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During the years 1764 to 1770 he took a series of government posts in a variety of foreign locations: Switzerland, Italy, Malta, Germany, the
Netherlands, France, Spain, Portugal, the British Isles, and Belgium. He spent the years 1770–76 in Vienna, whereupon he took up a new position (1776–81) as
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According to one researcher, the diary recounts a total of "4148 evenings at the theater experienced by
Zinzendorf between 1761 and 1813, not only in Vienna, but in Paris, London, Dresden, Trieste, and many other cities." Source: Rice (1998, 38), citing Harbecke
180:; it "neatly masked the social embarrassment of his situation, provided him with lodgings, and would eventually give him security in his old age" (Link). Zinzendorf did receive a "sizeable" inheritance in 1806, but by then most of his life had passed by.
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Zinzendorf is remembered for the massive diary he kept, starting at age eight and continuing to his death. Still unpublished, it covers 76 volumes. The diary is written in French, a language widely used by German aristocrats in
Zinzendorf's day.
120:(1697-1756) and his wife, Countess Christiane Sophie von Callenberg (1702-1775). His family was originally from Austria; they had emigrated in 1660 to Protestant Saxony in order to practice their faith. His uncle was
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is indebted to the diaries because
Zinzendorf was an inveterate theater-goer and records a great deal of information about performances and performers that would otherwise have been lost. The mature operas of
162:. Austria was more successful than France in meeting regular expenditures and in gaining credit. However, the events of Joseph II's last years also suggest that the government was financially vulnerable to
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Antal Szántay: Grete
Klingenstein, Eva Faber, and Antonio Trampus, eds., "Europäische Aufklärung zwischen Wien und Triest: Die Tagebücher des Gouverneurs Karl Graf von Zinzendorf, 1776–1782."
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Unlike many of the aristocrats which whom he was acquainted, Zinzendorf was not wealthy. According to Link, "it was poverty that prevented him from marrying." In 1769 he joined the
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from 1757 to 1760. In 1761 he moved to Vienna for purposes of taking up a government position in commerce. In 1764 he converted to the
Catholic faith, the state religion of the
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between 1781 and 1792 von
Zinzendorf introduced a uniform system of accounting for state revenues, expenditures, and debts of the territories of the Austrian crown, called
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court. His massive diary, written daily over a period of about 66 years, is an important historical documentary source for his era, both in politics and in the arts.
96:(5 January 1739 – 5 January 1813) was a Saxon-Austrian civil servant. He served the government of Austria in a variety of capacities, including as governor of
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Harbecke, Ulrich (1969) "Das
Tagebuch des Grafen Karl von Zinzendorf und Pottendorf als theatergeschichtliche Quelle." Dissertation, University of Cologne.
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Dickson, P. G. M. (2007) "Count Karl von
Zinzendorf's 'New Accountancy': the Structure of Austrian Government Finance in Peace and War, 1781–1791."
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Zinzendorf continued to receive various promotions until his retirement in 1809. He died in 1813.
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were among the best-known works that
Zinzendorf witnessed at their first performances.
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Link, Dorothea (2006) "Zinzendorf, Count Karl Zinzendorf und Potterdorf". In
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The National Court Theatre in Mozart's Vienna: Sources and Documents
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finance minister (President of the Court Audit Office) to Emperor
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Count Nikolaus Ludwig von Zinzendorff und Pottendorf
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293:. Cambridge: Cambridge University Press. 553–554
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85:Karl von Zinzendorf (engraving in the
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