583:
607:
595:
151:
623:
31:
1223:
437:
263:
525:
489:
337:
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398:(enclosing metal strips). Many enamel objects were exhibited in the Fine Art section of the National Industrial Exposition of 1895. There are enamels from this period, including some in the Khalili Collection, that could not be replicated with today's technology. Designs went from copies of Chinese objects to a distinctively Japanese style. The collection's near-300 cloisonné enamel objects include many works by each of three notable artists:
3042:
3032:
410:. These are regarded as the three great innovators of the golden age of Japanese cloisonnĂ©; they developed new firing techniques and reduced the visibility of wires. Namikawa Yasuyuki and Namikawa SĆsuke are known for introducing pictorial styles of cloisonnĂ©. An example in the collection is an incense burner by Namikawa Yasuyuki, created for presentation to the Emperor, that combines enamel with gold and
521:. Some of his works showed the influence of European graphic design, while he combined traditional Japanese and Chinese techniques with new technologies from the West. The collection illustrates how he and his son Hanzan became increasingly ambitious, introducing new colours, designs and sculptural effects in works sent to international exhibitions.
254:, to replicate the work of the Japanese master is nigh on impossible." As well as assembling these collections, Khalili founded the Kibo Foundation (from the Japanese word for "hope") to promote the study of art and design of the Meiji era, publishing scholarship about the collection and its historical context.
558:. His designs became more intricate, sometimes using a thousand motifs in a single art work; towards the end of his career, however, he took a different approach, covering whole vases in a single motif. Kinkozan Sobei VII and Takbe Shoko are other distinctive decorators represented in the collection.
173:
enamel, lacquer or metal produced works which aimed to match
Western oil paintings in detail, shading and subtlety. The works received positive press reviews and shops in European capitals began to cater for a new demand for Japanese decorative art. The Khalili Collection has been used in research to
549:
and his contemporaries, typically decorated with enamel and gold. Meizan was not only a prolific producer but won multiple awards at national and international exhibitions, where his creations were exhibited as works of art. The collection shows that Meizan used
Chinese as well as Japanese motifs in
1686:
Comparable, as acknowledged by many scholars and museum directors, in terms of quality and size only to the collection of the
Japanese imperial family, this celebrated collection comprises outstanding art works created during the "Great Change" when, after more than two hundred years of isolation,
109:
in terms of size and quality. The Meiji era was a time when Japan absorbed some
Western cultural influences and used international events to promote its art, which became very influential in Europe. Rather than covering the whole range of Meiji-era decorative art, Khalili has focused on objects of
1826:
During the last few decades, however, interest has again surged in Meiji era metalwork, perhaps due in large measure to the great collections amassed, published, and exhibited by Dr Nasser
Khalili of the Kibo Foundation, London, but also to strong New York attraction for articulated dragons , for
320:
Khalili's collection and documentation of Meiji era metalwork is a factor in the resurgence of interest in the topic in recent decades. The 1995 catalogue lists 161 items of metalwork, showing a variety of techniques and with themes from the history and legends of both Japan and China. Meiji era
566:
At some world's fairs where Japan exhibited, textile art works outnumbered all other categories. These include the World's
Columbian Exposition, where textile art works were displayed alongside paintings and sculpture in the Palace of Fine Arts. The collection includes over 200 examples of silk
352:
weaponry equipped
Japanese metalworkers to create metallic finishes in a wide range of colours. By combining and finishing copper, silver and gold in different proportions they could give the impression of full-colour decoration. Some of these metalworkers were appointed Artists to the Imperial
429:, United States, in 1893, they were described as "the largest examples of cloisonné enamel ever made". From the early 1990s to 2019, Khalili acquired the three pieces, including the third which had been considered 'lost' to the art trade. The design of the vases includes the symbolic use of a
168:
The Meiji era (1868â1912) was a period of modernisation and industrialisation, during which Japan opened itself to the world. It saw a rapid introduction of
Western culture to Japan, and also of Japanese culture into Europe and America. Combining Western technology and government sponsorship,
461:, who has been called Japan's greatest lacquerer. His works have an idiosyncratic, highly decorative style and the hundred works in the Khalili Collection of Japanese Art had a dedicated volume in the 1995 catalogue. Another lacquer item is a cabinet by
575:
by the
Emperor during the former's visit to Japan in 1891. Other items were exhibited at Japan's fifth National Industrial Exposition of 1903. These included works by Nishimura Sozaemon, whose embroidery firm was appointed by the Imperial household.
304:, runs to eight volumes. Rather than covering the whole range of Meiji-era decorative art, Khalili has focused on objects of the highest technical and artistic quality. Twenty-five of the objects have emblems showing that they were commissioned by
185:
During the embrace of
Western influences, demand for Japanese art declined within Japan itself. At the same time, art objects came to be a large part of Japan's exports, actively promoted by the government which wanted to reduce the country's
121:
Although the collection is not on permanent public display, its objects are lent to cultural institutions and have appeared in many exhibitions from 1994 onwards. Exhibitions drawing exclusively from the collection have been held at the
2167:
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enamel reached a technical peak, producing items more advanced than any that had existed before. Artists experimented with pastes and the firing process to produce ever larger blocks of enamel, with less need for
2134:
1309:
250:. Khalili observed that Japanese arts were less well-documented than European arts of the same period, despite being technically superior: "Whilst one could argue it is relatively easy to replicate a
517:. He and his workshop transformed underglaze blue porcelain, decorating with subtleties of colour that had not previously been possible. He also made award-winning objects with flambé or crystalline
2271:
The article examines the works and life story of Japanese artist Shibata Zeshin, known as Japan's greatest lacquerer and a key figure in the artistic transition from the Edo period to the Meiji era.
2002:
Meiji period cloisonné differed greatly from the earlier Edo period works in shape, design, colour and techniques and was noted for its marvellous minute detailing and high standard of production.
1518:
1466:
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2168:"News | The Khalili Collections Reunites Landmark Imperial Japanese Garniture â Said to be The Largest Examples of CloisonnĂ© Enamel Ever Made â After Over 120 Years"
2910:
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2415:
1526:
2606:
2336:
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582:
326:
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474:
366:
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art collection. A pair of 145 centimetres (57 in) high cloisonné enamel vases were accompanied by a pair of bronze vases depicting birds in
637:, and Malcolm Fairley, co-owner of the Asian Art Gallery in London. A separate volume of essays uses the collection to explore the phenomenon of
242:, each of which is considered among the most important in its field. Three of them include works from Japan: the collection of Japanese art, the
594:
1924:
1839:
1699:
369:, each of whom is represented in the collection. Other works include an elephant incense burner by Shoami Katsuyoshi, a sculpture of the deity
2073:
2200:
462:
358:
354:
2690:
2661:
2940:
1435:
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to depict a landscape scene. Researchers have used the collection to establish a chronology of the development of Japanese enamelling.
247:
2878:
2047:
1248:
2935:
2915:
2490:"Naturalism fusing past and present: the reconfiguration of the Kyoto School of Painting and the revival of the textile industry"
1082:
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Za granÊčiïž uïžĄ voobrazheniiïž aïžĄ : sokrovishcha imperatorskoÄ Iïž AïžĄponii XIX - nachala XX veka iz kollektïž sïžĄii professora Khalili
2930:
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676:
1436:"[Review:] Japonisme and the Rise of the Modern Art Movement: The Arts of the Meiji Period, The Khalili Collection"
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metalworkers created ambitious works in cast bronze for display at world's fairs. One such artist, eventually appointed an
174:
study how the late 19th and early 20th century availability of Japanese art in Europe influenced European art, especially
2135:"Renowned collector Nasser Khalili revealed as buyer of 'lost' monumental Meiji vase as he reunites it with original set"
1310:"Renowned collector Nasser Khalili revealed as buyer of 'lost' monumental Meiji vase as he reunites it with original set"
1210:
1399:"Gorgeous with Glitter and Gold: Miyagawa KĆzan and the Role of Satsuma Export Ware in the Early Meiji Ceramic Industry"
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with the West. The government took an active interest in the standard of art exported, exerting quality control via the
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643:: the enthusiasm for Japanese arts in late 19th century Europe. There are also catalogues from various exhibitions.
513:, described in 1910 as Japan's greatest living ceramic artist. Kozan was the second ceramicist ever to be appointed
481:, who along with Shibata Zeshin are considered the three great late lacquerers of Japan. There are many examples of
1630:
956:
Japonisme and the rise of the modern art movement : the arts of the Meiji period : the Khalili collection
633:
In 1995, the collection was documented in a multi-volume catalogue by Oliver Impey, reader in Japanese Art at the
3035:
422:
209:
110:
the highest technical and artistic quality. Some of the works were made by artists of the imperial court for the
1549:
294:
of the late 19th century. With more than 1,400 objects in total, it is comparable only to the collection of the
2732:
855:
657:
1519:"The Khalili Collections major contributor to "Longing for Mecca" exhibition at the Tropenmuseum in Amsterdam"
2777:
Iwao, Nagasaki (2015). "Clad in the aesthetics of tradition: from kosode to kimono". In Jackson, Anna (ed.).
217:
333:
was Kako. Several of his works, including two intricately decorated incense burners, are in the collection.
196:(Exhibition Bureau). The major exhibitions to which Japan sent examples of its arts and crafts included the
3071:
2925:
1574:
243:
2965:
2950:
2750:
Guth, Christine M. E. (2015). "The Meiji era: the ambiguities of modernization". In Jackson, Anna (ed.).
1664:
Beyond Imagination: Treasures of Imperial Japan from the Khalili collection, 19th to early 20th centuries
987:
Beyond Imagination: Treasures of Imperial Japan from the Khalili collection, 19th to early 20th centuries
197:
169:
Japanese decorative arts reached a new level of technical sophistication. Decorative artists working in
2978:
2283:
1739:
Wylie, Hugh (Autumn 1998). "Review: The Nasser D. Khalili Collection: Decorative Arts of Meiji Japan".
1143:
Beyond Imagination: Treasures of Imperial Japan from The Khalili Collection, 19th to early 20th century
418:
1055:
848:
Splendors of Meiji : treasures of imperial Japan : masterpieces from the Khalili Collection
514:
322:
150:
622:
2081:
1467:"[Review:] Japonisme and the Rise of the Modern Art Movement: The Arts of the Meiji Period"
30:
2864:
1713:
1041:
783:
Volume V, Part II â Meiji No Takara â Treasures of Imperial Japan; Ceramics Part Two: Earthenware
436:
295:
106:
1222:
1148:
485:
technique, in which designs are carved into natural materials which are inlaid in the lacquer.
139:
135:
2489:
2310:
1371:
1017:
The following exhibitions were drawn exclusively from the Khalili Collection of Japanese Art.
764:
Volume V, Part I â Meiji No Takara â Treasures of Imperial Japan; Ceramics Part One: Porcelain
3066:
3001:
1398:
572:
262:
201:
3045:
1443:
524:
488:
336:
1599:
634:
1231:
8:
2897:
2844:
2725:
Splendors of Meiji: treasures of Imperial Japan: Masterpieces from the Khalili Collection
1096:
802:
Volume VI â Meiji No Takara â Treasures of Imperial Japan; Masterpieces by Shibata Zeshin
233:
115:
1283:
707:
Volume II â Meiji No Takara â Treasures of Imperial Japan; Metalwork Parts One & Two
457:
Some lacquer works in the collection date from the 17th century. A hundred works are by
251:
3017:
1756:
1693:
1256:
875:
Splendors of Imperial Japan : arts of the Meiji period from the Khalili Collection
1687:
Japan began promoting itself internationally as a country of rich cultural traditions.
745:
Volume IV â Meiji No Takara â Treasures of Imperial Japan; Lacquer Parts One & Two
403:
2973:
2816:
2792:
2782:
2765:
2755:
2738:
2728:
2497:
2316:
2262:
2142:
1993:
1983:
1817:
1807:
1677:
1667:
1406:
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1000:
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959:
942:
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905:
888:
878:
861:
851:
834:
824:
805:
786:
767:
748:
729:
710:
691:
672:
653:
399:
370:
290:
objects, including works by artists of the imperial court that were exhibited at the
1662:(2017). "Foreword". In Amelekhina, Svetlana; Elkvity, Dror; Panfilov, Fedor (eds.).
567:
textile work from the latter half of the Meiji era, mostly produced by workshops in
74:
https://www.khalilicollections.org/all-collections/japanese-art-of-the-meiji-period/
1748:
291:
187:
175:
111:
1525:. United Nations Educational, Scientific and Cultural Organization. Archived from
1403:
Challenging Past And Present: The Metamorphosis of Nineteenth-Century Japanese Art
821:
Shibata Zeshin : masterpieces of Japanese lacquer from the Khalili Collection
417:
Among the cloisonné enamel works is a trio of vases that have become known as the
1659:
1124:
1091:
Splendors of Imperial Japan: Arts of the Meiji Period from the Khalili Collection
1068:
April â October 1999, First USA Riverfront Arts Centre, Wilmington, Delaware, USA
309:
131:
98:
2494:
Kyoto Visual Culture in the Early Edo and Meiji Periods: The arts of reinvention
510:
493:
2984:
2887:
2632:
2416:"Meiji No Takara â Treasures of Imperial Japan; Ceramics Part Two: Earthenware"
2229:"Meiji No Takara â Treasures of Imperial Japan; Masterpieces by Shibata Zeshin"
1627:
1193:
In June 2014, the Khalili Foundation made two donations of Japanese art to the
1167:
1027:
458:
445:
239:
123:
94:
50:
1840:"Meiji No Takara â Treasures of Imperial Japan; Metalwork Parts One & Two"
1681:
1004:
275:
3060:
2796:
2769:
2640:
2337:"Meiji No Takara â Treasures of Imperial Japan; Ceramics Part One: Porcelain"
2266:
2146:
1821:
1638:
1431:
1184:
1110:
973:
946:
518:
433:, chickens, and eagles, on scenes representing the four seasons of the year.
305:
179:
127:
105:
objects, and textile art, making it comparable only to the collection of the
2742:
1997:
1074:
Shibata Zeshin: Masterpieces of Japanese Lacquer from the Khalili Collection
1050:
Shibata Zeshin: Masterpieces of Japanese Lacquer from the Khalili Collection
919:
892:
865:
838:
1373:
Making Modern Japanese-Style Painting: Kano Hogai and the Search for Images
1227:
1198:
308:
as gifts for foreign dignitaries and royalty. Another twelve were made for
205:
509:
The collection includes, among other porcelain works, more than eighty by
390:
341:
298:
in terms of size and quality. The collection catalogue published in 1995,
170:
929:
Japan : Meiji-Kunst & Japonismus : Aus der Sammlung Khalili
688:
Volume I â Meiji No Takara â Treasures of Imperial Japan; Selected Essays
546:
529:
470:
378:
93:, assembled by the British-Iranian scholar, collector and philanthropist
650:
Japanese imperial craftsmen : Meiji art from the Khalili collection
2856:
1760:
407:
2518:"Embroidered Wonders Meiji era textiles in the Khalili Collections..."
1905:
902:
Wonders of imperial Japan : Meiji art from the Khalili collection
411:
155:
1105:
Splendors of Imperial Japan: Masterpieces from the Khalili Collection
639:
627:
626:
The multi-volume catalogue of the collection plus the 2013 volume on
555:
373:
by Otake Norikuni, and a group of iron pieces by the Komai family of
279:
221:
163:
86:
1752:
1925:"Meiji No Takara â Treasures of Imperial Japan; Metalwork Part Two"
551:
466:
330:
1157:
Items from the collection were lent to the following exhibitions:
1022:
Japanese Imperial Craftsmen: Meiji Art from the Khalili Collection
726:
Volume III â Meiji No Takara â Treasures of Imperial Japan; Enamel
2201:"Meiji No Takara â Treasures of Imperial Japan; Lacquer Part One"
1036:
Treasures of Imperial Japan: Ceramics from the Khalili Collection
669:
Treasures of Imperial Japan: Ceramics from the Khalili Collection
426:
349:
287:
269:
213:
154:
Pair of samurai figures, bronze with details in gold, silver and
102:
1600:"The Khalili Family Trust | Collections Online | British Museum"
1119:
Wonders of Imperial Japan: Meiji Art from the Khalili Collection
2698:
2669:
1982:. Victoria, B.C.: Art Gallery of Greater Victoria. p. 30.
1194:
441:
430:
41:), silver decorated with precious metals and rock crystal, 1890
1550:"Around the world in 35,000 objects â and a handful of clicks"
1078:
October â November 1999, Toyama Sato Art Museum, Toyama, Japan
545:
The 171 earthenware objects in the collection include some by
2850:
1980:
The arts of Meiji Japan, 1868â1912 : changing aesthetics
1631:"Editorial / In a way all my work is founded on Japanese art"
568:
374:
90:
286:
The collection includes metalwork, enamels, ceramics, and
2549:
2469:
2096:
2727:. St. Petersburg, Florida: Broughton International Inc.
2457:
2433:
377:, decorated with gold in a process known in the West as
2662:"Pair of bronze vases, Meiji period (Japan, 1868â1912)"
2539:
2537:
2374:
2372:
2359:
2357:
2113:
2111:
2048:"Meiji No Takara â Treasures of Imperial Japan: Enamel"
2027:
2025:
2012:
2010:
1961:
1959:
1957:
1869:
2396:
2312:
Miller's Antiques Handbook & Price Guide 2018â2019
1881:
1501:
1499:
1484:
1327:
1137:
February â June 2007, Kunsthalle Krems, Krems, Austria
1133:
Meiji-Kunst & Japonismus: Aus der Sammlung Khalili
850:. St. Petersburg, Fla.: Broughton International Inc.
2607:"Splendours of Imperial Japan, Guimet Museum, Paris"
2561:
2534:
2445:
2384:
2369:
2354:
2108:
2022:
2007:
1954:
1230:
work. Licensed under CC-BY-SA 3.0. Text taken from
743:
Impey, Oliver; Fairley, Malcolm; Earle, Joe (1995).
116:
eight assembled, published, and exhibited by Khalili
1942:
1893:
1857:
1496:
114:of the late 19th century. The collection is one of
2815:. London: Penguin Random House. pp. 111â129.
1351:
473:of the United Kingdom. Other lacquer works are by
2779:Kimono: the art and evolution of Japanese fashion
2754:. London: Thames & Hudson. pp. 106â111.
2752:Kimono: the art and evolution of Japanese fashion
2633:"Meiji, Splendeurs du Japon impĂ©rial (1868â1912)"
3058:
2691:"Pair of vases, Meiji period (Japan, 1868â1912)"
1575:"The Khalili Collections | Enamels Of The World"
1339:
2813:The Art of Peace: Eight collections, one vision
1064:Splendors of Meiji: Treasures of Imperial Japan
550:his decoration, drawing from sources including
85:is a private collection of decorative art from
2781:. London: Thames & Hudson. pp. 8â11.
2492:. In Pitelka, Morgan; Tseng, Alice Y. (eds.).
1547:
1249:"Japanese Art of the Meiji Period (1868â1912)"
299:
267:
191:
36:
2872:
55:Dror Elkvity (curator and chief co-ordinator)
1806:. New York: Tuttle Publishing. p. 235.
1226: This article incorporates text from a
981:AmelĂ«khina, S. A.; ĐĐŒĐ”Đ»ŃŃ
ĐžĐœĐ°, ĐĄ. Đ. (2017).
238:The collection is one of eight assembled by
145:
2851:Video of an exhibition at the Israel Museum
1405:. University of Hawaii Press. p. 135.
1376:. University of Chicago Press. p. 59.
823:. Edinburgh: National Museums of Scotland.
2879:
2865:
2843:
1698:: CS1 maint: location missing publisher (
248:Khalili Collection of Enamels of the World
29:
2253:Earle, Joe (March 2008). "Zeshin Redux".
1622:
1620:
97:. Its 1,400 art works include metalwork,
2886:
1720:. Ashmolean Museum, University of Oxford
1658:
1430:
1012:
781:Impey, Oliver; Fairley, Malcolm (1995).
762:Impey, Oliver; Fairley, Malcolm (1995).
724:Impey, Oliver; Fairley, Malcolm (1995).
705:Impey, Oliver; Fairley, Malcolm (1995).
686:Impey, Oliver; Fairley, Malcolm (1995).
667:Impey, Oliver; Fairley, Malcolm (1994).
621:
523:
487:
435:
335:
261:
149:
2810:
2579:
2071:
1464:
1396:
1369:
989:]. Moscow: Moscow Kremlin Museums.
3059:
3041:
2995:Exhibitions drawn from the collections
2308:
2132:
2128:
2126:
1617:
1548:Lawson-Tancred, Jo (11 October 2019).
1307:
227:
24:The Khalili Collection of Japanese Art
2860:
2722:
2580:Muchnik, Andrei (14 September 2017).
2567:
2555:
2543:
2487:
2475:
2463:
2451:
2439:
2402:
2390:
2378:
2363:
2252:
2223:
2221:
2195:
2193:
2191:
2189:
2117:
2102:
2042:
2040:
2031:
2016:
1965:
1948:
1911:
1899:
1887:
1875:
1863:
1801:
1772:
1770:
1738:
1505:
1490:
1357:
312:around the turn of the 20th century.
3031:
2776:
2749:
2582:"The Moscow Fall Art Season Sizzles"
1977:
1426:
1424:
1422:
1345:
1333:
1278:
1276:
1274:
612:Padded silk panel from a set of four
142:, and other institutions worldwide.
2123:
2074:"How It's Made: Japanese Cloisonné"
1626:
1465:Liddell, C. B. (14 December 2013).
1211:List of collections of Japanese art
1176:Meiji, splendeurs du Japon impérial
588:A composite imaginary view of Japan
202:Centennial International Exhibition
16:Private collection of Meiji-era art
13:
2974:Falnama § The Khalili Falnama
2804:
2218:
2186:
2037:
1778:"Japanese Art of the Meiji Period"
1767:
1162:KyotoâTokyo: from Samurai to Manga
83:Khalili Collection of Japanese Art
14:
3083:
2830:
2284:"Writing box (suzuribako), 1860s"
1914:, pp. 66, 70, 237, 370, 372.
1419:
1370:Foxwell, Chelsea (20 July 2015).
1301:
1271:
958:. New York: Thames & Hudson.
57:Gregory Irvine (honorary curator)
3040:
3030:
2949:
2811:Khalili, David (2023). "Japan".
1221:
1109:September 2004 â February 2005,
877:. London: Khalili Family Trust.
652:. London: British Museum Press.
605:
600:A lion and lioness in long grass
593:
581:
571:. One of these was presented to
515:Artist to the Imperial Household
323:Artist to the Imperial Household
2911:Hajj and the Arts of Pilgrimage
2683:
2654:
2625:
2599:
2573:
2510:
2481:
2408:
2329:
2302:
2276:
2246:
2160:
2133:Arkell, Roland (1 March 2019).
2072:Leonard, Loryn (26 June 2012).
2065:
1971:
1917:
1832:
1795:
1732:
1706:
1652:
1592:
1567:
1541:
1511:
1458:
1308:Arkell, Roland (1 March 2019).
1026:September 1994 â January 1995,
904:. Zwolle: Waanders Publishers.
617:
469:for presentation to the future
389:During the Meiji era, Japanese
2290:. Minneapolis Institute of Art
1827:example, and multi-art pieces.
1718:www.jameelcentre.ashmolean.org
1390:
1363:
1241:
1179:(Splendours of Imperial Japan)
540:
340:Pair of two-fold screens with
1:
2078:Dallas Museum of Art Uncrated
1401:. In Conant, Ellen P. (ed.).
1233:The Eight Collections
1216:
1183:October 2018 â January 2019,
1040:October 1994 â January 1995,
954:Irvine, Gregory, ed. (2013).
218:Louisiana Purchase Exposition
2488:Sapin, Julia (20 May 2016).
1804:Collecting Japanese Antiques
1081:November 2000 â March 2001,
1056:National Museums of Scotland
504:
492:Porcelain vase decorated by
423:World's Columbian Exposition
315:
244:Khalili Collection of Kimono
210:World's Columbian Exposition
7:
1204:
1083:Roemer and Pelizaeus Museum
561:
300:
268:
266:Ornament of fish in waves (
192:
37:
10:
3088:
2979:Khalili Imperial Garniture
2959:Objects in the collections
2716:
2496:. Routledge. p. 206.
1236:, Khalili Foundation, .
927:Schiermeier, Kris (2006).
900:Schiermeier, Kris (2006).
554:imagery and the prints of
452:
419:Khalili Imperial Garniture
384:
231:
161:
3026:
3010:
2994:
2958:
2947:
2896:
310:international exhibitions
146:Background: the Meiji era
69:
61:
46:
28:
23:
2315:. Octopus. p. 113.
1802:Seton, Alistair (2012).
1127:, Amsterdam, Netherlands
1042:National Museum of Wales
344:enamel panels, 1900â1905
296:Japanese imperial family
278:. Bronze, silver, gilt,
257:
107:Japanese imperial family
2898:The Khalili Collections
2309:Miller, Judith (2017).
2288:collections.artsmia.org
1440:Japan Society of the UK
1397:Pollard, Clare (2006).
1284:"The Eight Collections"
1166:July â September 2010,
1099:, Portland, Oregon, USA
1095:June â September 2002,
648:Harris, Victor (1994).
511:Miyagawa (Makuzu) Kozan
282:and shakudĆ. Circa 1900
198:Vienna World Exhibition
2139:Antiques Trade Gazette
1314:Antiques Trade Gazette
1149:Moscow Kremlin Museums
1054:April â October 1997,
630:
537:
501:
465:, commissioned by the
449:
345:
283:
159:
140:Moscow Kremlin Museums
3002:Empire of the Sultans
2969:§ Khalili folios
1666:. Moscow. p. 7.
1604:www.britishmuseum.org
1147:July â October 2017,
1123:July â October 2006,
1085:, Hildesheim, Germany
1013:Exhibitions and loans
931:. Krems: Kunsthalle.
625:
573:Nicholas II of Russia
527:
491:
467:Japanese Crown Prince
439:
353:Household, including
339:
265:
153:
2941:Enamels of the World
2889:Nasser David Khalili
2558:, pp. 323, 326.
2478:, pp. 119, 132.
2105:, pp. 255, 364.
1978:Till, Barry (1995).
1259:on 30 September 2019
635:University of Oxford
528:Earthenware bowl by
348:The past history of
193:Hakurankai Jimukyoku
3072:Khalili Collections
2723:Earle, Joe (1999).
2611:Khalili Collections
2521:Khalili Collections
2466:, pp. 118â119.
2442:, pp. 117â118.
2420:Khalili Collections
2341:Khalili Collections
2233:Khalili Collections
2205:Khalili Collections
2172:Khalili Collections
2052:Khalili Collections
1929:Khalili Collections
1844:Khalili Collections
1782:Khalili Collections
1741:Monumenta Nipponica
1579:Khalili Collections
1434:(16 January 2014).
1336:, pp. 106â107.
1113:, Jerusalem, Israel
1097:Portland Art Museum
873:Earle, Joe (2002).
846:Earle, Joe (1999).
819:Earle, Joe (1997).
804:. Kibo Foundation.
800:Earle, Joe (1995).
785:. Kibo Foundation.
766:. Kibo Foundation.
747:. Kibo Foundation.
728:. Kibo Foundation.
709:. Kibo Foundation.
690:. Kibo Foundation.
671:. Kibo Foundation.
421:. Exhibited at the
234:Khalili Collections
228:Khalili Collections
62:Size (no. of items)
3018:Khalili Foundation
1878:, pp. 36, 65.
1628:Khalili, Nasser D.
1432:Cortazzi, Sir Hugh
1288:nasserdkhalili.com
631:
538:
502:
450:
363:Namekawa Sadakatsu
346:
284:
160:
3054:
3053:
2967:Jami' al-tawarikh
2936:Spanish Metalwork
2916:Aramaic Documents
2822:978-1-52991-818-2
2613:. 17 October 2018
2503:978-1-317-28689-9
2405:, pp. 331â2.
2322:978-1-78472-267-8
2084:on 13 August 2020
1890:, pp. 37â43.
1813:978-1-4629-0588-1
1673:978-5-88678-308-7
1493:, pp. 42â44.
1446:on 14 August 2014
1412:978-0-8248-2937-7
1383:978-0-226-19597-1
996:978-5-88678-308-7
965:978-0-500-23913-1
678:978-1-874780-12-0
400:Namikawa Yasuyuki
371:Susanoo-no-Mikoto
292:Great Exhibitions
240:Nasser D. Khalili
112:Great Exhibitions
95:Nasser D. Khalili
79:
78:
51:Nasser D. Khalili
3079:
3044:
3043:
3034:
3033:
2953:
2931:Swedish Textiles
2890:
2881:
2874:
2867:
2858:
2857:
2847:
2842:
2841:
2839:Official website
2826:
2800:
2773:
2746:
2710:
2709:
2707:
2705:
2687:
2681:
2680:
2678:
2676:
2658:
2652:
2651:
2649:
2647:
2629:
2623:
2622:
2620:
2618:
2603:
2597:
2596:
2594:
2592:
2586:The Moscow Times
2577:
2571:
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2559:
2553:
2547:
2541:
2532:
2531:
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2514:
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2455:
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2431:
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2412:
2406:
2400:
2394:
2388:
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2376:
2367:
2361:
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2349:
2347:
2333:
2327:
2326:
2306:
2300:
2299:
2297:
2295:
2280:
2274:
2273:
2250:
2244:
2243:
2241:
2239:
2225:
2216:
2215:
2213:
2211:
2197:
2184:
2183:
2181:
2179:
2164:
2158:
2157:
2155:
2153:
2130:
2121:
2115:
2106:
2100:
2094:
2093:
2091:
2089:
2080:. Archived from
2069:
2063:
2062:
2060:
2058:
2044:
2035:
2029:
2020:
2014:
2005:
2004:
1975:
1969:
1963:
1952:
1946:
1940:
1939:
1937:
1935:
1921:
1915:
1909:
1903:
1897:
1891:
1885:
1879:
1873:
1867:
1861:
1855:
1854:
1852:
1850:
1836:
1830:
1829:
1799:
1793:
1792:
1790:
1788:
1774:
1765:
1764:
1736:
1730:
1729:
1727:
1725:
1710:
1704:
1703:
1697:
1689:
1656:
1650:
1649:
1647:
1645:
1624:
1615:
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1596:
1590:
1589:
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1571:
1565:
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1536:
1534:
1515:
1509:
1503:
1494:
1488:
1482:
1481:
1479:
1477:
1462:
1456:
1455:
1453:
1451:
1442:. Archived from
1428:
1417:
1416:
1394:
1388:
1387:
1367:
1361:
1355:
1349:
1343:
1337:
1331:
1325:
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1322:
1320:
1305:
1299:
1298:
1296:
1294:
1280:
1269:
1268:
1266:
1264:
1255:. Archived from
1245:
1225:
1151:, Moscow, Russia
1008:
977:
950:
923:
896:
869:
842:
815:
796:
777:
758:
739:
720:
701:
682:
663:
609:
597:
585:
479:Shirayama Shosai
471:King Edward VIII
303:
273:
216:in 1893 and the
195:
176:Vincent van Gogh
40:
35:Incense burner (
33:
21:
20:
3087:
3086:
3082:
3081:
3080:
3078:
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3056:
3055:
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3022:
3006:
2990:
2954:
2945:
2892:
2888:
2885:
2837:
2836:
2833:
2823:
2807:
2805:Further reading
2789:
2762:
2735:
2719:
2714:
2713:
2703:
2701:
2689:
2688:
2684:
2674:
2672:
2660:
2659:
2655:
2645:
2643:
2631:
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2616:
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2600:
2590:
2588:
2578:
2574:
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2554:
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2542:
2535:
2525:
2523:
2516:
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2511:
2504:
2486:
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2458:
2450:
2446:
2438:
2434:
2424:
2422:
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2227:
2226:
2219:
2209:
2207:
2199:
2198:
2187:
2177:
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2174:. 12 April 2019
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2015:
2008:
1990:
1976:
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1947:
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1753:10.2307/2385732
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1660:Gagarina, Elena
1657:
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1606:
1598:
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1556:
1554:Apollo Magazine
1546:
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1532:
1530:
1529:on 7 April 2022
1517:
1516:
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1497:
1489:
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1471:The Japan Times
1463:
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1272:
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1260:
1253:Kibo Foundation
1247:
1246:
1242:
1219:
1207:
1125:Van Gogh Museum
1058:, Edinburgh, UK
1015:
997:
980:
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404:Namikawa SĆsuke
387:
327:Suzuki Chokichi
318:
301:Meiji No Takara
260:
236:
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166:
148:
136:Portland Museum
132:Van Gogh Museum
56:
54:
42:
17:
12:
11:
5:
3085:
3075:
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2832:
2831:External links
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2570:, p. 323.
2560:
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2533:
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2468:
2456:
2454:, p. 118.
2444:
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2407:
2395:
2393:, p. 331.
2383:
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2120:, p. 234.
2107:
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2036:
2034:, p. 254.
2021:
2019:, p. 255.
2006:
1988:
1970:
1968:, p. 252.
1953:
1941:
1916:
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1714:"Bibliography"
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475:Nakayama Komin
459:Shibata Zeshin
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386:
383:
367:Jomi Eisuke II
317:
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232:Main article:
229:
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180:impressionists
162:Main article:
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124:British Museum
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1995:
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1989:0-88885-145-6
1985:
1981:
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1967:
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1951:, p. 67.
1950:
1945:
1930:
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1908:
1902:, p. 66.
1901:
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1111:Israel Museum
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