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Although the dating of Bach's three sonatas for viola da gamba and cembalo has presented problems for musicologists, because only an autograph score of the first sonata BWV 1027 survives, there is now general consensus that the works were written in
Leipzig at some time in the late 1730s and early
149:(BWV 1039); as well as a trio sonata for organ in three movements. Russell Stinson has determined that the organ work, with the first two movements transcribed from BWV 1039/i and BWV 1039/ii and the last from BWV 1027/iv, is not by Bach but most probably by
342:
The first movement begins with the gamba introducing a thematic fragment repeated by the harpsichord. The following movement includes echos and from the first one, especially of the latter half of the first movement. The third movement is in the rhythm of a
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has described this sonata as being "of the greatest beauty and most striking originality." The sonata begins with a theme by the viola da gamba, which is soon joined by the harpsichord. This is driven forward with lively figuration. The middle movement, in
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Cyr, Mary (1989), "Review: Three
Sonatas for Viola da Gamba and Harpsichord (BWV 1027–1029) by J. S. Bach, Hans Eppstein, Lucy Robinson, Laurence Dreyfus and Jean-Louis Charbonnier",
854:
973:
146:
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The last contrapuntal movement, although not labelled as a bourrée, makes reference to this dance form by commencing with a quaver figure on the fourth beat of the bar.
168:; in a long accompanying text Dreyfus presented detailed arguments for the works to be dated to Bach's period in Leipzig. In a subsequent study of Bach's chamber music,
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came to the same conclusion and gave provisional dates for many of Bach's chamber music and concertos in his
Leipzig period.
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1740s. Prior to that commentators had suggested that they dated from an earlier period when Bach was in
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The
Creative Development of Johann Sebastian Bach, Volume II: 1717–1750: Music to Delight the Spirit
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in his analysis of Bach's instrumental works, including his flute sonata in E major (
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In the late 1980s four new editions of the sonatas appeared, including the
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major, allows the parts to intertwine even more, ending with the
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138:, a chamber music society that put on weekly concerts at the
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Bach: Sonatas for Viola da Gamba and
Harpsichord (Playlist)
550:
536:
Drei
Sonaten für Viola da Gamba und Cembalo, BWV 1027–1029
187:) and the trio sonata for flute, violin and continuo from
109:. They probably date from the late 1730s and early 1740s.
923:
Sonatas for viola da gamba and harpsichord, BWV 1027–1029
798:
Sonatas for Viola da Gamba and
Harpsichord, BWV 1027–1029
586:
574:
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Canonic Sonata for oboe, violin and continuo, BWV 1040
540:(with extensive concluding remarks and critical notes)
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The dating of BWV 1027–1028 is explained in detail by
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Six
Sonatas for Violin and Harpsichord, BWV 1014–1019
598:
371:
325:
303:
875:
Sonatas and
Partitas for Solo Violin, BWV 1001–1006
634:Guide to Sonatas: Music for One or Two Instruments
610:
147:trio sonata for two transverse flutes and continuo
134:in 1723 and in 1729 was appointed director of the
1315:
388:Viola da Gamba Sonata in G minor, BWV 1029
362:time. Parts of this sonata were used in Bach's
213:Viola da Gamba Sonata in G major, BWV 1027
562:
122:or even beforehand: the viola da gamba player
1281:List of compositions by Johann Sebastian Bach
831:
768:(May 1985). "Bach's Leipzing Chamber Music".
443:Performed by John Michel (cello) with pianist
286:Performed by John Michel (cello) with pianist
145:Other versions of BWV 1027 exist: there is a
974:Sonata for two flutes and continuo, BWV 1039
1022:Sinfonia for violin and orchestra, BWV 1045
680:
592:
838:
824:
91:sonatas for viola da gamba and harpsichord
65:
30:Sonatas for viola da gamba and harpsichord
1062:For two harpsichords in C minor, BWV 1060
802:International Music Score Library Project
681:Jenne, Natalie; Little, Meredith (2001).
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604:
1087:Orchestral Suite in G minor, BWV 1070
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176:
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1004:Violin Concerto in E major, BWV 1042
999:Violin Concerto in A minor, BWV 1041
636:. Knopf Doubleday Publishing Group.
196:
130:at Cöthen. Bach moved to Leipzig as
650:
568:
24:
1009:Concerto for Two Violins, BWV 1043
451:Problems playing these files? See
378:
294:Problems playing these files? See
203:
126:was one of the court musicians of
25:
1345:
1042:Keyboard concertos, BWV 1052–1065
791:
495:Autograph manuscript for BWV 1027
372:Sonata No. 3 in G minor, BWV 1029
347:, followed by a fast movement in
326:Sonata No. 2 in D major, BWV 1028
304:Sonata No. 1 in G major, BWV 1027
1324:Sonatas by Johann Sebastian Bach
1301:
1082:Orchestral Suites, BWV 1066–1069
902:Partita for Solo Flute, BWV 1013
684:Dance and the Music of J.S. Bach
511:
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258:
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733:The Faber Pocket Guide to Bach
13:
1:
1167:Everything's Gonna Be Alright
755:The Organ Music of J. S. Bach
544:
1329:Compositions for harpsichord
687:. Indiana University Press.
7:
1181:Jesu, Joy of Man's Desiring
897:Cello Suites, BWV 1007–1012
93:, BWV 1027–1029, are three
10:
1350:
1057:No. 4 in A major, BWV 1055
1052:No. 2 in E major, BWV 1053
1047:No. 1 in D minor, BWV 1052
759:Cambridge University Press
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809:& Markus Hunninger:
124:Christian Ferdinand Abel
784:10.1093/earlyj/13.2.165
711:Oxford University Press
632:Berger, Melvin (2011).
593:Jenne & Little 2001
538:, Leipzig: C. F. Peters
236:2. Allegro ma non tanto
71:The music lesson, with
1221:A Whiter Shade of Pale
1202:Sheep may safely graze
661:: 106, 108, 110, 113,
383:
208:
1215:Trio Sonata, BWV 525a
1028:Brandenburg Concertos
860:Johann Sebastian Bach
735:. Faber & Faber.
382:
207:
99:Johann Sebastian Bach
1239:Bach's Greatest Hits
1161:Bach-Busoni Editions
1107:The Musical Offering
964:in E major, BWV 1035
959:in E minor, BWV 1034
953:in C major, BWV 1033
948:in A major, BWV 1032
931:in B minor, BWV 1030
703:Jones, Richard D. P.
530:Bach, J. S. (1985),
506:Viola da gamba part
490:Autograph manuscript
312:Allegro ma non tanto
190:The Musical Offering
151:Johann Peter Kellner
1267:Switched-On Bach II
1253:Jazz Sebastian Bach
1141:Air on the G String
583:, pp. 363–373.
559:, pp. 537–538.
272:4. Allegro moderato
1334:1730s compositions
524:Published editions
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365:St Matthew Passion
209:
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471:The musicologist
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197:Musical structure
136:Collegium Musicum
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16:(Redirected from
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1260:Switched-On Bach
1115:The Art of Fugue
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851:orchestral works
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800:: Scores at the
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766:Wolff, Christoph
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729:Kenyon, Nicholas
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532:Laurence Dreyfus
518:Harpsichord part
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318:Allegro moderato
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1030:, BWV 1046–1051
1015:Triple Concerto
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942:major, BWV 1031
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751:Williams, Peter
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927:Flute Sonatas
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855:transcriptions
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807:Paolo Pandolfo
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792:External links
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778:(2): 165–175.
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720:978-0191503849
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158:Urtext edition
128:Prince Leopold
114:
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103:viola da gamba
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77:viola da gamba
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970:Trio Sonatas
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847:Chamber music
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557:Williams 2003
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1246:Back to Bach
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619:, p. 8.
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193:(BWV 1079).
188:
177:Jones (2013)
174:
170:Wolff (1985)
155:
144:
132:Thomaskantor
116:
97:composed by
90:
88:
1133:Adaptations
1122:discography
771:Early Music
654:Early Music
617:Berger 2011
605:Kenyon 2011
166:C.F. Peters
107:harpsichord
81:Jan Vermeer
1318:Categories
1195:Lady Lynda
1117:, BWV 1080
1109:, BWV 1079
1089:(doubtful)
1017:, BWV 1044
955:(doubtful)
944:(doubtful)
581:Jones 2013
545:References
453:media help
429:3. Allegro
296:media help
254:3. Andante
59:J. S. Bach
1155:Ave Maria
991:Concertos
411:2. Adagio
393:1. Vivace
345:siciliano
218:1. Adagio
1148:Alphabet
939:♭
911:Ensemble
853:by, and
753:(2003),
731:(2011).
705:(2013).
569:Cyr 1989
479:♭
185:BWV 1044
181:BWV 1035
73:virginal
18:BWV 1027
857:after,
675:3127270
626:Sources
534:(ed.),
484:allegro
467:Allegro
338:Allegro
335:Andante
315:Andante
113:Origins
95:sonatas
1294:Portal
1231:Albums
1074:Suites
739:
717:
691:
673:
640:
464:Adagio
461:Vivace
309:Adagio
120:Köthen
1098:Fugal
1035:No. 5
890:No. 3
885:No. 2
671:JSTOR
1209:They
936:in E
868:Solo
849:and
737:ISBN
715:ISBN
689:ISBN
638:ISBN
164:for
105:and
101:for
89:The
75:and
48:1029
45:1028
42:1027
1188:Joy
780:doi
663:doi
160:of
57:by
37:BWV
1320::
776:13
774:.
757:,
713:.
709:.
669:,
659:17
657:,
368:.
153:.
142:.
79:,
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1139:"
839:e
832:t
825:v
786:.
782::
745:.
723:.
697:.
665::
646:.
571:.
476:B
455:.
355:8
298:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
