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Joseph Conlan

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orchestral arrangements to electronic and more experimental instrumentation. Along with his strong sense of theme and rhythmic texture, the technique of combining conventional instrumentation with manipulated, twisted and textural sound design elements that he has created, allows Conlan to produce a distinctive score for each project.
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Conlan's musical influences reach from Lennon/McCartney and James Taylor to Claude Debussy and Aaron Copland, to Tom Scott, Radiohead, The Chemical Brothers and Irish folk music. His film scores are just as eclectic, ranging from dark psychological thrillers to romantic comedies, from conventional
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Born in Brooklyn, New York, a fortuitous move at the age of five brought Conlan and his family to Los Angeles to set down new roots. At the age of eight, a tortuous, stilted regimen of piano lessons began, but by age eleven a new, younger teacher had opened Conlan's eyes to the more theoretical
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dimensions of music and the magic of chords. Conlan began to hone his craft as early as high school, writing music for various ensembles and choirs. But it was not until a friend introduced him to Earle Hagen's seminal book,
348:(directed by Dublin director Alan Walsh) and won Best Song at the Rome International Film Festival (2004) for the title song "Finding Home" (lyric by 784: 75: 972: 309: 561: 371:
After a few years of writing commercial jingles for Santa Barbara radio stations, Conlan began to work for Hagen on the TV series
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is an American film and television composer based in Los Angeles. He is best known for his scores to the television series
1110: 997: 948: 835: 391:. Conlan's first screen credit soon followed when Barry De Vorzon brought him on to write the score for the new series 97: 1076: 60: 875: 800: 1156: 779: 554: 20: 849: 280: 218: 344:). Conlan has also won Best Score at The Underground Cinema Awards (2010) for his score to the short film 942: 937: 923: 918: 913: 774: 349: 1035: 1030: 1025: 1020: 1015: 1010: 1005: 908: 903: 898: 893: 888: 883: 862: 857: 843: 295: 1229: 1198: 630: 547: 50: 1094: 1089: 1084: 245: 199: 54: 46: 592: 1219: 79: 640: 525: 438: 421: 502: 269: 252: 1163: 258: 8: 648: 600: 431: 314: 987: 825: 810: 805: 534: 327: 487: 929: 868: 582: 570: 442: 425: 299: 240: 223: 206: 193: 1066: 1172: 610: 319: 264: 71: 758: 753: 748: 743: 738: 733: 728: 723: 718: 713: 708: 703: 698: 375:. This introduction to television led him to work with composers Mark Snow on 66:
Contentious material about living persons that is unsourced or poorly sourced
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Conlan has dual citizenship with the U.S. and Ireland (EU).
322:. Conlan has been nominated for two EMMY awards, one for 368:, that Conlan realized how he should apply his passion. 414: 230:. He has received several awards and nominations. 238:Conlan's earliest notable television credits are 1211: 59:but its sources remain unclear because it lacks 233: 555: 358: 562: 548: 120: 402: 98:Learn how and when to remove this message 19:For other people with similar names, see 222:. Conlan is also known for integrating 1212: 543: 318:for Film Venture London and director 25: 488:"InConversation with Joseph Conlan" 383:and Hoyt Curtin on Hanna-Barbera's 13: 569: 298:), and for television, the series 14: 1241: 514: 1194: 1193: 262:. Recent feature scores include 30: 780:Ziva David captivity storyline 496: 481: 448: 21:Joseph Conlin (disambiguation) 1: 1225:American television composers 472: 434:for Best Score - Finding Home 415:The Underground Cinema Awards 274:(for legendary film director 468:for Best Score - Mortal Sins 281:Behind Enemy Lines: Colombia 219:Behind Enemy Lines: Colombia 70:, especially if potentially 42:biography of a living person 7: 775:Tony DiNozzo and Ziva David 506:Fingal Film Festival (2012) 417:for Best Score - No Justice 234:Film and television scoring 68:must be removed immediately 10: 1246: 359:Early years and influences 18: 1189: 1148: 1123: 1103: 1075: 1064: 1044: 996: 985: 960: 834: 823: 793: 767: 639: 591: 580: 407: 224:electronic music textures 174: 170: 162: 154: 144: 133: 128: 119: 112: 74:or harmful. Please help 82:more precise citations. 16:American movie composer 611:Anthony "Tony" DiNozzo 493:InConversation Podcast 403:Awards and nominations 129:Background information 616:Abigail "Abby" Sciuto 190:Joseph Richard Conlan 179:www.josephconlan.com 973:Home video releases 801:Home video releases 621:Timothy "Tim" McGee 606:Caitlin "Kate" Todd 377:Starsky & Hutch 259:V: The Final Battle 158:Film score somposer 601:Leroy Jethro Gibbs 439:BMI TV Music Award 432:Rome Film Festival 422:BMI TV Music Award 330:) and another for 315:The Callback Queen 226:with conventional 47:list of references 1207: 1206: 1164:Ka Hakaka Maikaʻi 1119: 1118: 1060: 1059: 988:NCIS: New Orleans 981: 980: 826:NCIS: Los Angeles 819: 818: 458:for Best Score - 443:Simon & Simon 393:Simon & Simon 328:Christopher Reeve 241:Simon & Simon 207:Simon & Simon 184: 183: 108: 107: 100: 1237: 1230:NCIS (TV series) 1197: 1196: 1073: 1072: 994: 993: 930:Raising the Dead 869:Blye, K., Part 2 832: 831: 589: 588: 564: 557: 550: 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Index

Joseph Conlin (disambiguation)
biography of a living person
list of references
related reading
external links
inline citations
libelous
improve
introducing
Learn how and when to remove this message

Brooklyn
Film score
www.josephconlan.com
NCIS
Tour of Duty
Simon & Simon
Spiders 3D
Behind Enemy Lines: Colombia
electronic music textures
orchestration
Simon & Simon
Tour of Duty
The Equalizer
V: The Final Battle
Toolbox Murders
Mortuary
Tobe Hooper
Behind Enemy Lines: Colombia
Tim Matheson

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