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of c. 1716–1717, also believed to be a double portrait of the Regent and Madame de Parabère, turned out to be
Santerre's last work, made shortly before his death on 21 November 1717; on his death, he was reputed to have destroyed a notebook of his nude studies, which he considered to be indecent.
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472:
293:, with the allegorical portrait, then fashionable in France. At the same time, he also painted history paintings and altarpieces of biblical and religious subjects, suffused with a strong erotic character; notable case of these is
285:. After achieving initial success as a portrait painter by the late 1690s, Santerre began to branch out into the fields of genre painting and, in which he combined the fantasy portrait of Northern tradition, as seen in the art of
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on 23 March 1651, Jean-Baptiste
Santerre was the twelfth child of André Santerre, a merchant. He was apprenticed to the portrait painter François Lemaire (1620–1688), before entering the studio of the history painter
419:
Towards 1712, Santerre received a pension from the King, as well as a studio and lodging in the Louvre. After Louis XIV's death in 1715, Santerre became an ordinary painter at the court of the Regent of France, the
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353:. In his art, Santerre made an original contribution by combining the fantasy portrait of Northern tradition with the allegorical portrait, then fashionable in French painting.
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era painting, as well as of both
Neoclassical and Romantic painting, and was said to be an influence on subsequent generations of artists during the said eras.
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Santerre's death is the subject of a 1836 painting by Joseph-Léon-Roland de
Lestang-Parade (1810–1881), first exhibited in Paris during that year's
262:
as well as his French contemporaries, Santerre nonetheless made an original contribution in his art, being among the first French painters to bring
337:. Although he executed some history paintings, he began to specialize in portraits early in his career, influenced by his French contemporaries
297:
of 1704, regarded among
Santerre's best known works. Santerre's successes gained the attention from the French royalty, notably including King
361:
380:. Santerre's success at the Academy provided him official commissions for more conventional portraits, among them that of the mother of
428:, exhibiting an influence from Rigaud's portraiture, and a double portrait in the Palace of Versailles of the Regent and his mistress,
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era; it was during the 19th and 20th centuries when it met a broader appreciation. Santerre is regarded as a precursor of the
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345:; at the same time, Santerre became among the first painters in France to bring Dutch and Flemish influences, notably from
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Kepetzis, Ekaterini (2018). "Santerre, Jean-Baptiste". In Beyer, Andreas; Savoy, Bénédicte & Tegethoff, Wolf (eds.).
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Others, like
Santerre, were obviously their way towards the forms that Watteau would develop for the eighteenth century.
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Artists from subsequent generations, of whose
Santerre was regarded as either a forerunner or influence, include
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1439:(collection catalogue) (in Russian). Saint Petersburg: State Hermitage Publishers. pp. 417–418, cat. no. 241.
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French and
British Paintings from 1600 to 1800 in the Art Institute of Chicago: a Catalogue of the Collection
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Explication des ouvrages de peinture et dessins, sculpture, architecture et gravure des artistes vivans…
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that caused a scandal in ecclesiastical circles, given the subject's erotic character inspired by
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1894:]. New Haven, London: Yale University Press. pp. 204–205, 285, 287, 300–301; pl. 230, 341.
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Santerre's work brought him a controversial reputation, in light of his association with the
305:; from 1715 and until his death, Santerre served as a court painter for the Duke of Orleans.
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1414:(collection catalogue) (in Russian). Moscow: Krasnaya Ploschad'. pp. 230–231; cat. no. 205.
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1755:. Translated from the French by Paul Eve. New York: Funk & Wagnalls. pp.
1138:, vol. 3, p. 300, names Van Dyck as a major influence on Santerre as portraitist;
2154:
1959:
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238:; 23 March 1651 – 21 November 1717) was a French painter and draughtsman of the
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French
Painters and Paintings from the Fourteenth Century to Post-Impressionism
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1358:. Translated from the German by Daphne Woodward. New York: McGraw-Hill. p.
1551:
Procès-verbaux de l'Académie royale de peinture et de sculpture, 1648-1793
1532:
Procès-verbaux de l'Académie royale de peinture et de sculpture, 1648-1793
1381:. Chicago: Art Institute of Chicago, Princeton University Press. pp.
1410:
Kuznetsova, Irina; Sharnova, Elena (2001). Pushkin Museum, Moscow (ed.).
1226:
255:
1051:, states Santerre's portraits to be somewhat close in style to Rigaud's.
990:
132:
1435:
Serebryannaya, N. K. (2018). Hermitage Museum, Saint
Petersburg (ed.).
488:
290:
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1172:. Translated from the French by James Emmons. Hallmark Cards. p.
2365:(in German). Vol. 29. Leipzig: E. A. Seemann. pp. 429–430.
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2333:(in Russian). Vol. 3. Saint Petersburg: Kol'na. p. 300.
1842:
Rococo to Revolution: Major Trends in Eighteenth-Century Painting
1480:
831:. The Rise of Modern Europe. New York: Harper & Row. p.
643:
433:
2065:. New York: Alpine Fine Arts Collection. pp. 12, 117, 177.
1866:
La peinture française au début du dix-huitième siècle, 1690-1721
1495:(in French). September 1718. pp. 69–75 – via Gallica.
424:; among his later works are a portrait of the Regent now in the
2217:. Vol. 101. Berlin, Boston: De Gruyter. pp. 136–137.
1471:"Journal de Paris, qui commence par l'Eloge de feu M. Santerre"
1412:Франция XVI — первой половины XIX века : собрание живописи
701:
665:
313:
2130:. Vol. 27. New York: Grove's Dictionaries. p. 789.
1698:
Greuze: The Rise and Fall of an Eighteenth-Century Phenomenon
372:, now in the Louvre, and an untraced portrait of the painter
173:
1233:
Bernini in France: An Episode in Seventeenth-Century History
1574:
Lesné, Claude (1988). "Jean-Baptiste Santerre, 1651-1717".
458:
1994:(in French). Bruxelles, Paris: G. Van Oest. vol. 1, p. 4.
1961:
Fragonard and the Fantasy Figure: Painting the Imagination
1607:(in French). Saint-Ouen-l'Aumône: Éditions du Valhermeil.
1499:
973:
Fragonard and the Fantasy Figure: Painting the Imagination
2251:
Maillard, Robert, ed. (1975). "Santerre, Jean-Baptiste".
1479:(in French). December 1717. pp. 185–194 – via
2161:. Vol. 2. Paris: Librairie Larousse. p. 1659.
2153:
Constans, Claire (1979). "Santerre (Jean-Baptiste)". In
2040:. Vol. 2 (4th ed.). Paris: Hachette. pp.
1813:
Art and Architecture of the Eighteenth Century in France
1509:. Vol. 4. Paris: De Bure l'aîné. pp. 258–262.
1354:
The Rococo Age: Art and Civilization of the 18th Century
1702:. Greenwich, Conn.: New York Graphic Society. pp.
900:
1576:
Bulletin de la Société de l'histoire de l'art français
997:
376:; also in 1704, he exhibited some of his works at the
2255:(in French). Vol. 6. Paris: Robert. p. 66.
1635:
Jean-Baptiste Santerre, peintre: sa vie et son oeuvre
277:, Santerre studied notably under the history painter
1207:
1193:
1191:
876:(1939). Davidson, J. Leroy; Gerry, Philippa (eds.).
2278:. Vol. 5. New York: McGraw-Hill. p. 101.
2232:Laclotte, Michel; Cuzin, Jean-Pierre, eds. (1999).
1637:(in French) (2nd ed.). Magny-en-Vexin: Petit.
49:. Unsourced material may be challenged and removed.
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2299:(1989 reprint). Oxford: Clarendon Press. p.
2006:
1783:La peinture francaise des XVIIe et XVIIIe siecles
1261:
400:, Santerre's religious paintings notably include
388:, influenced by the elder Troy's portrait of the
2380:
2184:(in French). Paris: Le Livre de poche. p.
364:in 1698, Santerre was accepted as full member (
953:"H-France Review Vol. 14 (July 2014), No. 120"
2231:
1434:
1803:
1664:Art and Architecture in France, 1500 to 1700
1350:Schönberger, Arno; Soehner, Halldor (1963).
827:The Emergence of the Great Powers, 1685–1715
2429:People of the Regency of Philippe d'Orléans
2325:
2236:(in French). Paris: Larousse. p. 913.
1315:(in French). Paris: Vinchon. 1836. p.
1237:. London: Weidenfeld and Nicolson. p.
1135:
2362:Allgemeines Lexikon der bildenden Künstler
1886:French Painting in the Seventeenth Century
1668:. Harmondsworth; New York: Penguin Books.
1554:(in French). Vol. 4. Paris: J. Baur.
1547:
1535:(in French). Vol. 3. Paris: J. Baur.
1525:
1372:
1362:, pl. 99 – via the Internet Archive.
1090:as clearly influenced by François de Troy.
737:, 1699, Hermitage Museum, Saint Petersburg
2359:, ed. (1935). "Santerre, Jean-Baptiste".
2056:
1986:
1598:
1489:"Abregé de la vie de M. Santerre Peintre"
1329:
1019:
109:Learn how and when to remove this message
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1992:Histoire de la peinture du XVIIIe siècle
1957:
1690:
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1043:(in Russian). Moscow: Iskusstvo. p. 17.
906:
872:
541:, c. 1716–1717, David Roche Foundation,
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2290:
2101:. Vol. 12. Paris: Gründ. pp.
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1599:Lesné, Claude; Waro, Françoise (2011).
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1862:
1775:
1501:Dezallier d'Argenville, Antoine Joseph
1139:
968:
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2253:Dictionnaire universel de la peinture
2119:
1925:. New York: Ungar. pp. 161–163.
1892:La peinture française au XVIIe siècle
1881:
1837:
1656:
1573:
1373:Wise, Susan; Warner, Malcolm (1996).
1285:
1277:
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1122:, a painting by Rembrandt now in the
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1964:. Farnham; Burlington, VT: Ashgate.
1506:Abregé de la vie des fameux peintres
1168:The Spirit of the Letter in Painting
880:The New Standard Encyclopedia of Art
819:
509:, c. 1715–1716, Palace of Versailles
368:) in October 1704, after presenting
47:adding citations to reliable sources
18:
1746:
13:
2061:French Eighteenth-Century Painting
1437:Французская живопись XV-XVII веков
979:French Studies: A Quarterly Review
843:– via the Internet Archive.
735:Young Lady with a Veil on Her Head
721:Chapel of the Palace of Versailles
503:Philippe II, Duke of Orléans, and
281:, and trained by copying works by
14:
2445:
2321:– via the Internet Archive.
2286:– via the Internet Archive.
2206:– via the Internet Archive.
2148:– via the Internet Archive.
2115:– via the Internet Archive.
2083:– via the Internet Archive.
2052:– via the Internet Archive.
2026:– via the Internet Archive.
1953:– via the Internet Archive.
1912:– via the Internet Archive.
1877:– via the Internet Archive.
1869:(in French). Paris: G. Baranger.
1858:– via the Internet Archive.
1799:– via the Internet Archive.
1771:– via the Internet Archive.
1742:– via the Internet Archive.
1686:– via the Internet Archive.
1625:– via the Internet Archive.
1603:Jean-Baptiste Santerre: 1651-1717
1562:– via the Internet Archive.
1543:– via the Internet Archive.
1399:– via the Internet Archive.
1251:– via the Internet Archive.
1184:– via the Internet Archive.
896:– via the Internet Archive.
884:. New York: Garden City. p.
618:Museu Nacional d'Art de Catalunya
426:Birmingham Museum and Art Gallery
362:Academy of Painting and Sculpture
2434:18th-century French male artists
1815:. Harmondsworth: Penguin Books.
727:
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606:
584:
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131:
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2270:Myers, Bernard S., ed. (1969).
1548:Montaiglon, Anatole de (1881).
1457:
1428:
1403:
1366:
1343:
1303:
1255:
1219:
1157:
1129:
1118:, cite Santerre's copies after
1093:
1069:
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432:, with the latter appearing as
34:needs additional citations for
1041:Французский портрет XVIII века
962:
944:
866:
813:
793:
1:
2291:Osborne, Harold, ed. (1970).
2276:McGraw-Hill Dictionary of Art
2159:Petit Larousse de la Peinture
2098:Benezit Dictionary of Artists
2037:Les merveilles de la peinture
1787:. Paris: Flammarion. p.
1262:Thuillier & Châtelet 1964
951:Milam, Jennifer (July 2014).
786:
444:
254:. Considerably influenced by
2419:18th-century French painters
2409:17th-century French painters
2057:Wakefield, David F. (1984).
563:Musée des Beaux-Arts de Lyon
526:, 1709, Palace of Versailles
480:Philippe II, Duke of Orléans
303:Philippe II, Duke of Orléans
7:
2295:The Oxford Companion to Art
2234:Dictionnaire de la peinture
2214:Allgemeines Künstlerlexikon
2176:Felici, Lucio, ed. (2000).
2095:Bénézit, Emmanuel (2006) .
2010:; Châtelet, Albert (1964).
1917:Muehsam, Gerd, ed. (1970).
1751:Eighteenth Century Painting
969:Barker, Emma (April 2013).
10:
2450:
2404:Artists from Île-de-France
1958:Percival, Melissa (2012).
1154:as evoking Van Dyck's art.
1061:: CS1 maint: postscript (
464:
16:French painter (1651–1717)
2272:"Santerre, Jean-Baptiste"
2124:. In Turner, Jane (ed.).
2122:"Santerre, Jean-Baptiste"
2120:Brême, Dominique (1996).
1982:– via Google Books.
993:– via Project MUSE.
235:[ʒɑ̃batistsɑ̃tɛʁ]
214:
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2424:French portrait painters
1227:Gould, Cecil Hilton Monk
742:
264:Netherlandish influences
58:"Jean-Baptiste Santerre"
1863:Marcel, Pierre (1906).
1838:Levey, Michael (1966).
1164:Leymarie, Jean (1961).
1152:National Gallery Prague
1110:, p. 301, pl. 341, and
1088:Marie Adélaïde of Savoy
769:Pierre-Antoine Baudouin
717:Ecstasy of Saint Teresa
523:Marie Adélaïde of Savoy
402:Ecstasy of Saint Teresa
386:Marie Adélaïde of Savoy
140:, 1704, oil on canvas,
2399:People from Val-d'Oise
1882:Mérot, Alain (1995) .
1527:Montaiglon, Anatole de
1148:Portrait of a Sculptor
684:Musée d'Arts de Nantes
636:Portrait of a Sculptor
485:Museum and Art Gallery
453:and now hosted in the
356:Having been approved (
227:Jean-Baptiste Santerre
125:Jean-Baptiste Santerre
2180:Encyclopédie de l'art
2127:The Dictionary of Art
1330:Lesné & Waro 2011
1146:, cites a version of
1020:Lesné & Waro 2011
773:Jean-Honoré Fragonard
579:, whereabouts unknown
231:French pronunciation:
2414:French male painters
1747:Gay, Claire (1972).
1319:– via Gallica.
975:by Melissa Percival"
777:Pierre-Paul Prud'hon
614:Young Woman Sleeping
410:Chapel of Versailles
250:, and portrait-like
142:Palace of Versailles
43:improve this article
698:Susanna at the Bath
455:Museum of Fine Arts
394:Susanna at the Bath
370:Susanna at the Bath
295:Susanna at the Bath
2008:Thuillier, Jacques
1805:Kalnein, Wend Graf
1651:Additional studies
1493:Le Nouveau Mercure
1476:Le Nouveau Mercure
1086:and a portrait of
821:Wolf, John Baptist
658:Girl with a Candle
505:Madame de Parabère
430:Madame de Parabère
404:, a commission by
2331:Стили в искусстве
2224:978-3-11-023267-7
2018:. Geneva: Skira.
1971:978-1-4094-0137-7
1848:Thames and Hudson
1614:978-2-35467-088-7
1446:978-5-93572-811-3
1084:The Two Actresses
991:10.1093/fs/knt012
761:Jean-Marc Nattier
244:history paintings
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1517:– via the
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596:Hermitage Museum
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483:, c. 1710–1717,
475:
398:Weeping Magdalen
390:Duchess of Maine
351:Anthony van Dyck
343:François de Troy
339:Hyacinthe Rigaud
260:Bolognese school
242:, known for his
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166:21 November 1717
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2014:French Painting
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1692:Brookner, Anita
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1568:General studies
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1134:
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1124:Dulwich Gallery
1098:
1094:
1074:
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1054:
1053:
1034:
1030:
1018:, p. 300;
1014:
1010:
1002:
998:
967:
963:
955:
949:
945:
933:
929:
917:
913:
909:, p. 1659.
905:
901:
874:Hourticq, Louis
871:
867:
855:
851:
818:
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798:
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789:
784:
783:
757:Antoine Watteau
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558:Nicolas Boileau
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519:
510:
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491:
476:
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447:
422:Duke of Orleans
322:
256:Italian masters
240:Style Louis XIV
230:
219:Style Louis XIV
200:
176:
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126:
115:
104:
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52:
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40:
28:
17:
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5:
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2071:
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2032:Viardot, Louis
2028:
2004:
1984:
1970:
1955:
1949:
1931:
1914:
1900:
1879:
1860:
1835:
1829:
1809:Levey, Michael
1801:
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1658:Blunt, Anthony
1653:
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1596:
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1254:
1247:
1218:
1216:, p. 204.
1206:
1187:
1156:
1128:
1092:
1082:, examplifies
1068:
1037:Zolotov, Y. K.
1028:
1008:
1006:, p. 303.
996:
961:
943:
927:
911:
899:
865:
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680:A Kitchen Maid
678:
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406:King Louis XIV
392:. Beside from
326:Magny-en-Vexin
321:
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310:French Regency
271:Magny-en-Vexin
252:genre subjects
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205:Known for
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99:September 2016
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2357:Vollmer, Hans
2354:
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2342:
2340:5-88737-010-6
2336:
2332:
2329:(1995–1997).
2328:
2327:Vlasov, V. G.
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2310:0-19-866107-X
2306:
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1990:(1925–1926).
1989:
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152:23 March 1651
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60: –
59:
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54:Find sources:
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37:
32:This article
30:
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21:
20:
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2013:
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1920:
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1841:
1812:
1782:
1777:Huyghe, René
1750:
1697:
1663:
1634:
1602:
1575:
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1531:
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1492:
1474:
1458:Bibliography
1436:
1430:
1411:
1405:
1376:
1368:
1353:
1345:
1325:
1311:
1305:
1294:Bénézit 2006
1257:
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1209:
1167:
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1131:
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1004:Viardot 1884
999:
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978:
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919:Osborne 1970
914:
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808:Bénézit 2006
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539:Adam and Eve
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268:
226:
225:
168:(1717-11-21)
137:
105:
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
2394:1717 deaths
2389:1651 births
1988:Réau, Louis
1950:8044-3210-4
1830:14-056037-8
1739:8212-0483-1
1332:, pp.
1296:, pp.
1140:Felici 2000
700:, c. 1704,
660:, c. 1700,
616:, c. 1710,
577:Jean Racine
416:'s statue.
374:Noël Coypel
360:) into the
283:Old Masters
181:Nationality
2383:Categories
2319:1036799238
2284:1150312272
2204:1193410004
2195:2253053031
2146:1033667798
2081:1149209513
2050:1048225915
2024:1193944713
1941:1193947997
1875:1157122577
1856:1036855531
1846:. London:
1821:1008263215
1797:1150090975
1769:1033562355
1730:1244792294
1684:1147992003
1623:1194420634
1578:: 75–118.
1560:1050846128
1541:1050795149
1515:1038747111
1396:0865591377
1288:, p.
1286:Brême 1996
1280:, p.
1278:Blunt 1973
1272:, p.
1270:Levey 1966
1264:, p.
1214:Mérot 1995
1200:, p.
1198:Brême 1996
1182:1036860507
1142:, p.
1114:, p.
1112:Brême 1996
1108:Mérot 1995
1102:, p.
1078:, p.
1076:Brême 1996
1022:, p.
1016:Mérot 1995
985:(2): 253.
937:, p.
935:Blunt 1973
921:, p.
894:1036767498
859:, p.
857:Myers 1969
841:1148931150
802:, p.
800:Brême 1996
787:References
507:as Minerva
489:Birmingham
445:In culture
291:Gerrit Dou
69:newspapers
2371:889110751
2349:605179863
2034:(1884) .
2000:491647984
1980:780536108
1910:983926912
1643:458077934
1633:(1878) .
1592:888444852
1584:0301-4126
1503:(1762) .
1057:cite book
1049:567935709
638:, 1700s,
622:Barcelona
561:, 1690s,
543:Melbourne
347:Rembrandt
299:Louis XIV
287:Rembrandt
248:portraits
189:Education
1811:(1972).
1779:(1965).
1694:(1972).
1660:(1973).
1529:(1880).
1229:(1981).
1039:(1968).
823:(1962).
719:, 1710,
594:, 1699,
408:for the
330:Pontoise
324:Born in
275:Pontoise
269:Born in
215:Movement
209:painting
2157:(ed.).
2103:396–397
2042:302–303
1761:173–174
1481:Gallica
1298:396–397
1150:in the
704:, Paris
644:Chicago
465:Gallery
434:Minerva
414:Bernini
258:of the
83:scholar
2369:
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1978:
1968:
1947:
1939:
1929:
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1393:
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1180:
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775:, and
702:Louvre
666:Moscow
396:and a
314:Rococo
184:French
85:
78:
71:
64:
56:
1890:[
1712:42–43
956:(PDF)
743:Notes
451:Salon
378:Salon
358:agrée
328:near
273:near
174:Paris
90:JSTOR
76:books
2367:OCLC
2345:OCLC
2335:ISBN
2315:OCLC
2305:ISBN
2301:1039
2280:OCLC
2257:ISBN
2238:ISBN
2219:ISBN
2200:OCLC
2190:ISBN
2163:ISBN
2142:OCLC
2132:ISBN
2107:ISBN
2077:OCLC
2067:ISBN
2046:OCLC
2020:OCLC
1996:OCLC
1976:OCLC
1966:ISBN
1937:OCLC
1927:ISBN
1906:OCLC
1896:ISBN
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1852:OCLC
1817:OCLC
1793:OCLC
1765:OCLC
1726:OCLC
1716:ISBN
1680:OCLC
1670:ISBN
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1619:OCLC
1609:ISBN
1588:OCLC
1580:ISSN
1556:OCLC
1537:OCLC
1511:OCLC
1441:ISBN
1416:ISBN
1391:ISBN
1243:ISBN
1178:OCLC
1063:link
1045:OCLC
923:1039
890:OCLC
837:OCLC
459:Lyon
366:reçu
349:and
341:and
301:and
289:and
163:Died
149:Born
62:news
2186:913
1945:SBN
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1734:SBN
1387:139
1383:137
1360:357
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