199:
400:
1668:
336:
his six-month engagement with the
Melbourne Exposition made him the most highly-paid conductor in history up to that time. Although he regarded himself primarily as a symphonist, he was most successful in lighter orchestral pieces when treating fantastic or fairy subjects, where his gifts for graceful melody and colourful orchestration are shown to best advantage. Whether in his cantatas for female voices, his charming
348:(1901), he succeeds in finding graceful expression for the poetical idea. His dance music, such as is to be found in various orchestral suites, is refined, original and admirably instrumented. Much of his more serious music is commendable rather than inspired and seldom successful in portraying the graver aspects of emotion. Indeed, his choral works, written for the numerous musical festivals around
715:
283:, which was first performed at St. James's Hall in 1880 and went on to establish itself for a decade as one of the most popular symphonic works in the repertoire, brought him some international recognition. Appearing in 1880, it proved to be the most regularly and widely performed British symphony until the arrival of Elgar's First. In 1884 he conducted five concerts of the
335:
Cowen's career, both as composer and conductor, is now unjustly forgotten. He was one of the first
British-born professional conductors to have the respect of critics, orchestral musicians, and the public, and he held lengthy tenures with every major British orchestra active before 1900. In addition,
295:
Symphony before they had rendered it, due to the lack of rehearsal time that he felt he had been given. The directors took umbrage at his remarks and did not renew his contract. In the year of his appointment to the
Philharmonic Society, 1888, he went to Melbourne as the conductor of the daily
41:
1076:
131:. Cowen attended the examination and won the prize, but his parents intervened, as they were not prepared to give up control of him, as stipulated by the terms of the prize. Instead, they agreed to send him to the same institution, but as an independent student.
110:
in the early 1860s. His first genuine public recital was given on 17 December 1863 at the Bijou
Theatre of the old Her Majesty's Opera House, and in the following year he performed Mendelssohn's Piano Concerto in D minor at a concert given at Dudley House,
246:(in A minor) were given in St. James's Hall on 9 December 1869, and from that moment Cowen began to be recognised as primarily a composer, his talents as a pianist being subordinate, although his public appearances were numerous for some time afterwards.
122:
By Autumn 1865, it was the judgment of his instructors, Julius
Benedict and John Goss, that they could do little more to further his musical education and recommended that he study in Germany. By coincidence the second competition for the
367:
on 6 July 1911. Cowen married
Frederica Gwendoline Richardson at St. Marylebone Registry Office, London, 23 June 1908. She was 30 years his junior and they had no issue. He died on 6 October 1935 and was buried at the Jewish Cemetery,
1307:
Many of Cowen's unpublished orchestral manuscripts, together with the relevant orchestral performing material, are presumed lost including the Piano
Concerto, the first two symphonies, the 1866 Overture, the
291:, became the regular conductor of that society. His employment there came to an abrupt termination in 1892 when he apologised for any shortcomings in the orchestra's performance of Beethoven's
391:
Cowen's autobiography details his conducting and compositional career, and experiences with musical colleagues and ensembles. 314 pages, with frontispiece photographic portrait, and an index.
321:
22:
360:
to the high art song, the latter of which led him to be described as the 'English
Schubert' in 1898. Indeed, the vogue of his semi-sacred songs has been widespread.
64:
1683:
1800:
1954:
2142:
1986:
227:
160:
128:
2187:
2182:
296:
concerts given in connection with the
Exhibition there for the unprecedented sum of ÂŁ5,000. In 1896, Cowen was appointed conductor of the
1793:
1688:
1547:
451:, opera (in 3 Acts, Teatro dal Verme, Milan, 12 November 1893 and later reduced to 2 Acts, Covent Garden Theatre, London, 30 June 1894)
2167:
2137:
2132:
1736:
2177:
2172:
1947:
106:
His first public appearance as a pianist was as an accompanist in one of his own early songs sung by Mrs
Drayton at a concert in
1454:
are held by the Library of the Royal College of Music, London (Add.Mss 5058a-p) together with the full orchestral score of the
1786:
1716:
2147:
258:
1732:
1605:
1525:
2162:
2157:
1583:
115:, the London home of the Earl of Dudley. At the same venue a year later he premiered his Pianoforte Trio in A major with
1940:
1963:
1615:
1593:
1535:
332:
for some years, as well as being a regular attendee at many British music festivals, both as conductor and composer.
325:
843:, commemoration ode for chorus and orchestra (Melbourne Centennial Exhibition, Melbourne, Australia, 1 August 1888)
363:
Cowen received honorary doctorates from Cambridge and Edinburgh in 1900 and 1910 respectively, and was knighted at
317:
72:
356:
Britain, typify the public taste of his time. Of his 300 or so songs, they encompass everything from the popular
313:
297:
284:
136:
75:, 11th Lord Ward (1817–1885). The family initially lived at 11 Warwick Crescent, London, in the area known as
456:
56:
Davis. His siblings were Elizabeth Rose Cohen (b. 1843); actress, Henrietta Sophia Cohen (b. 1845); painter,
63:
At the age of four years Frederic was brought to England, where his father became treasurer to the opera at
2058:
2192:
1932:
1488:
is held by the Thomas Fisher Rare Book Library, University of Toronto, Ontario, Canada (Music Mss 0028).
152:
1874:
1832:
1643:
These songs are advertised on the back cover of songs published by Boosey & Co in 1899 and 1900
309:
222:
on 8 September 1866. In the following autumn he went to Berlin, where he studied composition under
176:
80:
68:
272:
132:
124:
2100:
1628:
2152:
1660:
1083:
Most of Cowen's works were published in one form or another although several have been lost.
364:
2127:
2122:
2088:
1758:
1744:
100:
8:
2034:
2016:
207:
329:
239:
301:
95:, at the age of eight. With the help of the Earl of Dudley, he studied the piano with
2082:
1770:
1712:
1611:
1589:
1531:
156:
49:
1998:
198:
32:(29 January 1852 – 6 October 1935), was an English composer, conductor and pianist.
1064:
399:
182:
In 1887, shortly after conducting his Scandinavian Symphony, he was taken ill with
140:
112:
2010:
1820:
951:
1865 - Piano Trio No. 1 in A major (Dudley House, Park Lane, London, 22 June 1865)
305:
210:, he appeared as a composer for the orchestra in an Overture in D minor played at
2040:
2022:
1974:
1862:
1856:
1838:
1473:(incomplete), together with thirteen numbers either in vocal or piano score from
1260:
Breitkopf and Härtel, Leipzig, issued the full orchestral score of Symphony No.6.
1090:
Novello, Ewer & Co., London, issued full orchestral scores of Symphony No.4,
731:
1897 - ConcertstĂĽck, for piano and orchestra (Queen's Hall, London, 28 June 1900)
428:
288:
266:
144:
96:
906:, commemoration ode for chorus and orchestra (Earl's Court, London, 24 May 1897)
52:, Jamaica, the fifth and last child of Frederick Augustus Cohen and Emily Cohen
2094:
2070:
2052:
1868:
1850:
1844:
243:
223:
172:
168:
116:
2064:
563:, characteristic overture in C major (Crystal Palace, London, 22 October 1881)
167:. Cowen's fellow students and companions in Leipzig included Swinnerton Heap,
2116:
2076:
2004:
1892:
1778:
1679:
1674:
1579:
446:
369:
353:
349:
219:
211:
183:
148:
526:
1866 - Overture in D minor (Covent Garden Theatre, London, 8 September 1866)
2028:
1709:
Conductors in Britain 1870–1914: Wielding the Baton at the Height of Empire
957:
1866 - String Quartet in C minor (Conservatorium, Leipzig, 14 January 1866)
913:, ode for soprano, chorus and orchestra (Norwich Festival, 22 October 1902)
728:
1869 - Piano Concerto in A minor (St James's Hall, London, 9 December 1869)
529:
1869 - Symphony No. 1 in C minor (St James's Hall, London, 9 December 1869)
235:
187:
164:
87:, appeared when he was only six years old. He produced his first published
57:
1962:
1809:
1922:
1880:
920:
for contralto, chorus and orchestra (Cardiff Festival, 27 September 1907)
850:, ode for triple-quartet, chorus and orchestra (Liverpool, November 1890)
539:
1872 - Symphony No. 2 in F (Philharmonic Hall, Liverpool, 8 October 1872)
231:
1656:
1395:
is held by The British Library, London (Add.Ms 50767) together with the
780:, dramatic oratorio (Three Choirs Festival, Worcester, 8 September 1887)
639:, orchestral poem (Three Choirs Festival, Gloucester, 11 September 1901)
2046:
1980:
1886:
1692:. Vol. 7 (11th ed.). Cambridge University Press. p. 346.
1293:
Albert J. Gutmann, Vienna, issued the full scores of Symphony No.3 and
801:, church cantata (Three Choirs Festival, Gloucester, 15 September 1895)
76:
1209:
Metzler & Co., London, issued full orchestral scores of the first
127:
was due to be held that gave its winner three years of tuition at the
257:, was given at London in 1870, his Second Symphony in F major by the
215:
1229:; Boosey & Co., London, issued the full orchestral score of the
941:, scena for tenor and orchestra (Queen's Hall, London, 17 June 1897)
556:
1881 - Sinfonietta in A major (St James's Hall, London, 12 May 1881)
1760:
The Music of Sir Frederic Hymen Cowen (1852–1935): A Critical Study
1746:
The Music of Sir Frederic Hymen Cowen (1852–1935): A Critical Study
1527:
Complete History of Music. For Schools, Clubs, and Private Reading.
601:
1886 - Overture in D (Liverpool Exhibition, Liverpool, 11 May 1886)
438:
276:
107:
88:
1673:
This article incorporates text from a publication now in the
696:, second suite de ballet (Queen's Hall, London, 19 September 1914)
250:
570:, suite in D for strings (Crystal Palace, London, 17 March 1883)
357:
878:, arrangement of song for tenor soloist, male chorus and piano
604:
1887 - Symphony No. 5 in F (Guildhall, Cambridge, 9 June 1887)
546:, suite de ballet (St James's Hall, London, 27 November 1880)
308:. He was ousted from the Hallé after three years in favour of
1774:
by Arthur Wing Pinero and Frederic Cowen on Great War Theatre
1481:(all Mss Mus.b.45) are held by the Bodleian Library, Oxford.
516:, comedy ballet (Coliseum Theatre, London, 31 December 1917)
135:
was awarded the prize in his place. At Leipzig, overseen by
40:
1286:
E. Ascherberg & Co., London, issued the vocal score of
373:
1300:
Robert Cocks & Co., London, issued the vocal score of
1263:
Joseph Williams, London, issued full orchestral scores of
714:
598:
1886 - March (Folkestone Exhibition, Folkestone, May 1886)
1387:
Several significant manuscripts have, however, survived:
990:
The following are among over 300 songs written by Cowen:
1297:
together with a piano duet arrangement of Symphony No.3.
1075:
752:, dramatic cantata (Birmingham Festival, 29 August 1876)
48:
Cowen was born Hymen Frederick Cohen at 90 Duke Street,
829:, ethical cantata (Cardiff Festival, 20 September 1910)
632:, concert overture (Queen's Hall, London, 2 March 1901)
611:, suite de ballet (St James's Hall, London, 6 May 1896)
21:
1964:
Royal Scottish National Orchestra Principal Conductors
1508:
1506:
1504:
1502:
1202:, together with several piano arrangements including
722:
424:, comedietta (St George's Hall, London, 24 June 1874)
186:
and recovered at the specialist convalescent home of
787:, cantata (Crystal Palace, London, 14 December 1889)
766:, sacred cantata (Norwich Festival, 13 October 1881)
460:, opera (Covent Garden Theatre, London, 8 June 1895)
275:
with moderate success. His most important work, his
35:
1499:
927:, arrangement of part-song for chorus and orchestra
653:(Three Choirs Festival, Hereford, 9 September 1903)
442:, opera (Drury Lane Theatre, London, 22 April 1890)
16:
English composer, conductor and pianist (1852–1935)
745:, cantata (St James's Hall, London, November 1870)
682:(City Hall, Candleriggs, Glasgow, 27 January 1906)
433:, opera (Lyceum Theatre, London, 22 November 1876)
971:(Her Majesty's Theatre, London, 17 December 1863)
265:, in 1876 at Birmingham. In that year his opera,
2114:
1706:
1610:, pg. 110, Manchester University Press, (1960),
759:, oratorio (Brighton Festival, 28 February 1878)
417:, operetta (Maida Hill, London, 4 February 1860)
155:(ensemble work). He also came into contact with
1477:and a short score, drafts and sketches for the
822:, cantata (Cardiff Festival, 23 September 1904)
773:, cantata (Birmingham Festival, 25 August 1885)
312:. In 1899, he was reappointed conductor of the
1808:
1564:
1206:and a piano duet arrangement of Symphony No.4.
931:
1948:
1794:
1530:, pg. 500, Adamant Media Corporation (2001);
1458:(Add.Ms 9015) and the vocal score of the ode
1086:The following major scores were published:
794:, cantata (Norwich Festival, 6 October 1893)
60:(b. 1847), and Emma Magnay Cohen (b. 1849).
1711:. Woodbridge, Suffolk: Boydell and Brewer.
1079:Frederic Hymen Cowen (1852-1935) circa 1935
718:Frederic Hymen Cowen (1852-1935) circa 1925
553:(St James's Hall, London, 18 December 1880)
403:Frederic Hymen Cowen (1852-1935) circa 1915
324:, the Scottish Orchestra (now known as the
163:, and took some private piano lessons with
1955:
1941:
1801:
1787:
808:, cantata (Leeds Festival, 8 October 1898)
588:(Crystal Palace, London, 10 November 1883)
242:. A symphony (his first in C minor) and a
1766:(PhD). Vol. 2. University of Durham.
1752:(PhD). Vol. 1. University of Durham.
1737:International Music Score Library Project
1070:
2143:Burials at Golders Green Jewish Cemetery
1678:
1512:
1074:
713:
398:
202:Frederic Hymen Cowen (1852-1935) in 1890
197:
44:Frederic Hymen Cowen (1852-1935) in 1877
39:
20:
1757:Parker, Christopher J. (January 2007).
1743:Parker, Christopher J. (January 2007).
1607:The Hallé tradition: a century of music
1471:The Magic Goblet - The Luck of Edenhall
1382:The Magic Goblet - The Luck of Edenhall
1221:suite together with the vocal score of
961:
735:
701:The Magic Goblet – The Luck of Edenhall
591:1884 - Symphony No. 4 in B flat minor,
509:, pantomime (New Theatre, London, 1918)
83:, and his first published composition,
2115:
1756:
1742:
1404:Four English Dances in the Olden Style
1100:Four English Dances in the Olden Style
625:(St James's Hall, London, 31 May 1897)
618:(St James's Hall, London, 11 May 1896)
616:Four English Dances in the Olden Style
595:(St James's Hall, London, 28 May 1884)
495:(Duke of York's Theatre, London, 1922)
261:in 1872, and his first festival work,
234:, enrolling at the academy created by
206:Returning home on the outbreak of the
1936:
1782:
1626:
1569:. London: Edward Arnold. p. 144.
1348:, the 1886 March, the 1886 Overture,
646:(Queen's Hall, London, 29 March 1902)
536:(Norwich Festival, 17 September 1872)
407:
287:, and in 1888, on the resignation of
499:
259:Royal Liverpool Philharmonic Society
2188:19th-century English male musicians
2183:20th-century English male musicians
1733:Free scores by Frederic Hymen Cowen
710:(BBC Studio, London, 20 April 1935)
478:
13:
1700:
954:1868 - Piano Trio No. 2 in A minor
723:Instrumental soloist and orchestra
549:1880 - Symphony No. 3 in C minor,
488:(Brighton Festival, February 1871)
14:
2204:
1923:Principal conductors of the Hallé
1726:
1479:Miniature Variations (Humoresque)
1271:together with the vocal score of
708:Miniature Variations (Humoresque)
703:(BBC Studio, London, 9 June 1934)
326:Royal Scottish National Orchestra
36:Early years and musical education
2168:English male classical composers
2138:20th-century classical composers
2133:19th-century classical composers
1666:
1588:, pg. 88, Boydell Press (2006),
1456:Miniature Variations (Humoreque)
1233:, together with vocal scores of
945:
379:
318:Bradford Festival Choral Society
25:Frederic Hymen Cowen (1852-1935)
1627:Cowen, Sir Frederic H. (1913).
833:
2178:19th-century British composers
2173:20th-century British composers
1637:
1620:
1598:
1573:
1565:Frederic Hymen, Cowen (1913).
1558:
1540:
1518:
1465:The full orchestral scores of
1402:The full orchestral scores of
1126:together with vocal scores of
328:) and the Handel Festivals at
314:Philharmonic Society of London
298:Liverpool Philharmonic Society
285:Philharmonic Society of London
230:, and took piano lessons from
137:Ernst Friedrich Eduard Richter
1:
1650:
1484:The full orchestral score of
1436:A Suite of Old English Dances
1391:The full orchestral score of
1124:A Suite of Old English Dances
899:, for female voices and piano
892:, for female voices and piano
885:, for female voices and piano
871:, for female voices and piano
864:, for female voices and piano
857:, for female voices and piano
680:A Suite of Old English Dances
520:
457:Harold or the Norman Conquest
388:London: Edward Arnold, 1913.
1875:Stanisław Skrowaczewski
1380:and the complete version of
621:1897 - Symphony No. 6 in E,
474:, comedy opera (unperformed)
322:Bradford Permanent Orchestra
143:(harmony and counterpoint),
7:
2148:English classical composers
1440:He Giveth His Beloved Sleep
1412:All hail the glorious reign
1265:A Phantasy of Life and Love
1225:and a piano selection from
1192:He Giveth His Beloved Sleep
1172:All Hail the Glorious Reign
932:Vocal soloist and orchestra
918:He Giveth His Belovèd Sleep
904:All Hail the Glorious Reign
637:A Phantasy of Life and Love
577:(Albert Hall, London, 1883)
71:, and private secretary to
10:
2209:
2163:English Romantic composers
2158:Jewish classical musicians
1810:Hallé Principal Conductors
1035:The Reaper and the Flowers
675:(Edinburgh, December 1903)
240:Stern'sches Konservatorium
1970:
1919:
1902:
1816:
1707:Palmer, Fiona M. (2017).
193:
119:playing the violin part.
1925:, Hallé Concerts Society
1847:¶ (1914–1920; 1933–1939)
1633:. London: Edward Arnold.
1548:"Notes and News: London"
1524:Winston James Baltzell,
1492:
985:
394:
344:or his pretty overture,
316:. He also conducted the
79:. His first teacher was
30:Sir Frederic Hymen Cowen
1689:Encyclopædia Britannica
1585:Edvard Grieg in England
1279:and a piano suite from
1219:The Language of Flowers
1211:The Language of Flowers
1015:The Voice of the Father
1010:When the Worlds is Fair
815:, oratorio (unfinished)
694:The Language of Flowers
544:The Language of Flowers
467:, operetta (unfinished)
384:Cowen, Sir Frederic H.
273:Carl Rosa Opera Company
133:Charles Swinnerton Heap
125:Mendelssohn Scholarship
99:, and composition with
1475:The Spirit of Carnival
1350:A Song of Thanksgiving
1136:A Song of Thanksgiving
1080:
1071:Scores and manuscripts
1005:Buttercups and Daisies
841:A Song of Thanksgiving
719:
580:1883 - Deux Morceaux:
465:The Spirit of Carnival
404:
386:My Art and My Friends.
203:
139:, Cowen studied under
129:Leipzig Conservatorium
45:
26:
1895:(from September 2024)
1684:Cowen, Frederic Hymen
1630:My Art and My Friends
1567:My Art and My Friends
1467:The Enchanted Cottage
1460:In Memoriam Carl Rosa
1408:The Dream of Endymion
1362:In Memoriam Carl Rosa
1176:The Dream of Endymion
1168:A Daughter of the Sea
1078:
939:The Dream of Endymion
897:A Daughter of the Sea
848:In Memoriam Carl Rosa
717:
493:The Enchanted Cottage
402:
201:
69:Her Majesty's Theatre
43:
24:
1452:What shall we dance?
1420:The Butterfly’s Ball
1302:The Fairies' Spring.
1200:What shall we dance?
1104:The Butterfly's Ball
1055:At least two songs,
1000:I will give you Rest
962:Works for solo piano
925:What shall we dance?
736:Oratorio and cantata
630:The Butterfly's Ball
346:The Butterfly's Ball
2035:Warwick Braithwaite
2017:Vladimir Golschmann
1906:†Appointed annually
1554:. 65 39: 760. 1887.
1416:Ode to the Passions
1374:The Transfiguration
1336:, the Sinfonietta,
1314:The Maid of Orleans
1275:, a selection from
1255:The Transfiguration
1251:The Promise of Life
1180:Ode to the Passions
1156:Summer on the River
876:The Promise of Life
869:Summer on the River
855:The Fairies' Spring
806:Ode to the Passions
799:The Transfiguration
668:for small orchestra
486:The Maid of Orleans
376:, Sussex, in 1971.
372:. His wife died at
271:, was given by the
208:Austro-Prussian War
73:William Humble Ward
65:Her Majesty's Opera
2193:Oratorio composers
1281:Cupid's Conspiracy
1081:
1030:The Chimney Corner
720:
514:Cupid's Conspiracy
408:Opera and operetta
405:
365:St. James's Palace
330:The Crystal Palace
279:No. 3 in C minor,
216:Promenade Concerts
204:
151:(composition) and
58:Lionel Jonas Cohen
46:
27:
2110:
2109:
2101:Thomas Søndergård
2083:Alexander Lazarev
1930:
1929:
1772:Monica's Blue-Boy
1718:978-1-783-27145-0
1604:Michael Kennedy,
1552:The Musical World
1469:(incomplete) and
1342:In the Olden Time
1310:Festival Overture
1227:Monica's Blue Boy
1098:, Symphony No.5,
981:, Twelve Sketches
689:, twelve sketches
568:In the Olden Time
534:Festival Overture
507:Monica's Blue Boy
500:Other stage works
304:, succeeding Sir
157:Salomon Jadassohn
2200:
2059:Alexander Gibson
1957:
1950:
1943:
1934:
1933:
1912:‡Guest conductor
1909:¶Musical adviser
1803:
1796:
1789:
1780:
1779:
1767:
1765:
1753:
1751:
1722:
1693:
1672:
1670:
1669:
1644:
1641:
1635:
1634:
1624:
1618:
1602:
1596:
1577:
1571:
1570:
1562:
1556:
1555:
1544:
1538:
1522:
1516:
1510:
1428:Coronation March
1164:The Rose of Life
1160:Christmas Scenes
1108:Coronation March
1065:R. E. Francillon
1063:, had lyrics by
890:The Rose of Life
883:Christmas Scenes
644:Coronation March
479:Incidental music
141:Moritz Hauptmann
2208:
2207:
2203:
2202:
2201:
2199:
2198:
2197:
2113:
2112:
2111:
2106:
2089:Stéphane Denève
2041:Walter Susskind
2023:John Barbirolli
1975:George Henschel
1966:
1961:
1931:
1926:
1915:
1898:
1863:John Barbirolli
1857:Malcolm Sargent
1839:Michael Balling
1812:
1807:
1763:
1749:
1729:
1719:
1703:
1701:Further reading
1697:
1682:, ed. (1911). "
1667:
1665:
1653:
1648:
1647:
1642:
1638:
1625:
1621:
1603:
1599:
1578:
1574:
1563:
1559:
1546:
1545:
1541:
1523:
1519:
1511:
1500:
1495:
1486:The Rose Maiden
1399:(Add.Ms 52426).
1239:The Rose Maiden
1231:Indian Rhapsody
1217:and the second
1128:Sleeping Beauty
1092:Sleeping Beauty
1073:
1040:The Better Land
1025:Promise of Life
988:
969:Lied ohne worte
964:
948:
934:
836:
771:Sleeping Beauty
743:The Rose Maiden
738:
725:
651:Indian Rhapsody
523:
502:
481:
410:
397:
382:
338:Sleeping Beauty
302:Hallé Orchestra
289:Arthur Sullivan
255:The Rose Maiden
238:, known as the
196:
153:Ferdinand David
145:Ignaz Moscheles
97:Julius Benedict
38:
17:
12:
11:
5:
2206:
2196:
2195:
2190:
2185:
2180:
2175:
2170:
2165:
2160:
2155:
2150:
2145:
2140:
2135:
2130:
2125:
2108:
2107:
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117:Joseph Joachim
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2029:George Szell
1992:
1893:Kahchun Wong
1833:Hans Richter
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1318:One Too Many
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1215:In Fairyland
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834:Other choral
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422:One Too Many
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310:Hans Richter
292:
281:Scandinavian
280:
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236:Julius Stern
228:Carl Taubert
205:
188:Mary Wardell
181:
165:Louis Plaidy
161:Ernst Wenzel
121:
105:
92:
84:
62:
53:
47:
29:
28:
18:
2128:1935 deaths
2123:1852 births
2065:Neeme Järvi
1889:(2000–2024)
1883:(1992–2000)
1881:Kent Nagano
1877:(1982–1992)
1871:(1971–1983)
1865:(1943–1970)
1853:(1920–1933)
1841:(1912–1914)
1835:(1899–1911)
1823:(1858–1895)
1432:John Gilpin
1322:The Corsair
1243:The Corsair
1188:John Gilpin
1120:John Gilpin
820:John Gilpin
750:The Corsair
586:A l'espagne
300:and of the
263:The Corsair
232:Carl Tausig
85:Minna-waltz
2117:Categories
2047:Karl Rankl
1981:Willem Kes
1887:Mark Elder
1651:References
1448:The Months
1360:, the ode
1326:The Deluge
1204:The Months
1112:Two Pieces
979:The Months
764:St. Ursula
757:The Deluge
687:The Months
658:Two Pieces
521:Orchestral
342:Water Lily
1235:Garibaldi
662:Childhood
593:The Welsh
415:Garibaldi
354:Edwardian
350:Victorian
147:(piano),
113:Park Lane
101:John Goss
93:Garibaldi
1921:Source:
1661:AllMusic
1444:The Veil
1378:Jephthah
1358:Thorgrim
1267:and the
1196:The Veil
1144:Thorgrim
1045:Spinning
827:The Veil
813:Jephthah
666:Girlhood
439:Thorgrim
293:Pastoral
277:Symphony
108:Brighton
89:operetta
50:Kingston
1739:(IMSLP)
1735:at the
1677::
1338:Niagara
1334:Pauline
1247:Pauline
1213:suite,
1116:Reverie
1110:, the
977:1912 -
967:1863 -
937:1897 -
923:1914 -
916:1907 -
909:1902 -
902:1897 -
895:1896 -
888:1895 -
881:1894 -
874:1893 -
867:1893 -
860:1893 -
853:1891 -
846:1890 -
839:1888 -
825:1910 -
818:1904 -
811:1900 -
804:1898 -
797:1895 -
790:1893 -
783:1889 -
776:1887 -
769:1885 -
762:1881 -
755:1878 -
748:1876 -
741:1870 -
706:1934 -
699:1934 -
692:1914 -
685:1912 -
678:1905 -
673:Reverie
671:1903 -
656:1903 -
649:1903 -
642:1902 -
635:1901 -
628:1901 -
623:Idyllic
614:1896 -
607:1896 -
582:Melodie
573:1883 -
566:1883 -
561:Niagara
559:1881 -
542:1880 -
532:1872 -
512:1917 -
505:1917 -
491:1922 -
484:1871 -
470:1921 -
463:1918 -
454:1895 -
445:1893 -
436:1890 -
430:Pauline
427:1876 -
420:1874 -
413:1860 -
268:Pauline
251:cantata
2103:(2018)
2097:(2012)
2091:(2005)
2085:(1997)
2079:(1992)
2073:(1988)
2067:(1984)
2061:(1959)
2055:(1957)
2049:(1952)
2043:(1946)
2037:(1940)
2031:(1937)
2025:(1933)
2019:(1928)
2013:(1926)
2007:(1916)
2001:(1910)
1995:(1900)
1989:(1898)
1983:(1895)
1977:(1893)
1715:
1671:
1614:
1592:
1534:
1426:, the
1422:, the
1370:Harold
1344:, the
1273:Harold
1182:, the
1106:, the
1061:Almost
358:ballad
340:, his
320:, the
194:Career
67:, now
1764:(PDF)
1750:(PDF)
1493:Notes
1366:Signa
1288:Signa
986:Songs
448:Signa
395:Works
1713:ISBN
1612:ISBN
1590:ISBN
1532:ISBN
1450:and
1253:and
1198:and
1132:Ruth
1122:and
1096:Ruth
1059:and
778:Ruth
664:and
584:and
374:Hove
352:and
249:His
226:and
175:and
159:and
1686:".
1659:at
1102:,
218:at
214:'s
103:.
54:née
2119::
1582:,
1550:.
1501:^
1446:,
1442:,
1438:,
1434:,
1430:,
1418:,
1414:,
1410:,
1406:,
1384:.
1376:,
1372:,
1368:,
1364:,
1356:,
1352:,
1340:,
1332:,
1328:,
1324:,
1320:,
1316:,
1312:,
1249:,
1245:,
1241:,
1237:,
1194:,
1190:,
1186:,
1178:,
1174:,
1170:,
1166:,
1162:,
1158:,
1154:,
1150:,
1146:,
1142:,
1138:,
1134:,
1130:,
1118:,
1114:,
1094:,
1067:.
660::
253:,
179:.
171:,
91:,
1956:e
1949:t
1942:v
1802:e
1795:t
1788:v
1721:.
1515:.
1290:.
1283:.
1257:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.