349:, which reduced the noise created during filming. It was a 48 cycle synchronous motor used to drive the camera, and it greatly reduced the vibration, and completely eradicated the noise of the motor. Along with a new version of the camera which was introduced in 1933, it was hailed as "...the greatest forward step in recent years." The combination of the new camera with the Arnold motor allowed the camera, without a hood (or blimp), to be used as close as a yard from the microphone. Another invention of Arnold's in the early 30s was a rolling tripod, which would be further refined by Mole-Richardson company, which gave it the name, the "Mole-Richardson rolling tripod". Arnold also invented the MGM camera crane, which was a substantial improvement over prior versions. it was about half the size of earlier versions, and 1/17 as heavy, as well as cutting costs by 90%. It elevated to 26 feet, weighed 3300 pounds, and cost $ 3,500. The crane could swing through a complete horizontal circle, while the arm could rotate 90 degrees. During this same period Arnold also designed the "rotambulator", a radically new design of camera dolly, which allowed a stable platform to move from about 18 inches off the floor to a height of eight feet. The operator could also rotate the entire assembly through a complete 360 degree circle. Arnold was also an avid 16mm camera fan, and would share his expertise with anyone who showed an interest. One of those he taught was
394:. The tome was an account of how movies were made, with each aspect of filmmaking covered by an authority in that field. It was "... designed for the general reader and for class room study in schools and colleges. Told in simple, informative and graphic style, the book covers the entire field, from the selection of the story, to the editing of the film." Arnold was asked to write the chapter on cinematography. At the Tenth Academy Awards in 1938 Arnold was awarded an Oscar for technical development for his work on the semi-automatic follow focus device used on motion picture cameras. Following his break in 1938, Arnold was elected once again to the presidency of the ASC in 1939, a post he would hold through 1941. Arnold developed the Ro Crane in 1939, which became the standard crane used at MGM in the 1940s and 1950s.
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442:, Arnold developed a special camera dolly which had four independent wheels. The film was shot from the POV of the protagonist, and the independent wheels allowed the camera to "walk" through doorways and upstairs, simulating natural movement. Arnold invented the Ro Boom, used by MGM in the 1940s. In 1948 he invented a new controller and motor for the boom. The new device allowed a single operator to move the boom at greater speeds. It had graduated speeds forwards and backwards, as well as dynamic braking through the motor. For the 1949 film
383:, they were called the "iron egg" and "the self-wiping windshield". The former was a weighted pendulum which hung from the bottom of the camera, acting as a counterweight and giving stability to the camera on a moving deck. The latter was a piece of plate glass which rotated very quickly, and with pressure plates to keep the glass free from water and spray. In 1937, Arnold decided not to run, due to potential conflicts of interest with his position at MGM, and was replaced by
425:(AMPAS). In 1942 Arnold was again a member of an AMPAS committee, this one recommended changing the film speed from 24 to 18 frames per second. This would result in saving 35,000,000 feet of film each year. That same year, Arnold was selected to be the sole cinematography representative on the industry's War Activities Committee. In 1942 Arnold was one of a handful of cinematographers selected to train servicemen in the
373:, decreasing the weight of the old model from 240 to 100 pounds, and including an automatic finder. Also in 1935 Arnold invented a mechanism which allowed film crews to drop "free heads" on large cameras. This lessened the uneven movement which existed on the cameras. In 1935, not only was he re-elected to the MPA's technical committee, but he was also elected to their Board of Governors, representing technicians.
272:, although Arnold was not the cinematographer on that film. In 1929 Arnold invented the "bungalow", a mobile camera covering which freed cameramen from the restrictive camera booths which were necessitated by sound film photography. 1929 would be Arnold's last year behind the camera. In 1930 he joined MGM's administration as head of their sound camera department, later to be called simply the camera department.
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464:, Arnold developed a camera heater which allowed cameras to film in very low temperatures. The heater could be adapted for any type of movie camera. Also in 1952, Arnold developed the jeep-mounted crane. He came up with the design to fill the need of his studio for rugged mobile transport to move cranes quickly from one location to the next. In October 1952 he was given an "Award of Fellow" from the
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he was selected to sit on the board of the MPAA's Oscar committee for technical awards. 1940 also saw Arnold invent a new camera boom and dolly, considered a radical improvement at the time. The boom allowed the camera to film from ground level all the way to 16 feet. In 1941, while he remained on their Board of
Governors, he was replaced as president by
251:, and the American Society of Cinematographers. Through 1925 Arnold shot every film Viola Dana was in at Metro. This ended with Dana's departure from Metro in 1925 in order to go freelance. After her departure, Arnold was given a long-term contract by MGM, where he had been since they opened their west coast studios in 1916. That year Arnold filmed
239:. With the advent of sound pictures in the late 1920s, Arnold was chosen to sit on a panel of industry experts in the fields of film engineering, projection, and cinematography to discuss and establish screen proportions and other issues which arose with sound pictures. The experts were chosen from four organizations: the
345:(MPA). Also in 1932, Arnold oversaw the creation of a standard testing practice by the ASC, whereby they would test all technical moving and still equipment. Equipment which passed the test were eligible to use the "Approved by A.S.C." tag in their advertising. In the early 1930s, Arnold developed an attachment for the
327:
474:, Arnold invented "skylight", an overhead lighting platform which used reflected light to produce shadowless lighting for indoor scenes. In 1953 Arnold invented a horizontal film travel camera, which was ahead of its time. It wasn't used by the studio until 1955, with the advent of 65mm. For the 1955 film
361:
was created, and part of its responsibilities included the creation of a motion picture code. At the hearing held in
Washington D.C., Arnold was included as one of a long list of speakers who had requested to be heard. His attendance at the hearings in Washington caused him to miss the wedding of his
487:
Arnold retired in 1956, after a career of 32 years with MGM, the last 26 of which were spent as head of MGM's camera department. Over the course of his career he invented hundreds of pieces of camera equipment. He was the only ASC member to serve 7 years as the organization's president. While head
413:
Arnold won his second Oscar in 1940 for his development of the mobile camera crane. Also in 1940, he was re-elected as president of the
American Society of Cinematographers. By the end of 1940 Arnold had been selected to serve on the MPAA's Production Defense Co-ordination Committee. That same year
334:
Arnold was elected to his first term as president of the
American Society of Cinematographers in 1931, a position he would hold through 1937. He had previously been the treasurer of the organization. During the year he became a major force in campaigning for Cinematographers to receive on-screen
261:
for best film of the year. The medal is considered the first significant annual movie award, prior to the establishment of the Oscars. 1927 saw the development of the "Arnold light", an incandescent light which replaced the arc lights which was used prior. In 1929 Arnold invented a new type of
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Arnold made another improvement to his Ro Crane in 1952, which allowed technicolor cameras to utilize the crane. He replaced the stationary base with a rotating one, which allowed the camera to have film installed on either side, which was necessary for the 3 negative rolls to occur. Arnold's
181:, shooting every film she appeared in for the studio. In November 1919, Arnold began a new fad among cameramen, when he began to wear moleskin pants. He felt that they had the dual purpose of keeping him warm in the winter and cool in the summer. Arnold was one of the charter members of the
452:
contributions were not limited to camera equipment as back in the 1920s he had created the "Arnold light", an incandescent light to replace the older arc lights. In 1952 Arnold perfected a new lighting technique which utilized a new reflected type set, first utilized in the production,
488:
of the MGM camera department, Arnold was known for being a company man, requiring the cinematographers he supervised to use the glamorous cinematographic style MGM was known for, and coming down quite hard on those photographers who didn't want to conform to the MGM style.
116:, and was president of the American Society of Cinematographers from 1931 through 1937, and again from 1939 to 1941. By 1938, he was regarded as one of the most authoritative experts on cinematography. He invented several pieces of camera equipment and was awarded two
341:, the official magazine of the American Society of Cinematographers, decided to run a contest for the best amateur film, offering a $ 1000 prize. Arnold was selected to be one of the judges. Late in 1932 Arnold was elected to the Technical Committee of the
2563:
In
February 1920, Arnold moved to Hollywood, where he purchased a new home. In 1923 his police dog, named Pal Baron Von Matinhoff, won the gold medal at the Los Angeles Kennel Club's annual dog show. On May 12, 1935, he became the father of a son.
120:, both Technical Achievement Awards. The first was in 1938 for improvements on the semi-automatic follow focus device used on motion picture cameras, while the second was in 1940 for the development of the MGM mobile camera crane.
484:'s paintings to be shot with better clarity than simply filming with a camera. Arnold served on the board of governors for the ASC from its inception in 1919 until 1955. In 1956, he was elected an alternate board member.
376:
By 1936 Arnold's title at MGM had become "executive director of photography." In 1936 Arnold developed two pieces of camera equipment which made it possible to better film operation on boats. Developed them for the film,
448:, Arnold oversaw the development of a combination camera elevator and crane, which allowed vertical travel shots, mid-air shots, and use of the camera anywhere from floor to ceiling without the need for extra equipment.
208:. By 1922, he had filmed every single one of Viola Dana's pictures for Metro, and had helmed the camera for 47 films for Metro. Arnold, accompanied by his wife, went on location in February 1923 to shoot the film
112:(1889–1964) was an American cinematographer. He began his career in 1914, and in the next 15 years, he shot 86 films. He also worked in film administration, directing the cinematography department at
755:
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In 1941 he was appointed to a committee to discuss and standardize the use of 16mm equipment in the film industry. The committee was set up by the
Research Council of the
218:
It is very seldom that the photography is praised in a poorly directed picture. The perfect picture results from close co-operation between the cameraman and the director.
366:, for whom he was supposed to be the best man. By the end of 1933, Arnold's rotambulator was in use at several studios, replacing the tripods, dollies, and light cranes.
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387:, who was elected in October 1937. After stepping down from the presidency, Arnold was awarded a "gold life card" by the ASC.
5042:
155:. Filming took place on location in New Orleans, Louisiana and in St. Augustine, Florida. In July 1916, he began working for
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He continued at Metro throughout the 1910s and into the 1920s. In April 1922, he went over to
429:
on how to take combat footage. By the end of 1943 he had trained over 350 men in the service.
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16mm camera mounted next to his 35mm film camera, which is housed in his "bungalow" invention
262:"sound-proof" camera, to reduce the noise in filming sound productions. Its first use was in
204:
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Arnold started his career with
Republic Pictures in New York City (not to be confused with
5034:
A Hidden
History of Film Style: Cinematographers, Directors, and the Collaborative Process
8:
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4567:"Coast Cameramen's Local to Keep Open Mind On Post-War Admission of Army's Lensmen"
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John
Anderson (standing) with Lionel Barrymore on the set of the 1929 film,
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4101:"Thalberg Plaque to Daryl F. Zanuck; Rainer, Tracy Capture Acting Honors"
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3008:"Where to Find the Members of the American Society of Cinematographers"
2607:
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432:
In 1946, to help out fellow out cameraman (now working for him at MGM)
363:
226:
Arnold (left), with director Edward Cline on the set of the 1924 film,
178:
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202:, before returning to Metro in May to film Viola Dana's next picture,
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290:, the housing around the camera is Arnold's invention, the "bungalow"
189:
5037:. Oakland, California: University of California Press. p. 10.
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In 1921, Arnold was elected to the board of governors of the
2579:
Interview with John Arnold in the
November 1923 edition of
418:. Arnold stepped down due to his increasing duties at MGM.
2574:"Progress in Cinematography" – 1933 article by John Arnold
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177:. While at Metro, he became the personal cameraman for
5202:
Presidents of the American Society of Cinematographers
2534:
2480:
2428:
1734:
953:
4369:"Cinematographers Elect Fred Jack Jackman President"
2595:
Arnold article on background vs. foreground lighting
2188:
1987:
1379:
980:
548:
3772:"More Than 200 to Speak at Film Code Hearing Today"
3673:"Development of Mobile Camera-Carriages and Cranes"
3574:"Using the Mitchell Noiseless Camera on Production"
2215:
1918:
635:
2600:Arnold's 1955 article on insert cinematography in
1636:
1268:
466:Society of Motion Picture and Television Engineers
318:John Arnold explaining his new "blimp" to actress
4468:"Research Council Names Technical Economies Comm"
4237:"Cinematographers Re-elect John Arnold President"
3541:"Cinematographer Society Will Test All Equipment"
3508:"Cinematographer Society Will Test All Equipment"
2035:
1891:
779:
5178:
4834:"Overhead Lighting for Overall Set Illumination"
4598:
4270:"Freeman Names Members of Pix Defense Committee"
1124:
1028:
725:
579:
3475:"M. P. Academy Officers Will Be Chosen Nov. 1"
1172:
608:
4666:
4632:
4735:"Camera Heater for Cold-weather Photography"
4435:"Research Council Names New 16mm. Committee"
4168:
3640:"Evolution of Cinema Tripods for Studio Use"
3607:"Evolution of Cinema Tripods for Studio Use"
3342:"John Arnold Elected Cinematographers' Head"
3270:
3268:
3204:
4171:"Technicolor Cameras Now Ride the Ro Crane"
3041:"Theater Screen and Studios Being Surveyed"
2380:
2269:
480:, Arnold developed a process which allowed
423:Academy of Motion Picture Arts and Sciences
5145:
4501:"The War Activities Committee – Personnel"
1705:
137:) in 1910. Arnold's first film was 1914's
31:
4164:
4162:
3265:
4601:"M-G-M Pioneers With Subjective Feature"
3406:
2793:
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401:
390:In 1938 Arnold contributed to the book,
355:National Industrial Recovery Act of 1933
325:
313:
301:
293:
279:
221:
4534:"Cameramen Teaching Combat Photography"
4036:"Arnold Given Gold Life Card by A.S.C."
3970:"New "Iron Egg" Aids Nautical Shooting"
5179:
4933:"American Society of Cinematographers"
4204:"GWTW Wins Eight M. P. Academy Awards"
4159:
369:In 1935 Arnold invented a new type of
5030:
4669:"Technicolor Photography Under Water"
4336:"Report "Cold" Sound Stage Developed"
4303:"Academy Committee to Meet on Awards"
2788:
5051:
4867:"Industry News: Metro Goldwyn Mayer"
237:American Society of Cinematographers
183:American Society of Cinematographers
245:Society of Motion Picture Engineers
13:
4599:Herb A. Lightman (November 1946).
4068:"Book Reviews: We Make the Movies"
2624:
397:
128:
14:
5213:
4003:"Milner Elected President of ASC"
2567:
241:Motion Pictures Arts and Sciences
5165:
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4983:
4972:. September 12, 1956. p. 21
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3838:"Cinematic Progress During 1933"
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3778:. September 12, 1933. p. 12
3756:
3723:
3706:"I Like To Hunt – With a Camera"
3690:
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3179:. September 7, 1929. p. 878
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2744:. December 20, 1919 . p. 6.
2722:
2671:
2558:
359:National Recovery Administration
5139:
5106:
5081:"Where to Find People You Know"
5073:
5024:
4991:
4958:
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4892:
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4826:
4793:
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4633:E. A. Huntman (November 1946).
4626:
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3240:"Solving the "Ice-Box" Problem"
3232:
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2915:. September 23, 1922. p. 8
2901:
2868:
2738:"Where to Find People You Know"
4402:"Jackman New A.S.C. President"
4309:. December 13, 1940. p. 8
4169:Arthur Rowan (February 1952).
4074:. February 10, 1938. p. 7
3976:. October 14, 1936. p. 14
3904:"Technicians Branch Elections"
3205:Phil M. Daly (July 21, 1930).
3014:. November 1, 1921. p. 15
2948:. February 10, 1923. p. 6
2846:
2824:
2769:. November 15, 1919. p. 7
2755:
2730:
2701:
2679:
2646:
2587:1930 feature on Arnold in the
491:
436:, who was working on the film
1:
5087:. February 7, 1919. p. 6
5005:. September 1956. p. 514
4573:. October 26, 1943. p. 1
4507:. August 28, 1942. p. 28
4441:. October 17, 1941. p. 5
4342:. October 23, 1940. p. 4
4276:. October 31, 1940. p. 8
3580:. February 1933. pp. 8–9
3514:. October 12, 1932. p. 4
3481:. October 25, 1932. p. 6
3282:. August 16, 1935. p. 14
2617:
4840:. December 1952. p. 528
4667:James Housler (April 1949).
4041:. November 1937. p. 464
3910:. October 1, 1935. p. 2
3877:. April 16, 1935. p. 15
3173:"New and Improved Equipment"
2981:. April 24, 1921. p. 90
2660:. November 1941. p. 521
7:
5146:Ralph Wilk (May 16, 1935).
5031:Beach, Christopher (2015).
4900:"Hollywood Bulleting Board"
4807:. October 1952. p. 422
4801:"Hollywood Bulleting Board"
4375:. April 16, 1941. p. 2
4243:. April 17, 1940. p. 2
4140:. April 12, 1939. p. 2
4107:. March 11, 1938. p. 7
4009:. October 1937. p. 496
3811:. October 1933. p. 238
3448:. March 14, 1932. p. 2
3348:. April 15, 1931. p. 1
3246:. September 1929. p. 7
2882:. June 17, 1922. p. 18
2511:The Hollywood Revue of 1929
249:American Projection Society
10:
5218:
4906:. August 1955. p. 458
4774:. August 1952. p. 344
4540:. July 20, 1942. p. 6
4210:. March 1, 1940. p. 9
3679:. May 1933. pp. 13–14
3613:. April 1933. pp. 6–7
3547:. February 1933. p. 3
3381:. April 7, 1937. p. 2
3146:. December 1926. p. 5
3080:. January 1948. p. 33
3047:. July 25, 1929. p. 6
2975:"What the Cameramen Think"
353:. With the passage of the
169:, Marguerite Skirvin, and
159:, his first picture being
5197:American cinematographers
5061:. American Film Institute
4474:. June 4, 1942. p. 4
3844:. April 1934. p. 491
3805:"Lee Garmes, A.S.C. Weds"
2856:. American Film Institute
2834:. American Film Institute
2805:. August 1927. p. 22
2711:. American Film Institute
2689:. American Film Institute
2634:. American Film Institute
2495:Cosmopolitan Productions
2347:Cosmopolitan Productions
2257:Cosmopolitan Productions
1224:The Chorus Girl's Romance
123:
99:
91:
68:
42:
30:
23:
5118:American Cinematographer
5003:American Cinematographer
4939:. July 1956. p. 400
4937:American Cinematographer
4904:American Cinematographer
4871:American Cinematographer
4838:American Cinematographer
4805:American Cinematographer
4772:American Cinematographer
4741:. June 1952. p. 250
4739:American Cinematographer
4706:American Cinematographer
4702:"Cinematography Reviews"
4673:American Cinematographer
4639:American Cinematographer
4605:American Cinematographer
4406:American Cinematographer
4175:American Cinematographer
4039:American Cinematographer
4007:American Cinematographer
3941:American Cinematographer
3842:American Cinematographer
3809:American Cinematographer
3743:American Cinematographer
3710:American Cinematographer
3677:American Cinematographer
3646:. April 1933. p. 35
3644:American Cinematographer
3611:American Cinematographer
3578:American Cinematographer
3545:American Cinematographer
3413:American Cinematographer
3313:American Cinematographer
3309:"M-G-M's Newest "Blimp""
3244:American Cinematographer
3144:American Cinematographer
3111:American Cinematographer
3078:American Cinematographer
3012:American Cinematographer
2803:American Cinematographer
2658:American Cinematographer
2602:American Cinematographer
2589:American Cinematographer
2581:American Cinematographer
2546:Director of Photography
2519:Director of Photography
2492:Director of Photography
2465:Director of Photography
2413:Director of Photography
2365:Director of Photography
2344:Director of Photography
2323:Director of Photography
2281:Director of Photography
2254:Director of Photography
2227:Director of Photography
2200:Director of Photography
2173:Director of Photography
2152:Director of Photography
2131:Director of Photography
2110:Director of Photography
2089:Director of Photography
2068:Director of Photography
2020:Director of Photography
1999:Director of Photography
1967:Don't Doubt Your Husband
1951:Director of Photography
1930:Director of Photography
1903:Director of Photography
1853:Director of Photography
1767:Director of Photography
1746:Director of Photography
1690:Director of Photography
1669:Director of Photography
1648:Director of Photography
1621:Director of Photography
1594:Director of Photography
1573:Director of Photography
1552:Director of Photography
1525:Director of Photography
1504:Director of Photography
1483:Director of Photography
1460:Director of Photography
1439:Director of Photography
1418:Director of Photography
1391:Director of Photography
1343:Director of Photography
338:American Cinematographer
275:
259:Photoplay Magazine Medal
16:American cinematographer
5120:. July 1923. p. 14
4873:. May 1955. p. 254
4708:. May 1952. p. 194
4408:. May 1941. p. 218
4134:"John Arnold ASC Prexy"
3943:. May 1936. p. 209
3937:"Amateur Movie Section"
3745:. July 1930. p. 30
3739:"Professional Amateurs"
3712:. June 1933. p. 59
3315:. June 1930. p. 18
3276:"Dropping "Free Heads""
2799:"A New Era in Lighting"
2246:The Understanding Heart
2053:Metro-Goldwyn Pictures
2050:Metro-Goldwyn Pictures
2026:Metro-Goldwyn Pictures
2023:Metro-Goldwyn Pictures
2005:Metro-Goldwyn Pictures
2002:Metro-Goldwyn Pictures
1978:Metro-Goldwyn Pictures
1975:Metro-Goldwyn Pictures
1957:Metro-Goldwyn Pictures
1954:Metro-Goldwyn Pictures
1936:Metro-Goldwyn Pictures
1933:Metro-Goldwyn Pictures
1909:Metro-Goldwyn Pictures
1906:Metro-Goldwyn Pictures
1859:Metro-Goldwyn Pictures
1856:Metro-Goldwyn Pictures
1838:Metro-Goldwyn Pictures
1835:Metro-Goldwyn Pictures
1817:Metro-Goldwyn Pictures
756:The Girl Without a Soul
5148:"A Little From "Lots""
3407:Hal Hall (June 1931).
3113:. July 1925. p. 9
2909:"Pickups By the Staff"
1813:Metro-Goldwyn Pictures
536:Life Photo Film Corp.
410:
392:How We Make the Movies
343:Motion Picture Academy
331:
323:
311:
299:
291:
232:
220:
173:, and was directed by
3871:"Invents a New Blimp"
2942:"Flashes from Frisco"
2084:Sally, Irene and Mary
1783:Crinoline and Romance
1664:In Search of a Thrill
1338:There Are No Villains
650:Thomas A Edison, Inc
468:. For the 1952 film,
406:Arnold with his 16mm
405:
330:Arnold's rotambulator
329:
317:
305:
297:
283:
225:
216:
3875:Motion Picture Daily
3280:Motion Picture Daily
2854:"Seeing's Believing"
2552:Metro-Goldwyn-Mayer
2549:Metro-Goldwyn-Mayer
2525:Metro-Goldwyn-Mayer
2522:Metro-Goldwyn-Mayer
2498:Metro-Goldwyn-Mayer
2471:Metro-Goldwyn-Mayer
2468:Metro-Goldwyn-Mayer
2419:Metro-Goldwyn-Mayer
2416:Metro-Goldwyn-Mayer
2398:Metro-Goldwyn-Mayer
2395:Metro-Goldwyn-Mayer
2371:Metro-Goldwyn-Mayer
2368:Metro-Goldwyn-Mayer
2350:Metro-Goldwyn-Mayer
2329:Metro-Goldwyn-Mayer
2326:Metro-Goldwyn-Mayer
2308:Metro-Goldwyn-Mayer
2305:Metro-Goldwyn-Mayer
2287:Metro-Goldwyn-Mayer
2284:Metro-Goldwyn-Mayer
2260:Metro-Goldwyn-Mayer
2233:Metro-Goldwyn-Mayer
2230:Metro-Goldwyn-Mayer
2206:Metro-Goldwyn-Mayer
2203:Metro-Goldwyn-Mayer
2179:Metro-Goldwyn-Mayer
2176:Metro-Goldwyn-Mayer
2158:Metro-Goldwyn-Mayer
2155:Metro-Goldwyn-Mayer
2137:Metro-Goldwyn-Mayer
2134:Metro-Goldwyn-Mayer
2116:Metro-Goldwyn-Mayer
2113:Metro-Goldwyn-Mayer
2095:Metro-Goldwyn-Mayer
2092:Metro-Goldwyn-Mayer
2074:Metro-Goldwyn-Mayer
2071:Metro-Goldwyn-Mayer
1882:Metro-Goldwyn-Mayer
1721:Max Graf Productions
1613:The Five Dollar Baby
1544:The Fourteenth Lover
1410:The Off-Shore Pirate
1080:The Parisian Tigress
705:Aladdin's Other Lamp
458:. For the 1952 film
4768:"Jeep Camera Crane"
3375:"Arnold Re-elected"
3177:Motion Picture News
3140:"Honors for Arnold"
2538:The Broadway Melody
2484:The Cardboard Lover
2444:Feature Productions
1878:Metro-Goldwyn-Mayer
1848:Wife of the Centaur
1827:So This Is Marriage
1478:They Like 'Em Rough
891:Riders of the Night
807:God's Law and Man's
380:Captains Courageous
37:John Arnold in 1922
4966:"Film Vets Retire"
3207:"Along the Rialto"
2832:"Very Truly Yours"
2654:"A.S.C. on Parade"
2432:The Garden of Eden
1738:A Noise in Newboro
1685:Her Fatal Millions
1499:Seeing's Believing
1152:Please Get Married
957:A Weaver of Dreams
933:Flower of the Dusk
878:Columbia Pictures
815:Columbia Pictures
794:Columbia Pictures
445:Neptune's Daughter
411:
332:
324:
312:
300:
292:
233:
205:Seeing's Believing
5114:"In Camerafornia"
5044:978-0-520-28434-0
4177:. pp. 65, 82
2763:"Arnold Sets Fad"
2556:
2555:
2192:The Auction Block
1991:The Way of a Girl
1383:The Match-Breaker
1359:Life's Darn Funny
1248:Cinderella's Twin
984:The Winding Trail
860:Art Dramas, Inc.
836:Rolfe Photoplays
740:Rolfe Photoplays
713:Rolfe Photoplays
623:Rolfe Photoplays
564:Columbia Pictures
552:The Gates of Eden
518:Distribution Co.
335:credit. In 1932,
243:technicians, the
153:William H. Tooker
151:, Adele Ray, and
135:Republic Pictures
107:
106:
100:Years active
53:November 16, 1889
5209:
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3442:"Camera Contest"
3438:
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2639:
2628:
2542:
2541:
2540:
2515:
2514:
2513:
2488:
2487:
2486:
2440:Cinematographer
2436:
2435:
2434:
2392:Cinematographer
2388:
2387:
2386:
2302:Cinematographer
2277:
2276:
2275:
2250:
2249:
2248:
2223:
2222:
2221:
2219:The Fire Brigade
2196:
2195:
2194:
2147:Love's Blindness
2047:Cinematographer
2043:
2042:
2041:
1995:
1994:
1993:
1972:Cinematographer
1926:
1925:
1924:
1922:The Beauty Prize
1899:
1898:
1897:
1874:Cinematographer
1832:Cinematographer
1809:Cinematographer
1788:Cinematographer
1742:
1741:
1740:
1717:Cinematographer
1713:
1712:
1711:
1644:
1643:
1642:
1617:
1616:
1615:
1568:Love in the Dark
1548:
1547:
1546:
1455:Very Truly Yours
1414:
1413:
1412:
1387:
1386:
1385:
1364:Cinematographer
1325:Screen Classics
1322:Cinematographer
1317:Dangerous to Men
1304:Screen Classics
1301:Cinematographer
1283:Screen Classics
1280:Cinematographer
1276:
1275:
1274:
1253:Cinematographer
1232:Cinematographer
1228:
1227:
1226:
1205:Cinematographer
1184:Cinematographer
1180:
1179:
1178:
1160:Screen Classics
1157:Cinematographer
1136:Cinematographer
1132:
1131:
1130:
1109:Cinematographer
1088:Cinematographer
1084:
1083:
1082:
1061:Cinematographer
1040:Cinematographer
1036:
1035:
1034:
1013:Cinematographer
992:Cinematographer
988:
987:
986:
965:Cinematographer
961:
960:
959:
938:Cinematographer
917:Cinematographer
896:Cinematographer
875:Cinematographer
857:Apollo Pictures
854:Cinematographer
833:Cinematographer
828:His Father's Son
812:Cinematographer
791:Cinematographer
787:
786:
785:
764:Cinematographer
760:
759:
758:
737:Cinematographer
733:
732:
731:
710:Cinematographer
689:Cinematographer
668:Cinematographer
653:K-E-S-E Service
647:Cinematographer
643:
642:
641:
639:The Cossack Whip
620:Cinematographer
616:
615:
614:
595:Rolfe Photoplays
591:Cinematographer
587:
586:
585:
560:Cinematographer
556:
555:
554:
539:Alco Film Corp.
533:Cinematographer
503:
502:
439:Lady in the Lake
306:Arnold with his
287:The Unholy Night
269:The Unholy Night
264:Lionel Barrymore
257:, which won the
195:Very Truly Yours
167:Lionel Barrymore
75:
72:January 11, 1964
52:
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35:
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5015:
5008:
5006:
4999:"Industry News"
4997:
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3409:"Hal Hall Says"
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2318:Heaven on Earth
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2190:
2189:
2037:
2036:
1989:
1988:
1946:Along Came Ruth
1920:
1919:
1893:
1892:
1869:Sinners in Silk
1794:Metro Pictures
1791:Metro Pictures
1773:Metro Pictures
1770:Metro Pictures
1752:Metro Pictures
1749:Metro Pictures
1736:
1735:
1725:Metro Pictures
1707:
1706:
1696:Metro Pictures
1693:Metro Pictures
1675:Metro Pictures
1672:Metro Pictures
1654:Metro Pictures
1651:Metro Pictures
1640:The Social Card
1638:
1637:
1627:Metro Pictures
1624:Metro Pictures
1611:
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1600:Metro Pictures
1597:Metro Pictures
1579:Metro Pictures
1576:Metro Pictures
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1531:Metro Pictures
1528:Metro Pictures
1510:Metro Pictures
1507:Metro Pictures
1489:Metro Pictures
1486:Metro Pictures
1445:Metro Pictures
1442:Metro Pictures
1434:Puppets of Fate
1424:Metro Pictures
1421:Metro Pictures
1408:
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1397:Metro Pictures
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1370:Metro Pictures
1367:Metro Pictures
1349:Metro Pictures
1346:Metro Pictures
1328:Metro Pictures
1307:Metro Pictures
1286:Metro Pictures
1272:The Willow Tree
1270:
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1259:Metro Pictures
1256:Metro Pictures
1238:Metro Pictures
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920:Metro Pictures
902:Metro Pictures
899:Metro Pictures
881:Metro Pictures
870:Threads of Fate
839:Metro Pictures
818:Metro Pictures
797:Metro Pictures
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767:Metro Pictures
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671:Metro Pictures
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626:Metro Pictures
610:
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599:Metro Pictures
581:
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549:
515:Production Co.
494:
400:
398:1940s and 1950s
347:Mitchell Camera
278:
229:Along Came Ruth
219:
131:
129:1910s and 1920s
126:
95:Cinematographer
87:
86:, United States
77:
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64:
63:, United States
54:
48:
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38:
26:
17:
12:
11:
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5152:The Film Daily
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4571:The Film Daily
4558:
4538:The Film Daily
4525:
4505:The Film Daily
4492:
4472:The Film Daily
4459:
4439:The Film Daily
4426:
4393:
4373:The Film Daily
4360:
4340:The Film Daily
4327:
4307:The Film Daily
4294:
4274:The Film Daily
4261:
4241:The Film Daily
4228:
4208:The Film Daily
4195:
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4138:The Film Daily
4125:
4105:The Film Daily
4092:
4072:The Film Daily
4059:
4027:
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3974:The Film Daily
3961:
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3908:The Film Daily
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3776:The Film Daily
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3512:The Film Daily
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3479:The Film Daily
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3446:The Film Daily
3433:
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3379:The Film Daily
3366:
3346:The Film Daily
3333:
3300:
3264:
3231:
3211:The Film Daily
3197:
3164:
3131:
3098:
3074:"25 Years Ago"
3065:
3045:The Film Daily
3032:
2999:
2979:The Film Daily
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2568:External links
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2039:The Big Parade
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1200:False Evidence
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783:The Mortal Sin
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569:Metro Pictures
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461:The Wild North
399:
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298:Arnold in 1931
277:
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254:The Big Parade
217:
200:Harry Beaumont
198:, directed by
157:Metro Pictures
143:, directed by
130:
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78:
76:(aged 74)
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15:
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5091:September 30,
5086:
5082:
5076:
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5059:"John Arnold"
5054:
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4675:. p. 122
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4641:. p. 400
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4607:. p. 400
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4313:September 30,
4308:
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4275:
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3107:"John Arnold"
3102:
3094:
3084:September 30,
3079:
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3051:September 30,
3046:
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3036:
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2768:
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2715:September 30,
2710:
2709:"The Quitter"
2704:
2693:September 30,
2688:
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2659:
2655:
2649:
2638:September 29,
2633:
2632:"John Arnold"
2627:
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2559:Personal life
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2168:Dance Madness
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2105:Bright Lights
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5192:1964 deaths
5187:1889 births
5154:. p. 8
3213:. p. 3
2608:John Arnold
2360:Show People
2015:Proud Flesh
1762:Rouged Lips
1176:The Microbe
912:Opportunity
612:The Quitter
492:Filmography
455:Scaramouche
351:Clark Gable
320:Leila Hyams
165:, starring
162:The Quitter
110:John Arnold
25:John Arnold
5181:Categories
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5124:October 1,
5065:October 2,
5009:October 1,
4976:October 1,
4943:October 1,
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3250:October 1,
3183:October 1,
3150:October 1,
3117:October 1,
3018:October 1,
2876:"Story By"
2809:October 1,
2664:October 1,
2618:References
2460:Detectives
2408:Rose-Marie
1804:Revelation
1468:Fox Films
1104:Some Bride
684:Blue Jeans
528:Springtime
500:database)
364:Lee Garmes
179:Viola Dana
140:Springtime
92:Occupation
84:California
49:1889-11-16
1464:Fox Films
1296:Blackmail
192:to shoot
190:Fox Films
185:in 1919.
103:1914–1956
2384:The Wind
2273:The Show
496:(as per
482:Van Gogh
61:New York
5085:Camera!
4970:Variety
2946:Camera!
2913:Camera!
2880:Camera!
2767:Camera!
2742:Camera!
1709:The Fog
322:in 1930
211:The Fog
5041:
2297:Mr. Wu
2063:Sun-Up
509:Title
357:, the
247:, the
124:Career
118:Oscars
2530:1928
2503:1929
2476:1928
2455:1928
2424:1928
2403:1928
2376:1928
2355:1928
2339:Becky
2334:1927
2313:1927
2292:1927
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2184:1926
2163:1926
2142:1926
2126:Paris
2121:1926
2100:1925
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2010:1925
1983:1925
1962:1924
1941:1924
1914:1924
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523:1914
512:Role
506:Year
498:AFI's
408:Filmo
308:Filmo
276:1930s
5160:2018
5126:2018
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5039:ISBN
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