564:, who was at that time teaching in the department. In an anecdote, Jarmusch recounted the formative experience of showing his mentor his first script; Ray disapproved of its lack of action, to which Jarmusch responded after meditating on the critique by reworking the script to be even less eventful. On Jarmusch's return with the revised script, Ray reacted favourably to his student's dissent, citing approvingly the young student's obstinate independence. Jarmusch was the only person Ray brought to work—as his personal assistant—on
1105:, who shares the same name as the city. Paterson was inspired by objectivist American poet William Carlos Williams and his epic poem "Paterson". The film features the wry, minimalist style found in Jarmusch's other works and earned 22 award nominations for Jarmusch, Driver and Nellie, the dog featured in the film. The story focuses on Paterson's poetry writing efforts, interspersed with his observations and experiences of the residents he encounters on his bus route and in his daily life. Todd McCarthy of
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1018:, with the composer Phil Klein. I have a new film project that's really foremost for me that I hope to shoot early next year with Tilda Swinton and Michael Fassbender and Mia Wasikowska, who was Alice in Wonderland in Tim Burton's film. I don't have that quite financed yet, so I'm working on that. I'm also making music and hoping to maybe score some silent films to put out. Our band will have an EP that we'll give out at ATP. We have enough music for three EPs or an album.
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American hipdom. They articulate a distinctly funky, low-tech, outcast vision of
American society that in both ethos and esthetics draws upon and amusingly blends the past five decades of postwar culture. While in content his films quietly defy Hollywood's myths of American progress and prosperity, in form (due to their stylistic simplicity and small budgets) they are a retort to the movie industry's bloated excess.
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only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don't bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: "It's not where you take things from—it's where you take them to."
1060:(TIFF), with Jarmusch explaining the seven-year completion time frame at the former: "The reason it took so long is that no one wanted to give us the money. It took years to put it together. Its (sic) getting more and more difficult for films that are a little unusual, or not predictable, or don't satisfy people's expectations of something." The film's budget was
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me it's phases where I'm very solitary, writing, and then I'm preparing, getting the money, and then I'm with the crew and on a ship and it's amazing and exhausting and exhilarating, and then I'm alone with the editor again... I've said it before, it's like seduction, wild sex, and then pregnancy in the editing room. That's how it feels for me.
631:, was produced on a budget of approximately $ 125,000 and released in 1984 to much critical acclaim. A deadpan comedy recounting a strange journey of three disillusioned youths from New York through Cleveland to Florida, the film broke many conventions of traditional Hollywood filmmaking. It was awarded the
602:, his first feature film. It had its premiere at the International Filmfestival Mannheim-Heidelberg (formerly known as Filmweek Mannheim) and won the Josef von Sternberg Award. It was made on a shoestring budget of around $ 12,000 in misdirected scholarship funds and shot by cinematographer Tom DiCillo on
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And then my band Bad Rabbit made some recordings for the museum sequences in the film. In the existing file I just didn't find things that were exactly right for that, so we decided to record some of our own. ... Well, we have two tracks on the soundtrack record that are in the film, and then we have
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There's been an overemphasis on the hipness factor—and a lack of emphasis on his incredible attachment to the idea of celebrating poetry and culture. You can complain about the preciousness of a lot of his movies, they are unapologetically standing up for poetry. 'if you want to call me an elitist,
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I put 'A film by' as a protection of my rights, but I don't really believe it. It's important for me to have a final cut, and I do for every film. So I'm in the editing room every day, I'm the navigator of the ship, but I'm not the captain, I can't do it without everyone's equally valuable input. For
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neighborhood in 2007, at which time the lute player handed the director a CD. Several months later, Jarmusch asked van Wissem to send his catalog of recordings and the two started playing together as part of their developing friendship. Van Wissem explained in early April 2014: "I know the way makes
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Though his films are predominantly set in the United States, Jarmusch has advanced the notion that he looks at
America "through a foreigner's eyes", with the intention of creating a form of world cinema that synthesizes European and Japanese film with that of Hollywood. His films have often included
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Jarmusch has been characterized as a minimalist filmmaker whose idiosyncratic films are unhurried. His films often eschew traditional narrative structure, lacking clear plot progression and focus more on mood and character development. In an interview early in his career, he stated that his goal was
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of the Wu-Tang Clan, which blends into the director's "aesthetics of sampling". The film was unique among other things for the number of books important to and discussed by its characters, most of them listed bibliographically as part of the end credits. The film is also considered to be a homage to
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Over the last decade
Jarmusch has established himself as one of the leading independent filmmakers of his generation with such comedic and ironic films as "Stranger Than Paradise", "Down by Law", "Mystery Train", "Night on Earth", and "Dead Man". With his latest film, which he wrote, produced and
4200:. A small triangular silver Triumph motorcycle pin affixed to the lapel is a tip-off to one of Jarmusch's chief recreational passions. Among Jarmusch cognoscenti, the shock of thick, almost white hair that rises from his head in a handsomely shaped post-punk spike is another unmistakable signature.
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Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select
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became an arthouse hit, Jarmusch has garnered a loyal but limited
American audience. Yet abroad, particularly in Japan and Europe, both Jarmusch and his films have achieved cult status. For foreigners, perhaps even more so than for Americans, Jarmusch's films are the sine qua non of post-modern
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found much favor internationally and among critics, many of whom lauded it as a visionary masterpiece. It has been hailed as one of the few films made by a
Caucasian that presents an authentic Native American culture and character, and Jarmusch stands by it as such, though it has attracted both
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described the film as "Jarmusch's most enjoyable, accessible work for some time, perhaps his most emotionally generous film...a very attractive piece of film-making, bolstered by terrific performances from an all-star cast, spearheaded by endlessly droll, seductively sensitive Bill Murray."
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Jim
Jarmusch has big hair – Lyle Lovett big. It suits the man whose too-hip-to-live reputation has made him the King of Counterculture Film and whose work is featured in a Walker Art Center retrospective this month. Jarmusch's disjointed, oddly comic movies and short films, which include
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But then 1992's "Somewhere in
California", which won the Cannes Film Festival's short-film Palme D'Or, offers the delicious spectacle of and meeting in some remote dumpy bar, with Iggy playing the shaggy, eager-to-please puppy while the edgy Waits finds ways to take constant
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Jarmusch has revealed that his instinct is a greater influence during the filmmaking process than any cognitive processes. He explained: "I feel like I have to listen to the film and let it tell me what it wants. Sometimes it mumbles and it isn't very clear." Films such as
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Walking into the cafe where we've agreed to meet on a hot spring day, director Jim
Jarmusch takes off his signature black leather jacket. It's the type worn by blues musicians, '50s greasers and the downbeat bohemian odd couple Willie and Eddie of Jarmusch's second film
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The protagonists of
Jarmusch's films are usually lone adventurers. The director's male characters have been described by critic Jennie Yabroff as "three time losers, petty thiefs and inept con men, all... eminently likeable, if not down right charming"; while novelist
892:, a collection of eleven short films of characters sitting around drinking coffee and smoking cigarettes that had been filmed by Jarmusch over the course of the previous two decades. The first vignette, "Strange to Meet You", had been shot for and aired on
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foreign actors and characters, and (at times substantial) non-English dialogue. In his two later-nineties films, he dwelt on different cultures' experiences of violence, and on textual appropriations between cultures: a wandering Native
American's love of
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gave the film a positive review, writing: "A mild-mannered, almost startlingly undramatic work that offers discreet pleasures to longtime fans of the New York indie-scene veteran, who can always be counted on to go his own way." Eric Kohn, film critic of
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While Swinton, who has worked with Jarmusch on numerous occasions, describes him as a "rock star", the director admits that "I don't know where I fit in. I don't feel tied to my time." Dutch lute player Jozef van Wissem, who worked on the score for
725:. Not intended to appeal to mainstream filmgoers, these early Jarmusch films were embraced by art house audiences, gaining a small but dedicated American following and cult status in Europe and Japan. Each of the four films had its premiere at the
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I'm working on a documentary about the Stooges . It's going to take a few years. There's no rush on it, but it's something that Iggy asked me to do. I'm co-writing an "opera". It won't be a traditional opera, but it'll be about the inventor
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His early work is marked by a brooding, contemplative tone, featuring extended silent scenes and prolonged still shots. He has experimented with a vignette format in three films that were either released, or begun around, the early 1990s:
529:). Though he lacked experience in filmmaking, his submission of a collection of photographs and an essay about film secured his acceptance into the program. He studied there for four years; he met fellow students and future collaborators
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The key, I think, to Jim, is that he went gray when he was 15... As a result, he always felt like an immigrant in the teenage world. He's been an immigrant—a benign, fascinated foreigner—ever since. And all his films are about that.
1537:, "Jarmusch's movies have the tempo and rhythm of blues and jazz, even in their use—or omission—of language. His films work on the senses much the way that some music does, unheard until it's too late to get it out of one's head."
851:, an 18th-century philosophy text and training manual for samurai, becoming, as directed, a terrifyingly deadly hit-man for a local mob boss to whom he may owe a debt, and who then betrays him. The soundtrack was supplied by
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This is the first time Fortissimo has entered a formal long-term relationship with an individual filmmaker, and marks a major step forward by the Hong Kong and Amsterdam-based sales company in its drive for English-language
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Sqürl, Jarmusch's self-described "enthusiastically marginal" band with drummer Carter Logan — who is also a producer on Jarmusch's films — and engineer Shane Stoneback, coalesced to create music for Jarmusch's 2009 film
491:'s films, which I only knew from seeing a few of them on television late at night. When I came back from Paris, I was still writing, and my writing was becoming more cinematic in certain ways, more visually descriptive.
698:(1991) involved five cab drivers and their passengers on rides in five different world cities, beginning at sundown in Los Angeles and ending at sunrise in Helsinki. Less bleak and somber than Jarmusch's earlier work,
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New York critic and festival director Kent Jones undermined the "urban cool" association that Jarmusch has garnered and was quoted in a February 2014 media article, following the release of his eleventh feature film:
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to pay for his school tuition, Jarmusch started work on a film for his final project. The university was unimpressed with Jarmusch's use of his funding as well as the project itself and refused to award him a degree.
1454:. The interaction and syntheses between different cultures, the arbitrariness of national identity, and irreverence towards ethnocentric, patriotic or nationalistic sentiment are recurring themes in Jarmusch's work.
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wrote that the film was "an apt statement from Jarmusch, a filmmaker who continues to surprise and innovate while remaining true to his singular voice, and who here seems to have delivered its purest manifestation."
1363:. He explained at the beginning that he did this, instead of the usual practice of a director's commentary to be played over the film itself, because "I don't like looking at my films again--it's agony to me."
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is nevertheless one of the director's most personal films, and established many of the hallmarks he would exhibit in his later work, including derelict urban settings, chance encounters, and a wry sensibility.
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Jarmusch was an avid reader in his youth and acquired an enthusiasm for film. He had an even greater interest in literature which was encouraged by his grandmother. Though he refused to attend church with his
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parents (not liking "the idea of sitting in a stuffy room wearing a little tie"), Jarmusch credits literature with shaping his metaphysical beliefs and leading him to reconsider theology in his mid-teens.
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This month at its Silver Theatre (8633 Colesville Rd., Silver Spring), the American Film Institute is presenting "The Sad and Beautiful World of Jim Jarmusch", a retrospective of most of the filmmaker's
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In a February 2014 interview Jarmusch stated that he is not interested in eternal life, as "there's something about the cycle of life that's very important, and to have that removed would be a burden".
947:, whereby the distributor would fund and have "first-look" rights to the director's future films, and cover some of the overhead costs of his production company, Exoskeleton. The film premiered at the
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4217:] will soon hold such a festival. And in Japan, where the director is a national celebrity, he is offered huge sums to appear in and direct commercials. To date he has turned down all offers.
1879:. Such perceptions were reinforced by the release of his subsequent features in the late 1980s, establishing him as one of the generation's most prominent and influential independent filmmakers.
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was released in 1984, Jarmusch embodies urban cool and uncompromising auteurism. His pictures are at once funny, gritty, highly challenging and undeniably American in their multicultural vision.
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Jarmusch is a member of the avant-garde rock band Sqürl with film associate Carter Logan and sound engineer Shane Stoneback. The band formed to create additional soundtracks for Jarmusch's film
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was thematically expansive and of an often violent and progressively more surreal character. The film was shot in black and white by Robby Müller, and features a score composed and performed by
383:. They made fake identity documents which allowed them to visit bars at the weekend but also the local art house cinema, which typically showed pornographic films but would occasionally feature
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We grew up near, not in, Akron, Ohio, in an idyllic area that seemed eons away from the stinky, grimy "Rubber Capital of the World." And our father worked for B.F. Goodrich, not Goodyear.
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called Jarmusch "the most adventurous and arresting film maker to surface in the American cinema in this decade". He was recognized with the "Filmmaker on the Edge" award at the 2004
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called Jarmusch "one of the great American independent film-makers" who is "the last of the line." Thomas believes that filmmakers like Jarmusch "are not coming through... any more."
1867:"permanently upended the idea of independent film as an intrinsically inaccessible avant-garde form". The success of the film accorded the director a certain iconic status within
1988:, a humorous "semi-secret society" of artists resembling the iconic actor, which issues communiqués and meets on occasion for the ostensible purpose of watching Marvin's films.
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Indie filmmaker Jim Jarmusch will be the sixth recipient of the Filmmaker on the Edge award at the 2004 Provincetown Film Festival, to be held June 16–20 in Provincetown, Mass.
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by Jim Jarmusch is credited with launching the independent film movement. Two years later, Jarmusch introduced American audiences to the wacky Italian actor Roberto Benigni in
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for what was initially a summer semester on an exchange program, but turned into 10 months. He worked as a delivery driver for an art gallery and spent most of his time at the
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critic Sean P. Means wrote that Jarmusch blends "film styles and genres with sharp wit and dark humor", while his style is also defined by a signature deadpan comedic tone.
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Jim Jarmusch makes movies unlike anyone else's. They're unhurried. They're populated by the oddest characters. They do not proceed in straight lines. They're one of a kind.
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in about a week, out of frustration at the collapse of the production of another film he had written and the desire to visit and collaborate with friends such as Benigni,
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Following artistic success and critical acclaim in the American independent film community, he achieved mainstream recognition with his far-East philosophical crime film
813:, the film marked a significant departure for the director from his previous features. Earnest in tone in comparison to its self-consciously hip and ironic predecessors,
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In reverse, North American directors started to absorb the influence of European road cinema, usually mediated by the 'American' films by Wim Wenders and Werner Herzog (
4030:(2009), Guía para ver y analizar Noche en la Tierra de Jim Jarmusch, Barcelona/Valencia: Octaedro/Nau Llibres, ISBNs: 978-84-8063-931-6 /978-84-7642-776-7. Spanish only.
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668:(his introduction to American audiences) as three convicts who escape from a New Orleans jailhouse. Shot like the director's previous efforts in black and white, this
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further solidified his interest and participation in the road movie genre. In 1991 Jarmusch appeared as himself in Episode One of John Lurie's cult television series
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Fortissimo has agreed to provide financing to upcoming Jarmusch films, including a contribution to the overheads of his New York-based production banner Exoskeleton.
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Jim Jarmusch, the art-house filmmaker who helped spark a renaissance in independent film, refuses to actually sit through some of the classics of American cinema.
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It's a typical stance from a moviemaker who stubbornly creates films that critics often complain are too long, too meandering, and too often in black and white.
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his films is kind of like a musician. He has music in his head when he's writing a script so it's more informed by a tonal thing than it is by anything else."
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Jarmusch's staunch independence has been represented by his success in retaining the negatives for all of his films, an achievement that was described by the
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in wartorn Belgrade. In the past several months a traveling "Jim Jarmusch Film Festival" was held in major cities throughout Poland. Czechoslavakia [
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During a 1989 interview Jarmusch commented on his narrative focus, "I'd rather make a movie about a guy walking his dog than about the emperor of China."
1300:, which they released together with two other songs on an EP called "Film Music from The Limits of Control" under the name Bad Rabbit. Sqürl's version of
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With the possible exception of John Sayles, there is no independent director who has influenced the modern independent film world more than Jim Jarmusch.
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Jim Jarmusch, whose latest pic "Broken Flowers" premieres in the Cannes competition today, has struck a multi-year first-look deal with Fortissimo Films.
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Recently, at the Yugoslavian film festival, 6,000 people turned out to fill a 4,000-seat theater for a midnight showing of Jarmusch's latest film,
422:. After being asked to leave because he had neglected to take any journalism courses—Jarmusch favored literature and art history—he transferred to
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617:(1989) that in the director's debut, "the only talent he demonstrated was for collecting egregiously untalented actors". The bleak and unrefined
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407:. At one point, he took an apprenticeship with a commercial photographer. He later remarked, "Growing up in Ohio was just planning to get out."
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Jarmusch eventually attained funding for the aforementioned film project after a protracted period and, in July 2012, Jarmusch began shooting
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of Murray and Driver becomes, well, a bit deadening, and true wit is in short supply, even though the film remains amusing most of the way."
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Jim Jarmusch, one of the most fiercely independent of current American writer-directors, has never cared if his movies gain mass acceptance.
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Jarmusch's fascination with music is another characteristic that is readily apparent in his work. Musicians appear frequently in key roles—
574:. Ray died in 1979 after a long fight with cancer. A few days afterwards, having been encouraged by Ray and New York underground filmmaker
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as an early retiree who goes in search of the mother of his unknown son in attempt to overcome a midlife crisis. Following the release of
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The author of a series of essays on influential bands, Jarmusch has also had at least two poems published. He is a founding member of
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status fomented a critical backlash at the close of this early period, however; though reviewers praised the charm and adroitness of
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Jim Jarmusch has always applied the Cuisinart approach to moviemaking, blending film styles and genres with sharp wit and dark humor
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Jim Jarmusch brought in "Stranger Than Paradise" for about $ 125,000. That's not a budget in today's movie world; it's lunch money.
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have polarized fans and general viewers alike, as Jarmusch's stylistic instinct is embedded in his strong sense of independence.
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He's been content to appeal to the devoted if limited audience that responds to film as art. And that audience has embraced his
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The film was not released theatrically and did not attract the sort of adulation from critics that greeted his later work.
606:. The quasi-autobiographical feature follows an adolescent drifter (Chris Parker) as he wanders around downtown Manhattan.
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won the Josef von Sternberg Award at the International Filmfestival Mannheim-Heidelberg. In 1999, he was laureate of the
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446:. At Columbia, he began to write short "semi-narrative abstract pieces" and edited the undergraduate literary journal
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hollywoodreporter.com/lifestyle/style/saint-laurent-debuts-star-studded-jim-jarmusch-short-film-french-water-4166590/
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in Minneapolis, Minnesota, during February 1994, and another, "The Sad and Beautiful World of Jim Jarmusch", by the
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That's where I saw things I had only read about and heard about—films by many of the good Japanese directors, like
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5983:"Pedro Almodovar, Tilda Swinton, Mark Ruffalo Demand "Full Accountability" for Killing of Palestinian Journalist"
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304:. She introduced Jarmusch to cinema by leaving him at a local theater to watch matinee double features such as
4133:, 1977). The most influential representative of this trend in recent times is Jim Jarmusch, starting with his
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By combining odd characters, dark comedy and an incredibly hip atmosphere in classic art-house films such as
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praise and castigation for its portrayal of the American West, violence, and especially Native Americans.
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As a result of his early work, Jarmusch became an influential representative of the trend of the American
371:, and he and his friends would steal the records and books of their older siblings—this included works by
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Jarmusch rarely discusses his personal life in public. He divides his time between New York City and the
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review of the album as both "bizarrely pretentious" and "reason alone to give it a listen". Jarmusch and
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in the process. During the late 1970s in New York City, Jarmusch and his contemporaries were part of an
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Holleman, Joe (March 24, 2000). "Forest Whitaker personifies cool in Jarmusch's latest offbeat film".
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Rosen, Steven (March 19, 2000). "Change may be in the wind: Jarmusch indie film has mainstream feel".
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by director Léa Rinaldi. Also in 2009, Jarmusch appeared as himself in an episode of the HBO series
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In his final year at New York University, Jarmusch worked as an assistant to the film noir director
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An idiosyncratic filmmaker whose hip, ironic style has wowed the art-house crowd since the quirky
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as a young inner-city man who has found purpose for his life by unyieldingly conforming it to the
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Il cinema di Jim Jarmusch. Una filmografia per un'analisi della cultura e del cinema postmoderno
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Jarmusch has been a supporter of Pro-Palestine causes and was one of 55 celebrities to sign the
882:, which the director has attributed to a creative crisis he experienced in the aftermath of the
322:, the violence and darkness of which left an impression on the seven-year-old Jarmusch. Another
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and in addition composed music for some of his films. He has released three musical albums with
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Ródenas, Gabri (2009), "Jarmusch y Carver: Se ha roto el frigorífico" in Fernández, P. (Ed.),
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staff writer Hal Hinson would disparagingly comment in an aside during a review of Jarmusch's
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Sterritt, David (February 21, 1985). "On the fringes of film: writer-director Jim Jarmusch".
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In an August 2010 interview, Jarmusch revealed his forthcoming work schedule at that time:
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He's never seen Obi-Wan Kenobi spar with Darth Vader, or Rhett Butler pop off to Scarlett.
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4867:"French Water: Why the Saint Laurent short film directed by Jim Jarmusch is a must-watch"
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Ródenas, Gabri (2010), "Jim Jarmusch: Del insomnio americano al insomnio universal", in
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Jarmusch is credited with having instigated the American independent film movement with
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after returning from Paris in 1976. He applied on a whim to the graduate film school of
316:
while she ran errands. The first adult film he recalls seeing was the 1958 cult classic
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6884:
6521:
6367:
5921:
5802:
5307:"Jozef van Wissem wants to make the lute 'sexy again,' and Jim Jarmusch is helping him"
5290:
for the director's film of the same name. ... The band later changed its name to Sqürl.
4820:"Cannes Review: Adam Driver Stars in Jim Jarmusch's 'Paterson,' His Most Intimate Film"
4411:
4312:
Hall, Mary Katherine (Winter 2000). "Now You Are a Killer of White Men: Jim Jarmusch's
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in 2016. The film follows the daily experiences of an inner-city bus driver and poet (
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4556:"Tilda Swinton, John Hurt Join Jim Jarmusch's Vampire Film 'Only Lovers Left Alive'"
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1229:'s Dark Day project, and later became the keyboardist and one of two vocalists for
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801:. Produced at a cost of almost $ 9 million with a high-profile cast including
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5692:
Dretzk, Gary (June 30, 1996). "Poets and Indians: Jim Jarmusch goes West to bring
5333:"Jim Jarmusch's Sqürl Announce Debut Album, Share Video for New Song "Berlin '87""
4438:
3023:"Films Selected for the National Film Registry in 2002 by the Library of Congress"
1950:
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902:. This had been followed three years later by "Twins", a segment featuring actors
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the following year, with the intention of becoming a poet. At Columbia he studied
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5964:"Mark Ruffalo, Jim Jarmusch, and More Defend Emma Watson's Support for Palestine"
5751:
Blair, Iain (March 2, 2000). "From writing to directing, Jarmusch is in charge".
5228:"Jim Jarmusch Talks Punk Rock, the Wu-Tang Clan, and the Music Behind His Movies"
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688:(1989) told three successive stories set on the same night in and around a small
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an EP with those two plus two more that are going to come out with the film, ...
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composer Jozef van Wissem also collaborated with Jarmusch on the soundtrack of
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749:, the director was increasingly charged with repetitiveness and risk-aversion.
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632:
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6398:
5800:
Kimmel, Dan (April 6, 2004). "Jarmusch will journey to Provincetown for nod".
1834:. In 2004, Jarmusch was honored with the "Filmmaker on the Edge Award" at the
1190:
House of Fashion to celebrate their spring/summer 2021 collection. It starred
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were the main contributors to the film's soundtrack. The film screened at the
983:
as a lone assassin with a secretive mission. A behind-the-scenes documentary,
7464:
6977:
6802:
6432:
5538:
4658:"Hiddleston! Swinton! Hurt! Watch the new trailer for Only Lovers Left Alive"
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1971:
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nevertheless retained the director's askance conception of America. He wrote
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5145:"Jim Jarmusch's Sqürl Announces New Release EP #2 For November 2013 Release"
5119:"Stream 'Pink Dust,' From Jim Jarmusch's Renamed Weirdo Noise Project Sqürl"
4124:
3885:
2730:
1225:
In the early 1980s, Jarmusch was part of a revolving lineup of musicians in
911:
282:, the second of three children of middle-class suburbanites. His mother, of
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6929:
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5453:
5063:"Album Review: Jozef Van Wissem & Jim Jarmusch – The Mystery of Heaven"
1966:. He stopped drinking coffee in 1986, the year of the first installment of
1815:
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1359:
Jarmusch recorded a Q & A in 2010 for the Criterion Blu-ray release of
1305:
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7019:
Je sais que j'ai tort mais demandez à mes copains ils disent la même chose
1318:
and released lead single "Berlin '87". The album was released on May 5 by
7022:
6895:
6849:
6389:
6117:
Jim Jarmusch's Aesthetics of Sampling in Ghost Dog–The Way of the Samurai
5475:
Means, Sean P. (April 21, 2000). "A Samurai Warrior Haunts New Jersey in
4632:"Cannes 2013: Only Lovers Left Alive a seven year trek says Jim Jarmusch"
4336:
Jim Jarmusch's Aesthetics of Sampling in Ghost Dog–The Way of the Samurai
3956:
3465:
3358:"On The Lower East Side With: Jim Jarmusch; Film as Life, and Vice Versa"
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570:, a documentary about his dying years on which he was collaborating with
534:
530:
398:
141:
7146:
2880:(Score to Man Ray's short films) (Sacred Bones Records, 2024) (as Squrl)
189:; born January 22, 1953) is an American film director and screenwriter.
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7351:
7261:
6854:
6712:
6425:
6380:
6295:
6125:, vol. 3, n° 2, Nantes: Éditions Mélanie Seteun, 2004, pp. 109–21.
2192:
1857:. In her description of the film in a 2005 profile of the director for
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1214:
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818:
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603:
5508:"Jim Jarmusch: how the film world's maverick stayed true to his roots"
1432:
332:, an eccentric Cleveland television show which featured horror films.
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6002:
5758:
directed, Jarmusch once again marches to the beat of his own drummer.
3927:
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1462:
1122:
Jarmusch wrote and directed his first horror film, the zombie comedy
1114:
1045:
918:-winning "Somewhere in California", starring musicians Tom Waits and
802:
661:
542:
496:
Jarmusch on the Cinémathèque Française, taken from an interview with
344:
328:
1258:
each contributed a remix to a limited edition release of the track "
6902:
6545:
6393:
4961:
3551:
film," Jarmusch says. "Just to be obstinate. No other good reason."
3201:
3003:. National Library Service for the Blind and Physically Handicapped
2513:
2078:
1658:
1478:
1450:
1350:" and likened the filmmaking process to human sexual reproduction:
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672:
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216:
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1049:
752:
A film appearance in 1989 as a used car dealer in the cult comedy
596:
Jarmusch's final year university project was completed in 1980 as
6402:
6180:
Rompiendo moldes: Discursos, género e hibridación en el siglo XXI
6121:
6069:
5948:
4888:
news.artnet.com/art-world/saint-laurent-jim-jarmusch-shot-1961289
1823:
1234:
1206:
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988:
546:
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323:
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259:
6116:
5108:, thequietus.com, November 19, 2013; retrieved January 28, 2014.
4714:"Jim Jarmusch, Ron Padgett and the sublime poetry of 'Paterson'"
4335:
7085:
6972:
4689:"Jim Jarmusch's "Paterson" and the Myth of the Solitary Artist"
2927:
1872:
793:, a period film set in the 19th century American West starring
682:
His next two films each experimented with parallel narratives:
297:
6225:
Jim Jarmusch: Lecturas sobre el insomnio americano (1980–1991)
675:
was Jarmusch's first collaboration with Dutch cinematographer
455:
During his final year studying at Columbia, Jarmusch moved to
7334:
5571:
1935:
calls Jarmusch a "cultural sponge" who "absorbs everything."
821:, for whom Jarmusch subsequently filmed the tour documentary
456:
410:
After graduating from high school in 1971, Jarmusch moved to
2827:(Trost, 2021) (with Lee Ranaldo, Marc Urselli, Balazs Pandi)
2821:(Trost, 2019) (with Lee Ranaldo, Marc Urselli, Balazs Pandi)
1919:. A retrospective of the director's films was hosted at the
1412:
described them as "laconic, withdrawn, sorrowful mumblers".
1304:'s 1961 song "Funnel of Love", featuring Madeline Follin of
1128:
featuring an ensemble cast which included performances from
553:
music club which inspired the formation of his no wave band
164:
5450:"BOMB Magazine — Men Looking at Other Men by Lindzee Smith"
1970:, although he continues to smoke cigarettes. He has been a
1955:
1938:
The moving image collection of Jim Jarmusch is held at the
1326:
979:, a sparse, meditative crime film set in Spain, it starred
550:
170:
6696:
6324:
The Limits of Control. Lanham, Maryland: Scarecrow Press.
5106:"Molten Meditations: Jim Jarmusch & Sqürl Interviewed"
3860:"Stranger than Fiction: The rise and fall of Jim Jarmusch"
513:
degree in 1975. He was broke and working as a musician in
173:
161:
5147:, mxdwn.com, October 20, 2013; retrieved January 28, 2014
5134:, pitchfork.com, May 20, 2013; retrieved January 28, 2014
2555:
1494:
1474:
1250:(2005) in two interludes described by Sean Fennessy in a
1064:
7 million and its UK release date was February 21, 2014.
852:
258:
in December 2002. As a musician, he has been part of the
2943:—"Concerning the Beautiful Human Form After Death" from
1896:
s Jonathan Romney as "extremely rare." British producer
1160:
and received mixed reviews. The film was distributed by
997:, and the following year, Jarmusch helped to curate the
5121:, spin.com, April 19, 2013; retrieved January 28, 2014.
987:, was filmed over three days on the set of the film in
5179:
We were called Bad Rabbit, but now we're called Sqürl.
3866:. Routledge Key Guides. New York: Routledge. pp.
5193:"Jim Jarmusch and the music of The Limits of Control"
5044:"Jim Jarmusch: Concerning the Entrance Into Eternity"
2874:—documentary) (Sacred Bones Records, 2020) (as Sqürl)
487:, and even American films, like the retrospective of
182:
5896:(Interview: audio). Interviewed by Terry Gross. WHYY
4243:. Phoenix Media/Communications Group. Archived from
4189:, America's coolest director exhudes a new warmth".
4185:
Katzman, Lisa (May 3, 1992). "The Jarmusch touch in
2815:(Sacred Bones Records, 2019) (with Jozef van Wissem)
1312:. On March 8, 2023, Sqürl announced its debut album
641:
National Society of Film Critics Award for Best Film
290:
descent, was a reviewer of film and theatre for the
5720:"A gun up your ass: an interview with Jim Jarmusch"
3786:... minimalist director who found fame with 1984's
1981:letter calling for an immediate ceasefire in Gaza.
1265:He released three collaborative albums with lutist
886:in New York City. 2004 saw the eventual release of
509:Jarmusch graduated from Columbia University with a
167:
158:
27:
American film director and screenwriter (born 1953)
6485:
5393:"Director Jim Jarmusch delivers offbeat mob movie
4521:
4101:
3543:"I pledge I will go to my grave having never seen
898:in 1986, and paired Roberto Benigni with comedian
6318:The Jarmusch Way: Spirituality and Imagination in
6233:LAP Lambert Academic Publishing GmbH & Co. KG
6197:. Almería: University of Almería. December 2009.
6182:. Zamora/Sevilla: Editorial Comunicación Social;
3920:
3266:"Interview: Simon Hattenstone meets Jim Jarmusch"
7462:
3200:. The Jim Jarmusch Resource Page. Archived from
1481:have featured in multiple Jarmusch films, while
1182:Jarmusch directed and wrote a short film titled
679:, who had been known for his work with Wenders.
525:(then under the direction of Hollywood director
6920:, Edouard Nazarov & Vladimir Zouïkov (1974)
6422:, curated by Jarmusch scholar Ludvig Hertzberg
6193:Ródenas, Gabri (2009), "Jarmusch Vs Reagan" in
5505:
4655:
4316:and Traditions of Revisionism in the Western".
3470:"Night on Earth: New York – Jim Jarmusch, Poet"
2000:In the following table, entries marked with an
7546:Officiers of the Ordre des Arts et des Lettres
7135:Coffee and Cigarettes: Somewhere in California
6629:Coffee and Cigarettes: Somewhere in California
6267:
5286:They formed in 2009 to record the soundtrack
4844:
4409:Dawtrey, Adam (May 17, 2005). "Jim Jarmusch".
1448:, a black hitman's passionate devotion to the
6682:
6471:
6212:, Navarra: University of Navarra, June 2010;
6013:
5793:
4629:
4577:
3721:
3426:
3424:
3422:
3259:
3257:
3255:
3253:
1875:, exuding the aura of urban cool embodied by
1385:"to approximate real time for the audience."
296:before marrying his father, a businessman of
6811:– Alexander J. Seiler & Rob Gnant (1963)
6167:, Barcelona/Valencia: Octaedro/Nau Llibres.
5304:
4597:
4350:"With 'Coffee', Jim Jarmusch lacks for rush"
1900:, who was one of the eventual financiers of
1379:Jim Jarmusch's Golden Rules – #5, 2004,
870:in a strikingly similar role and narrative.
4305:
3667:
3665:
3518:
3516:
3394:
3392:
3390:
3388:
3386:
3384:
3382:
3380:
3378:
3263:
1529:, who is also the subject of a vignette in
1201:In September 2021, Jarmusch published with
7031:– Gérald Frydman & Pierre Levie (1984)
6689:
6675:
6478:
6464:
5980:
5388:
5386:
5004:
4553:
4270:
4268:
4266:
4264:
4262:
3674:"Jim Jarmusch's First Feature at Archives"
3419:
3319:
3317:
3315:
3250:
3079:
42:
6084:
6019:
5879:
5820:"Now at AFI: The World of Jim Jarmusch".
5717:
5711:
5559:
5010:
4923:
4547:
4496:
4463:
4461:
4095:
3950:
3948:
3850:
3848:
3846:
3625:
3496:"Jim Jarmusch on 'The Limits of Control'"
3460:
3458:
3351:
3349:
3347:
3288:
3286:
3216:
3162:
3112:
3108:
3106:
3104:
3102:
1995:
1871:, as an idiosyncratic and uncompromising
841:(1999), shot in Jersey City and starring
578:and using scholarship funds given by the
479:. Also, films by European directors like
196:since the 1980s, directing films such as
6346:"Altered States: Jim Jarmusch interview"
5908:
5885:
5769:
5356:
5300:
5298:
5190:
5011:Hertzberg, Ludvig (September 17, 2008).
4976:
4924:Hertzberg, Ludvig (September 15, 2008).
4790:
4573:
4571:
4569:
4433:
4042:
4040:
4038:
4036:
3959:(March 10, 2000). "Profile: Jim Jarmusch
3801:
3795:
3662:
3513:
3375:
3355:
3264:Hattenstone, Simon (November 13, 2004).
3222:
3056:
3054:
3052:
3050:
3048:
3046:
3044:
3042:
3040:
1949:
1917:Provincetown International Film Festival
1836:Provincetown International Film Festival
1431:
1341:
1066:
1001:music festival in Monticello, New York.
878:A five-year gap followed the release of
862:, a 1967 French New Wave film by auteur
771:
367:From his peers he developed a taste for
6268:Aurich, Rolf; Reinecke, Stefan (2001).
5685:
5416:
5410:
5383:
5367:. MovieMaker Publishing. Archived from
5276:from the original on September 17, 2019
5203:from the original on September 12, 2010
5156:
5041:
4917:
4527:
4490:
4408:
4402:
4382:
4259:
4184:
4178:
3996:
3759:
3757:
3727:
3522:
3430:
3323:
3312:
3292:
3158:
3156:
3154:
3152:
3150:
3148:
3146:
3144:
3142:
3140:
3115:"The Private Life of James R. Jarmusch"
2911:(Sacred Bones Records, 2017) (as Sqürl)
2864:(Sacred Bones Records, 2019) (as Sqürl)
1863:, critic Lynn Hirschberg declared that
1244:Jarmusch is also featured on the album
737:. Jarmusch's distinctive aesthetic and
643:, and became a landmark work in modern
14:
7463:
6128:
5914:
5799:
5718:Rosenbaum, Jonathan (March 22, 1996).
5691:
5587:"Douglas Sirk Award, previous winners"
5501:
5499:
5497:
5495:
5350:
5331:Ruiz, Matthew Ismael (March 8, 2023).
5238:from the original on February 14, 2019
5225:
4738:
4580:"Jim Jarmusch: 'Women are my leaders'"
4554:Roxborough, Scott (January 30, 2012).
4467:
4458:
4277:"Jim Jarmusch, Rock and Roll Director"
4228:
4222:
4069:
4052:"The Giddy Minimalism Of Jim Jarmusch"
3945:
3854:
3843:
3821:
3815:
3697:
3691:
3575:
3573:
3564:
3558:
3464:
3455:
3344:
3283:
3113:Hertzberg, Ludvig (October 28, 2008).
3099:
3075:
3073:
3071:
3069:
3060:
1308:on vocals, opens Jarmusch's 2014 film
866:, which starred renowned French actor
300:and German descent who worked for the
7516:European Film Awards winners (people)
6670:
6459:
6343:
6294:
5832:
5750:
5744:
5553:
5531:
5525:
5506:Jonathan Romney (February 22, 2014).
5474:
5468:
5295:
5060:
4897:
4566:
4148:
4142:
4046:
4033:
3898:
3892:
3730:"Rediscovering Jarmusch's Minimalist
3672:Canby, Vincent (September 20, 1990).
3671:
3599:
3493:
3191:
3187:
3185:
3183:
3181:
3179:
3177:
3175:
3173:
3171:
3037:
2786:Concerning the Entrance into Eternity
1272:Concerning the Entrance into Eternity
650:In 1986, Jarmusch wrote and directed
7571:Sundance Film Festival award winners
5813:
5763:
5575:Document No. V15020D795 / 2023-12-18
5447:
5330:
4982:
4656:Oliver Franklin (January 23, 2014).
4347:
4341:
4311:
3763:
3754:
3631:
3137:
2858:(Third Man Records, 2017) (as Sqürl)
1805:
1205:a hardcover book of his small-scale
7561:Screenwriters from New York (state)
7448:The Man Who Could Not Remain Silent
7391:The Distance Between Us and the Sky
7170:...Is It the Design on the Wrapper?
5492:
5266:"BAD RABBIT: THE LIMITS OF CONTROL"
5226:Turman, Katherine (July 24, 2017).
5169:from the original on April 18, 2021
5042:Masters, Marc (February 22, 2012).
4847:"'The Dead Don't Die': Film Review"
4838:
4578:David Ehrlich (February 20, 2014).
4497:Hertzberg, Ludwig (June 24, 2009).
4274:
3990:
3766:"Ghost Dog: The Way of the Samurai"
3579:
3570:
3487:
3066:
3025:. Library of Congress. January 2003
1058:Toronto International Film Festival
1048:, while Jarmusch's musical project
24:
7531:Medill School of Journalism alumni
7506:Columbia College (New York) alumni
6261:
5981:Roxborough, Scott (May 19, 2022).
5357:Jarmusch, Jim (January 22, 2004).
5159:"Filmmaker Jim Jarmusch Talks ATP"
4954:
4767:"Filmmakers We Love: Jim Jarmusch"
4530:"Filmmaker Jim Jarmusch Talks ATP"
3525:"Jim Jarmusch refuses to go along"
3356:Schoemer, Karen (April 30, 1992).
3168:
3080:Hirschberg, Lynn (July 31, 2005).
2813:An Attempt to Draw Aside the Veil
1170:wrote of the film, "At times, the
1078:, and Jarmusch at the premiere of
25:
7592:
7521:Film directors from New York City
7496:American people of German descent
6554:Ghost Dog: The Way of the Samurai
6416:Great Directors critical database
6374:
5944:"ScreenTimes: The Dead Don't die"
5886:Jarmusch, Jim (August 16, 2005).
5417:Travers, Peter (April 11, 2001).
5061:Kivel, Adam (November 15, 2012).
4686:
3997:Kempley, Rita (October 3, 1986).
3965:Ghost Dog: The Way of the Samurai
3728:Jenkins, Mark (August 31, 2007).
3582:"A Director Content to Wander On"
3324:McKenna, Kristine (May 5, 1996).
2905:(ATP Recordings, 2014) (as Sqürl)
2899:(ATP Recordings, 2013) (as Sqürl)
2893:(ATP Recordings, 2013) (as Sqürl)
2088:Ghost Dog: The Way of the Samurai
1958:in New York City in November 2003
1676:Ghost Dog: The Way of the Samurai
1291:An Attempt to Draw Aside the Veil
1289:) in 2012, and; the 2019 release
838:Ghost Dog: The Way of the Samurai
326:influence from his childhood was
223:Ghost Dog: The Way of the Samurai
192:He has been a major proponent of
7551:People from Cuyahoga Falls, Ohio
7511:Directors of Caméra d'Or winners
7501:American people of Irish descent
7491:American people of Czech descent
7052:An Exercise in Discipline - Peel
6370:. 264 pp. ISBN 978-1-944860-42-4
6059:
6045:
6025:
5995:
5974:
5956:
5936:
5861:
5532:Klein, Joshua (March 15, 2000).
5157:Breihan, Tom (August 20, 2010).
4898:Sante, Luc (September 7, 2021).
4745:. University of Illinois Press.
4528:Breihan, Tom (August 20, 2010).
3698:Hinson, Hal (February 2, 1990).
3523:Kennedy, Mark (March 19, 2000).
3431:Langdon, Matt (March 17, 2000).
3398:
1945:
1262:" by The White Stripes in 2005.
154:
7576:Tisch School of the Arts alumni
7410:I Am Afraid to Forget Your Face
7192:Wendy Tilby & Amanda Forbis
6610:Father, Mother, Sister, Brother
6091:University Press of Mississippi
5915:Torday, Daniel (June 1, 2005).
5660:
5634:
5609:
5579:
5565:
5441:
5324:
5305:Steve Dollar (April 11, 2014).
5258:
5219:
5191:Macaulay, Scott (May 1, 2009).
5184:
5150:
5137:
5124:
5111:
5098:
5073:
5054:
5035:
5019:. Posterous.com. Archived from
4948:
4932:. Posterous.com. Archived from
4891:
4882:
4873:
4859:
4845:McCarthy, Todd (May 14, 2019).
4812:
4791:McCarthy, Todd (May 15, 2016).
4784:
4759:
4732:
4706:
4680:
4649:
4623:
4427:
4376:
4328:
4229:Susman, Gary (May 9–16, 1996).
4109:. Wallflower Press. p. 3.
4020:
3928:"Stranger Than Paradise (1984)"
3196:Current Biography Yearbook 1990
3121:. Posterous.com. Archived from
2923:Sqürl Live at Third Man Records
2833:(Sacred Bones, 2023) (as Squrl)
2819:Ranaldo Jarmusch Urselli Pandi
2809:, 2012) (with Jozef van Wissem)
1792:Father, Mother, Sister, Brother
1521:is inspired by and named after
1346:In 2014, Jarmusch shunned the "
1247:Wu-Tang Meets the Indie Culture
549:cultural scene centered on the
6776:& Włodzimierz Haupe (1959)
6441:It's a sad and beautiful world
6420:The Jim Jarmusch Resource Page
6344:Smith, Gavin (May–June 2009).
5452:. Bombsite.com. Archived from
5013:"Connecting the white stripes"
4630:Andrew Pulver (May 25, 2013).
4383:Dawtrey, Adam (May 17, 2005).
3899:Hartl, John (March 16, 2000).
3822:Tobias, Scott (May 19, 2004).
3580:Lim, Dennis (April 23, 2009).
3494:Olsen, Mark (April 26, 2009).
3223:Jarmusch, Ann (May 12, 1996).
3015:
2993:
2970:" (First Nations Remix) (2005)
2773:
1907:In a 1989 review of his work,
1543:
943:, Jarmusch signed a deal with
313:Creature From the Black Lagoon
13:
1:
6698:Short Film Palme d'Or winners
6129:Suárez, Juan Antonio (2007).
5359:"Jim Jarmusch's Golden Rules"
4468:Tobias, Scott (May 8, 2009).
4415:. Reed Business Information.
3864:Fifty Contemporary Filmmakers
3805:The Christian Science Monitor
2986:
1513:" was central to the plot of
625:Jarmusch's first major film,
273:
7451:– Nebojša Slijepčević (2024)
6435:, Hertzberg's companion blog
6229:Editorial Académica Española
6190:. Available at Google Books.
6135:University of Illinois Press
3401:"Jim Jarmusch> Biography"
3293:Jarrell, Joe (May 9, 2004).
1830:at Cannes Film Festival for
1156:. The film premiered at the
1091:Jarmusch wrote and directed
914:, and then in 1993 with the
779:(left) with Jarmusch at the
755:Leningrad Cowboys Go America
7:
7486:American male screenwriters
5917:"Q&A with Jim Jarmusch"
4793:"'Paterson': Cannes Review"
4505:. Posterous. Archived from
4348:Caro, Mark (May 28, 2004).
4105:; Rascaroli, Laura (2006).
3764:Burr, Ty (March 10, 2000).
2974:
2953:—"Year of the Tiger" (2012)
2868:Some Music for Robby Müller
2848:(ATP Recordings, 2013) (as
2004:indicate collaborators who
1036:(who replaced Fassbender),
973:In 2009, Jarmusch released
787:In 1995, Jarmusch released
434:under professors including
416:Medill School of Journalism
307:Attack of the Crab Monsters
10:
7597:
7536:Musicians from Akron, Ohio
7422:All the Crows in the World
7037:– David Takaichvili (1984)
7009:Merlin ou le cours de l'or
6961:Rowing Across the Atlantic
6309:San Francisco Bay Guardian
6085:Hertzberg, Ludvig (2001).
5646:Provincetown Film Festival
3646:(4): 22–24. Archived from
3632:Levy, Shawn (April 2000).
3433:"The Way of the Indie God"
1597:The Samuel Goldwyn Company
1547:
951:where it competed for the
733:was in competition at the
664:, and Italian comic actor
7401:
7294:
7251:– Igor Strembitsky (2005)
7201:
7160:– Alexij Kharitidi (1995)
7100:
6987:
6876:
6793:– Carlos Vilardebo (1961)
6783:
6704:
6620:
6497:
6446:The films of Jim Jarmusch
6304:: Jim Jarmusch interview"
6246:Mentana, Umberto (2016),
5869:"Jim Jarmusch Collection"
4900:"Jim Jarmusch's Collages"
4605:"2013 Official Selection"
4318:Journal of Film and Video
4202:In the eight years since
4077:"Jim Jarmusch – part two"
3742:. Washington Post Company
2020:
1844:2005 Cannes Film Festival
1810:In 1980, Jarmusch's film
1714:
1533:. In the words of critic
1438:2005 Cannes Film Festival
1427:
1237:band who released the LP
1158:72nd Cannes Film Festival
1054:2013 Cannes Film Festival
949:58th Cannes Film Festival
735:1989 Cannes Film Festival
637:1984 Cannes Film Festival
586:
580:Louis B. Mayer Foundation
137:
129:
109:
81:
56:
41:
34:
7581:Writers from Akron, Ohio
7556:Postmodernist filmmakers
7526:Film directors from Ohio
7394:– Vasilis Kekatos (2019)
7330:– Byoung-gon Moon (2013)
7217:– David Greenspan](2001)
6644:"Int. Trailer Night" in
6161:Guía para ver y analizar
6087:Jim Jarmusch: Interviews
5617:"Stranger than Paradise"
5419:"Night on Earth: Review"
4739:Suarez, Juan A. (2007).
3932:The Criterion Collection
3474:The Criterion Collection
3082:"The Last of the Indies"
2852:, with Jozef van Wissem)
2008:in a film; those marked
1888:go ahead, I don't care'.
1550:Jim Jarmusch filmography
1366:
1293:(Sacred Bones Records).
1220:
1177:
1004:
873:
809:and, in his final role,
767:
591:
381:The Mothers of Invention
7566:Screenwriters from Ohio
7324:– Rezan Yeşilbaş (2012)
7223:– Péter Mészáros (2002)
7172:– Tessa Sheridan (1997)
7166:– Marcell Iványi (1996)
6966:Jean-François Laguionie
6837:– Nobuko Shibuya (1964)
6223:Ródenas, Gabri (2011),
6210:Comunicación y sociedad
6159:Ródenas, Gabri (2009),
5773:St. Louis Post-Dispatch
5081:"The Mystery of Heaven"
3299:San Francisco Chronicle
2945:The Joy That Never Ends
1925:American Film Institute
420:Northwestern University
86:Northwestern University
7431:– Jianying Chen (2022)
7275:– Marian Crisan (2008)
7120:Z podniesionymi rekami
6869:– Mirel Iliesiu (1969)
6863:– John Fernhout (1967)
6586:Only Lovers Left Alive
6514:Stranger Than Paradise
6450:Hell Is For Hyphenates
6362:Jarmusch, Jim (2021).
6316:Rice, Julian. (2012).
5988:The Hollywood Reporter
5850:Stranger Than Paradise
5842:St. Paul Pioneer Press
5786:Stranger Than Paradise
5704:Stranger Than Paradise
4852:The Hollywood Reporter
4798:The Hollywood Reporter
4560:The Hollywood Reporter
4204:Stranger than Paradise
4198:Stranger than Paradise
4159:Stranger Than Paradise
4135:Stranger than Paradise
3979:Stranger Than Paradise
3788:Stranger Than Paradise
2845:Only Lovers Left Alive
2825:Churning of the Ocean
2124:Only Lovers Left Alive
2043:Stranger Than Paradise
1996:Frequent collaborators
1986:The Sons of Lee Marvin
1959:
1954:Jarmusch at punk club
1933:Only Lovers Left Alive
1902:Only Lovers Left Alive
1890:
1865:Stranger than Paradise
1855:Stranger Than Paradise
1838:. In 2005, he won the
1832:Stranger Than Paradise
1826:. In 1984, he won the
1745:Sony Pictures Classics
1739:Only Lovers Left Alive
1591:Stranger Than Paradise
1515:Stranger than Paradise
1440:
1376:
1357:
1331:Only Lovers Left Alive
1310:Only Lovers Left Alive
1167:The Hollywood Reporter
1108:The Hollywood Reporter
1088:
1025:Only Lovers Left Alive
1020:
999:All Tomorrow's Parties
784:
727:New York Film Festival
628:Stranger Than Paradise
507:
461:Cinémathèque Française
340:
256:National Film Registry
252:Stranger Than Paradise
241:Only Lovers Left Alive
199:Stranger Than Paradise
7257:– Bobbie Peers (2006)
7043:– Slav Bakalov &
6999:– Oscar Grillo (1980)
6845:– János Vadász (1965)
6825:La douceur du village
6578:The Limits of Control
6562:Coffee and Cigarettes
6431:January 31, 2013, at
6320:Dead Man, Ghost Dog,
5893:National Public Radio
5845:. February 14, 1994.
5482:The Salt Lake Tribune
5456:on September 20, 2013
5288:The Limits of Control
5251:The Limits of Control
4499:"Behind Jim Jarmusch"
4050:(November 12, 1989).
3973:National Public Radio
3634:"Postcards from Mars"
3468:(September 7, 2007).
3204:on September 13, 2008
2802:The Mystery of Heaven
2115:The Limits of Control
2097:Coffee and Cigarettes
1968:Coffee and Cigarettes
1953:
1885:
1727:The Limits of Control
1693:Coffee and Cigarettes
1682:Artisan Entertainment
1531:Coffee and Cigarettes
1507:Coffee and Cigarettes
1487:Screamin' Jay Hawkins
1435:
1402:The Salt Lake Tribune
1398:Coffee and Cigarettes
1371:
1352:
1342:Legacy as a filmmaker
1298:The Limits of Control
1282:The Mystery of Heaven
1070:
1011:
976:The Limits of Control
927:Coffee and Cigarettes
916:Short Film Palme d'Or
889:Coffee and Cigarettes
775:
656:, starring musicians
465:
335:
302:B.F. Goodrich Company
278:Jarmusch was born in
229:Coffee and Cigarettes
150:James Robert Jarmusch
48:Jarmusch at the 2013
7211:– Raymond Red (2000)
7130:– Sam Karmann (1992)
7122:– Mitko Panov (1991)
6867:Cîntecele Renasterii
6835:The Price of Victory
6829:François Reichenbach
6033:"Sqürl: Silver Haze"
5875:. September 5, 2014.
5873:Academy Film Archive
5839:"Connect the dots".
5429:on November 22, 2007
5085:Sacred Bones Records
5067:Consequence of Sound
4668:on February 23, 2014
3770:Entertainment Weekly
3443:on February 10, 2007
2807:Sacred Bones Records
2015:music for the film.
1940:Academy Film Archive
1511:I Put a Spell on You
1320:Sacred Bones Records
1287:Sacred Bones Records
1192:Charlotte Gainsbourg
1103:Paterson, New Jersey
1086:Cannes Film Festival
884:September 11 attacks
864:Jean-Pierre Melville
781:Cannes Film Festival
639:as well as the 1985
567:Lightning Over Water
414:and enrolled in the
293:Akron Beacon Journal
280:Cuyahoga Falls, Ohio
74:Cuyahoga Falls, Ohio
50:Cannes Film Festival
7379:All These Creatures
7187:When the Day Breaks
7005:– Béla Vajda (1981)
6888:– Bob Curtis (1970)
6798:La Rivière du hibou
6272:. Bertz + Fischer.
6250:, Aracne Editrice;
6227:, Spain/Germany: –
6163:Noche en la Tierra
6053:"Music for Man Ray"
6003:"Artists4Ceasefire"
5970:. January 14, 2022.
5822:The Washington Post
5597:on January 22, 2020
5572:US Copyright Office
5364:MovieMaker Magazine
5311:The Washington Post
4439:"Ex Marks the Spot"
4437:(August 15, 2005).
4385:"Jarmusch in bloom"
4289:(6). Archived from
4107:Crossing New Europe
4083:. November 15, 1999
4007:The Washington Post
3776:on October 12, 2008
3739:The Washington Post
3708:The Washington Post
3613:. November 15, 1999
3225:"The Jarmusch clan"
3192:Hertzberg, Ludvig.
2928:A Third Man Records
2862:The Dead Don't Die
1699:Metro-Goldwyn-Mayer
1556:
1217:and Randy Kennedy.
1164:. Todd McCarthy of
1076:Golshifteh Farahani
985:Behind Jim Jarmusch
895:Saturday Night Live
611:The Washington Post
519:New York University
504:, October 21, 1984.
498:Lawrence Van Gelder
449:The Columbia Review
432:American literature
424:Columbia University
99:New York University
90:Columbia University
6892:Le Fusil à lunette
6885:The Magic Machines
6791:La Petite cuillère
6602:The Dead Don't Die
6506:Permanent Vacation
6368:Anthology Editions
6175:/978-84-7642-776-7
5824:. August 5, 2005.
5672:Festival de Cannes
5621:Festival de Cannes
5448:Robinson, Walter.
5403:. April 21, 2000.
4936:on January 4, 2013
4720:. January 18, 2017
4509:on January 4, 2013
4360:on August 17, 2009
4056:The New York Times
3901:"New on videotape"
3678:The New York Times
3586:The New York Times
3545:Gone with the Wind
3362:The New York Times
3086:The New York Times
2930:, 2016) (as Sqürl)
2142:The Dead Don't Die
2034:Permanent Vacation
1964:Catskill Mountains
1960:
1913:The New York Times
1877:downtown Manhattan
1860:The New York Times
1812:Permanent Vacation
1777:The Dead Don't Die
1648:Fine Line Features
1576:Permanent Vacation
1555:Directed features
1554:
1441:
1231:The Del-Byzanteens
1203:Anthology Editions
1188:Yves Saint Laurent
1125:The Dead Don't Die
1089:
785:
619:Permanent Vacation
599:Permanent Vacation
555:The Del-Byzanteens
523:School of the Arts
502:The New York Times
438:avant garde poets
389:Robert Downey, Sr.
350:The New York Times
264:The Del-Byzanteens
194:independent cinema
7541:No wave musicians
7458:
7457:
7429:The Water Murmurs
7374:- Qiu Yang (2017)
7243:Cătălin Mitulescu
6954:Marcell Jankovics
6664:
6663:
6646:Ten Minutes Older
6637:Year of the Horse
6338:978-0-8108-8573-8
6330:978-0-8108-8572-1
6256:978-88-548-9115-9
6241:978-3-8443-3503-3
6188:978-84-96082-88-5
6173:978-84-8063-931-6
6144:978-0-252-07443-1
6115:Gonzalez, Éric, "
6007:Artists4Ceasefire
5732:on April 27, 2009
5232:The Village Voice
5104:Agarwal, Manish.
4869:. April 14, 2021.
4752:978-0-252-07443-1
4718:Los Angeles Times
4293:on August 3, 2002
4282:Addicted to Noise
4275:Yabroff, Jennie.
3906:The Seattle Times
3639:Sight & Sound
3500:Los Angeles Times
3407:. All Media Guide
3340:on March 8, 2009.
3334:Los Angeles Times
3229:Los Angeles Times
3165:, pp. xi–xii
2964:The White Stripes
2935:Guest appearances
2878:Music for Man Ray
2791:Important Records
2771:
2770:
2427:Isaach de Bankolé
1979:Artists4Ceasefire
1921:Walker Art Center
1806:Awards and legacy
1803:
1802:
1509:. Hawkins' song "
1422:Limits of Control
1277:Important Records
1227:Robin Crutchfield
981:Isaach de Bankolé
955:and received the
824:Year of the Horse
761:Fishing With John
716:Isaach de Bankolé
385:underground films
373:William Burroughs
254:was added to the
147:
146:
130:Years active
16:(Redirected from
7588:
7425:– Tang Yi (2021)
7384:Charles Williams
7029:Le Cheval de fer
6861:Sky Over Holland
6774:Halina Bielinska
6764:Francis Thompson
6752:Ion Popescu-Gopo
6742:Albert Lamorisse
6718:Albert Lamorisse
6691:
6684:
6677:
6668:
6667:
6480:
6473:
6466:
6457:
6456:
6413:Senses of Cinema
6366:. Brooklyn, NY:
6359:
6358:on May 22, 2009.
6354:. Archived from
6313:
6291:
6156:
6112:
6072:
6063:
6057:
6056:
6049:
6043:
6042:
6029:
6023:
6017:
6011:
6010:
5999:
5993:
5992:
5978:
5972:
5971:
5960:
5954:
5953:
5952:. June 12, 2019.
5940:
5934:
5933:
5931:
5929:
5912:
5906:
5905:
5903:
5901:
5883:
5877:
5876:
5865:
5859:
5858:
5836:
5830:
5829:
5817:
5811:
5810:
5797:
5791:
5790:
5767:
5761:
5760:
5748:
5742:
5741:
5739:
5737:
5728:. Archived from
5715:
5709:
5708:
5689:
5683:
5682:
5680:
5678:
5668:"Broken Flowers"
5664:
5658:
5657:
5655:
5653:
5638:
5632:
5631:
5629:
5627:
5613:
5607:
5606:
5604:
5602:
5593:. Archived from
5591:Filmfest Hamburg
5583:
5577:
5569:
5563:
5557:
5551:
5550:
5548:
5546:
5529:
5523:
5522:
5520:
5518:
5503:
5490:
5489:
5472:
5466:
5465:
5463:
5461:
5445:
5439:
5438:
5436:
5434:
5425:. Archived from
5414:
5408:
5407:
5400:The News Tribune
5390:
5381:
5380:
5378:
5376:
5354:
5348:
5347:
5345:
5343:
5328:
5322:
5321:
5319:
5317:
5302:
5293:
5292:
5283:
5281:
5262:
5256:
5255:
5245:
5243:
5223:
5217:
5216:
5210:
5208:
5188:
5182:
5181:
5176:
5174:
5154:
5148:
5141:
5135:
5132:Pitchfork Review
5128:
5122:
5117:McGovern, Kyle.
5115:
5109:
5102:
5096:
5095:
5093:
5091:
5077:
5071:
5070:
5058:
5052:
5051:
5039:
5033:
5032:
5030:
5028:
5023:on July 17, 2012
5008:
5002:
5001:
4999:
4997:
4983:Fennessy, Sean.
4980:
4974:
4973:
4971:
4969:
4952:
4946:
4945:
4943:
4941:
4921:
4915:
4914:
4912:
4910:
4904:The Paris Review
4895:
4889:
4886:
4880:
4877:
4871:
4870:
4863:
4857:
4856:
4842:
4836:
4835:
4833:
4831:
4816:
4810:
4809:
4807:
4805:
4788:
4782:
4781:
4779:
4777:
4763:
4757:
4756:
4736:
4730:
4729:
4727:
4725:
4710:
4704:
4703:
4701:
4699:
4687:Brody, Richard.
4684:
4678:
4677:
4675:
4673:
4664:. Archived from
4653:
4647:
4646:
4644:
4642:
4627:
4621:
4620:
4618:
4616:
4611:. April 18, 2013
4601:
4595:
4594:
4592:
4590:
4575:
4564:
4563:
4551:
4545:
4544:
4542:
4540:
4525:
4519:
4518:
4516:
4514:
4494:
4488:
4487:
4485:
4483:
4465:
4456:
4455:
4453:
4451:
4431:
4425:
4424:
4406:
4400:
4399:
4397:
4395:
4380:
4374:
4373:
4367:
4365:
4356:. Archived from
4345:
4339:
4332:
4326:
4325:
4309:
4303:
4302:
4300:
4298:
4272:
4257:
4256:
4254:
4252:
4226:
4220:
4219:
4182:
4176:
4175:
4146:
4140:
4139:
4099:
4093:
4092:
4090:
4088:
4073:
4067:
4066:
4064:
4062:
4044:
4031:
4024:
4018:
4017:
4015:
4013:
3994:
3988:
3987:
3962:
3952:
3943:
3942:
3940:
3938:
3924:
3918:
3917:
3915:
3913:
3896:
3890:
3889:
3852:
3841:
3840:
3838:
3836:
3819:
3813:
3812:
3799:
3793:
3792:
3783:
3781:
3772:. Archived from
3761:
3752:
3751:
3749:
3747:
3725:
3719:
3718:
3716:
3714:
3695:
3689:
3688:
3686:
3684:
3669:
3660:
3659:
3657:
3655:
3650:on July 16, 2011
3629:
3623:
3622:
3620:
3618:
3603:
3597:
3596:
3594:
3592:
3577:
3568:
3562:
3556:
3555:
3535:Associated Press
3520:
3511:
3510:
3508:
3506:
3491:
3485:
3484:
3482:
3480:
3462:
3453:
3452:
3450:
3448:
3439:. Archived from
3428:
3417:
3416:
3414:
3412:
3399:Crow, Jonathan.
3396:
3373:
3372:
3370:
3368:
3353:
3342:
3341:
3336:. Archived from
3321:
3310:
3309:
3307:
3305:
3290:
3281:
3280:
3278:
3276:
3261:
3248:
3247:
3242:
3240:
3235:on March 8, 2009
3231:. Archived from
3220:
3214:
3213:
3211:
3209:
3194:"Biography from
3189:
3166:
3160:
3135:
3134:
3132:
3130:
3125:on June 29, 2012
3110:
3097:
3096:
3094:
3092:
3077:
3064:
3058:
3035:
3034:
3032:
3030:
3019:
3013:
3012:
3010:
3008:
2997:
2941:Jozef van Wissem
2872:Living the Light
2795:Jozef van Wissem
2250:Rockets Redglare
2018:
2017:
1927:in August 2005.
1820:Filmfest Hamburg
1557:
1553:
1436:Jarmusch at the
1380:
1267:Jozef van Wissem
1198:, among others.
945:Fortissimo Films
935:, which starred
645:independent film
511:Bachelor of Arts
505:
354:
268:Jozef van Wissem
185:
180:
179:
176:
175:
172:
169:
166:
163:
160:
70:
67:January 22, 1953
66:
64:
46:
32:
31:
21:
7596:
7595:
7591:
7590:
7589:
7587:
7586:
7585:
7461:
7460:
7459:
7454:
7441:Flóra Anna Buda
7397:
7340:Simón Mesa Soto
7306:Serge Avédikian
7290:
7197:
7180:Xavier Giannoli
7096:
6983:
6942:Barry Greenwald
6908:Bretislav Pojar
6872:
6779:
6748:Courte Histoire
6737:The Red Balloon
6700:
6695:
6665:
6660:
6616:
6493:
6484:
6426:Limited Control
6401:discography at
6377:
6298:(May 6, 2009).
6280:
6264:
6262:Further reading
6165:de Jim Jarmusch
6145:
6101:
6076:
6075:
6068:discography at
6064:
6060:
6051:
6050:
6046:
6031:
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6001:
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5996:
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5897:
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5866:
5862:
5838:
5837:
5833:
5819:
5818:
5814:
5798:
5794:
5779:
5768:
5764:
5753:Chicago Tribune
5749:
5745:
5735:
5733:
5716:
5712:
5698:Chicago Tribune
5690:
5686:
5676:
5674:
5666:
5665:
5661:
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5649:
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5241:
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5224:
5220:
5206:
5204:
5189:
5185:
5172:
5170:
5155:
5151:
5142:
5138:
5130:Neyland, Nick.
5129:
5125:
5116:
5112:
5103:
5099:
5089:
5087:
5079:
5078:
5074:
5059:
5055:
5040:
5036:
5026:
5024:
5017:Limited Control
5009:
5005:
4995:
4993:
4981:
4977:
4967:
4965:
4953:
4949:
4939:
4937:
4930:Limited Control
4922:
4918:
4908:
4906:
4896:
4892:
4887:
4883:
4878:
4874:
4865:
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4773:
4771:Bleecker Street
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4526:
4522:
4512:
4510:
4503:Limited Control
4495:
4491:
4481:
4479:
4466:
4459:
4449:
4447:
4435:Bradshaw, Peter
4432:
4428:
4421:
4418:
4407:
4403:
4393:
4391:
4381:
4377:
4363:
4361:
4354:Chicago Tribune
4346:
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4306:
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4260:
4250:
4248:
4227:
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4208:
4201:
4191:Chicago Tribune
4183:
4179:
4156:
4151:The Denver Post
4147:
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4117:
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4009:
3995:
3991:
3977:The 1984 movie
3969:Morning Edition
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3138:
3128:
3126:
3119:Limited Control
3111:
3100:
3090:
3088:
3078:
3067:
3063:, pp. 6–11
3059:
3038:
3028:
3026:
3021:
3020:
3016:
3006:
3004:
2999:
2998:
2994:
2989:
2977:
2776:
2340:Roberto Benigni
2145:
2136:
2127:
2118:
2109:
2100:
2091:
2082:
2073:
2064:
2055:
2046:
2037:
2026:
2023:
1998:
1948:
1869:arthouse cinema
1808:
1782:Focus Features
1766:Bleecker Street
1614:Island Pictures
1552:
1546:
1525:popularized by
1430:
1382:
1378:
1369:
1344:
1239:Lies to Live By
1223:
1180:
1007:
876:
843:Forest Whitaker
770:
666:Roberto Benigni
594:
589:
539:Howard Brookner
506:
495:
436:New York School
356:
347:, as quoted in
342:
276:
183:
157:
153:
125:
97:
88:
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71:
68:
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60:
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37:
28:
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7398:
7396:
7395:
7387:
7375:
7371:A Gentle Night
7367:
7364:Juanjo Giménez
7355:
7343:
7331:
7325:
7322:Sessiz-Be Deng
7319:
7309:
7302:Barking Island
7298:
7296:
7292:
7291:
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7234:
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7205:
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7196:
7195:
7183:
7173:
7167:
7161:
7155:
7152:Carlos Carrera
7143:
7131:
7123:
7117:
7109:The Lunch Date
7104:
7102:
7098:
7097:
7095:
7094:
7082:
7070:
7067:Laurie McInnes
7060:
7048:
7038:
7032:
7026:
7016:
7006:
7000:
6991:
6989:
6985:
6984:
6982:
6981:
6969:
6957:
6945:
6933:
6921:
6918:Fyodor Khitruk
6911:
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6889:
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6806:
6794:
6787:
6785:
6781:
6780:
6778:
6777:
6767:
6755:
6745:
6733:
6730:Norman McLaren
6725:Blinkity Blank
6721:
6708:
6706:
6702:
6701:
6694:
6693:
6686:
6679:
6671:
6662:
6661:
6659:
6658:
6650:
6641:
6633:
6624:
6622:
6618:
6617:
6615:
6614:
6606:
6598:
6590:
6582:
6574:
6570:Broken Flowers
6566:
6558:
6550:
6542:
6538:Night on Earth
6534:
6526:
6518:
6510:
6501:
6499:
6495:
6494:
6483:
6482:
6475:
6468:
6460:
6454:
6453:
6452:, May 31, 2014
6443:
6438:
6437:
6436:
6417:
6405:
6396:
6387:
6376:
6375:External links
6373:
6372:
6371:
6360:
6341:
6314:
6292:
6278:
6263:
6260:
6259:
6258:
6244:
6221:
6206:
6195:Revista Odisea
6191:
6176:
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6143:
6126:
6113:
6099:
6074:
6073:
6058:
6044:
6024:
6020:Hertzberg 2001
6012:
5994:
5973:
5955:
5935:
5907:
5878:
5860:
5854:Night on Earth
5831:
5812:
5792:
5762:
5743:
5710:
5684:
5659:
5648:. May 20, 2017
5633:
5608:
5578:
5564:
5560:Hertzberg 2001
5552:
5534:"Jim Jarmusch"
5524:
5491:
5467:
5440:
5409:
5382:
5371:on May 6, 2009
5349:
5323:
5294:
5257:
5218:
5197:Focus Features
5183:
5149:
5136:
5123:
5110:
5097:
5072:
5053:
5034:
5003:
4975:
4957:"Jim Jarmusch"
4955:Deming, Mark.
4947:
4916:
4890:
4881:
4872:
4858:
4837:
4826:. May 15, 2016
4811:
4783:
4758:
4751:
4731:
4705:
4693:The New Yorker
4679:
4648:
4622:
4596:
4565:
4546:
4520:
4489:
4470:"Jim Jarmusch"
4457:
4426:
4401:
4375:
4340:
4327:
4304:
4258:
4247:on May 1, 2009
4240:Boston Phoenix
4221:
4211:Night on Earth
4187:Night on Earth
4177:
4171:Night on Earth
4141:
4115:
4103:Mazierska, Ewa
4094:
4068:
4048:Canby, Vincent
4032:
4019:
3989:
3944:
3919:
3891:
3876:
3856:Tasker, Yvonne
3842:
3824:"Jim Jarmusch"
3814:
3794:
3753:
3720:
3690:
3661:
3624:
3607:"Jim Jarmusch"
3598:
3569:
3557:
3512:
3486:
3454:
3418:
3374:
3343:
3311:
3295:"Jim Jarmusch"
3282:
3249:
3215:
3167:
3163:Hertzberg 2001
3136:
3098:
3065:
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3014:
2991:
2990:
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2981:No Wave Cinema
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2070:Night on Earth
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1848:Broken Flowers
1807:
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1762:Amazon Studios
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1716:Focus Features
1713:
1710:Broken Flowers
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1642:Night on Earth
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1631:Orion Classics
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1548:Main article:
1545:
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1429:
1426:
1394:Night on Earth
1391:Mystery Train,
1370:
1368:
1365:
1343:
1340:
1222:
1219:
1213:with texts by
1196:Julianne Moore
1179:
1176:
1162:Focus Features
1084:(2016) at the
1038:Mia Wasikowska
1034:Tom Hiddleston
1006:
1003:
994:Bored to Death
961:Peter Bradshaw
959:. Film critic
941:Broken Flowers
932:Broken Flowers
875:
872:
811:Robert Mitchum
769:
766:
747:Night On Earth
704:Night on Earth
695:Night on Earth
670:constructivist
593:
590:
588:
585:
527:László Benedek
493:
369:counterculture
334:
275:
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235:Broken Flowers
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7481:Living people
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7293:
7286:
7285:João Salaviza
7282:
7281:
7277:
7274:
7271:
7268:
7264:
7263:
7259:
7256:
7253:
7250:
7247:
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7235:
7232:
7228:
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7159:
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7149:
7148:
7144:
7141:
7137:
7136:
7132:
7129:
7128:
7124:
7121:
7118:
7115:
7114:Adam Davidson
7111:
7110:
7106:
7105:
7103:
7099:
7092:
7088:
7087:
7083:
7080:
7076:
7075:
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7058:
7054:
7053:
7049:
7046:
7042:
7039:
7036:
7033:
7030:
7027:
7024:
7020:
7017:
7014:
7010:
7007:
7004:
7003:Moto perpetuo
7001:
6998:
6997:
6996:Seaside Woman
6993:
6992:
6990:
6986:
6979:
6978:Raoul Servais
6975:
6974:
6970:
6967:
6963:
6962:
6958:
6955:
6951:
6950:
6946:
6943:
6939:
6938:
6937:Metamorphosis
6934:
6931:
6927:
6926:
6922:
6919:
6915:
6912:
6909:
6905:
6904:
6900:
6897:
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6887:
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6879:
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6865:
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6859:
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6852:
6851:
6847:
6844:
6843:
6839:
6836:
6833:
6830:
6826:
6823:
6820:
6819:Edmond Séchan
6816:
6813:
6810:
6809:À fleur d'eau
6807:
6804:
6803:Robert Enrico
6800:
6799:
6795:
6792:
6789:
6788:
6786:
6782:
6775:
6771:
6768:
6765:
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6756:
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6559:
6556:
6555:
6551:
6548:
6547:
6543:
6540:
6539:
6535:
6532:
6531:
6530:Mystery Train
6527:
6524:
6523:
6519:
6516:
6515:
6511:
6508:
6507:
6503:
6502:
6500:
6498:Feature films
6496:
6492:
6488:
6481:
6476:
6474:
6469:
6467:
6462:
6461:
6458:
6451:
6447:
6444:
6442:
6439:
6434:
6433:archive.today
6430:
6427:
6424:
6423:
6421:
6418:
6415:
6414:
6409:
6406:
6404:
6400:
6397:
6395:
6391:
6388:
6386:
6382:
6379:
6378:
6369:
6365:
6364:Some Collages
6361:
6357:
6353:
6352:
6347:
6342:
6339:
6335:
6332:(hardcover);
6331:
6327:
6323:
6319:
6315:
6311:
6310:
6305:
6303:
6297:
6293:
6289:
6285:
6281:
6279:3-929470-80-2
6275:
6271:
6266:
6265:
6257:
6253:
6249:
6245:
6242:
6238:
6234:
6230:
6226:
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6219:
6215:
6211:
6207:
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6196:
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6146:
6140:
6136:
6132:
6127:
6124:
6123:
6118:
6114:
6110:
6106:
6102:
6100:1-57806-379-5
6096:
6092:
6088:
6083:
6082:
6081:
6080:
6079:Other sources
6071:
6067:
6062:
6054:
6048:
6040:
6039:
6034:
6028:
6022:, p. 187
6021:
6016:
6008:
6004:
5998:
5990:
5989:
5984:
5977:
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5959:
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5924:
5923:
5918:
5911:
5895:
5894:
5889:
5882:
5874:
5870:
5864:
5857:
5855:
5851:
5844:
5843:
5835:
5828:
5823:
5816:
5809:
5805:
5804:
5803:Daily Variety
5796:
5789:
5787:
5783:
5775:
5774:
5766:
5759:
5754:
5747:
5736:September 26,
5731:
5727:
5726:
5721:
5714:
5707:
5705:
5699:
5695:
5688:
5673:
5669:
5663:
5647:
5643:
5637:
5622:
5618:
5612:
5596:
5592:
5588:
5582:
5576:
5573:
5568:
5561:
5556:
5541:
5540:
5539:The A.V. Club
5535:
5528:
5513:
5509:
5502:
5500:
5498:
5496:
5488:
5484:
5483:
5478:
5471:
5455:
5451:
5444:
5428:
5424:
5423:Rolling Stone
5420:
5413:
5406:
5402:
5401:
5396:
5389:
5387:
5370:
5366:
5365:
5360:
5353:
5338:
5334:
5327:
5312:
5308:
5301:
5299:
5291:
5289:
5275:
5271:
5267:
5261:
5254:
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5237:
5233:
5229:
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5215:
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5198:
5194:
5187:
5180:
5168:
5164:
5160:
5153:
5146:
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5120:
5114:
5107:
5101:
5086:
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5068:
5064:
5057:
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5022:
5018:
5014:
5007:
4992:
4991:
4986:
4979:
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4951:
4935:
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4927:
4920:
4905:
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4894:
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4825:
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4815:
4800:
4799:
4794:
4787:
4772:
4768:
4762:
4754:
4748:
4744:
4743:
4735:
4719:
4715:
4709:
4694:
4690:
4683:
4667:
4663:
4659:
4652:
4637:
4633:
4626:
4610:
4606:
4600:
4585:
4581:
4574:
4572:
4570:
4561:
4557:
4550:
4535:
4534:Pitchfork.com
4531:
4524:
4508:
4504:
4500:
4493:
4482:September 23,
4477:
4476:
4475:The A.V. Club
4471:
4464:
4462:
4446:
4445:
4440:
4436:
4430:
4423:
4414:
4413:
4412:Daily Variety
4405:
4390:
4386:
4379:
4372:
4359:
4355:
4351:
4344:
4337:
4331:
4323:
4319:
4315:
4308:
4297:September 27,
4292:
4288:
4284:
4283:
4278:
4271:
4269:
4267:
4265:
4263:
4251:September 27,
4246:
4242:
4241:
4236:
4234:
4225:
4218:
4216:
4212:
4205:
4199:
4192:
4188:
4181:
4174:
4172:
4168:
4167:Mystery Train
4164:
4160:
4152:
4145:
4138:
4136:
4132:
4126:
4122:
4118:
4116:1-904764-67-3
4112:
4108:
4104:
4098:
4082:
4078:
4072:
4057:
4053:
4049:
4043:
4041:
4039:
4037:
4029:
4028:Gabri Ródenas
4023:
4008:
4004:
4002:
3993:
3986:
3984:
3980:
3974:
3970:
3966:
3958:
3951:
3949:
3933:
3929:
3923:
3908:
3907:
3902:
3895:
3887:
3883:
3879:
3877:0-415-18974-8
3873:
3869:
3865:
3861:
3857:
3851:
3849:
3847:
3831:
3830:
3829:The A.V. Club
3825:
3818:
3811:
3807:
3806:
3798:
3791:
3789:
3775:
3771:
3767:
3760:
3758:
3746:September 27,
3741:
3740:
3735:
3733:
3724:
3713:September 27,
3709:
3705:
3703:
3702:Mystery Train
3694:
3679:
3675:
3668:
3666:
3649:
3645:
3641:
3640:
3635:
3628:
3612:
3608:
3602:
3587:
3583:
3576:
3574:
3566:
3561:
3554:
3550:
3546:
3536:
3532:
3531:
3530:The Columbian
3526:
3519:
3517:
3501:
3497:
3490:
3475:
3471:
3467:
3461:
3459:
3447:September 27,
3442:
3438:
3434:
3427:
3425:
3423:
3406:
3402:
3395:
3393:
3391:
3389:
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3329:
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3296:
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3260:
3258:
3256:
3254:
3246:
3234:
3230:
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3219:
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2811:
2808:
2804:
2803:
2799:
2796:
2792:
2788:
2787:
2783:
2782:
2779:Studio albums
2778:
2777:
2767:
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2669:
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2664:
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2660:
2658:
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2654:
2652:
2650:
2648:
2647:Tilda Swinton
2645:
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2638:
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2403:
2401:
2398:
2396:
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2391:
2389:
2387:
2385:
2383:
2382:Steve Buscemi
2380:
2379:
2376:
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2172:
2170:
2168:
2166:
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2159:
2157:
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2152:
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2143:
2138:
2135:
2134:
2129:
2126:
2125:
2120:
2117:
2116:
2111:
2108:
2107:
2102:
2099:
2098:
2093:
2090:
2089:
2084:
2081:
2080:
2075:
2072:
2071:
2066:
2063:
2062:
2061:Mystery Train
2057:
2054:
2053:
2048:
2045:
2044:
2039:
2036:
2035:
2030:
2029:
2019:
2016:
2014:
2011:
2007:
2003:
1993:
1989:
1987:
1982:
1980:
1975:
1973:
1969:
1965:
1957:
1952:
1946:Personal life
1943:
1941:
1936:
1934:
1928:
1926:
1922:
1918:
1914:
1910:
1909:Vincent Canby
1905:
1903:
1899:
1898:Jeremy Thomas
1895:
1889:
1884:
1880:
1878:
1874:
1870:
1866:
1862:
1861:
1856:
1851:
1849:
1846:for his film
1845:
1841:
1837:
1833:
1829:
1825:
1821:
1817:
1813:
1799:
1796:
1794:
1793:
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1729:
1728:
1724:
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1712:
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1707:
1704:
1703:
1700:
1697:
1695:
1694:
1690:
1687:
1686:
1683:
1680:
1678:
1677:
1673:
1670:
1669:
1666:
1665:Miramax Films
1663:
1661:
1660:
1656:
1653:
1652:
1649:
1646:
1644:
1643:
1639:
1636:
1635:
1632:
1629:
1627:
1626:
1625:Mystery Train
1622:
1619:
1618:
1615:
1612:
1610:
1609:
1605:
1602:
1601:
1598:
1595:
1593:
1592:
1588:
1585:
1584:
1580:
1578:
1577:
1573:
1570:
1569:
1566:Distribution
1565:
1562:
1559:
1558:
1551:
1541:
1538:
1536:
1535:Vincent Canby
1532:
1528:
1527:Elvis Presley
1524:
1520:
1519:Mystery Train
1516:
1512:
1508:
1504:
1500:
1496:
1492:
1491:Mystery Train
1488:
1484:
1480:
1476:
1472:
1468:
1464:
1460:
1455:
1453:
1452:
1447:
1446:William Blake
1439:
1434:
1425:
1423:
1419:
1413:
1411:
1405:
1403:
1399:
1395:
1392:
1386:
1381:
1375:
1364:
1362:
1361:Mystery Train
1356:
1351:
1349:
1348:auteur theory
1339:
1336:
1332:
1328:
1323:
1321:
1317:
1316:
1311:
1307:
1303:
1302:Wanda Jackson
1299:
1294:
1292:
1288:
1284:
1283:
1278:
1274:
1273:
1268:
1263:
1261:
1257:
1256:Michel Gondry
1253:
1249:
1248:
1242:
1240:
1236:
1232:
1228:
1218:
1216:
1212:
1211:Some Collages
1208:
1204:
1199:
1197:
1193:
1189:
1185:
1175:
1173:
1169:
1168:
1163:
1159:
1155:
1151:
1147:
1146:Tilda Swinton
1143:
1142:Steve Buscemi
1139:
1138:Chloë Sevigny
1135:
1131:
1127:
1126:
1120:
1117:
1116:
1110:
1109:
1104:
1100:
1096:
1095:
1087:
1083:
1082:
1077:
1073:
1069:
1065:
1063:
1059:
1056:and the 2013
1055:
1051:
1047:
1043:
1042:Anton Yelchin
1039:
1035:
1031:
1030:Tilda Swinton
1027:
1026:
1019:
1017:
1010:
1002:
1000:
996:
995:
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986:
982:
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977:
971:
968:
967:
962:
958:
954:
950:
946:
942:
938:
934:
933:
929:in 2005 with
928:
923:
921:
917:
913:
909:
905:
904:Steve Buscemi
901:
900:Steven Wright
897:
896:
891:
890:
885:
881:
871:
869:
865:
861:
860:
854:
850:
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839:
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830:
826:
825:
820:
816:
812:
808:
807:Gabriel Byrne
804:
800:
796:
792:
791:
782:
778:
774:
765:
763:
762:
757:
756:
750:
748:
744:
743:Mystery Train
740:
736:
732:
731:Mystery Train
728:
724:
719:
717:
713:
709:
708:Gena Rowlands
705:
701:
700:Mystery Train
697:
696:
691:
687:
686:
685:Mystery Train
680:
678:
674:
671:
667:
663:
659:
655:
654:
648:
646:
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638:
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630:
629:
623:
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616:
615:Mystery Train
612:
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584:
581:
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573:
569:
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563:
558:
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540:
536:
532:
528:
524:
520:
516:
515:New York City
512:
503:
499:
492:
490:
489:Samuel Fuller
486:
482:
478:
474:
470:
464:
462:
458:
453:
451:
450:
445:
444:David Shapiro
441:
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404:Chelsea Girls
400:
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211:Mystery Train
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95:
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87:
84:
80:
75:
69:(age 71)
59:
55:
51:
45:
40:
33:
30:
19:
7471:Jim Jarmusch
7446:
7434:
7428:
7420:
7408:
7389:
7377:
7369:
7357:
7345:
7333:
7327:
7321:
7316:Maryna Vroda
7311:
7301:
7278:
7272:
7267:Elisa Miller
7260:
7254:
7248:
7236:
7231:Glendyn Ivin
7226:
7220:
7214:
7208:
7185:
7175:
7169:
7163:
7157:
7145:
7140:Jim Jarmusch
7139:
7133:
7125:
7119:
7107:
7091:Gilles Carle
7084:
7079:Garry Bardin
7072:
7062:
7057:Jane Campion
7050:
7045:Rumen Petkov
7040:
7034:
7028:
7018:
7013:Arthur Joffé
7008:
7002:
6994:
6971:
6959:
6949:The Struggle
6947:
6935:
6930:Geoff Dunbar
6923:
6913:
6901:
6891:
6883:
6866:
6860:
6848:
6840:
6834:
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6814:
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6796:
6790:
6770:Zmiana warty
6769:
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6747:
6735:
6723:
6711:
6654:Gimme Danger
6652:
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6635:
6627:
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6576:
6568:
6560:
6552:
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6528:
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6512:
6504:
6491:Jim Jarmusch
6490:
6489:directed by
6449:
6411:
6408:Jim Jarmusch
6399:Jim Jarmusch
6390:Jim Jarmusch
6381:Jim Jarmusch
6363:
6356:the original
6351:Film Comment
6349:
6321:
6317:
6307:
6301:
6300:"The man in
6270:Jim Jarmusch
6269:
6247:
6224:
6209:
6194:
6179:
6164:
6160:
6131:Jim Jarmusch
6130:
6120:
6086:
6078:
6077:
6061:
6047:
6036:
6027:
6015:
6006:
5997:
5986:
5976:
5967:
5958:
5947:
5938:
5926:. Retrieved
5920:
5910:
5898:. Retrieved
5891:
5881:
5872:
5863:
5853:
5849:
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5840:
5834:
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5801:
5795:
5785:
5781:
5777:
5771:
5765:
5756:
5752:
5746:
5734:. Retrieved
5730:the original
5723:
5713:
5703:
5701:
5697:
5693:
5687:
5677:February 20,
5675:. Retrieved
5671:
5662:
5650:. Retrieved
5645:
5636:
5626:February 20,
5624:. Retrieved
5620:
5611:
5599:. Retrieved
5595:the original
5590:
5581:
5567:
5562:, p. 92
5555:
5543:. Retrieved
5537:
5527:
5515:. Retrieved
5512:The Guardian
5511:
5486:
5480:
5476:
5470:
5458:. Retrieved
5454:the original
5443:
5431:. Retrieved
5427:the original
5422:
5412:
5404:
5398:
5394:
5373:. Retrieved
5369:the original
5362:
5352:
5340:. Retrieved
5336:
5326:
5314:. Retrieved
5310:
5287:
5285:
5278:. Retrieved
5269:
5260:
5250:
5247:
5240:. Retrieved
5231:
5221:
5212:
5205:. Retrieved
5196:
5186:
5178:
5171:. Retrieved
5162:
5152:
5143:Cole, Alec.
5139:
5126:
5113:
5100:
5090:September 7,
5088:. Retrieved
5084:
5075:
5066:
5056:
5047:
5037:
5025:. Retrieved
5021:the original
5016:
5006:
4994:. Retrieved
4988:
4978:
4966:. Retrieved
4960:
4950:
4938:. Retrieved
4934:the original
4929:
4919:
4907:. Retrieved
4903:
4893:
4884:
4875:
4861:
4850:
4840:
4830:December 30,
4828:. Retrieved
4823:
4814:
4804:December 30,
4802:. Retrieved
4796:
4786:
4776:December 30,
4774:. Retrieved
4770:
4761:
4742:Jim Jarmusch
4741:
4734:
4722:. Retrieved
4717:
4708:
4696:. Retrieved
4692:
4682:
4672:February 21,
4670:. Retrieved
4666:the original
4661:
4651:
4641:February 21,
4639:. Retrieved
4636:The Guardian
4635:
4625:
4613:. Retrieved
4608:
4599:
4589:February 21,
4587:. Retrieved
4584:The Guardian
4583:
4559:
4549:
4537:. Retrieved
4533:
4523:
4511:. Retrieved
4507:the original
4502:
4492:
4480:. Retrieved
4473:
4450:December 30,
4448:. Retrieved
4442:
4429:
4416:
4410:
4404:
4392:. Retrieved
4388:
4378:
4369:
4362:. Retrieved
4358:the original
4353:
4343:
4330:
4321:
4317:
4313:
4307:
4295:. Retrieved
4291:the original
4286:
4280:
4249:. Retrieved
4245:the original
4238:
4232:
4224:
4214:
4210:
4203:
4197:
4194:
4190:
4186:
4180:
4170:
4166:
4162:
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4154:
4150:
4144:
4134:
4130:
4128:
4106:
4097:
4085:. Retrieved
4081:The Guardian
4080:
4071:
4059:. Retrieved
4055:
4022:
4010:. Retrieved
4006:
4000:
3992:
3982:
3978:
3976:
3968:
3964:
3963:s new film,
3935:. Retrieved
3922:
3910:. Retrieved
3904:
3894:
3863:
3833:. Retrieved
3827:
3817:
3809:
3803:
3797:
3787:
3785:
3778:. Retrieved
3774:the original
3769:
3744:. Retrieved
3737:
3731:
3723:
3711:. Retrieved
3707:
3701:
3693:
3681:. Retrieved
3677:
3652:. Retrieved
3648:the original
3643:
3637:
3627:
3615:. Retrieved
3611:The Guardian
3610:
3601:
3589:. Retrieved
3585:
3567:, p. 21
3560:
3548:
3544:
3538:
3528:
3503:. Retrieved
3499:
3489:
3477:. Retrieved
3466:Auster, Paul
3445:. Retrieved
3441:the original
3436:
3409:. Retrieved
3404:
3365:. Retrieved
3361:
3338:the original
3333:
3327:
3302:. Retrieved
3298:
3273:. Retrieved
3270:The Guardian
3269:
3244:
3237:. Retrieved
3233:the original
3228:
3218:
3206:. Retrieved
3202:the original
3195:
3127:. Retrieved
3123:the original
3118:
3089:. Retrieved
3085:
3027:. Retrieved
3017:
3005:. Retrieved
3001:"Say How: J"
2995:
2944:
2926:(12" vinyl,
2922:
2915:
2914:
2908:
2902:
2896:
2890:
2877:
2871:
2870:(Soundtrack
2867:
2861:
2855:
2843:
2830:
2824:
2818:
2812:
2800:
2784:
2755:
2744:
2732:
2723:
2718:
2684:
2677:
2672:
2667:
2639:
2630:
2625:
2620:
2594:
2581:
2576:
2572:
2548:
2535:
2528:
2502:
2497:
2486:
2458:
2451:
2446:
2439:
2419:
2406:
2399:
2392:
2364:
2355:
2348:
2332:
2319:
2310:
2305:
2300:
2266:
2261:
2256:
2224:
2219:
2215:
2210:
2206:
2201:
2197:
2185:
2160:
2155:
2140:
2131:
2122:
2113:
2104:
2095:
2086:
2077:
2068:
2059:
2050:
2041:
2032:
2012:
2009:
2005:
2001:
1999:
1990:
1983:
1976:
1974:since 1987.
1967:
1961:
1937:
1932:
1929:
1912:
1906:
1901:
1893:
1891:
1886:
1881:
1864:
1858:
1854:
1852:
1847:
1831:
1816:Douglas Sirk
1811:
1809:
1790:
1775:
1754:
1737:
1725:
1708:
1691:
1674:
1657:
1640:
1623:
1606:
1589:
1581:Cinesthesia
1574:
1539:
1530:
1518:
1514:
1506:
1490:
1483:Joe Strummer
1456:
1449:
1442:
1421:
1417:
1414:
1406:
1401:
1397:
1393:
1390:
1387:
1383:
1377:
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1358:
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1345:
1330:
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1297:
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1264:
1245:
1243:
1238:
1224:
1210:
1200:
1184:French Water
1183:
1181:
1165:
1154:Selena Gomez
1123:
1121:
1113:
1106:
1093:
1090:
1079:
1023:
1021:
1016:Nikola Tesla
1012:
1008:
992:
984:
974:
972:
966:The Guardian
964:
940:
930:
926:
925:He followed
924:
893:
887:
879:
877:
857:
846:
836:
834:
828:
822:
814:
788:
786:
759:
753:
751:
746:
742:
738:
730:
720:
712:Winona Ryder
703:
699:
693:
683:
681:
677:Robby Müller
651:
649:
626:
624:
618:
614:
610:
608:
597:
595:
565:
562:Nicholas Ray
559:
508:
501:
466:
454:
447:
440:Kenneth Koch
409:
402:
394:Putney Swope
392:
377:Jack Kerouac
366:
361:Episcopalian
357:
348:
341:
336:
327:
319:Thunder Road
317:
311:
305:
291:
277:
251:
245:
244:(2013), and
239:
233:
227:
221:
215:
209:
203:
197:
191:
149:
148:
133:1979–present
36:Jim Jarmusch
29:
7476:1953 births
7227:Cracker Bag
7176:L'Interview
7023:Pierre Levy
6896:Jean Chapot
6850:Skaterdater
6522:Down by Law
6296:Morse, Erik
6089:. Jackson:
5888:"Fresh Air"
5782:Down by Law
4968:October 23,
4615:February 8,
4478:. The Onion
4334:Gonzalez, "
4163:Down By Law
4001:Down by Law
3983:Down by Law
3957:Bob Edwards
3565:Suárez 2007
3198:(abridged)"
3129:November 2,
3061:Suárez 2007
3029:December 9,
2968:Blue Orchid
2916:Live albums
2838:Soundtracks
2831:Silver Haze
2774:Discography
2692:Adam Driver
2602:Bill Murray
2151:Sara Driver
2052:Down by Law
1828:Caméra d'Or
1608:Down by Law
1544:Filmography
1505:feature in
1471:Youki Kudoh
1467:Gary Farmer
1410:Paul Auster
1315:Silver Haze
1260:Blue Orchid
1209:art called
1134:Adam Driver
1130:Bill Murray
1099:Adam Driver
1072:Adam Driver
937:Bill Murray
868:Alain Delon
859:Le Samourai
799:Gary Farmer
795:Johnny Depp
777:Johnny Depp
692:hotel, and
653:Down by Law
633:Camera d'Or
572:Wim Wenders
535:Tom DiCillo
531:Sara Driver
399:Andy Warhol
205:Down by Law
142:Sara Driver
110:Occupations
7465:Categories
7415:Sameh Alaa
7352:Ely Dagher
7262:Ver Llover
7249:Podorozhni
6855:Noel Black
6815:Le Haricot
6759:N.Y., N.Y.
6713:White Mane
6133:. Urbana:
5968:Yahoo News
5696:to life".
5601:October 2,
5270:SqürlWorld
4926:"Dark Day"
4662:GQ British
4539:August 20,
4513:August 15,
4324:(4): 3–14.
4137:from 1984.
3654:October 1,
3437:iFMagazine
3411:October 1,
2987:References
2193:John Lurie
1972:vegetarian
1840:Grand Prix
1489:appear in
1459:John Lurie
1215:Lucy Sante
1150:Carol Kane
957:Grand Prix
953:Palme d'Or
912:Cinqué Lee
819:Neil Young
723:road movie
658:John Lurie
604:16 mm film
274:Early life
63:1953-01-22
7347:Waves '98
7215:Bean Cake
7074:Vykrutasy
6218:0214-0039
6203:1578-3820
6038:Pitchfork
5652:August 8,
5477:Ghost Dog
5395:Ghost Dog
5375:April 26,
5337:Pitchfork
5242:August 7,
5163:Pitchfork
5048:Pitchfork
4990:Pitchfork
4824:IndieWire
4061:April 27,
3591:April 25,
3549:Star Wars
3367:April 27,
3304:April 27,
3091:April 27,
2951:Fucked Up
2472:John Hurt
2292:Tom Waits
1894:Guardian'
1818:Preis at
1503:Meg White
1463:Tom Waits
1252:Pitchfork
1241:in 1982.
1115:IndieWire
1046:John Hurt
880:Ghost Dog
803:John Hurt
662:Tom Waits
543:Spike Lee
477:Mizoguchi
345:Tom Waits
329:Ghoulardi
116:Filmmaker
82:Education
7359:Timecode
7273:Megatron
7221:Esö után
7147:El héroe
7063:Palisade
6903:Balablok
6594:Paterson
6546:Dead Man
6429:Archived
6394:AllMovie
6340:(ebook).
6288:53289688
6153:71275566
6109:46319700
5725:Cineaste
5694:Dead Man
5642:"Awards"
5342:March 8,
5280:July 27,
5274:Archived
5236:Archived
5207:June 15,
5201:Archived
5173:July 27,
5167:Archived
4962:AllMusic
4909:July 21,
4724:June 21,
4698:June 20,
4444:New York
4394:June 21,
4371:umbrage.
4338:", 2004.
4314:Dead Man
4235:talking"
4233:Dead Man
4131:Stroszek
4125:63137371
3886:47764371
3858:(2002).
3732:Paradise
3405:allmovie
3330:Talking"
3328:Dead Man
3007:June 19,
2975:See also
2856:Paterson
2514:Iggy Pop
2133:Paterson
2079:Dead Man
2013:composed
1756:Paterson
1659:Dead Man
1517:, while
1479:Iggy Pop
1451:Hagakure
1418:Dead Man
1186:for the
1094:Paterson
1081:Paterson
920:Iggy Pop
848:Hagakure
829:Dead Man
815:Dead Man
790:Dead Man
729:, while
673:neo-noir
576:Amos Poe
494:—
387:such as
250:(2016).
247:Paterson
238:(2005),
232:(2003),
226:(1999),
220:(1995),
217:Dead Man
214:(1989),
208:(1986),
202:(1984),
122:composer
18:Jarmusch
7255:Sniffer
7158:Gagarin
7127:Omnibus
7041:Jenitba
6925:Lautrec
6842:Nyitany
6410:at the
6403:Discogs
6302:Control
6122:Volume!
6070:Discogs
5949:YouTube
5928:May 19,
5922:Esquire
5517:May 16,
5460:May 20,
5316:May 16,
5027:May 14,
4940:May 14,
4420:movies.
4389:Variety
4364:May 10,
4087:May 12,
4012:May 12,
3912:May 11,
3780:May 17,
3683:May 12,
3617:May 12,
3547:or any
3479:May 10,
3239:May 13,
3208:May 20,
2958:Remixes
2909:EP #260
1842:of the
1824:Germany
1235:No Wave
1207:collage
1172:deadpan
989:Seville
783:in 1995
690:Memphis
635:at the
547:no wave
481:Bresson
469:Imamura
428:English
412:Chicago
353:, 2005.
324:B-movie
260:no wave
138:Partner
7443:(2023)
7417:(2020)
7386:(2018)
7366:(2016)
7354:(2015)
7342:(2014)
7318:(2011)
7308:(2010)
7287:(2009)
7269:(2007)
7245:(2004)
7238:Trafic
7233:(2003)
7194:(1999)
7182:(1998)
7154:(1994)
7142:(1993)
7116:(1990)
7093:(1989)
7086:50 ans
7081:(1988)
7069:(1987)
7059:(1986)
7047:(1985)
7025:(1983)
7015:(1982)
6980:(1979)
6973:Harpya
6968:(1978)
6956:(1977)
6944:(1976)
6932:(1975)
6914:Ostrov
6910:(1973)
6898:(1972)
6857:(1966)
6831:(1964)
6821:(1963)
6805:(1961)
6766:(1959)
6754:(1957)
6744:(1956)
6732:(1955)
6720:(1953)
6657:(2016)
6649:(2002)
6640:(1997)
6632:(1993)
6605:(2019)
6597:(2016)
6589:(2013)
6581:(2009)
6573:(2005)
6565:(2003)
6557:(1999)
6549:(1995)
6541:(1991)
6533:(1989)
6525:(1986)
6517:(1984)
6509:(1980)
6336:
6328:
6286:
6276:
6254:
6239:
6216:
6201:
6186:
6171:
6151:
6141:
6107:
6097:
5900:May 3,
5545:May 5,
5433:May 7,
4996:May 2,
4749:
4609:Cannes
4123:
4113:
3955:Host:
3937:May 2,
3884:
3874:
3868:177–78
3835:May 3,
3505:May 7,
3275:May 2,
2947:(2011)
1873:auteur
1563:Title
1523:a song
1428:Themes
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