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Only a few works by
Kellner have been recorded so far and often they appear in collections of organ music devoted to a school of composers. The following is a list of websites with information about recordings of music by Johann Peter Kellner:
129:. These are the earliest or only source of many works, and provide information on their chronology, compositional history, and authenticity. Russell Stinson has determined that the three movement
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in
October 1725, returning to Gräfenroda in December 1727 as assistant cantor. He became cantor after Nagel's death in 1732, and remained in the post for the rest of his life; his pupils included
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for organ BWV 1039a/BWV 1027a was not made by Bach, but almost certainly a transcription made by
Kellner of the first two movements of Bach's Sonata in G major for two
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https://www.france-orgue.fr/disque/index.php?zpg=dsq.eng.rch&ior=c&oeu=J.%20P.%20KELLNER&com=Johann%20Peter%20KELLNER&zpaper=1
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http://www.allmusic.com/performance/trio-for-organ-in-g-major-arrangement-possibly-by-kellner-bwv-1027a-mq0000942751
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Certamen musicum, bestehend aus Präludien, Fugen, Allemanden, Couranten, Sarabanden, Giguen, wie *auch
Menuetten
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82:. In 1722, he returned to work as a tutor at Gräfenroda for three years. He was appointed cantor of
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The Bach
Manuscripts of Johann Peter Kellner and his Circle: a Case Study in Reception History
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merchant. He was devoted to music from childhood, and first learnt singing from the cantor
145:, and the fourth movement of Bach's Sonata in G major for viola da gamba and harpsichord,
8:
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well, although it is not known whether he was taught by him. He was also acquainted with
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46:, Thuringia, and was intended by his parents to follow his father into a career as a
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http://www.johann-peter-kellner.de/index.php?sub=musikliteratur&page=tontraeger
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Gedenkschrift anlässlich der Johann-Peter-Kellner-Festwoche in Gräfenroda
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98:. Kellner was admired as an organist, and performed for the Dukes of
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Manipulus musices, oder Eine Hand voll kurzweiliger
Zeitvertreib
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copies made by him and his circle, particularly of keyboard and
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He played an important role in the dissemination of music by
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74:, during which time he also studied composition. He knew
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Annual cycle of church cantatas with organ, 1753 (lost)
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3 preludes and fugues in A minor, C major, and G major
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Historische-kritische Beyträge zur
Aufnahme der Musik
58:. He studied for a year from 1720 with the organist
26:; 28 September 1705 – 19 April 1772) was a German
492:Die Klavier- und Orgelwerke Johann Peter Kellners
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226:It has been suggested that Kellner composed the
161:style, though also shows influences of Bach's
513:Keyboard Transcriptions from the Bach Circle
494:(Diplomarbeit, University of Leipzig, 1965)
220:3 preludes in C major, C major, and G minor
530:International Music Score Library Project
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363:, in Stadt- und Universitätsbibliothek,
16:German composer and organist (1705–1772)
66:, followed by a year with the organist
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270:Lobt Gott, ihr Christen, allzugleich
264:Wer nur den lieben Gott lässt walten
260:Wer nur den lieben Gott lässt walten
125:works, and very importantly the six
526:Free scores by Johann Peter Kellner
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323:Concerto in F major (Leipzig, 1956)
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212:Orgelmusik um Johann Sebastian Bach
30:and composer. He was the father of
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230:, formerly attributed to J.S. Bach
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576:German Classical-period composers
536:Johann-Peter-Kellner-Gesellschaft
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243:, BWV Anh. 47 (Leipzig, 1907) on
157:His keyboard music is in typical
591:18th-century classical composers
581:People from Saxe-Gotha-Altenburg
223:2 preludes and fugues in G major
606:German male classical organists
586:Pupils of Johann Sebastian Bach
566:German male classical composers
326:2 fugues in A minor and C major
254:Was Gott tut, das ist wohlgetan
250:Was Gott tut, das ist wohlgetan
217:2 fugues in C minor and D major
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508:(Durham, North Carolina, 1989)
501:III (Kassel and Leipzig, 1972)
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289:Allein Gott in der Höh sei Ehr
285:Allein Gott in der Höh sei Ehr
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457:The organ music of J.S. Bach
228:Toccata and Fugue in D minor
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245:Herzlich tut mich verlangen
241:Herzlich tut mich verlangen
68:Hieronymus Florentius Quehl
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561:German classical organists
461:Cambridge University Press
54:and keyboard from his son
601:18th-century keyboardists
88:Johann Philipp Kirnberger
571:German Baroque composers
473:His autobiography is in
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32:Johann Christoph Kellner
439:Oxford University Press
210:Prelude in C major, in
203:, D major, G major, in
431:"Johann Peter Kellner"
320:, 4 suites (1752–1756)
262:(Wiesbaden, 1985) on "
207:II/7 (Lippstadt, 1958)
80:George Frideric Handel
433:, in L. Macey (ed.),
164:Well-Tempered Clavier
115:Johann Sebastian Bach
76:Johann Sebastian Bach
56:Johann Heinrich Nagel
279:Nun danket alle Gott
275:Nun danket alle Gott
252:(Leipzig, 1907) on "
196:and Fugue in D minor
20:Johann Peter Kellner
481:(Berlin, 1754–1778)
117:, through the many
487:(Gräfenroda, 1955)
435:Grove Music Online
429:Stinson, Russell,
415:, pp. 358–359
106:and the Prince of
52:Johann Peter Nagel
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214:(Wiesbaden, 1985)
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556:1772 deaths
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347:Variationes
308:(1739–1749)
131:trio sonata
84:Frankenhain
22:(variants:
545:Categories
423:References
374:Recordings
359:36 church
332:in A minor
119:manuscript
96:J.E. Rembt
48:lamp-black
44:Gräfenroda
365:Frankfurt
312:3 Sonates
205:Die Orgel
38:Biography
455:(2003),
361:cantatas
296:Keyboard
188:BWV Anh.
172:Arnstadt
147:BWV 1027
143:BWV 1039
139:continuo
28:organist
532:(IMSLP)
528:at the
340:sonatas
194:Prelude
330:Menuet
314:(1752)
306:suites
277:, on "
159:galant
135:flutes
104:Weimar
100:Coburg
94:, and
400:Notes
354:Vocal
201:trios
184:Fugue
178:Organ
123:organ
64:Zella
446:2016
304:, 6
287:on "
137:and
102:and
72:Suhl
345:12
190:180
62:in
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