1202:, merging the canted windows and seemingly irrational angles of streets and stacked buildings with candy-colored cinematography and pointedly artificial sets. This contrast between the discovered and the created suggests a porous boundary between reality and subjectivity, the past and present, and the antiquated and modernized. In , as in many other Bava films, a character can stroll recognizable streets into dimensions that are rooted in their own psyches, trapping themselves in temporal loops that may embody encroaching madness. Bava renders insanity as both a place and a contagion.
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455:, that the ghostly girl is Melissa Graps, the dead daughter of the Baroness, and that she is responsible for the deaths of Hollander and Kruger; he also reveals to Monica that the Schufftans were not her real parents. When he goes to retrieve evidence proving so, he is compelled by Melissa into destroying the documents and killing himself. Turned away by Nadinne's father due to her death, Monica and Eswai attempt to get the reluctant villagers' attention by ringing the church bell. Inside the church, they find a secret passageway, where Monica experiences
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623:, while Catenacci worked primarily as an actor under the name "Max Lawrence". Catenacci also served as the film's production manager and portrayed the character of Karl. Lucas has estimated that the film's budget to be lower than those of Bava's films that were distributed by AIP in the United States, estimating it to be well below $ 50,000.
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treatment. Believing this procedure to be causing her greater suffering, he removes the vine despite her family's concerns. In the local cemetery, Eswai finds two gravediggers burying Kruger's corpse, who has been shot in the head. Simultaneously, Nadienne is awoken by the young girl at her window, who compels her to
845:, where it was one of the last films to be shot there before it predominantly became a distribution company. Lamberto Bava described Calcata during this period as "Abandoned, constructed on a mountain of tufa, a material that has crumbled over the centuries" and that around the late 1960s the area "became a kind of
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also ranked it number 80 on their list of the top 100 horror films of all time. Bava biographer Tim Lucas described the film as a "mixture of pure poetry and pulp thriller, distinguished by vivid, hallucinogenic cinematography...jolts into the realms of free-form delirium and dementia. The spectre of
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They find a staircase leading out of the tomb, which takes them inside the Villa Graps, where the
Baroness confronts them in the hallway. She reveals that Melissa was trampled to death while fetching a ball during a drunken festival. Melissa appears in the room, and Monica suddenly vanishes through a
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praised the film's visuals, writing: "If you value mood and atmosphere over modern visceral thrills there's a good chance you'll land in the latter camp. Rich color schemes, crumbling elegant buildings, mist-covered cobble-stoned streets, dusty taverns, swirling spiral stairs, and endless halls with
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features a character in search of a hooded figure resembling his blonde-haired daughter, only to discover the figure to be a homicidal dwarf who kills him in a manner he has foreseen in premonitions. In Asia, several productions also feature a spectral young girl with a white bouncing ball, such as
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was cast as Monica
Schuftan in the film, and claimed the film was only the second feature she made, despite filmographies suggesting otherwise. Bava auditioned hundreds of young girls to play the part of Melissa Graps, but was unable to find one. Bava eventually cast Valerio Valeri, who was the son
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was considered to be a small-scale project compared to Bava's earlier films, as it was made without internationally recognized stars or the support of a major distributor. Although a complete script was written by
Migliorini and Natale prior to the start of production, Bava claimed that much of the
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began shooting on 26 July 1965, was submitted to the
Ministerial Censorship Commission on October 1, and was released on December 16. This screenplay also revealed that ideas that had already been used in Bava's previous films but were discarded, such as victims returning from the dead as zombies.
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for her protection. Melissa's ghost appears, chases Monica down the staircase into the tomb, and urges her to throw herself from a nearby balcony. Ruth arrives and confronts the
Baroness. The Baroness stabs her through the chest with a fire poker, but Ruth manages to strangle her to death before
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has been credited as an inspiration on numerous filmmakers, as the imagery of the character
Melissa Graps â a young girl with a bouncing ball who serves as a symbol of wickedness â has been referenced in several contemporary horror films. Fellini was inspired by this imagery, and used it in his
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commented that "every element of light and color has been carefully orchestrated by Bava to achieve a tantalizing and dramatic effect" and "plot details are juggled expertly to achieve needed scare effects" while "there's no attempt to the especial original here - it's just the same old Gothic
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in North
America. After assuming the rights had been secured, the company proceeded to purchase the licensing rights to the film for the United States. Dark Sky Films was then sued by Alfredo Leone, who stated that he owned the rights to the film and had recently sold the rights to the company
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Taste of Cinema observed that "Martin
Scorsese called this Bava's best film...probably the most successful realization of Gothic horror-meets-bad-acid-trip." Scott Beggs said "This might be Bavaâs greatest achievement, and he doesnât hold out on the lush production design or the trippy camera
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Meanwhile, Monica has a nightmare about the child, and awakens to find a doll at the foot of her bed. She runs into Eswai in the street, and he offers to take her to the inn so she can sleep. At the inn, Eswai discovers that
Nadienne is wearing a leech vine around her body as part of Ruth's
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in 1965, the film underwent a troubled production due to F.U.L. Films running out of money during principal photography, prompting the cast and crew to finish the film in the knowledge that they would not be paid for their work. In post-production, the score had to be compiled from
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in 1963. In later years, he claimed to have made the film as a result of a bet with "some
Americans"; in contrast to his earlier horror films, it was neither made with American or British leads, nor did it experience creative interference from a major distributor like
1087:. The courts sided with Leone and Anchor Bay, while Dark Sky Films who had already pressed DVDs of the film had to cancel the release. The film was then released on DVD by Anchor Bay Entertainment in one of two five-film boxed sets of Bava's horror films, alongside
440:. That evening, Eswai goes to meet with a colleague, Inspector Kruger, at the villa of Baroness Graps. When he arrives at the large, decrepit house, the Baroness informs him that she knows of no such Kruger. Upon leaving, Eswai encounters the ghostly young girl.
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as being plagued by "bad luck" as the film ran out of money while filming. Blanc stated that the cast and crew were only paid for their first two weeks working on the film, and agreed to complete it without pay due to their affection for Bava. Bava's friend
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Eswai finds preposterous, and claim that Karmingam is haunted by the ghost of a young girl who curses those she visits. After Nadienne, the daughter of local innkeepers, is visited by the girl, a ritual to reverse the curse is performed by Ruth, the village
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of himself, after which he is left locked in a room and subsequently spirited out of the villa. He loses consciousness, and awakens in Ruth's home. Ruth explains that the coins found in the hearts of the victims have been placed there by her as
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creates such a palpable mood of dread and oppression in its first few minutes and so effectively sustains the momentum until the last frame that it is easy to see why it has cast such a quiet legacy on other filmmakers." Patrick Legare of
1379:, a film of genuine poetic power and visual ingenuity, successfully inverted gothic stereotypes of good and evil by having the power of good embodied by a dark-haired witch while evil is represented by an angelic, blonde young girl."
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stated that Bava was never paid for his work on the film. According to Bava, the film was shot in 12 days in 1965. Blanc has refuted this statement, the film was shot in "maybe twenty" days, while Bava's son and assistant director
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domestically on its initial theatrical release. Although Curti has described this figure as "nondescript", the film was the highest-grossing horror film of Bava's career at the time of its domestic run in Italy, outperforming
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called the film "an eerie and atmospheric effort that reflects many of the elements that have made the popular Italian director's films so compelling: excellent cinematography and strong performances from the talented cast."
884:, featuring works by Rustichelli and other composers who had worked with Bava. Lucas suggested that the use of stock music, as opposed to an original score, was due to the low budget of the production. Other music includes
777:. According to Blanc, Valeri was not happy with the role due to the need for him to wear a dress, and that Bava would goad his performance by referring to him as "Valeria". The actress also noted that fellow cast member
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Although the film's commercial performance during its initial Italian theatrical release was limited, its domestic run outgrossed those of Bava's previous horror films; abroad, it garnered positive notices from
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In the villa, the Baroness reveals to Monica that she is her daughter, and Melissa her older sister; following Melissa's death, the Baroness' servants, the Schufftans, sent Monica to be raised and educated in
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on Irena Hollander, a woman who died under mysterious circumstances in an abandoned church. Monica Schufftan, a medical student who has recently returned to visit her parents' graves, is assigned as his
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Bava claimed in an interview that the film was improvised on the spot from a script of only 30 pages; Lucas has suggested that the screenplay for the film may have been based on an early screenplay for
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elements, but handled so skillfully as to revitalize the genre." The review concluded that "perhaps his pix will remain in the province of buffs, but Bava - whose sole international success was with
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The film's screenplay also includes scenes that remain in the film, such as the scene of the spiral staircase and the scene where Dr. Eswai chases his doppelgÀnger over and over into the same room.
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are summoned to a small town where a series of murders â the most recent of which is of a woman who bled to death while ringing the local church bell â have been attributed to a ghost, and 1960's
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feel to the character's movements. The disappearance of her ghost at the end of the film was accomplished by dimming the light that projected Valeri's reflection onto a sheet of angled glass.
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as "one of his best efforts and what is arguably one of the most effective and chilling supernatural gothic horror films of all time. It has influenced Federico Fellini...Martin Scorsese...
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little Melissa Graps, with her white lace dress and bouncing white ball, is perhaps the most influential icon of Italian horror cinema, having been copied in countless other films, notably
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in Italy. Released during the height of the Italian vacation season, it was shown in Rome for only four days in August before vanishing from circulation. It grossed a total of 201 million
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to ward off supernatural powers of the Baroness, who has invoked her daughter's ghost to punish the villagers, and that she intends to kill the Baroness to avenge Karl, who was her lover.
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and reflected on this screening stating "That ghost child with the bouncing ball... it's the same ideas as in my film, exactly the same! I later mentioned this to
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The special effects, such as the distorted vision at the beginning of the film, were created using a sheet of distorted "water glass" created by Bava's father
1343:, specifically the episodes "Abra and the Psychic Showdown" and "Haunter vs. Kadabra". In the United States, the imagery is also seen in the 2002 horror film
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The Carpathian village of is among Mario Bava's most indelible achievements â a physicalized realm of fear. Bava uses the location as a source of found
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dying, thus laying Melissa's soul to rest; Eswai arrives in time to save Monica. Reunited, the pair leave Villa Graps as the sun rises in the distance.
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was released in Italy on 8 July 1966, and was distributed by I.N.D.I.E.F. By the time the film was released, Blanc was known for appearing in various
974:, which were his biggest contemporary successes in the international market. Bava chose not to direct another horror film until 1968, when he shot
1055:). Between March and June 1973, the triple bill grossed over $ 750,000 from more than 400 playdates. In Japan, the film was released in 1973 by
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library was deposited there on 5 April 1966, as screenplays are generally deposited there before shooting has started. Curti noted that
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The screenplay is credited to the writing team of Romano Migliorini and Roberto Natale, who had previously written two horror films for
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700:), in which a group of aliens resembling blonde children menace a village by psychically compelling residents into committing suicide.
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stated that retrospective reviews of Italian horror films described the period between 1957 and 1966 as the genre's "Golden Age", with
2123:. Vol. 12. R. R. Bowker. 1983. There are no page numbers in this book. This entry is found under the header "October 30, 1968".
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The film was released in the United States on 8 October 1967, where it was distributed by Europix Consolidated Corporation alongside
3208:
1033:) by Alpha Film, a small company that went out of business shortly after its release. Europix re-issued the film under the title
1318:, which also features a spectral young girl with a white bouncing ball. Among English-language films influenced by Bava's film,
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930:. When asked about the film's music, Rustichelli admitted that he did not remember the film nor any music he composed for it.
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1184:- deserves a small but firm niche in film history." According to Blanc, the film received a standing ovation from director
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has been acclaimed by filmmakers and critics as one of the director's finest achievements; it was placed at number 73 on a
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Karola (2003). "Italian Cinema Goes to the Drive-In: The Intercultural Horrors of Mario Bava". In Rhodes, Gary Don (ed.).
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often being described as its "Grand Finale", as it was among the last of these films from Italy to be widely distributed.
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to shoot certain scenes. Several shots of Melissa were filmed with Valeri performing the actions in reverse, lending an
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polled authors, directors, actors and critics who had worked in the horror genre to vote for their top horror films.
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he has happily found a story in which atmosphere is everything, and the result is even more splendid visually than
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were used to represent Villa Graps. All other sequences, including interiors and the cemetery scenes, were shot at
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The film was funded by a small Italian company, F.U.L. Film. The film's credited producers were Nando Pisano and
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when he was a camera operator on silent films. Other budgetary concerns led to Bava shooting the film without a
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1989:
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creepy décor and art all help establish a handful of the exteriors and interiors that make the film magical."
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603:; this was the only film they produced. Pisano was a production manager who had worked on films ranging from
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655:; aside from using some of the earlier films' set furnishings, the set housing the Graps family crypt in
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1240:;" he and Lamberto Bava have identified it as their personal favorites of Bava's films. In the 2010s,
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doorway. Eswai chases after her through a repeating series of doorways; in his pursuit, he confronts a
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459:. They discover the Graps' family tomb, which includes that of Melissa, who died in 1887, aged seven.
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The History of Italian Cinema: A Guide to Italian Film from Its Origins to the Twenty-first Century
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2016:
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called it "arguably Bava's greatest achievement", giving it four stars out of a possible four.
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also noted the film's use of the child symbolizing evil as a pioneering motif in the genre: "
1362:. The film's use of color has also been noted as an inspiration on the visuals of Scorsese's
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and she just shrugged her shoulders, smiling and said, 'Well, you know how Federico is....'"
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village in the early 1900s that is being terrorized by the ghost of a murderous young girl.
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and special-edition DVD for the first time in the United Kingdom on 11 September 2017, by
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and released by Marigold Films in 1967. In West Germany, the film was released in 1970 as
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Several exterior scenes for Karmingam were filmed on location in the medieval towns of
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was advertised as "The S&Q Show", with the tagline "You'll Shiver and Quiver with
348:. Written by Bava, Romano Migliorini, and Roberto Natale, the film focuses on a small
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by Natale and Migliorini. Film historian Roberto Curti has refuted this, noting that
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Perverse Titillation: The Exploitation Cinema of Italy, Spain and France, 1960-1980
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1297:(1968). After hearing about Fellini's use of imagery in the film, Bava went to see
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663:. Lucas notes that the script has two possible cinematic antecedents: the 1944
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was released on DVD in September 2000 by VCI. In 2007, the home video company
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Mulne, Tim (July 1967). "Operazione Paura (Curse of the Dead), Italy, 1966".
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428:. During the autopsy, they find a silver coin embedded in Hollander's heart.
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noted that though "narrative has never been Bava's strong point, but with
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904:. Music from previous films includes pieces composed by Rustichelli for
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1458:"Best Horror Movies - 100 Scary Movies To Watch Now, Ranked By Experts"
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was so committed to her role as the witch Ruth that she performed
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Internazionale Nembo Distribuzione Importazione Esportazione Film
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Clarke, Cath; Calhoun, Dave; Huddleston, Tom (19 August 2015).
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The local villagers are accustomed to medicinal practices and
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The imagery of the film also influenced other works, such as
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2705:(1 December 2007). "Fans' notes: The horror film fanzine".
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2297:"10 Essential Mario Bava Films Every Horror Fan Should See"
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the following year. In the United Kingdom, it was retitled
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Cinema Italiano - The Complete Guide From Classics To Cult
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Visually, the film has been noted as an inspiration on
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marked Bava's third and final collaboration with actor
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had been used as the Crimson Executioner's dungeon in
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2796:. Il castoro cinema (in Italian). Rome: Il Castoro.
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Horror at the Drive-in: Essays in Popular Americana
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364:film was improvised. Shot partially on location in
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822:stated the film took about four weeks to finish.
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1153:". The review also compared the film to that of
397:. With the re-evaluation of Bava's filmography,
355:Overseen by one-time producers Nando Pisani and
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2587:Heller-Nicholas, Alexandra (1 December 2015).
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2168:. 25 October 2019. p. 5. Archived from
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833:, while the façade and several interiors of
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451:Eswai and Monica are informed by Karl, the
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2481:Acerbo, Gabriele; Pisoni, Roberto (2007).
1005:circuit, and both films were licensed for
1001:!". The pairing proved to be a hit on the
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2483:Kill Baby Kill!: Il cinema di Mario Bava
2190:
2160:"The 100 Best Horror Movies of All Time"
1976:
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792:
2685:Mario Bava - All the Colors of the Dark
2591:. Devil's Advocates. New York: Auteur.
2233:"TCM Imports - The Films of Mario Bava"
2042:"Upcoming Arrow Video Blu-ray Releases"
1942:. 27 May 2006. p. 146 – via
860:, leading him to film with a makeshift
415:In 1907, Dr. Paul Eswai is sent to the
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2566:Italian Gothic Horror Films, 1970-1979
2539:Italian Gothic Horror Films, 1957-1969
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381:created for earlier film productions.
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2264:"The 100 best horror films: the list"
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739:Centro Sperimentale di Cinematografia
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800:was partially filmed on location in
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898:originally used in the comedy film
509:Givoanna Galletti as Baroness Graps
419:village of Karmingam to perform an
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2323:"Mario Bava's 'Kill, Baby, Kill!'"
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1128:
880:, but is actually a collection of
808:Lucas described the production of
542:Mirella Panfili as Irena Hollander
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3189:Italian supernatural horror films
3169:Films scored by Carlo Rustichelli
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2711:. London: Open University Press.
2618:. London - New York: I.B.Tauris.
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948:Agente S 03: Operazione Atlantide
2485:(in Italian). Un mondo a parte.
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2121:Variety's Film Reviews 1968-1970
1949:
1288:segment "Toby Dammit," from the
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901:What Ever Happened to Baby Toto?
876:The film's score is credited to
16:1966 film directed by Mario Bava
3209:Films set in the Czech Republic
2982:Dr. Goldfoot and the Girl Bombs
2672:Audio commentary with Tim Lucas
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1254:tricks." Derek Hill designated
1015:Die Toten Augen des Dr. Dracula
648:Terror-Creatures from the Grave
586:American International Pictures
545:Valerio Valeri as Melissa Graps
407:poll of the best horror films.
3084:Caltiki â The Immortal Monster
3010:Roy Colt & Winchester Jack
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2514:. Princeton University Press.
2102:. Vol. 34, no. 402.
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1133:From contemporaneous reviews,
1:
2996:Five Dolls for an August Moon
2912:Hercules in the Haunted World
2508:Brunetta, Gian Piero (2009).
2473:
2191:Gonzalez, Ed (15 June 2003).
2015:Kehr, David (10 April 2007).
1365:The Last Temptation of Christ
1250:at number 56 on the top 100.
1062:
571:, having previously directed
555:
550:
3164:Films directed by Mario Bava
3144:1960s Italian-language films
2772:Mario Bava, Master of Horror
1382:
1217:From retrospective reviews,
1028:The Dead Eyes of Dr. Dracula
7:
3184:Italian serial killer films
2295:Mason, Scot (13 May 2014).
2068:"Kill, Baby, Kill! Blu-ray"
997:â and Shake and Quake with
789:Filming and special effects
448:herself with a candelabra.
10:
3230:
2926:The Girl Who Knew Too Much
2790:Pezzotta, Alberto (1995).
2104:The British Film Institute
1188:upon its opening in Rome.
1098:The Girl Who Knew Too Much
1043:Revenge of the Living Dead
933:
743:La vendetta di Lady Morgan
719:Le macabre ore della paura
717:s shooting script, titled
707:La vendetta di Lady Morgan
627:Writing and pre-production
3061:
3003:Hatchet for the Honeymoon
2896:
2375:"Kill, Baby, Kill (1966)"
1329:Wellson Chin's 1997 film
1108:The film was released on
977:Hatchet for the Honeymoon
732:The Macabre Hours of Fear
690:(based on the 1957 novel
288:
280:
272:
262:
238:
230:
216:
206:
196:
188:
178:
132:
113:
96:
76:
66:
62:
48:
44:
28:
23:
3077:The Day the Sky Exploded
2440:Acerbo & Pisoni 2007
1150:Sei Donne per l'Assasino
1085:Anchor Bay Entertainment
1053:Fangs of the Living Dead
1035:Curse of the Living Dead
871:
759:The Day the Sky Exploded
2614:Hughes, Howard (2011).
2564:Curti, Roberto (2017).
2537:Curti, Roberto (2015).
785:for the cast and crew.
588:(AIP). Bava biographer
484:
410:
3194:Films about witchcraft
3105:The Wonders of Aladdin
2961:Planet of the Vampires
2954:The Road to Fort Alamo
2734:Shipka, Danny (2011).
1990:"Mario Bava Boxed Set"
1204:
907:The Long Hair of Death
805:
311:
3091:The Giant of Marathon
3017:Four Times That Night
2968:Knives of the Avenger
2940:The Whip and the Body
2769:Cozzi, Luigi (2011).
2238:Turner Classic Movies
2099:Monthly Film Bulletin
1994:Turner Classic Movies
1273:Turner Classic Movies
1196:
1162:The Turn of the Screw
1140:Monthly Film Bulletin
1103:Knives of the Avenger
1074:attempted to release
918:The Whip and the Body
843:Titanus Appia Studios
796:
765:Knives of the Avenger
687:Village of the Damned
580:The Whip and the Body
394:Monthly Film Bulletin
247:8 July 1966
3139:Italian horror films
2947:Blood and Black Lace
2708:The Cult Film Reader
2452:Heller-Nicholas 2015
2349:"Kill, Baby...Kill!"
2193:"Kill, Baby...Kill!"
1996:. Home Video Reviews
1200:German expressionism
1156:Beauty and the Beast
913:Blood and Black Lace
754:Giacomo Rossi Stuart
661:Bloody Pit of Horror
642:Bloody Pit of Horror
492:Giacomo Rossi Stuart
342:Giacomo Rossi Stuart
332:) is a 1966 Italian
140:Giacomo Rossi Stuart
39:by Averardo Ciriello
3214:1960s Italian films
3204:Period horror films
3199:Films set in Europe
3179:Films shot in Italy
3159:Gothic horror films
3149:Fiction set in 1907
3098:Esther and the King
3062:Collaborative works
2683:Lucas, Tim (2013).
2670:Lucas, Tim (2017).
2327:Film School Rejects
1299:Spirits of the Dead
1294:Spirits of the Dead
1280:Legacy and analysis
783:tarot card readings
693:The Midwich Cuckoos
521:as Inspector Kruger
500:as Monica Schufftan
3038:Lisa and the Devil
2919:Erik the Conqueror
2854:TCM Movie Database
2775:. Profondo Rosso.
2687:. Video Watchdog.
2021:The New York Times
1914:Movie Walker Press
1271:Pablo Kjolseth of
1124:Critical reception
955:being released as
806:
639:and Ralph Zucker:
605:Roberto Rossellini
537:Giuseppe Addobbati
3174:Films set in 1907
3154:1966 horror films
3121:
3120:
2803:978-8-880-33042-4
2782:978-8-895-29457-5
2718:978-0-335-21923-0
2694:978-0-9633756-1-2
2654:978-0-786-41342-3
2625:978-1-84885-608-0
2598:978-0-993-23847-5
2521:978-0-691-11988-5
2492:978-8-889-48113-4
2373:Legare, Patrick.
1988:Kjolseth, Pablo.
1310:Alessandro Capone
1260:Kill, Baby, Kill!
1256:Kill, Baby, Kill!
1039:The Murder Clinic
1011:Curse of the Dead
896:Armando Trovajoli
891:The Murder Clinic
886:Francesco De Masi
878:Carlo Rustichelli
610:Where Is Freedom?
601:Luciano Catenacci
513:Luciano Catenacci
494:as Dr. Paul Eswai
359:of F.U.L. Films,
357:Luciano Catenacci
336:film directed by
299:
298:
201:Carlo Rustichelli
170:Giovanna Galletti
160:Luciano Catenacci
124:Luciano Catenacci
103:Romano Migliorini
83:Romano Migliorini
3221:
2989:Danger: Diabolik
2975:Kill, Baby, Kill
2883:
2876:
2869:
2860:
2859:
2849:Kill, Baby, Kill
2838:Kill, Baby, Kill
2827:Kill, Baby, Kill
2815:
2786:
2757:
2730:
2698:
2679:
2666:
2637:
2610:
2583:
2560:
2533:
2504:
2467:
2461:
2455:
2449:
2443:
2437:
2431:
2425:
2416:
2410:
2404:
2398:
2392:
2391:
2389:
2387:
2370:
2364:
2363:
2361:
2359:
2344:
2338:
2337:
2335:
2333:
2318:
2312:
2311:
2309:
2307:
2292:
2286:
2285:
2283:
2281:
2272:. Archived from
2259:
2250:
2249:
2247:
2245:
2231:Thompson, Lang.
2228:
2222:
2216:
2210:
2209:
2207:
2205:
2188:
2182:
2181:
2179:
2177:
2172:on 19 March 2020
2156:
2147:
2141:
2135:
2134:
2117:
2108:
2107:
2093:
2084:
2083:
2081:
2079:
2064:
2058:
2057:
2055:
2053:
2038:
2032:
2031:
2029:
2027:
2012:
2006:
2005:
2003:
2001:
1985:
1974:
1968:
1955:
1954:
1953:
1947:
1932:
1926:
1925:
1923:
1921:
1906:
1900:
1899:, p. 681-3.
1894:
1888:
1882:
1876:
1870:
1864:
1858:
1852:
1846:
1837:
1831:
1818:
1812:
1806:
1800:
1794:
1788:
1782:
1776:
1770:
1764:
1758:
1752:
1737:
1731:
1722:
1716:
1710:
1704:
1698:
1692:
1683:
1677:
1668:
1662:
1653:
1647:
1638:
1632:
1626:
1620:
1611:
1605:
1596:
1590:
1584:
1578:
1563:
1557:
1551:
1550:, p. 664-7.
1545:
1539:
1533:
1527:
1521:
1508:
1502:
1496:
1490:
1473:
1472:
1470:
1468:
1454:
1448:
1442:
1436:
1430:
1399:
1393:
1377:Kill, Baby, Kill
1303:Giulietta Masina
1285:Kill, Baby, Kill
1248:Kill, Baby, Kill
1230:Federico Fellini
1213:
1186:Luchino Visconti
1165:and the work of
1145:Operazione Paura
1076:Kill, Baby, Kill
1068:Kill, Baby, Kill
1057:20th Century Fox
1032:
1029:
1026:
1023:
1020:
999:Sounds of Horror
953:Kill, Baby, Kill
945:. One of these,
939:Kill, Baby, Kill
810:Kill, Baby, Kill
798:Kill, Baby, Kill
750:Kill, Baby, Kill
736:
733:
730:
727:
724:
716:
673:The Scarlet Claw
657:Kill, Baby, Kill
653:Kill, Baby, Kill
594:Kill, Baby, Kill
561:Kill, Baby, Kill
399:Kill, Baby, Kill
361:Kill, Baby, Kill
331:
328:
325:
322:
319:
313:Operazione paura
303:Kill, Baby, Kill
254:
252:
56:Operazione paura
33:
24:Kill, Baby, Kill
21:
20:
3229:
3228:
3224:
3223:
3222:
3220:
3219:
3218:
3124:
3123:
3122:
3117:
3057:
2892:
2887:
2822:
2804:
2783:
2765:
2763:Further reading
2760:
2746:
2719:
2695:
2655:
2626:
2599:
2580:
2549:
2522:
2493:
2476:
2471:
2470:
2462:
2458:
2450:
2446:
2438:
2434:
2426:
2419:
2411:
2407:
2399:
2395:
2385:
2383:
2371:
2367:
2357:
2355:
2345:
2341:
2331:
2329:
2319:
2315:
2305:
2303:
2301:Taste of Cinema
2293:
2289:
2279:
2277:
2276:on 9 April 2013
2260:
2253:
2243:
2241:
2229:
2225:
2217:
2213:
2203:
2201:
2189:
2185:
2175:
2173:
2158:
2157:
2150:
2142:
2138:
2131:
2119:
2118:
2111:
2094:
2087:
2077:
2075:
2074:. 28 March 2017
2066:
2065:
2061:
2051:
2049:
2040:
2039:
2035:
2025:
2023:
2013:
2009:
1999:
1997:
1986:
1977:
1969:
1958:
1948:
1934:
1933:
1929:
1919:
1917:
1908:
1907:
1903:
1895:
1891:
1883:
1879:
1871:
1867:
1859:
1855:
1847:
1840:
1832:
1821:
1813:
1809:
1801:
1797:
1789:
1785:
1777:
1773:
1765:
1761:
1753:
1740:
1732:
1725:
1717:
1713:
1705:
1701:
1693:
1686:
1678:
1671:
1663:
1656:
1648:
1641:
1633:
1629:
1621:
1614:
1606:
1599:
1591:
1587:
1579:
1566:
1558:
1554:
1546:
1542:
1534:
1530:
1522:
1511:
1503:
1499:
1491:
1476:
1466:
1464:
1456:
1455:
1451:
1443:
1439:
1431:
1402:
1394:
1390:
1385:
1282:
1234:Martin Scorsese
1215:
1206:
1194:
1131:
1129:Contemporaneous
1126:
1065:
1030:
1027:
1024:
1021:
986:Sound of Horror
957:Operation paura
936:
874:
791:
734:
731:
728:
725:
714:
667:Sherlock Holmes
665:Rathbone/Bruce
637:Francesco Merli
633:Massimo Pupillo
629:
615:Giorgio Bianchi
558:
553:
548:
531:Franca Dominici
487:
413:
329:
326:
323:
320:
265:
258:
250:
248:
241:
226:
221:
219:
183:Antonio Rinaldi
174:
128:
109:
92:
40:
17:
12:
11:
5:
3227:
3217:
3216:
3211:
3206:
3201:
3196:
3191:
3186:
3181:
3176:
3171:
3166:
3161:
3156:
3151:
3146:
3141:
3136:
3119:
3118:
3116:
3115:
3108:
3101:
3094:
3087:
3080:
3073:
3065:
3063:
3059:
3058:
3056:
3055:
3048:
3041:
3034:
3027:
3024:A Bay of Blood
3020:
3013:
3006:
2999:
2992:
2985:
2978:
2971:
2964:
2957:
2950:
2943:
2936:
2929:
2922:
2915:
2908:
2900:
2898:
2897:Films directed
2894:
2893:
2886:
2885:
2878:
2871:
2863:
2857:
2856:
2845:
2834:
2821:
2820:External links
2818:
2817:
2816:
2802:
2787:
2781:
2764:
2761:
2759:
2758:
2745:978-0786486090
2744:
2731:
2717:
2699:
2693:
2680:
2667:
2653:
2638:
2624:
2611:
2597:
2584:
2579:978-1476629605
2578:
2561:
2548:978-1476619897
2547:
2534:
2520:
2505:
2491:
2477:
2475:
2472:
2469:
2468:
2466:, p. 426.
2456:
2444:
2442:, p. 227.
2432:
2430:, p. 687.
2417:
2415:, p. 686.
2405:
2403:, p. 228.
2393:
2365:
2353:Images Journal
2339:
2321:Beggs, Scott.
2313:
2287:
2251:
2223:
2211:
2198:Slant Magazine
2183:
2165:Slant Magazine
2148:
2136:
2129:
2109:
2106:. p. 104.
2085:
2059:
2033:
2007:
1975:
1956:
1927:
1901:
1889:
1877:
1865:
1853:
1851:, p. 165.
1838:
1836:, p. 681.
1819:
1807:
1795:
1783:
1771:
1759:
1738:
1736:, p. 672.
1723:
1711:
1699:
1697:, p. 668.
1684:
1669:
1654:
1639:
1627:
1612:
1597:
1595:, p. 163.
1585:
1583:, p. 162.
1564:
1552:
1540:
1528:
1526:, p. 669.
1509:
1507:, p. 667.
1497:
1495:, p. 664.
1474:
1449:
1447:, p. 201.
1437:
1435:, p. 159.
1400:
1398:, p. 160.
1387:
1386:
1384:
1381:
1325:Don't Look Now
1312:'s debut film
1290:anthology film
1281:
1278:
1220:Slant Magazine
1210:Slant Magazine
1207:âChuck Bowen,
1195:
1193:
1190:
1167:Georges Franju
1130:
1127:
1125:
1122:
1072:Dark Sky Films
1064:
1061:
1007:TV syndication
995:Kill Baby Kill
991:double feature
935:
932:
924:'s music from
873:
870:
835:Villa Grazioli
790:
787:
712:Kill Baby Kill
628:
625:
557:
554:
552:
549:
547:
546:
543:
540:
534:
528:
522:
516:
510:
507:
501:
495:
488:
486:
483:
412:
409:
374:Villa Grazioli
327:Operation Fear
297:
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286:
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278:
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274:
270:
269:
266:
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260:
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244:
242:
239:
236:
235:
232:
231:Distributed by
228:
227:
224:
222:
217:
214:
213:
208:
204:
203:
198:
194:
193:
192:Romana Fortini
190:
186:
185:
180:
179:Cinematography
176:
175:
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172:
167:
162:
157:
152:
147:
142:
136:
134:
130:
129:
127:
126:
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117:
115:
111:
110:
108:
107:
106:Roberto Natale
104:
100:
98:
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93:
91:
90:
87:
86:Roberto Natale
84:
80:
78:
74:
73:
68:
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60:
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52:
46:
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42:
41:
34:
26:
25:
15:
9:
6:
4:
3:
2:
3226:
3215:
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3210:
3207:
3205:
3202:
3200:
3197:
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3190:
3187:
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3182:
3180:
3177:
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3150:
3147:
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3137:
3135:
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3131:
3129:
3114:
3113:
3109:
3107:
3106:
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3100:
3099:
3095:
3093:
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3088:
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3081:
3079:
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3074:
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3064:
3060:
3054:
3053:
3049:
3047:
3046:
3042:
3040:
3039:
3035:
3033:
3032:
3028:
3026:
3025:
3021:
3019:
3018:
3014:
3012:
3011:
3007:
3005:
3004:
3000:
2998:
2997:
2993:
2991:
2990:
2986:
2984:
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2979:
2977:
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2972:
2970:
2969:
2965:
2963:
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2958:
2956:
2955:
2951:
2949:
2948:
2944:
2942:
2941:
2937:
2935:
2934:
2933:Black Sabbath
2930:
2928:
2927:
2923:
2921:
2920:
2916:
2914:
2913:
2909:
2907:
2906:
2902:
2901:
2899:
2895:
2891:
2884:
2879:
2877:
2872:
2870:
2865:
2864:
2861:
2855:
2851:
2850:
2846:
2844:
2840:
2839:
2835:
2833:
2829:
2828:
2824:
2823:
2813:
2809:
2805:
2799:
2795:
2794:
2788:
2784:
2778:
2774:
2773:
2767:
2766:
2755:
2751:
2747:
2741:
2738:. McFarland.
2737:
2732:
2728:
2724:
2720:
2714:
2710:
2709:
2704:
2703:Sanjek, David
2700:
2696:
2690:
2686:
2681:
2677:
2673:
2668:
2664:
2660:
2656:
2650:
2647:. McFarland.
2646:
2645:
2639:
2635:
2631:
2627:
2621:
2617:
2612:
2608:
2604:
2600:
2594:
2590:
2585:
2581:
2575:
2571:
2567:
2562:
2558:
2554:
2550:
2544:
2541:. McFarland.
2540:
2535:
2531:
2527:
2523:
2517:
2513:
2512:
2506:
2502:
2498:
2494:
2488:
2484:
2479:
2478:
2465:
2460:
2454:, p. 23.
2453:
2448:
2441:
2436:
2429:
2424:
2422:
2414:
2409:
2402:
2397:
2382:
2381:
2376:
2369:
2354:
2350:
2347:Hill, Derek.
2343:
2328:
2324:
2317:
2302:
2298:
2291:
2275:
2271:
2270:
2265:
2258:
2256:
2240:
2239:
2234:
2227:
2220:
2215:
2200:
2199:
2194:
2187:
2171:
2167:
2166:
2161:
2155:
2153:
2145:
2140:
2132:
2130:0-8352-2792-8
2126:
2122:
2116:
2114:
2105:
2101:
2100:
2092:
2090:
2073:
2069:
2063:
2048:. 9 June 2017
2047:
2043:
2037:
2022:
2018:
2011:
1995:
1991:
1984:
1982:
1980:
1973:, p. 27.
1972:
1967:
1965:
1963:
1961:
1952:
1945:
1941:
1937:
1931:
1916:(in Japanese)
1915:
1911:
1905:
1898:
1893:
1886:
1881:
1874:
1869:
1863:, p. 20.
1862:
1857:
1850:
1845:
1843:
1835:
1830:
1828:
1826:
1824:
1816:
1811:
1804:
1799:
1792:
1787:
1780:
1775:
1768:
1763:
1756:
1751:
1749:
1747:
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1939:
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1930:
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264:Running time
255: (Italy)
240:Release date
225:F.U.L. Films
211:Eastmancolor
120:Nando Pisani
55:
54:
18:
3112:The Odyssey
3031:Baron Blood
2676:Arrow Films
2674:(Blu ray).
2464:Sanjek 2007
2401:Karola 2003
2072:Blu-ray.com
2046:Blu-ray.com
2026:28 December
1971:Shipka 2011
1462:Timeout.com
1315:Witch Story
1238:David Lynch
1118:Kino Lorber
1114:Arrow Video
888:music from
815:Luigi Cozzi
770:Erika Blanc
676:, in which
620:The Orderly
527:as Nadienne
519:Piero Lulli
498:Erika Blanc
379:stock music
372:and at the
346:Erika Blanc
295:201 million
150:Piero Lulli
145:Erika Blanc
114:Produced by
67:Directed by
37:film poster
3134:1966 films
3128:Categories
3052:Rabid Dogs
2890:Mario Bava
2793:Mario Bava
2678:. FCD1573.
2474:References
2428:Lucas 2013
2413:Lucas 2013
2280:30 October
2221:, 1:23:07.
2219:Lucas 2017
2144:Lucas 2017
2017:"New DVDs"
1897:Lucas 2013
1887:, 1:20:54.
1885:Lucas 2017
1875:, 1:20:43.
1873:Lucas 2017
1861:Curti 2017
1849:Curti 2015
1834:Lucas 2013
1817:, 0:55:30.
1815:Lucas 2017
1805:, 0:52:50.
1803:Lucas 2017
1793:, 0:17:30.
1791:Lucas 2017
1781:, 0:35:20.
1779:Lucas 2017
1769:, 0:19:30.
1767:Lucas 2017
1755:Lucas 2017
1734:Lucas 2013
1721:, 0:16:10.
1719:Lucas 2017
1707:Lucas 2017
1695:Lucas 2013
1680:Lucas 2017
1667:, 0:10:13.
1665:Lucas 2017
1652:, 1:19:28.
1650:Lucas 2017
1637:, 0:26:29.
1635:Lucas 2017
1625:, 0:38:05.
1623:Lucas 2017
1610:, 0:15:00.
1608:Lucas 2017
1593:Curti 2015
1581:Curti 2015
1560:Lucas 2017
1548:Lucas 2013
1538:, 0:10:50.
1536:Lucas 2017
1524:Lucas 2013
1505:Lucas 2013
1493:Lucas 2013
1433:Curti 2015
1396:Curti 2015
1346:FeardotCom
1331:Tamagotchi
1063:Home media
1041:(retitled
922:Roman Vlad
768:. Actress
682:Dr. Watson
565:Mario Bava
556:Background
551:Production
478:GrÀfenberg
417:Carpathian
350:Carpathian
338:Mario Bava
289:Box office
268:83 minutes
251:1966-07-08
218:Production
89:Mario Bava
71:Mario Bava
3070:I Vampiri
2812:246775533
2754:746880411
2727:746250976
2663:606934557
2634:961684174
2607:936308469
2570:McFarland
2557:946552693
2530:436979203
2501:860440097
2146:, 0:3:08.
2052:9 January
1940:Billboard
1920:9 January
1757:, 0:1:54.
1709:, 0:1:02.
1682:, 0:6:10.
1562:, 0:9:40.
1383:Footnotes
1135:Tom Milne
951:, led to
943:spy films
927:I Vampiri
775:concierge
590:Tim Lucas
533:as Martha
470:talismans
189:Edited by
2832:AllMovie
2589:Suspiria
2380:AllMovie
2358:31 March
2332:31 March
2306:31 March
2269:Time Out
2176:19 March
1467:25 April
1371:Scholar
1359:Suspiria
1333:and the
1265:AllMovie
1243:Time Out
1003:drive-in
820:Lamberto
404:Time Out
391:and the
281:Language
197:Music by
133:Starring
97:Story by
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2204:12 June
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2000:4 April
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1337:series
1176:Variety
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854:Eugenio
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670:film
438:witch
276:Italy
2843:IMDb
2808:OCLC
2798:ISBN
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