171:– a period of no less than thirty-six years – Mr. Bennett, except, perhaps, acting as a war correspondent, has dealt with every conceivable subject (besides music), including Parliamentary reports. I believe he holds the record for attendance at Musical Festivals, for he has, shall I say, "survived" over one hundred of them. He has been, among other things, one of the most sympathetic of – as the journalistic phrase runs – undertakers. One almost envies those who have been fortunate enough to have had their funerals described by him. There are the touching and graphic records of the Irish Famine in 1880–81 to point to. And to come to more recent times, do we not remember that splendidly-descriptive series of articles on "Palestine" when he visited the East in 1899? They are still fresh in my memory.
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96:, but after long consideration he decided that he could not accept all the doctrines of the church. He embarked instead on a career as a teacher, and studied for a year at a training college in London in 1853.
249:. Bennett was not a member of the inner circle of the supposed renaissance; although he was a friend and collaborator of one of its leading composers, Mackenzie, he was equally a friend and collaborator of
145:, who was in need of a deputy. The position was at first unpaid, but he was soon taken on to the editorial staff of the paper, and within five years was also writing for six other publications including
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209:'s First Symphony, he wrote that the work gave "capital proof that English music has arrived at a renaissance period." Bennett developed the theme in 1884, singling out for praise
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32:(29 November 1831 – 12 June 1911) was an English music critic and librettist. After an early career as a schoolmaster and organist, he was engaged as a music critic by
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In addition to his work as a teacher and organist, Bennett conducted two choral societies in the London area. In 1865, one of the members of the choir he conducted at
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88:, Gloucestershire. He attended the local church, and became a member of its choir, and joined a local musical society in whose orchestra he played the
399:, the friendship became less close, probably, according to Bennett, because he did not conceal his disappointment that Sullivan persisted in writing
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a series entitled, "The great composers sketched by themselves", dealing with the life and works of more than 30 composers. The music publisher
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and schoolmaster. He soon resigned the precentorship, while retaining his teaching duties, to allow himself time to work as an organist at
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260:(then claimed to have the largest circulation in the world) held back the development of English music because of his antipathy to
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296:. With Cowen, Bennett collaborated on five large-scale works, and with Mackenzie on six, including the composer's best-known
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Sullivan had sought
Bennett's occasional advice since the mid-1870s, and the two became close friends. After the success of
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and other large-scale choral works. Among the composers with whom he collaborated on one or two works were C. Lee
Williams,
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As well as his journalistic work, Bennett was highly regarded for the analytical notes he wrote for the programmes of the
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Eatock, Colin (2010). "The
Crystal Palace Concerts: Canon Formation and the English Musical Renaissance".
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Bennett was inadvertently responsible for naming a long-lived movement in
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in
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An article published in 1946 suggested that
Bennett's high profile position at
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and other large-scale orchestral and choral works by
British composers such as
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579:. Vol. LXXVII, no. 20, 480. South Australia. 2 July 1912. p. 6
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and indulging in "West-End life", instead of concentrating on serious music.
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and other concerts. From these, he progressed to supplying libretti for
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272:) as "the only modern critic" in the late eighties and early nineties.
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During his long and valuable services as a member of the staff of the
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church, Bennett was invited to take charge of a school in
468:"Music Journalism in London: The Late 1870s and 1880s"
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51:Among Bennett's other work was writing or adapting
139:recommended him to Henry Coleman, music critic of
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490:, Vol. 47, No. 766, 1 December 1906, pp. 813–815
454:, Vol. 51, No. 814, 1 December 1910, pp. 769–772
1956:
534:G.S.: "Review of 'British Music of Our Time'",
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331:Between 1877 and 1891, Bennett contributed to
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324:, based on the 1851 poem of the same name by
38:in 1865. Within five years he was appointed
341:reprinted five of these articles, those on
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587:– via National Library of Australia.
540:, July 1946, Vol. 27, No. 3, pp. 188−189
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628:(1). University of California: 87–105.
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16:English music critic and librettist
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14:
2011:
554:"Obituary – Mr. Joseph Bennett",
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304:. He contributed the libretto to
1970:English male non-fiction writers
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1980:British classical music critics
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1:
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680:Chief classical music critics
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805:Arthur Johnstone (1896–1904)
802:George Fremantle (1867–1895)
571:"The Late Mr G. H. Snazelle"
7:
1985:English writers about music
276:Librettist and musicologist
205:". In 1882, in a review of
203:English Musical Renaissance
10:
2016:
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472:Verdi in Victorian London
229:Charles Villiers Stanford
190:(front r.) in 1910, with
1965:English male journalists
1795:Henry Sutherland Edwards
601:Bennett, Joseph (1908).
1853:New York Herald Tribune
1764:Charles Lewis Gruneisen
1650:San Francisco Chronicle
1235:Frederick Grant Gleason
944:William James Henderson
742:Robin Legge (1906–1931)
576:The Register (Adelaide)
492:(subscription required)
456:(subscription required)
311:The Canterbury Pilgrims
213:'s Third Symphony (the
161:Sir Alexander Mackenzie
1415:William Barclay Squire
1394:San Francisco Examiner
1176:(1995–1999, 2001–2008)
516:Bennett, pp. 68 and 70
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1975:English music critics
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1192:Michael Andor Brodeur
1094:James William Davison
560:, 13 June 1911, p. 13
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94:Congregational church
24:
1714:Desmond Shawe-Taylor
1628:Desmond Shawe-Taylor
1454:The Sunday Telegraph
1118:A. H. Fox Strangways
1031:A. H. Fox Strangways
484:"Mr. Joseph Bennett"
376:Notes and references
363:Forty Years of Music
282:Philharmonic Society
219:Arthur Goring Thomas
153:The Musical Standard
84:Bennett was born in
2000:British librettists
1659:Alfred Frankenstein
1483:(1960 – late 1990s)
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1316:Frankfurter Zeitung
1229:George Putnam Upton
1153:The Washington Post
1106:J A Fuller Maitland
968:Harold C. Schonberg
722:The Daily Telegraph
607:. London: Methuen.
537:Music & Letters
368:Bennett retired to
258:The Daily Telegraph
247:J A Fuller Maitland
157:The Daily Telegraph
148:The Daily Telegraph
69:Alexander Mackenzie
45:The Daily Telegraph
1493:Position abolished
1364:William Zakariasen
935:The New York Times
860:Isabel Morse Jones
622:19th-Century Music
302:The Rose of Sharon
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125:Westminster Chapel
113:Weigh House Chapel
40:chief music critic
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698:Michael Steinberg
488:The Musical Times
466:Zicari, Massimo.
451:The Musical Times
396:The Golden Legend
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321:The Golden Legend
306:Villiers Stanford
235:) and Mackenzie (
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1286:Barry Millington
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1170:(mid-1970s–1995)
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980:Edward Rothstein
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217:) and operas by
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35:The Sunday Times
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186:(front c.) and
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61:Arthur Sullivan
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1216:
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1212:
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1207:
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1193:
1190:
1187:
1186:Anne Midgette
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1061:Andrew Porter
1059:
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1047:
1044:
1041:
1038:
1037:William Glock
1035:
1032:
1029:
1026:
1025:Percy Scholes
1023:
1020:
1019:Ernest Newman
1017:
1016:
1014:
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984:
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975:
974:Donal Henahan
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911:Andrew Porter
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841:(since 2003?)
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809:Ernest Newman
807:
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764:Peter Stadlen
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758:Martin Cooper
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507:Eatock, p. 88
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58:
54:
49:
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41:
37:
36:
31:
23:
19:
1851:
1820:
1806:Francis Toye
1778:
1741:
1734:Discontinued
1720:David Cairns
1695:
1685:
1648:
1622:W. J. Turner
1611:
1574:
1560:Noël Goodwin
1548:Francis Toye
1537:
1500:
1481:Roger Covell
1473:
1460:John Warrack
1452:
1437:
1424:The Scotsman
1422:
1407:
1392:
1371:
1356:
1328:
1314:
1293:
1272:
1265:Mosco Carner
1259:Evening News
1257:
1242:
1221:
1211:(2000–2019)
1194:(since 2020)
1164:(1946–1982.)
1151:
1143:(since 1992)
1129:William Mann
1112:H. C. Colles
1083:
1075:(since 2008)
1010:The Observer
1008:
1000:(since 2022)
933:
888:
880:(since 1996)
849:
794:The Guardian
792:
784:(since 2009)
736:
733:(1855?–1870)
720:
704:Richard Dyer
687:
625:
621:
603:
581:. Retrieved
574:
565:
555:
535:
530:
521:
512:
487:
479:
471:
462:
449:
394:
389:
367:
362:
332:
330:
319:
309:
301:
279:
266:Bernard Shaw
257:
255:
240:
236:
232:
222:
215:Scandinavian
214:
207:Hubert Parry
200:
168:
166:
156:
152:
146:
140:
134:
98:
83:
50:
43:
33:
29:
28:
18:
1995:1911 deaths
1990:1831 births
1895:(1963–1968)
1889:(1954–1963)
1883:(1940–1954)
1839:(1904–1934)
1833:(1864–1904)
1808:(1925–1937)
1802:(1892–1908)
1791:(1849–1865)
1766:(1845–1853)
1760:(1834–1844)
1754:(1816–1826)
1722:(1983–1992)
1716:(1958–1983)
1710:(1920–1959)
1704:(1881–1901)
1698:(1865–1870)
1673:(1993–2024)
1667:(1964–1993)
1661:(1934–1964)
1636:(1959–1967)
1630:(1945–1958)
1624:(1915–1940)
1599:(1945–1948)
1593:(1933–1945)
1591:Edwin Evans
1587:(1911–1933)
1562:(1965–1978)
1556:(1947–1952)
1550:(1922–1925)
1525:(1931–1946)
1519:(1906–1919)
1513:(1877–1906)
1468:(1989–2005)
1462:(1961–1972)
1432:(1992–1998)
1430:Mary Miller
1417:(1888–1894)
1402:(1977–1981)
1387:(1926–1928)
1381:(1881–1924)
1366:(1976–1993)
1338:(1986–2009)
1322:Paul Bekker
1309:(1972–1978)
1303:(1953–1972)
1282:(1913–1920)
1267:(1957–1961)
1252:(1846–1866)
1237:(1884–1889)
1231:(1861–1881)
1188:(2008–2019)
1182:(1999–2001)
1137:(1982–1992)
1131:(1960–1982)
1125:(1943–1960)
1123:Frank Howes
1114:(1911–1943)
1108:(1889–1911)
1102:(1879–1889)
1096:(1846–1879)
1069:(2000–2008)
1063:(1992–1996)
1057:(1986–1992)
1051:(1955–1987)
1045:(1949–1953)
1039:(1939–1945)
1033:(1925–1939)
1027:(1920–1925)
994:(2000–2021)
988:(1995–2000)
982:(1991–1995)
976:(1980–1991)
970:(1960–1980)
964:(1955–1960)
958:(1924–1955)
956:Olin Downes
952:(1902–1923)
946:(1887–1902)
919:(1992–1996)
913:(1972–1992)
907:(1949–1972)
901:(1925–1948)
874:(1965–1996)
868:(1947–1965)
862:(1925–1947)
835:(1999–2003)
833:Tom Service
829:(1977–1993)
823:(1927–1940)
817:(1906–1927)
811:(1905–1906)
782:Ivan Hewett
778:(1995–2009)
772:(1986–2005)
766:(1976–1985)
760:(1954–1976)
754:(1933–1954)
748:(1911–1932)
739:(1870–1906)
712:(2006–2024)
706:(1976–2006)
700:(1964–1976)
401:comic opera
196:Dan Godfrey
182:(back l.),
80:Early years
1959:Categories
1634:David Drew
1597:Ralph Hill
1576:Daily Mail
1445:Ralph Hill
1244:Daily News
411:References
326:Longfellow
308:'s opera,
264:, leaving
233:Savonarola
137:Blackheath
131:Journalism
1937:Biography
1893:Alan Rich
1887:Paul Lang
1523:Eric Blom
1215:Tim Smith
1162:Paul Hume
1085:The Times
1043:Eric Blom
923:Alex Ross
878:Mark Swed
642:0148-2076
557:The Times
359:Meyerbeer
355:Cherubini
242:The Times
224:Esmeralda
184:Mackenzie
121:precentor
109:Islington
1174:Tim Page
583:24 April
298:oratorio
286:cantatas
188:Stanford
86:Berkeley
57:cantatas
53:libretti
1911:Portals
1447:(1940s)
1288:(2000s)
595:Sources
351:Rossini
343:Berlioz
316:Chaucer
237:Columba
115:in the
105:Baptist
101:Margate
1202:Others
1021:(1919)
640:
613:890645
611:
474:(2016)
370:Purton
347:Chopin
270:Brahms
262:Wagner
163:said:
1949:Music
381:Notes
180:Parry
90:viola
638:ISSN
609:OCLC
585:2021
357:and
292:and
151:and
67:and
55:for
630:doi
227:),
119:as
42:of
1961::
1866:c.
1346:c.
636:.
626:34
624:.
573:.
545:^
498:^
486:,
448:,
418:^
365:.
353:,
349:,
345:,
328:.
300:,
245:,
127:.
71:.
63:,
1913::
1871:)
1864:(
1351:)
1344:(
672:e
665:t
658:v
644:.
632::
615:.
231:(
221:(
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