56:, a subdiscipline which draws together psychologists, neuroscientists and academic musicians. His research interests have focused on the psychological aspects of the study of music performance, the emotional response to music, the functions of music in everyday life, learning and skill acquisition in music, and audience-performer relations in the live concert. He was Professor of Psychology at
64:, an NGO that sought to develop non-violent approaches to national and international security issues. Until 2020 he was co-director of Every Casualty Worldwide, which works towards ensuring that all lives lost to armed conflict, anywhere in the world, are properly recorded. In 2004 he was elected a
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to dual membership of both the
Psychology and History of Music sections. In 2017 he became founding president of simm-platform.eu an international scholarly body for the study of the Social Impact of Making Music, and is editor of the book series
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124:. (selected and edited papers from the second International Keele Cognition Seminar, March 1987) London: Oxford University Press, 1989. (ed. with Angus Gellatly and Don Rogers)
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100:(Proceedings of a NATO Human Factors Programme Conference, Keele, July 1982). New York: Plenum Press, 1983. pp 623. (ed. with Don Rogers)
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campus. He is also patron of Spode Music Week, an annual residential music school that places particular emphasis on the music of the
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liturgy. He currently collaborates with the singer Rafael
Montero, founder of the early music group El Parnaso Hyspano.
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where he currently leads research on the Social Impact of Making Music. He is also one of the founders of the
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until 2008, where he now has emeritus status. From 2005-2009 he was
Executive Director of the
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136:. London: Oxford University Press/ Paris: Presses Universitaires de France, 1995. (ed. with
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Generative
Processes in Music: The Psychology of Composition, Performance, and Improvisation
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Psychology for
Practicing Musicians: Understanding and Acquiring the Skills
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130:. New York: Oxford University Press, 1994. pp 290 (with Rita Aiello)
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Exploring the
Musical Mind: Cognition, Emotion, Ability, Function
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Handbook of Music and
Emotion: Theory, Research, Applications
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Beyond Terror: The Truth About the Real
Threats to Our World
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From 1975 to 1995 he was the founding director of the
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Academics of the
Guildhall School of Music and Drama
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The
Musical Mind: The Cognitive Psychology of Music
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134:The Origins and Development of Musical Competence
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25:(born 13 June 1950) is Research Professor at the
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45:. He studied at Queen’s College, Oxford and
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71:Classic European Music Science Monographs
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673:Musicology
258:"About Us"
184:References
579:Disorders
37:Biography
648:Hearing
419:Earworm
587:Amusia
381:Topics
273:"Home"
242:4 June
339:Areas
92:Books
78:Keele
244:2022
23:FBA
20:OBE
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