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contribute some of his songs. One of them, "Open Soul
Surgery" caught the ear of a record company executive at GRT who offered Fairbairn's group a recording contract. Using various musicians from Sunshyne and another Vancouver band, Seeds of Time, Fairbairn recorded and produced a nine-song album, seven of which were written by Vallance. The band was renamed Prism and Vallance decided to use the pseudonym "Rodney Higgs" rather than his real name in the album credits. The debut Prism album was a success as it hit platinum status in Canada (sales in excess of 100,000.) But Vallance decided to leave the Prism lineup before the next album as he didn't enjoy the constant travel necessary for touring. What he did enjoy was songwriting and arranging and preferred to work out of his makeshift home studio. Although Vallance left the band's lineup, he did help his former bandmates by contributing one song for each of the subsequent two albums, then one more for the 2008 album
771:", and Jones was interested in including a song by the Canadian artists on the album. Foster accepted and approached Vallance who he knew was working out of the same studio at that time. Although Foster and Vallance knew each other through the music industry, they had never collaborated on a song before this. Foster arrived at Vallance's home the next day and the two worked on the music in Vallance's home studio. Foster had to leave that evening to return to the studio and left the lyrics to Vallance. Rachel Paiement, Vallance's wife, wrote the French lyrics as she is Franco-Ontarian and a songwriter in her own right. Bryan Adams returned from touring the following day to help complete the lyrics. The title was taken from an unrelated, unrecorded song by Bob Rock and Paul Hyde of the Canadian band
597:. Adams decided to leave the band for a solo career but at 18, he was still inexperienced in the music business. In search of assistance, an informal meeting was arranged between Vallance and Adams at a Long and McQuade musical instrument shop in Vancouver. Vallance and Adams had known about each other through the Vancouver music scene, although they had never been introduced. At the meeting, both admitted they liked the idea of a songwriting partnership and agreed to forge one. The arrangement was twofold. In the long term, the songs would be primarily used as the material for Adams' solo career while, in the short term, they would serve as a source of income by licensing songs to other artists.
798:, it was a commercial disappointment. Meanwhile, Vallance had just become a father and his lifestyle had changed considerably. Also, Adams complained that Vallance was coming back to the partnership burnt out from writing and producing songs with other artists and insisted that if they were to continue at the level they had been at, Vallance should put other projects on hold until they had another album. Vallance complied with Adams' request but after several failed attempts to write and record what Adams felt was suitable material, Vallance informed Adams that he no longer wanted to work with him and the Adams-Vallance partnership went into hiatus.
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703:". "I'm Ready", "The Only One" and "Take Me Back" also received airplay. Ironically, "Straight from the Heart" was the highest charting of the three and is not a Vallance composition. It was written by Vancouver singer/songwriter Eric Kagna, with Adams adding the instrumental bridge, and credited as Adams-Kagna. The others were Adams-Vallance compositions. The album
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was Adams' breakthrough album. Released in 1983, it established him as a legitimate North
American music star (the album did not chart in Europe.) It also established the Adams-Vallance songwriting team in the music industry as other artists started to consider their songs seriously. The album spun 3
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was certified three times platinum in Canada and certified one time platinum in the US. At the
Canadian Juno music awards, "Cuts Like a Knife" and "Straight from the Heart" were nominated for a Single of the Year award, while "Cuts Like a Knife" won the Composer of the Year award for Adams-Vallance.
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and needed help with songwriting. Since the departure of
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Upon leaving the Prism lineup, Vallance worked as a session musician in and around
Vancouver to earn a living while his ultimate objective was to be a full-time songwriter. He was in need of a performing artist as a vehicle to promote his songs. Meanwhile, a talented, brash young artist named Bryan
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had spun off six singles and sold millions of copies worldwide. Adams-Vallance was now considered one of the top songwriting acts in the music industry. No longer did they have to forward demos to artists hoping they would consider them as now their agents were contacting Adams-Vallance requesting
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The early going was quite difficult. Adams' solo demo recordings were rejected by numerous record companies. Persistence paid off as Adams-Vallance was signed as a songwriting team by A&M late in 1978. The songwriting tandem was unknown, so most artists were not interested in considering their
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James
Douglas Vallance was born on May 31, 1952, in Chilliwack, BC. He grew up in a series of small towns on the west coast of Canada, including Vanderhoof (1964-1967) and Terrace (1967-1970) where he collected fond memories that would later show up in lyrics to some of his songs, like 'Summer of
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went below the radar in sales and airplay. To make matters worse, band members' alcohol and drug habits were causing problems. Geffen
Records would only fund their next recording provided all the bandmembers complete drug and alcohol rehab which they did. After listening to the demos, the record
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that summer. Vallance then landed another contract through Bruce
Fairbairn to write songs for Ian Lloyd in 1980 and again in 1982. In total, six Adams-Vallance compositions were used by Lloyd and another four were collaborations between Vallance and Lloyd's band. In between, Vallance worked as a
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which Foster was producing at the time. The songwriting is credited to Foster, Vallance, Adams, Paiement, Rock & Hyde. The recording with the grand ensemble of
Canadian artists took place on February 10, 1985, at Manta Studios in Toronto, Ontario. Vallance played the drums on the recording.
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Vallance has been awarded or honored with over 35 SOCAN and Procan
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who would later become an influential Canadian record producer. In 1975, Fairbairn approached Vallance about recording a demo of some of the band's music in hopes of landing a recording contract. Initially, the music was not Vallance's but after several rehearsals, Fairbairn asked Vallance to
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In 1982, Vallance and Adams received a call from producer Michael James Jackson inquiring about contributing songs for the next Kiss album. Although Vallance and Adams were not heavy metal fans, it was a golden opportunity for exposure for their songs by a world-class rock act. With outside
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743:. After sharing Juno Awards as a composer of the year with Adams in 1984 and 1985, Vallance won two awards alone in 1986 and 1987. He was co-recipient with Adams of PRO Canada's William Harold Moon Award for international achievement in 1985.
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company did not believe there was any material that would get them airplay. A second condition was then placed on them and that was to have outside songwriters to work with the band members. Initially, band members were not warm to the idea.
550:'69'. He took piano lessons starting at age 7. He then took up guitar and drums at 13. In 1965 he formed a band with some classmates called The Tremelones which was later renamed The Fourmost. At 18, he enrolled in the music program at the
675:. Vallance doubled as co-producer on the first. Although neither album was a big success, Adams' extensive touring helped him garner a lot of recognition as an artist. The Adams-Vallance songwriting team was starting to gain momentum.
562:, flute with Conrad Crocker and cello with Hans Seigrist. He re-entered the UBC Music program again in 1973 but dropped out to travel Europe with fellow musicians Peter Bjerring (aka Peter Berring) and Tom Mirhady .
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session and club musician, and took a job as the drummer for Tom Jones' TV show produced out of Vancouver. Also, in 1981, Vallance co-produced (along with the band) the second album by Vancouver's
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who heard a demo of their song "No Way To Treat A Lady" decided to record it. Between 1980 and 1982, Adams recorded and released his first two solo albums, self-titled
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are credited with Vallance as co-writer. Adams then approached him to write the Olympic song with him and another Olympic song for ARD TV in Germany.
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for Africa, an ensemble of Canadian recording artists in support of the 1985 African famine relief. He has won the Canadian music industry
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Vallance was involved in the Northern Lights for Africa famine relief cause in 1985 as co-writer and executive producer of the song "
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Vallance was credited as executive producer for recording Bruce Cockburn's part in a studio in Hamburg, Germany.
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The Adams-Vallance team wrote songs for artists such as
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661:Bonnie Raitt
654:
651:
634:
625:
623:
615:
613:
602:
599:
595:Sweeney Todd
591:
576:
569:
548:
531:
525:
519:
517:
514:
499:
486:October 2012
483:
470:unverifiable
462:weasel words
459:
429:
420:
397:
373:
366:
360:
359:Please help
356:
298:" (Prism), "
294:" (Heart), "
264:Alice Cooper
240:Bonnie Raitt
214:
213:
169:Years active
59:May 31, 1952
44:Rodney Higgs
23:Jim Vallance
1223:1952 births
873:" (1989), "
869:" (1987), "
865:" (1987), "
826:debut album
822:Glass Tiger
812:Glass Tiger
666:Bryan Adams
609:Bruce Allen
588:Early years
472:information
284:Anne Murray
260:Tina Turner
252:Rod Stewart
248:Carly Simon
224:Bryan Adams
102:heavy metal
1217:Categories
1051:August 20,
945:References
691:singles: "
626:Rendezvous
617:Armageddon
545:Early life
524:(PROCAN),
407:improve it
362:improve it
332:The Weeknd
324:Juno award
300:Run to You
288:Joe Cocker
150:percussion
128:Songwriter
71:Chilliwack
55:1952-05-31
30:Birth name
1095:March 10,
929:Bob Moses
847:Aerosmith
733:Paul Dean
701:This Time
540:Biography
460:contains
411:verifying
368:talk page
280:Scorpions
244:Aerosmith
186:Universal
154:keyboards
98:hard rock
1151:Socan.ca
1131:Archived
1113:Archived
1069:Archived
984:Archived
966:Archived
935:See also
863:Rag Doll
818:Reckless
796:Reckless
786:Reckless
725:Reckless
720:Reckless
713:Reckless
635:Wrap It!
136:producer
132:arranger
94:pop rock
77:, Canada
1194:Discogs
1161:10 June
1012:10 June
832:" and "
830:Someday
699:" and "
639:Toronto
536:(SAC).
405:Please
338:Profile
228:drummer
200:Website
190:Polydor
182:A&M
118:country
925:Morgan
895:Awards
739:, and
558:under
466:biased
318:" for
308:Heaven
286:, and
272:Europe
178:Labels
158:guitar
82:Genres
67:Origin
902:SOCAN
647:Heart
556:piano
236:Prism
234:band
146:Drums
114:blues
1208:IMDb
1163:2018
1097:2022
1053:2019
1014:2018
923:and
921:CANO
737:Kiss
695:", "
669:and
326:for
276:Kiss
232:rock
162:bass
110:jazz
86:Rock
49:Born
1206:at
755:".
468:or
409:by
106:pop
90:AOR
1219::
1149:.
1088:.
1042:.
1022:^
1005:.
994:^
953:^
931:.
891:.
805:11
735:,
649:.
633:,
579:.
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282:,
278:,
274:,
270:,
266:,
262:,
258:,
254:,
250:,
246:,
242:,
219:CM
188:,
184:,
160:,
156:,
152:,
148:,
134:,
130:,
116:,
112:,
108:,
104:,
100:,
96:,
92:,
88:,
73:,
57:)
1165:.
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1016:.
506:)
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474:.
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