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Joyce Reopel

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188:. Her distinctive palette evolved from glints of silver, gold and lead-gray in the early years to subtle tones of grayed blue and green when she turned to oil painting. Her old-master technical skill, meanwhile, reflected an interest in history that was also sometimes reflected in her depictions of historical themes or classical icons. 140:
Magazine called Reopel "an artisan as well as an artist", while praising her renderings of the figure because "he artist seems consistently to search out that which lies behind the physical trait. And having discovered it, she presents it in whispers, with unusual understatement and economy." The
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Issues 1–9, 1–17. Edited by Cudhea, David W., with Anne Chiarenza, Gobin Stair, Orloff Miller. Published by College Centers Committee of American Unitarian Association in cooperation with Liberal Religious Youth (LRY) Inc. Art by Joyce Reopel and others,
152:, then known as the "Mini-Met", Reopel shared his fascination with the human form, and his interest in fine arts printing, woodcut, sculpture, etching and typography. Her earliest work can be seen in a 1953 version of T.S. Eliot's 92:
American Academy of Arts & Letters: Arts & Letters Award; Ford Foundation Grant; National Institute of Arts & Letters (NIAL) Grant; Radcliffe Scholar; Yale-Norfolk Fellowship; Harvard/Radcliffe Bunting Institute
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veteran, from 1959 to 1966, she was known for her refined skills and virtuosity. She was also one of very few women in the early group of Boston artists that included fellow artist and husband
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Born in Worcester, MA in 1933, and raised in nearby Auburn, Reopel was the only child of homemaker Ada (née Anderson) and musician Ernest J. Reopel, Jr. A first cousin to scientist
1181: 505:. A respect for history and passion for architecture led to her interest in preservation, the documented history of her own house, and the founding of the 1106: 184:
As Reopel's work matured, its subtly emotive, even melancholy, rendering of its subjects, were often lyrical in the vein of fellow Boston Expressionist
1191: 400: 208:(since renamed the Radcliffe Institute for Advanced Study at Harvard) and a grant as a Radcliffe Scholar for Independent Study; a fellowship to 1136: 669: 1131: 200:
at Oxford University. Earning recognition and laudits for her work, Reopel was the recipient of numerous awards and fellowships, including a
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which she illustrated and helped typeset as an art student. In 1958, she created pen-and-ink cover illustrations for Boston's
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A Finding Aid to the Boris Mirski Gallery Records, 1936-2000, bulk 1945-1972, in the Archives of American Art
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and elsewhere. In 1976, her life-long interest in politics helped win her a two-year term in the
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Joyce Reopel: Drawings in silverpoint, goldpoint, and pencil: January 22nd through February 15th,
920: 486:, on her father's. In 1955, she married painter and fellow Worcester Art Museum School graduate 494: 221: 889:"Joyce Reopel: Drawings in Silverpoint and Goldpoint, November 9th Through December 4th, 1965" 378: 345: 260: 1078: 406: 1116: 1101: 478:
on her mother's side, Reopel was also a distant cousin to renowned French Canadian painter
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A graduate of the Worcester Art Museum School, Reopel also spent two years studying at the
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Worcester Art Museum School; Ruskin School of Drawing & Fine Arts, Oxford University
859:"101 Books from the Library of Ben and Bernarda Bryson Shahn and Lorne Bair Rare Books" 629:
1961-1986, Cambridge, Mass.: Mary Ingraham Bunting Institute, Radcliffe College, 1986;
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Joyce Reopel: Drawings in silverpoint and goldpoint, November 9th through December 4th,
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results range from expressive realism to subtle surrealism and outright grotesquerie.
112:(1933–2019) was an American painter, draughtswoman and sculptor who worked in pencil, 734: 691: 643: 630: 617: 604: 590: 558: 544: 526: 205: 939:"Forum Gallery (New York, N.Y.) | Archives Directory for the History of Collecting" 403:, Smithsonian American Art Museum/National Portrait Gallery Library, Washington, DC 397:, Smithsonian American Art Museum/National Portrait Gallery Library, Washington, DC 1033: 128:
has had lasting local and national influence, and is now in its third generation.
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Joyce Reopel Zabarsky Historic Preservation Papers (MS067) | Portsmouth Atheneaum
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The Frick Collection: Archives Directory for the History of Collecting in America
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and, in New York, the Corber Gallery and founder Bella Fishco's Forum Gallery.
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grant in sculpture and drawing; the American Academy of Arts & Letters
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Smithsonian: Archives of American Art. Forum Gallery records, 1961-1990
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Who Was Who in American Art, 1564-1975: 400 years of artists in America
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Her other professional endeavors included time spent teaching at the
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Collected visions: Women artists at the Bunting Institute, 1961-1986
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Gehenna Press Printwork — Leonard Baskin — R. Michelson Galleries
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Radcliffe College Archives sound recordings collection, 1951-2008
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Audience: The Quarterly Review of Literature & the Arts,
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Sloan Art Library, University of North Carolina, Chapel Hill
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Collected Visions: Women Artists at the Bunting Institute,
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Records of the Mary Ingraham Bunting Institute, 1933-2008
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Known for her finely wrought detail and lush sensuality,
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American painter, draughtswoman, and sculptor (1933–2019)
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Audience: A Quarterly Review of Literature and the Arts
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silver- and goldpoint drawings, paintings and sculpture
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Records of the Radcliffe College Alumnae Association
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Fogg Art Museum at Harvard University, Cambridge, MA
642:. De Cordova Museum Publisher, Lincoln, MA, 1970; 525:United Kingdom: Museum of Contemporary Art, 2007. 191: 1093: 1007:"Jean Paul Riopelle | The Canadian Encyclopedia" 177:, silver- and goldpoint exhibitions at Boston's 1182:People associated with the Worcester Art Museum 284:National Institute of Arts & Letters (NIAL) 433:, Schlesinger Library, Radcliffe Institute, MA 421:, Schlesinger Library, Radcliffe Institute, MA 212:; a grant then under Princeton's aegis at the 886: 759:"Art in New York: Trickery without Gimmickry" 381:, Fine Arts Gallery Collection, Nashville, TN 981:"Joyce Reopel Zabarsky: Obituary, 1933-2019" 733:. Lincoln, MA: Univ of Massachusetts Press. 729:DeCordova Museum and Sculpture Park (2002). 1058: 1107:American people of French-Canadian descent 797:"Leonard Baskin: Gehenna Press Printwork" 794: 587:The New Humanism: Art in a Time of Change 557:University of Massachusetts Press, 2002; 1192:Women state legislators in New Hampshire 955: 214:National Institute of Arts & Letters 775: 616:Vol. 5, Issue 3. Audience Press, 1958; 507:Portsmouth Historic District Commission 1094: 710: 523:WACK! Art and the Feminist Revolution. 503:New Hampshire House of Representatives 446:, WAM Press, Reopel and Sorenson, 1953 198:Ruskin School of Drawing and Fine Arts 169:'s poems and interior illustration by 1137:Artists from Worcester, Massachusetts 1028: 1026: 975: 973: 971: 813: 756: 330:Currier Museum of Art, Manchester, NH 1132:21st-century American women painters 856: 752: 750: 724: 722: 664: 662: 407:Historic Preservation Papers – MS067 814:Moore, Scattergood (Jun 15, 2019). 776:Waschek, Matthias (May–June 2019). 267:DeCordova Museum and Sculpture Park 13: 1187:Alumni of the Ruskin School of Art 1112:American people of Swedish descent 1023: 968: 956:Marquard, Bryan (April 18, 2019). 850: 438:Publications/Notable Reproductions 291:New York State Council on the Arts 14: 1208: 747: 719: 659: 352:Pennsylvania Academy of Fine Arts 165:in an issue featuring several of 887:Cober Gallery, New York (1965). 715:. Lincoln, MA: Decordova Museum. 469: 1167:American Expressionist painters 1122:21st-century American sculptors 1071: 1052: 999: 949: 931: 913: 895: 880: 795:Michelson, R. (June 15, 2019). 512: 319:Addison Gallery of American Art 1127:21st-century American painters 1059:Cudhea, David W. (1961–1966). 1034:"Zabarsky candidate for house" 1011:www.thecanadianencyclopedia.ca 826: 807: 788: 769: 704: 680: 555:Painting in Boston: 1950-2000. 312: 233: 202:Radcliffe Institute Fellowship 192:Education, Awards & Honors 1: 731:Painting in Boston, 1950-2000 711:Walkey, Frederick P. (1975). 358:Rhode Island School of Design 1197:21st-century women sculptors 1152:Sculptors from Massachusetts 857:Bair, Lorne (Jun 12, 2019). 757:Gruen, John (Feb 10, 1969). 589:. Praeger Publishers, 1974; 306:Victoria & Albert Museum 272:Federal Reserve Bank, Boston 227:; and a research grant from 7: 1142:Painters from Massachusetts 640:Humanism in New England Art 539:Falk, Peter Hastings (ed). 499:University of New Hampshire 385: 373:University of Massachusetts 369:, Worcester Biography Files 299:Salones Berkowitsch, Madrid 278:Galerie Internationale, NYC 150:Worcester Art Museum School 102:https://www.joycereopel.com 10: 1213: 838:archives.bodleian.ox.ac.uk 603:. Decordova Museum, 1975; 413:Toshihiro Katayama posters 390:Reopel (Zabarsky), Joyce: 287:New Bedford Art Museum, MA 210:Yale Norfolk School of Art 360:(RISD) Museum, Providence 342:Museum of Art, Durham, NH 281:Museum of Art, Durham, NH 97: 88: 78: 68: 60: 52: 40: 28: 21: 1147:American women sculptors 816:"The Art of Printmaking" 653: 582:. Accessed 30 Aug. 2021. 484:National Order of Québec 409:Portsmouth Athenaeum, NH 367:Worcester Public Library 574:, vol. 3, no. 1, 1974. 482:, Grand Officer of the 252:Circulo de Bellas Artes 131: 820:The Art of Printmaking 599:Walkey, Frederick P. 495:Swain School of Design 415:, Houghton Library, MA 395:Art & Artist files 296:Rew Dex Gallery, Kyoto 144:A student of sculptor 1177:Mythological painters 1061:"The Liberal Context" 1038:The Portsmouth Herald 518:Butler, Cornelia H., 379:Vanderbilt University 346:Ohio State University 261:Currier Museum of Art 1162:Boston expressionism 1157:American draughtsmen 572:Feminist Art Journal 462:The Liberal Context, 325:Canton Museum of Art 246:Boston Arts Festival 240:Boris Mirski Gallery 179:Boris Mirski Gallery 126:Boston Expressionism 118:Boris Mirski Gallery 73:Boston Expressionism 1065:The Liberal Context 907:About Forum Gallery 302:Tragos Gallery, NYC 1172:Surrealist artists 480:Jean-Paul Riopelle 337:Weisman Art Museum 275:Forum Gallery, NYC 257:Cober Gallery, NYC 223:Arts & Letters 763:New York Magazine 713:New England Women 601:New England Women 585:Schwartz, Barry. 563:978-1-55849-364-3 549:978-0-932087-57-7 531:978-0-914357-99-5 339:, Minneapolis, MN 206:Bunting Institute 107: 106: 1204: 1087: 1086: 1085:. 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May–June 2019. 773: 767: 766: 754: 745: 744: 726: 717: 716: 708: 702: 701: 684: 678: 677: 666: 553:Lafo, Rachel R. 263:, Manchester, NH 229:Wheaton College. 44:January 16, 2019 32:January 21, 1933 19: 18: 1212: 1211: 1207: 1206: 1205: 1203: 1202: 1201: 1092: 1091: 1090: 1077: 1076: 1072: 1057: 1053: 1043: 1041: 1032: 1031: 1024: 1015: 1013: 1005: 1004: 1000: 990: 988: 985:Seacoast Online 979: 978: 969: 954: 950: 937: 936: 932: 919: 918: 914: 903:"Forum Gallery" 901: 900: 896: 885: 881: 871: 869: 861: 855: 851: 842: 840: 832: 831: 827: 812: 808: 793: 789: 782:Art New England 774: 770: 755: 748: 741: 727: 720: 709: 705: 698: 686: 685: 681: 676:. 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Aug 4, 1976 1039: 1035: 1029: 1027: 1012: 1008: 1002: 986: 982: 976: 974: 972: 963: 959: 952: 944: 940: 934: 926: 922: 916: 908: 904: 898: 890: 883: 867: 860: 853: 839: 835: 829: 821: 817: 810: 802: 798: 791: 783: 779: 772: 764: 760: 753: 751: 742: 740:1-55849-364-6 736: 732: 725: 723: 714: 707: 699: 693: 689: 683: 675: 671: 665: 663: 658: 649: 648:1-55849-364-6 645: 641: 638: 636: 632: 628: 625: 623: 622:9780960177424 619: 615: 612: 610: 606: 602: 598: 596: 592: 588: 584: 581: 577: 573: 570: 566: 564: 560: 556: 552: 550: 546: 542: 538: 536: 535:0-914357-99-9 532: 528: 524: 521: 517: 516: 510: 508: 504: 500: 496: 491: 489: 485: 481: 477: 470:Personal life 463: 460: 457: 454: 451: 448: 445: 442: 441: 432: 429: 426: 423: 420: 417: 414: 411: 408: 405: 402: 399: 396: 393: 392: 391: 380: 377: 374: 371: 368: 365: 362: 359: 356: 353: 350: 347: 344: 341: 338: 335: 332: 329: 326: 323: 321:, Andover, MA 320: 317: 316: 307: 304: 301: 298: 295: 292: 289: 286: 283: 280: 277: 274: 271: 269:, Lincoln, MA 268: 265: 262: 259: 256: 253: 250: 247: 244: 241: 238: 237: 231: 230: 226: 224: 219: 215: 211: 207: 203: 199: 189: 187: 182: 180: 176: 172: 168: 164: 163: 158: 156: 151: 147: 142: 139: 129: 127: 123: 119: 115: 111: 103: 100: 96: 91: 87: 84: 81: 77: 74: 71: 67: 63: 59: 55: 51: 43: 39: 35:Worcester, MA 31: 27: 20: 1082: 1073: 1064: 1054: 1042:. 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Index

Boston Expressionism
Mel Zabarsky
https://www.joycereopel.com
aquatint
Boris Mirski Gallery
Mel Zabarsky
Boston Expressionism
Leonard Baskin
Worcester Art Museum School
The Hollow Men
Audience: A Quarterly Review of Literature and the Arts
Anne Sexton
Arthur Polonsky
aquatint
Boris Mirski Gallery
Arthur Polonsky
Ruskin School of Drawing and Fine Arts
Radcliffe Institute Fellowship
Bunting Institute
Yale Norfolk School of Art
National Institute of Arts & Letters
Ford Foundation
Arts & Letters Award
Wheaton College.
Boris Mirski Gallery
Boston Arts Festival
Circulo de Bellas Artes
Currier Museum of Art
DeCordova Museum and Sculpture Park
New York State Council on the Arts

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