Knowledge

John D Morton

Source πŸ“

269:) that they decided they could do better themselves. "Me and Davie, or me and Brian, or me, Brian and Davie went to see Captain Beefheart, and Left End were playing. And they were real bad. And I said that we could do better than that. We started practicing on the back porch. I played guitar and Brian played piano cause he didn't want to play guitar. We figured Davie could sing cause he didn't do anything else. We had our ideas about playing anti-music back then." The band only played out 5 times. The first two times were in Columbus, Ohio, where they'd relocated "because John thought his life in danger from a jealous husband. The rest of us just followed as usual." Their last three shows were after returning to Cleveland. A few years after the eels called it quits, 33: 250: 336:, also a member of "The Dicks" and seen in the fake band photo of the X____X single. Once in NY, most of his creative energies were focused on his visual art. Despite an increasing addiction to drugs and alcohol, Morton was initially very productive, exhibiting often in his own solo shows and w/ group shows such as his own curated 200:
and Dendler was also living in New York at the time. Upon inquiring as to the jacket's current whereabouts, Dendler answered by pointing to the doormat below them. Morton offered to replace the doormat and asked if he could have the jacket even though it was now tattered, in need of much repair.
232:
jazz catalogue from him. Laughner's interest was piqued by this esoteric taste in music, as well as by Morton's hulking appearance and peroxide blonde long hair, both at that time in Cleveland (especially) being quite unique, so he struck up a conversation. A few years later the two would both
324:, another band that Morton has played with at various times over the years in Cleveland and New York (most recently on their 2010 Dymaxion US Tour of 2010). Johnny and the Dicks played gigs in DC, Buffalo and Cleveland, ultimately releasing an "album" with no record, just the cover art. 302:. You could put anything between the X's, like "Appearing tonight, "X 'Charles Manson and the Family' X" In our short 6-month career we played out 4 times, recorded two 45s on Drome Records. We were a very tight band, not by design. 201:
Morton subsequently repaired the jacket using safety pins to make it wearable and liked the look so much that he gleefully added even more safety pins. It's also been said that Morton wrote the lyrics to one of his earliest songs,
382:
In 2011, he participated in the Violet Times curated Foggy Notion art exhibition where he also debuted a new 3 piece musical group, The Dunking Swine of Chelsea, performing on treated electric sitar, theremin,
285:
music attaining mainstream attention on an international level like never before. Both sides were recorded during one of the band's many rehearsals, with the original Rough Trade single release version of
192:
and others during the punk rock explosion of the late 70's. It was a jacket that Morton had admired a few years prior on his friend and mentor, Royce Dendler, an assistant professor at
306:
added a lot of professionalism with his work on the drumbo kit." A fake band photo with no actual members was also circulated and appeared on the back of one of the band's two
205:, after Dendler "walked him around New York and told him to write them." He recorded the song a few weeks later in September 1972 and it was eventually released in 1997 on the 359:
Throughout the 80's and 90's Morton continued to focus on his visual art as well as writing, surfing, traveling and eventually overcoming his various addictions. He formed
261:
in 1972. The other original members were his friends Dave E McManus and Brian McMahon. The impetus for finally becoming an actual band being after they'd been to see a
364: 313: 908: 827: 798: 603: 360: 266: 721: 453: 307: 32: 180:
Morton wore a jean jacket held together by safety pins as early as 1971, years before the use of safety pins became a widespread part of
390:
In 2012 Morton played on the sessions for two Scarcity of Tanks albums and performed as part of the group at a show in Brooklyn, NY.
233:
perform at the Special Extermination Night shows at the Viking Saloon. Morton appeared with electric eels, Laughner as a member of
619: 799:"Something That Would Never do: I interviewed John Morton in Maximum Rocknroll for the Foggy Notion art exhibition, yes i did" 656: 952: 849: 177:, and other avenues. "Being an artist seemed like a way-viable means to get away with a whole lot of societal misbehaving." 262: 754: 367:. Some of his writing has been published in the Ecstatic Peace Poetry Journal (#5 and No. 6, poems 2002), Cle Magazine ( 947: 905:
a catalog of Morton's music released by his bands and appearances on other bands' releases, including artwork credits
866: 682: 896: 881:
includes a selected list of exhibitions (curatorial and participatory), published writing, and music discography
802: 600: 157:
Growing up in and around Cleveland, John Morton played in bands during school while simultaneously getting into
387:
w/ accompaniment by violin and vocals. As of early 2013, it's been the Dunking Swine's only live appearance.
736: 225: 316:
were also formed in 1979, a performance art group who performed to a pre-recorded soundtrack, including
920: 957: 170: 196:, whom Morton met when he was 14 years of age. Morton later visited Dendler while he was attending 711:
Those Were Different Times A Memoir Of Cleveland Life: 1967–1973 (Part One) by Charlotte Pressler
962: 558:, Aglutinador Space, Havana, Cuba. A one-person exhibition concerning an ex-pat's life in Cuba. 234: 197: 184:. The use of safety pins in clothing and piercings was later popularized by artists such as 249: 942: 258: 162: 146: 8: 532:, One-Person Photography and Art Installation The Word & Image Gallery, Treadwell, NY 270: 238: 893:
includes history, discography / recording details, MP3s and notes by former band members
384: 372: 914: 623: 862: 845: 464: 442: 174: 98: 884: 660: 333: 228:
store, where Laughner clerked after school, when Morton ordered about half of the
607: 193: 158: 854: 758: 644: 221: 138: 69: 936: 332:
In late 1978, Morton moved to New York with his wife at the time, the artist
88: 902: 890: 832:
Those Were Different Times A Memoir of Cleveland Life: 1967–1973 (Part One)
710: 321: 214: 210: 185: 181: 166: 859:
From the Velvets to the Voidoids: A Pre-Punk History for a Post-Punk World
686: 363:, "seven months after I got sober in 1994", followed a few years later by 189: 241:
completed the bills which took place in December 1974 and January 1975.
837: 341: 303: 299: 93: 282: 142: 134: 83: 327: 229: 352:(201 W 41st, Summer 1980). Morton was one of the prime movers of 265:
gig and were unimpressed enough by the support band (Youngstown's
911:
includes images of art and links to other articles about Morton
878: 780: 353: 37:
Morton playing with X_____X at the Cake Shop in New York City
926: 506:, Group Exhibition, Live With Animals Gallery, Brooklyn, NY 393:
He continues making art and music, as he has always done.
133:(born March 27, 1953) is an American musician born in the 921:
Murder, Suicide & Junk: October 25 – November 9, 1980
657:"The eyeball of hell - liner notes by John Morton page 2" 491:
Someday All The Adults Will Die' Punk Graphics 1971–1984
519:, Group Exhibition, Museum of Modern Art, New York, NY 253:
The electric eels 'Agitated' 45 cover by John D Morton
116: 545:, Bienal Alternative Group Exhibition, Havana, Cuba. 917:
also features many electric eels and related images
281:, released in the UK during 1978, at the height of 909:Maximum Rocknroll interview, issue #337 June 2011 601:Maximum Rocknroll interview, issue #337 June 2011 298:In late 1979, Morton formed a short lived band, " 293: 934: 328:Visual art, writing and music after leaving Ohio 834:(written 1978, published 1980), CLE 3A Magazine 493:, Group Exhibition, Hayward Gallery, London, UK 461:Albert Ayler's Ghosts live at the Yellow Ghetto 923:contains images and reviews of this exhibition 722:Paul Marotta's electric eels liner notes from 842:England's Dreaming: Sex Pistols and Punk Rock 706: 704: 620:"An Interview with John Morton by Alex Simon" 683:"The Styrenes - liner notes by Paul Marotta" 348:(Delancey St., Jan. 1980), and the infamous 737:"Die Electric Eels* - Agitated / Cyclotron" 478: 755:"Electric Eels Discography (Sort by date)" 701: 356:, becoming the group's president in 1982. 169:and others as well as art thru films like 141:, best known as the leader and founder of 31: 915:Ugly Things interview, issue #33 May 2012 273:released the band's debut, a 7" single, 248: 899:(contains explicit language and images) 396: 377:Sun Ra – Alien Against Manifest Destiny 935: 263:Captain Beefheart and his Magic Band 897:John Morton's electric eels website 290:being put to tape on May 25, 1975. 13: 14: 974: 872: 244: 791: 773: 747: 729: 715: 675: 649: 638: 612: 594: 474:– My Mind's Eye Records (2018) 294:Ohio bands after Electric Eels 220:Also around that time, he met 1: 927:Mortonian stuff emanates here 891:electric eels at Scat Records 885:John Morton: Artwork Extant!! 587: 439:Bad Fuggum From The Mysterium 257:John Morton founded the band 152: 16:American musician (born 1953) 953:American punk rock musicians 887:his visual art is shown here 530:Word Falling – Photo Falling 7: 373:Psychotronic Video Magazine 10: 979: 821: 724:Those Were Different Times 517:Looking at Music: Side Two 207:Those Were Different Times 844:(1991), Faber and Faber, 571:, ABC No Rio Gallery, NYC 365:The New Fag MotherFuckers 320:recorded with Morton and 111: 107: 76: 65: 47: 42: 30: 23: 948:Musicians from Cleveland 569:Murder, Suicide and Junk 479:Selected art exhibitions 338:Murder, Suicide and Junk 861:(1993), Penguin Books, 543:Esta Es Tu Casa Vicenta 406:45 – Rough Trade (1978) 371:, short fiction 1998), 781:"johnny and the dicks" 583:, Delancey Street, NYC 354:Collaborative Projects 254: 43:Background information 929:John Morton's website 606:June 5, 2012, at the 575:The Times Square Show 413:CD – Homestead (1991) 350:The Times Square Show 252: 235:Rocket From The Tombs 397:Selected discography 346:The Real Estate Show 314:Johnny and the Dicks 163:William S. Burroughs 689:on February 8, 2012 626:on December 2, 2015 577:, Times Square, NYC 418:The Eyeball of Hell 318:You're Full of Shit 209:3x10" vinyl set on 828:Charlotte Pressler 645:Safety pin#Culture 581:A Real Estate Show 450:X STICKY FINGERS X 437:Amoeba (Raft Boy) 420:2xLP – Scat (2001) 255: 850:978-0-571-13975-0 465:Smog Veil Records 443:Smog Veil Records 434:45 – Drome (1980) 427:45 – Drome (1979) 411:God Says Fuck You 379:, article 1994). 361:Amoeba (raft boy) 304:Tony (Anton) Fier 224:at Disc Records' 175:A Bucket of Blood 125: 124: 970: 958:American artists 879:John Morton's CV 815: 814: 812: 810: 801:. Archived from 795: 789: 788: 777: 771: 770: 768: 766: 757:. Archived from 751: 745: 744: 733: 727: 719: 713: 708: 699: 698: 696: 694: 685:. Archived from 679: 673: 672: 670: 668: 663:on March 4, 2016 659:. Archived from 653: 647: 642: 636: 635: 633: 631: 622:. Archived from 616: 610: 598: 385:musique concrΓ¨te 344:, Winter 1980), 334:Michele Zalopany 161:authors such as 121: 118: 61: 57: 55: 35: 21: 20: 978: 977: 973: 972: 971: 969: 968: 967: 933: 932: 875: 824: 819: 818: 808: 806: 805:on June 5, 2012 797: 796: 792: 779: 778: 774: 764: 762: 761:on May 15, 2013 753: 752: 748: 735: 734: 730: 720: 716: 709: 702: 692: 690: 681: 680: 676: 666: 664: 655: 654: 650: 643: 639: 629: 627: 618: 617: 613: 608:Wayback Machine 599: 595: 590: 481: 472:Not Now, No Way 399: 330: 296: 247: 194:Oberlin College 159:Beat Generation 155: 128: 115: 103: 59: 53: 51: 38: 26: 17: 12: 11: 5: 976: 966: 965: 960: 955: 950: 945: 931: 930: 924: 918: 912: 906: 900: 894: 888: 882: 874: 873:External links 871: 870: 869: 855:Clinton Heylin 852: 835: 823: 820: 817: 816: 790: 772: 746: 728: 714: 700: 674: 648: 637: 611: 592: 591: 589: 586: 585: 584: 578: 572: 560: 559: 556:Yuma Peligroso 547: 546: 534: 533: 521: 520: 508: 507: 495: 494: 480: 477: 476: 475: 468: 457: 446: 435: 428: 421: 416:electric eels 414: 409:electric eels 407: 402:electric eels 398: 395: 329: 326: 295: 292: 246: 243: 222:Peter Laughner 154: 151: 139:Lakewood, Ohio 127:Musical artist 126: 123: 122: 113: 109: 108: 105: 104: 102: 101: 96: 91: 86: 80: 78: 74: 73: 70:Lakewood, Ohio 67: 63: 62: 58:March 27, 1953 49: 45: 44: 40: 39: 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 975: 964: 963:Living people 961: 959: 956: 954: 951: 949: 946: 944: 941: 940: 938: 928: 925: 922: 919: 916: 913: 910: 907: 904: 901: 898: 895: 892: 889: 886: 883: 880: 877: 876: 868: 867:0-14-017970-4 864: 860: 856: 853: 851: 847: 843: 839: 836: 833: 829: 826: 825: 804: 800: 794: 786: 782: 776: 760: 756: 750: 742: 738: 732: 726: 725: 718: 712: 707: 705: 688: 684: 678: 662: 658: 652: 646: 641: 625: 621: 615: 609: 605: 602: 597: 593: 582: 579: 576: 573: 570: 567: 566: 565: 564: 557: 554: 553: 552: 551: 544: 541: 540: 539: 538: 531: 528: 527: 526: 525: 518: 515: 514: 513: 512: 505: 502: 501: 500: 499: 492: 488: 487: 486: 485: 473: 469: 466: 462: 458: 455: 454:Ektro Records 451: 447: 444: 440: 436: 433: 429: 426: 422: 419: 415: 412: 408: 405: 401: 400: 394: 391: 388: 386: 380: 378: 374: 370: 366: 362: 357: 355: 351: 347: 343: 339: 335: 325: 323: 319: 315: 311: 309: 308:Drome Records 305: 301: 291: 289: 284: 280: 276: 272: 268: 264: 260: 259:electric eels 251: 245:Electric Eels 242: 240: 236: 231: 227: 223: 218: 216: 212: 208: 204: 199: 195: 191: 187: 183: 178: 176: 172: 171:Lust For Life 168: 164: 160: 150: 148: 147:electric eels 144: 140: 136: 132: 131:John D Morton 120: 114: 110: 106: 100: 97: 95: 92: 90: 89:hardcore punk 87: 85: 82: 81: 79: 75: 71: 68: 64: 60:(age 71) 50: 46: 41: 34: 29: 25:John D Morton 22: 19: 858: 841: 831: 807:. Retrieved 803:the original 793: 785:mortonia.com 784: 775: 763:. Retrieved 759:the original 749: 740: 731: 723: 717: 691:. Retrieved 687:the original 677: 667:February 23, 665:. Retrieved 661:the original 651: 640: 630:February 24, 628:. Retrieved 624:the original 614: 596: 580: 574: 568: 562: 561: 555: 549: 548: 542: 536: 535: 529: 523: 522: 516: 510: 509: 504:Foggy Notion 503: 497: 496: 490: 483: 482: 471: 460: 449: 438: 431: 424: 417: 410: 403: 392: 389: 381: 376: 368: 358: 349: 345: 337: 331: 322:The Styrenes 317: 312: 297: 287: 278: 274: 256: 219: 215:The Styrenes 213:credited to 211:Scat Records 206: 202: 186:Richard Hell 182:punk fashion 179: 167:Jack Kerouac 156: 130: 129: 18: 943:1953 births 809:October 16, 432:No Nonsense 271:Rough Trade 190:Sex Pistols 99:avant-garde 937:Categories 838:Jon Savage 588:References 448:X__X LP – 342:ABC No Rio 153:Early life 137:suburb of 94:noise rock 54:1953-03-27 765:March 23, 693:March 21, 310:singles. 283:punk rock 279:Cyclotron 149:in 1972. 143:protopunk 135:Cleveland 84:Punk rock 604:Archived 470:X__X 45 463:EP CD – 430:X__X 45 423:X__X 45 404:Agitated 288:Agitated 275:Agitated 267:Left End 230:ESP-Disk 226:Westgate 203:Mr. Crab 117:mortonia 903:Discogs 822:Sources 741:Discogs 452:LP – 239:Mirrors 112:Website 865:  848:  467:(2015) 456:(2014) 445:(2002) 369:66 Dog 300:X____X 188:, the 77:Genres 72:, U.S. 66:Origin 459:X__X 441:CD – 145:band 863:ISBN 846:ISBN 811:2012 767:2013 695:2013 669:2013 632:2013 563:1980 550:2000 537:2001 524:2008 511:2009 498:2011 484:2012 277:b/w 119:.com 48:Born 237:. 198:SVA 939:: 857:, 840:, 830:, 783:. 739:. 703:^ 217:. 173:, 165:, 56:) 813:. 787:. 769:. 743:. 697:. 671:. 634:. 489:' 425:A 375:( 340:( 52:(

Index

Morton playing with X_____X at the Cake Shop in New York City
Lakewood, Ohio
Punk rock
hardcore punk
noise rock
avant-garde
mortonia.com
Cleveland
Lakewood, Ohio
protopunk
electric eels
Beat Generation
William S. Burroughs
Jack Kerouac
Lust For Life
A Bucket of Blood
punk fashion
Richard Hell
Sex Pistols
Oberlin College
SVA
Scat Records
The Styrenes
Peter Laughner
Westgate
ESP-Disk
Rocket From The Tombs
Mirrors

electric eels

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑