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in the Black Forest, but by 1849 he had moved to London when his father became a political refugee. Due to impoverished circumstances he was largely self taught (on a borrowed piano with lessons from his sister) until aged 19, but made several appearances as a piano soloist at the
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in Berlin. In 1869 he was appointed professor at Tausig's Schule des höheren
Clavierspiels in Berlin, but he returned to London in 1871. By 1873 he had established the Oscar Beringer Academy for the Higher Development of Pianoforte Playing, initially from a small house in
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87:, Op. 33 in England, at the Crystal Palace on 13 October 1883. As well as performing, teaching and examining, Beringer was also a composer, mostly of educational piano pieces. His
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153:, who both appeared in productions of their mother's plays. Their son Guy Beringer was a journalist. Aimée died in 1936.
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were first published in 1889 and have remained in print. But there were also concert works, including an
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in 1873. She was billed professionally as Mrs. Oscar
Beringer. Among their five children were actresses
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in London. It was organized on the model of Tausig's school. From 1885 he was also a professor at the
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for piano and orchestra (performed in 1880) six piano sonatinas (published 1894) and some songs.
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29:(14 July 1844 – 21 February 1922) was an English pianist and teacher of German descent.
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Beringer married the
American-born playwright, theatrical manager, novelist, and commentator
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69:. Although very successful, the Oscar Beringer Academy closed its doors in 1897.
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At the age of 19 Beringer began a course of systematic training as a pupil of
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for its first performance in
England, and he was also the first to perform
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Fifty Years' Experience of
Pianoforte Teaching and Playing
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72:On 14 October 1882 Beringer was the soloist in
245:Baker’s Biographical Dictionary of Musicians
231:, Vol. 63, No. 950 (April 1922), pp. 276-277
171:A Dictionary of Modern Music and Musicians
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405:20th-century British classical pianists
400:19th-century British classical pianists
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61:off Manchester Square, and later at 40
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345:"Mrs. Beringer Dies; Former Dramatist"
320:(Small, Maynard and Company 1925): 76.
274:'Dvorak's First Contacts with England'
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89:Daily Technical Studies for Pianoforte
134:in 1907. He was also Director of the
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198:A Dictionary of Music and Musicians
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41:Saturday Concerts in 1859-60.
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201:. Vol. 1.6. p. 545.
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213:A Dictionary of Common Wants
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376:, Volume 3 (1896), pp. 82-3
291:Tägliche Technische Studien
248:, 7th edition (1984), p.232
98:Beringer's pupils included
23:English pianist and teacher
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260:The Franz Liszt Tradition
85:Piano Concerto in G minor
350:(February 18, 1936): 24.
317:Who's Who in the Theatre
169:Arthur Eaglefield-Hull.
55:Great Marlborough Street
364:Oscar Beringer at IMSLP
192:"Beringer, Oscar"
187:Squire, William Barclay
112:Violet Gordon-Woodhouse
67:Royal Academy of Music
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77:Second Piano Concerto
32:Beringer was born in
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330:"Miss Vera Beringer"
136:Philharmonic Society
374:The Strand Magazine
93:Andante and Allegro
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370:Mr Oscar Beringer
278:The Musical Times
258:Pereira, Daniel.
228:The Musical Times
108:Katharine Goodson
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410:English pianists
368:J E Wollacott. '
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48:in Leipzig, and
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304:Scores at IMSLP
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358:External links
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333:The Era Annual
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63:Wigmore Street
39:Crystal Palace
27:Oscar Beringer
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173:(1924), p. 41
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151:Vera Beringer
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147:Esme Beringer
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143:Aimée Daniell
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128:Walter Wesché
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120:CĂ©cile Hartog
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104:Herbert Fryer
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124:Lionel Wendt
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59:Hinde Street
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395:1922 deaths
390:1844 births
335:(1897): 29.
262:(2021), p.5
130:. He wrote
100:Hubert Bath
50:Carl Tausig
384:Categories
226:Obituary,
157:References
34:Furtwangen
189:(1900).
74:Brahms's
293:, IMSLP
372:', in
81:Dvorak
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149:and
126:and
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