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descent — he deliberately translated the thought of the earlier poet into the vocabulary of the later master. This is possible; but it is at least as likely that Jáuregui unconsciously yielded to the current of popular taste, with no other intention than that of conciliating the public of his own
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Unsigned portrait of an unidentified gentleman, which once was taken to be Jáuregui's lost portrait of
Cervantes. The name of Cervantes at the top and that of Jáuregui at the bottom were added centuries after it was
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which was not published until 1684. This rendering reveals Jáuregui as a complete convert to the new school, and it has been argued that, exaggerating the affinities between
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182:, published at Rome in 1607. The picture by Jáuregui is lost; there is no evidence supporting any surviving painting being that of Jáuregui.
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230:(1624), a skillful attack on the new theories, which procured for its author membership in the honorary
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shortly before 1610 with a reputation as both a painter and a poet. In the preface to the
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Jáuregui died at Madrid on 11 January 1641, leaving behind him a translation of the
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Juan Martínez de Jáuregui y
Hurtado de la Sal was born and baptized in
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This article incorporates text from a publication now in the
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says that Jáuregui painted his picture, and in the second part of
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Liste des humanistes espagnols (“List of
Spanish humanists”)
339:"Juan Martínez de Jáuregui y Hurtado de la Sal (1583-1641)"
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72:) (24 November 1583 – 11 January 1641) was a Spanish
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About his youth very little is known. In his discourse
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Chacón y Calvo, José María. "Retratos de
Cervantes."
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Antídoto contra la pestilente poesía de las
Soledades
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457:La novela ejemplar de los retratos de Cervantes.
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277:Discurso poético contra el hablar culto y oscuro
228:Discurso poético contra el hablar culto y oscuro
114:) of Seville. The poet changed his second name (
410:La novela ejemplar de los retratos de Cervantes
142:can be found and it is known that he stayed in
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70:Juan Martínez de Jáuregui y Hurtado de la Sal
527:"Jáuregui y Aguilar, Juan Martínez de"
499:(11th ed.). Cambridge University Press.
102:—which is an untitled Spanish nobleman—from
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238:(1624) is visibly influenced by Góngora.
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220:Gaspar de Guzmán, Count-Duke of Olivares
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408:Lafuente Ferrari, Enrique (1948).
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343:Enciclopedia Universal Multimedia
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273:(1618) — A collection of lyrics.
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374:(in French). Europa Humanistica
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319:List of Spanish language poets
314:List of famous Spanish Authors
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368:"De Jáuregui y Aguilar, Juan"
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76:, scholar and painter in the
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455:Lafuente Ferrari, Enrique.
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32:Juan de Jáuregui (assassin)
27:Spanish painter (1583–1641)
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218:Through the influence of
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65:[ˈxwandeˈxawɾeɡi]
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211:. Another Spanish poet,
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533:Encyclopedia Americana
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61:Spanish pronunciation:
571:Spanish male painters
561:Painters from Seville
459:Madrid, Dossat, 1948.
289:Apología de la verdad
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517:with a reference to
511:The Exemplary Novels
256:and Góngora—both of
213:Francisco de Quevedo
47:Martínez de Jáuregui
164:Miguel de Cervantes
136:The Art of Painting
576:Spanish male poets
412:. Madrid: Dossat.
232:Order of Calatrava
160:Novelas exemplares
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185:Jáuregui's
169:Don Quixote
545:Categories
467:References
84:Early life
515:Cervantes
418:432412534
301:Pharsalia
249:Pharsalia
224:Philip IV
94:Andalusia
519:Jáuregui
308:See also
258:Cordoban
199:Ausonius
126:painted.
104:La Rioja
37:In this
536:. 1920.
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195:Martial
112:regidor
108:Seville
99:hidalgo
90:Seville
51:Aguilar
43:surname
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191:Horace
179:Aminta
150:Career
325:Notes
295:Orfeo
271:Rimas
261:day.
254:Lucan
242:Death
236:Orfeo
187:Rimas
174:Tasso
156:Spain
140:Italy
430:see
414:OCLC
395:see
380:2012
351:2012
197:and
144:Rome
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