Berlin 330: 236:and a testimonial to the unique quality of 786:(1978), Berlin: CZV-Verlag, 1986, p. 312. 742:(1978), Berlin: CZV-Verlag, 1986, p. 310. 359:Decoration around the western main portal. 339:View to the northern windows and the quire 220:, a member of today's Protestant umbrella 29: 864:20th-century Lutheran churches in Germany 593:Handbuch der Deutschen Kunstdenkmäler / 401:Allied bombing of Berlin in World War II 354: 334: 323:to escape the Nazi takeover of Germany ( 290: 244: 831: 782:Günther Kühne and Elisabeth Stephani, 738:Günther Kühne and Elisabeth Stephani, 556:Günther Kühne and Elisabeth Stephani, 267:Ev. Kirchengemeinde Berlin-Wilmersdorf 724:Prussian Cultural Heritage Foundation 488: 503:Kirchengemeinde am Hohenzollernplatz 263:Evangelical Wilmersdorf Congregation 691: 39:built right adjacent to the church. 13: 14: 875: 824: 499:Congregation at Hohenzollernplatz 218:Congregation at Hohenzollernplatz 95:Wilmersdorf, a locality of Berlin 602:, 2000, vol. 8: Berlin, p. 496. 784:Evangelische Kirchen in Berlin 753: 740:Evangelische Kirchen in Berlin 708: 558:Evangelische Kirchen in Berlin 412:The painter and art professor 407: 1: 520: 16:Church in Berlin-Wilmersdorf 7: 497:was constituted as today's 228:, in the Berlin borough of 211:Church at Hohenzollernplatz 207:Kirche am Hohenzollernplatz 24:Kirche am Hohenzollernplatz 10: 880: 859:Churches completed in 1933 230:Charlottenburg-Wilmersdorf 512: 192: 184: 179: 171: 159: 143: 138: 99: 91: 86: 76: 64: 49: 44: 28: 23: 854:Heritage sites in Berlin 572: 495:Wilmersdorf Congregation 331:The design of the church 213:) is the church of the 123:52.494143°N 13.326995°E 502: 477:and a painting of the 393: 375:consists of 13 arched 360: 340: 309:Hauptentwurfsarchitekt 308: 296: 277:, Hellmuth Grisebach, 266: 101:Geographic coordinates 600:Deutscher Kunstverlag 438:quire, depicting the 358: 338: 294: 720:Berlin State Museums 245:Church and architect 128:52.494143; 13.326995 849:Brick Expressionism 440:Sermon on the Mount 419:created decorative 321:Mandatory Palestine 259:Church of the Cross 234:Brick Expressionism 166:Brick Expressionism 119: /  489:Congregation today 361: 341: 297: 255:High Master Church 444:Jesus of Nazareth 390:Powerhouse of God 204: 203: 871: 819: 804: 795: 780: 767: 765: 757: 751: 736: 727: 712: 706: 693: 685: 674: 665: 650: 641: 626: 611: 589: 469:sculpture of an 456: 433: 418: 414:Hermann Sandkuhl 394:Kraftwerk Gottes 287: 134: 133: 131: 130: 129: 124: 120: 117: 116: 115: 112: 33: 21: 20: 879: 878: 874: 873: 872: 870: 869: 868: 829: 828: 827: 822: 805: 798: 781: 770: 763: 758: 754: 737: 730: 713: 709: 679: 675: 668: 651: 644: 627: 614: 590: 579: 575: 523: 515: 491: 454: 431: 416: 410: 383:, which end as 333: 325:Machtergreifung 285: 247: 127: 125: 121: 118: 113: 110: 108: 106: 105: 40: 17: 12: 11: 5: 877: 867: 866: 861: 856: 851: 846: 841: 826: 825:External links 823: 821: 820: 796: 768: 752: 728: 707: 692:מירה ווארהפטיג 677:Myra Warhaftig 666: 642: 612: 576: 574: 571: 570: 569: 554: 539: 522: 519: 514: 511: 490: 487: 473:, graphics by 459:Baptismal font 427:decoration by 409: 406: 332: 329: 305:Ossip Klarwein 246: 243: 202: 201: 196: 190: 189: 186: 182: 181: 180:Specifications 177: 176: 173: 169: 168: 163: 157: 156: 150:Ossip Klarwein 147: 141: 140: 136: 135: 103: 97: 96: 93: 89: 88: 84: 83: 78: 74: 73: 66: 62: 61: 53: 47: 46: 42: 41: 34: 26: 25: 15: 9: 6: 4: 3: 2: 876: 865: 862: 860: 857: 855: 852: 850: 847: 845: 842: 840: 837: 836: 834: 817: 816:3-931640-43-4 813: 809: 803: 801: 793: 792:3-7674-0158-4 789: 785: 779: 777: 775: 773: 762: 756: 749: 748:3-7674-0158-4 745: 741: 735: 733: 725: 721: 717: 711: 705: 704:3-8030-0171-4 701: 697: 689: 683: 678: 673: 671: 663: 662:3-931640-43-4 659: 655: 649: 647: 639: 638:3-931640-43-4 635: 631: 625: 623: 621: 619: 617: 609: 608:3-422-03071-9 605: 601: 597: 596: 588: 586: 584: 582: 577: 567: 566:3-7674-0158-4 563: 559: 555: 552: 551:3-931640-43-4 548: 544: 540: 537: 536:3-422-03071-9 533: 529: 525: 524: 518: 510: 508: 504: 500: 496: 486: 484: 480: 476: 475:Max Pechstein 472: 468: 464: 463:clinker brick 460: 453: 449: 445: 441: 437: 430: 426: 422: 415: 405: 402: 397: 395: 391: 386: 382: 381:ferroconcrete 378: 374: 369: 367: 357: 353: 351: 347: 346:clinker brick 337: 328: 326: 322: 319:emigrated to 318: 312: 310: 306: 302: 293: 289: 284: 283:Otto Kuhlmann 280: 276: 275:Otto Bartning 270: 268: 264: 260: 256: 252: 242: 239: 238:expressionist 235: 231: 227: 223: 219: 216: 212: 208: 200: 199:clinker brick 197: 195: 191: 187: 183: 178: 174: 170: 167: 164: 162: 158: 155: 151: 148: 146: 142: 137: 132: 104: 102: 98: 94: 90: 85: 82: 79: 75: 71: 67: 63: 60: 57: 54: 52: 48: 43: 38: 32: 27: 22: 19: 807: 783: 755: 739: 710: 695: 653: 629: 592: 557: 542: 527: 516: 498: 494: 492: 452:Achim Freyer 442:and showing 411: 398: 389: 370: 362: 342: 313: 298: 271: 262: 248: 210: 206: 205: 185:Spire height 145:Architect(s) 139:Architecture 18: 764:(in German) 680: [ 595:Georg Dehio 483:offertories 479:crucifixion 455:(in German) 432:(in German) 429:Erich Waske 417:(in German) 408:Furnishings 286:(in German) 279:Fritz Höger 226:Wilmersdorf 215:Evangelical 154:Fritz Höger 126: / 51:Affiliation 833:Categories 521:References 251:Auenkirche 114:13°19′37″E 111:52°29′39″N 59:Protestant 501:(German: 421:sgraffiti 392:(German: 385:pilasters 371:The huge 350:verdigris 265:(German: 194:Materials 188:66 meters 172:Completed 507:NoonSong 436:oriented 425:tympanon 315:and son 92:Location 87:Location 77:Province 65:District 45:Religion 722:of the 377:girders 301:Hamburg 70:deanery 37:rectory 814:  790:  746:  702:  688:Hebrew 660:  636:  606:  564:  549:  534:  513:Trivia 467:basalt 366:ogival 257:, and 56:United 684:] 573:Notes 471:angel 448:quire 161:Style 152:with 812:ISBN 788:ISBN 744:ISBN 700:ISBN 658:ISBN 634:ISBN 604:ISBN 562:ISBN 547:ISBN 532:ISBN 399:The 373:nave 317:Mati 299:The 694:), 461:of 396:). 379:of 327:). 269:). 835:: 799:^ 771:^ 731:^ 690:: 682:de 669:^ 645:^ 615:^ 580:^ 281:, 253:, 818:. 794:. 766:. 750:. 726:. 686:( 664:. 640:. 610:. 568:. 553:. 538:. 209:( 72:)

Index


rectory
Affiliation
United
Protestant
deanery
Evangelical Church of Berlin-Brandenburg-Silesian Upper Lusatia
Geographic coordinates
52°29′39″N 13°19′37″E / 52.494143°N 13.326995°E / 52.494143; 13.326995
Architect(s)
Ossip Klarwein
Fritz Höger
Style
Brick Expressionism
Materials
clinker brick
Evangelical
Congregation at Hohenzollernplatz
Evangelical Church of Berlin-Brandenburg-Silesian Upper Lusatia
Wilmersdorf
Charlottenburg-Wilmersdorf
Brick Expressionism
expressionist
Auenkirche
High Master Church
Church of the Cross
Otto Bartning
Fritz Höger
Otto Kuhlmann

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