362:. Because of the cost of canvas, she began painting on window shade material and various remnants from Cherry's workshop, including masonite, glassine, and aluminum. She experimented with layering machine oil as a base. Her process involved tools, such as brushes, whiskbrooms, forks, fingers, and combs, allowing her to manipulate the paint and create a unique texture and form. The resulting artworks emitted a distinctive soft outline, at times evoking ritual processions of somber-hued hooded figures. D'Orge's artwork varied in style, with some resembling Chinese landscapes, while others took on a more surreal and abstract form. In January 1962, she had a solo exhibition at San Francisco's
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In June 1948, D'Orge established the Carl Cherry
Foundation, a non-profit philanthropic organization. Its primary objectives were to run an art gallery, provide an experimental laboratory for scientists and inventors in Carmel, and offer assistance to "artists, authors, playwrights, and composers."
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In 1992, the Carl Cherry
Foundation changed its name to the Carl Cherry Center for the Arts. The foundation includes D'Orge's papers, comprising a permanent art collection of twelve hundred works from her portfolio, along with some memorabilia. Additionally, the collection houses a miscellaneous
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In 1952, D'Orge expanded the main building, adding classroom, gallery, and reading room spaces. The second story was removed to create a flat roof with skylights for natural light. She attached studio and meditation areas in 1953.
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213:(November 22, 1877 – May 2, 1964) was a British-born American lyric poet, artist, and patron of the arts. She founded the Carl Cherry Center for the Arts in
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D'Orge eventually transitioned to a studio in Carmel Valley, where she continued painting and writing pursuits until her death in 1964.
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Please help improve this article by looking for better, more reliable sources. Unreliable citations may be challenged and removed.
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The Carmel community was scandalized when she deserted her husband and children to move in with Carl Cherry, a much younger man.
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said: "One feels in reading these poems that Lobos has been translated perfectly into the most elusive language, Poetry."
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Cherry encouraged her to take up painting, and she began to paint. In 1957, D'Orge's paintings were displayed at the
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321:. At that time, Burton, who was nearing his retirement after a forty-year tenure at MIT, took a leave of absence.
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published by Seven Arts Press. The black and white cover was designed by D'Orge. A review published in the
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In 1917, due to the
Massachusetts winters taking a toll on D'Orge's health, the family moved to
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D'Orge died at the age of 87, on May 2, 1964, in Carmel, California.
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610:. Carmel-by-the-Sea, California. December 19, 1928. p. 14
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In 1906, D'Orge, Burton, and their three children arrived in
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in 1913. In 1915, she released a collection of verse titled
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During a walking trip in Paris, she met and later married
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306:. She participated in the poetry reading at the New York
661:"Emphemeral D'Orge Paintings Give Hint of Poetic Vision"
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a book of verse on her childhood experiences in Europe.
446:. Carmel-by-the-Sea, California. May 7, 1964. p. 3
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719:. Santa Cruz, California. June 30, 1948. p. 7
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641:. Carmel-by-the-Sea, California. May 13, 2002
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523:"Jeanne D'Orge, Carmel, and Point Lobos"
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261:Virginia Lee Burton
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968:1964 deaths
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349:Joan of Arc
308:Armory Show
277:Beacon Hill
227:Donisthorpe
113:May 2, 1964
102:Donisthorpe
37:may not be
957:Categories
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882:Dene Denny
419:References
380:Queen Anne
353:Orge River
338:Carmelite
221:Early life
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