Johann Sebastian Bach

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all the notes are not those of the true Bass—or treated with simple embellishments in the upper parts or with simple chords used to be called "homophony". But it is a very different thing when two melodies are so interwoven that they converse together like two persons upon a footing of pleasant equality. In the first case, the accompaniment is subordinate and serves merely to support the first or principal part. In the second case, the two parts are not similarly related. New melodic combinations spring from their interweaving, out of which new forms of musical expression emerge. Suppose more parts are interwoven in the same free and independent manner. In that case, the apparatus of language is correspondingly enlarged and becomes practically inexhaustible if, in addition, varieties of form and rhythm are introduced. Hence, harmony becomes no longer a mere accompaniment of melody but rather a potent agency for augmenting the richness and expressiveness of musical conversation. To serve that end, a simple accompaniment will not suffice. True harmony is the interweaving of several melodies, which emerge now in the upper, now in the middle, and now in the lower parts.

4661: 1228:. But when Bach was installed as cantor in 1723, he was put in charge only of music for festal (church holiday) services at St. Paul's Church; his petition to also provide music for regular Sunday services there (for a corresponding salary increase) went all the way to the Elector but was denied. After this, in 1725, Bach "lost interest" in working even for festal services at St. Paul's Church and decided to appear there only on "special occasions". The St. Paul's Church had a much better and newer (1716) organ than the St. Thomas Church or the St. Nicholas Church. Bach was not required to play any organ in his official duties, but it is believed he liked to play on the St. Paul's Church organ "for his own pleasure". 4997:

spiritual ends. They are rooted in archaic chants, hymns, and chorales. They honour, with consummate skill, the scholastic discipline of canon and fugue. They make expert use of the word-painting techniques of the Renaissance madrigal and Baroque opera. They absorb such stock scenes as the lament, the pastoral, the lullaby, the rage aria, the tempest. They allude to courtly French dances, Italian love songs, the polonaise. Their furious development of brief motifs anticipates Beethoven, who worshipped Bach when he was young. And their most daring harmonic adventures—for example, the otherworldly modulations in the 'Confiteor' of the B-Minor Mass—look ahead to Wagner, even to Schoenberg."

16032: 1778: 2008: 742: 4453: 4286: 5083: 4257: 146: 623: 2180: 4653: 3524: 1083: 1691: 1232: 665:). Late one evening, Geyersbach went after Bach with a stick. Bach filed a complaint against Geyersbach with the authorities. They acquitted Geyersbach with a minor reprimand and ordered Bach to be more moderate regarding the musical qualities he expected from his students. Some months later, Bach upset his employer with a prolonged absence from Arnstadt: after obtaining leave for four weeks, he was absent for around four months in 1705–1706 to take lessons from the organist and composer 2705: 3483:, whom the young organist visited in Lübeck in 1704 on an extended leave of absence from his job in Arnstadt. Around this time, Bach copied the works of numerous French and Italian composers to gain insights into their compositional languages and later arranged violin concertos by Vivaldi and others for organ and harpsichord. During his most productive period (1708–1714), he composed about a dozen pairs of preludes and fugues, five toccatas and fugues, and the 55: 16237: 15830: 13466: 12869: 15840: 1991: 9873: 16303: 921: 759:(director of music) at the ducal court, where he had an opportunity to work with a large, well-funded contingent of professional musicians. Bach and his wife moved into a house near the ducal palace. Later the same year, their first child, Catharina Dorothea, was born, and Maria Barbara's elder, unmarried sister joined them. She remained to help run the household until she died in 1729. Three sons were also born in Weimar: 12879: 458: 1165:. Bach collected his cantatas in annual cycles. Five are mentioned in obituaries, and three are extant. Of the more than 300 cantatas Bach composed in Leipzig, over 100 have been lost to posterity. Most of these works expound on the Gospel readings prescribed for every Sunday and feast day in the Lutheran year. Bach started a second annual cycle on the first Sunday after the Trinity of 1724 and composed only 16247: 2183: 2182: 2187: 2186: 2181: 1304: 2188: 16291: 2094:, which already had harpsichord soloists in the 1720s, Bach wrote and arranged his harpsichord concertos in the 1730s, and in his sonatas for viola da gamba and harpsichord neither instrument plays a continuo part: they are treated as equal soloists, far beyond the figured bass. In this sense, Bach played a key role in the development of genres such as the keyboard concerto. 16315: 2115:, the virtuoso music seems tailored for the instrument, the best of what is offered for it, yet Bach made an arrangement for lute of one of these suites. The same applies to much of his most virtuoso keyboard music. Bach exploited the capabilities of an instrument to the fullest while keeping the core of such music independent of the instrument on which it is performed. 2185: 2494:, or lyrics, of his vocal compositions played an essential role for Bach. He sought collaboration with various text authors for his cantatas and major vocal compositions, possibly writing or adapting such texts himself to make them fit the structure of the composition he was designing when he could not rely on the talents of other text authors. His collaboration with 16279: 3424: 1252:, a secular performance ensemble started by Telemann. This was one of the dozens of private societies in the major German-speaking cities that were established by musically active university students; these societies had become increasingly important in public musical life and were typically led by the most prominent professionals in a city. In the words of 3960: 3442: 12314: 2383: 932: 2401: 3150:, would have allowed Leipzig audiences, deprived of opera since 1720, to experience musical performances comparable to the royal opera in Dresden. These were not "poor or makeshift substitutes for real opera" but spectacles displaying "full mastery of the dramatic genre and the proper pacing of the dialogues." 2366: 2266: 2248: 2230: 4996:

writes that "Bach became an absolute master of his art by never ceasing to be a student of it. His most exalted sacred works—the two extant Passions, from the seventeen-twenties, and the Mass in B Minor, completed not long before his death in 1750—are feats of synthesis, mobilising secular devices to

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Sometimes, "who copied whom" is not clear. For instance, Forkel mentions a Mass for double chorus among the works composed by Bach. The work was published and performed in the early 19th century. Although a score partially in Bach's handwriting exists, the work was later considered spurious. In 1950,

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Bach's time in Weimar began a sustained period of composing keyboard and orchestral works. He attained the proficiency and confidence to extend the prevailing structures and include influences from abroad. He learned to write dramatic openings and employ the dynamic rhythms and harmonic schemes found

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If the language of music is merely the utterance of a melodic line, a simple sequence of musical notes, it can justly be accused of poverty. The addition of a Bass puts it upon a harmonic foundation and clarifies it but defines rather than gives it added richness. A melody so accompanied—even though

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saw its 19th-century premiere in 1833, and the first public performance of the Mass in B minor followed in 1844. Besides these and other public performances and increased coverage of the composer and his compositions in printed media, the 1830s and 1840s also saw the first publication of more vocal

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In his own time, Bach was highly regarded amongst his colleagues. However, his reputation outside of this small circle of connoisseurs was due not to his compositions (which had an extremely narrow circulation), but due to his virtuosic abilities. Nevertheless, during his life, Bach received public

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accompaniment. The new system was at the core of Bach's style, and his compositions are to a large extent considered as laying down the rules for the evolving scheme that would dominate musical expression in the next centuries. Some examples of this characteristic of Bach's style and its influence:

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was the basis of much of his work. In elaborating these hymns into his chorale preludes, he wrote more cogent and tightly integrated works than most, even when they were massive and lengthy. The large-scale structure of every major Bach sacred vocal work is evidence of subtle, elaborate planning to

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and other Baroque instruments rather than on modern pianos and 19th-century romantic organs. Ensembles playing and singing Bach's music not only kept to the instruments and the performance style of his day but were also reduced to the size of the groups Bach used for his performances. But that was

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called the Mass in B minor the greatest composition ever. Bach's influence was felt in the next generation of early Romantic composers. When Abraham's son Felix, aged 13, produced his first Magnificat setting in 1822, it is clear that he had been inspired by the then-unpublished D major version of

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From 1720, when he was thirty-five until he died in 1750, Bach's harmony consists of this melodic interweaving of independent melodies, so perfect in their union that each part seems to constitute the true melody. Herein, Bach excels all the composers in the world. At least, I have found no one to

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used in his four-part Chorale settings, for example. Bach's canons, and especially his fugues, are the most characteristic of this style, which he did not invent but contributed to so fundamentally that he defined it to a large extent. Fugues are as characteristic to Bach's style as, for instance,

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are interpolated according to a grand plan. There are nine canons within the 30 variations; every third variation is a canon. These variations move in order from canon at unison to canon at the ninth. The first eight are in pairs (unison and octave, second and seventh, third and sixth, fourth and

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In 1717, Bach eventually fell out of favour in Weimar and, according to a translation of the court secretary's report, was jailed for almost a month before being unfavourably dismissed: "On November 6, , the quondam concertmaster and organist Bach was confined to the County Judge's place of

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In Germany throughout the century, Bach was coupled to nationalist feelings, and the composer was inscribed in a religious revival. In England, Bach was coupled with a revival of religious and baroque music. By the end of the century, Bach was firmly established as one of the greatest composers,

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put the composer's art in a wider perspective. Bach's music was extensively listened to, performed, broadcast, arranged, adapted, and commented upon in the 1990s. Around 2000, the 250th anniversary of Bach's death, three record companies issued box sets with complete recordings of Bach's music.

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on Catherine Street off the main market square; and during the summer months in the proprietor's outdoor coffee garden just outside the town walls, near the East Gate. The concerts, all free of charge, ended with Gottfried Zimmermann's death in 1741. Apart from showcasing his earlier orchestral

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notation and performance guide that Bach wrote for his eldest son, who was nine years old at the time. Bach was generally quite specific on ornamentation in his compositions (where in his time, much of the ornamentation was not written out by composers but rather considered a liberty of the

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Despite strong family connections and a musically enthusiastic employer, tension built up between Bach and the authorities after several years in the post. Bach felt discontented with the calibre of musicians he was collaborating with. He called one of them, Geyersbach, a "Zippel Fagottist"

4336:, his second eldest son, was most active in safeguarding his father's legacy: he co-authored his father's obituary, contributed to the publication of his four-part chorales, staged some of his works, and the bulk of previously unpublished works of his father were preserved with his help. 3622: 3640: 1899:

Bach's insistence on the tonal system and contribution to shaping it did not imply he was less at ease with the older modal system and the genres associated with it: more than his contemporaries (who had "moved on" to the tonal system without much exception), Bach often returned to the

2334: 2298: 2021: 2316: 3996: 3978: 1554:, a set of six chorale preludes transcribed from cantata movements Bach had composed some two decades earlier, were published within a year. Around the same time, the set of five canonic variations which Bach had submitted when entering Mizler's society in 1747 were also printed. 4264:

Throughout the 18th century, the appreciation of Bach's music was mostly limited to distinguished connoisseurs. The 19th century started with the publication of the first biography of the composer and ended with the completion and publication of all of Bach's known works by the

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Bach drew the soprano and alto choristers from the school and the tenors and basses from the school and elsewhere in Leipzig. Performing at weddings and funerals provided extra income for these groups; probably for this purpose, and for in-school training, he wrote at least six

654:, located about 30 kilometres (19 mi) southwest of Weimar. On 14 August 1703, he became the organist at the New Church, with light duties, a relatively generous salary, and a new organ tuned in a temperament that allowed music written in a wider range of keys to be played. 547:. There he studied, performed, and copied music, including his own brother's, despite being forbidden to do so because scores were so valuable and private, and blank ledger paper of that type was costly. He received valuable teaching from his brother, who instructed him on the 4038:

Bach composed and transcribed concertos for one to four harpsichords. Many of the harpsichord concertos were not original works, but arrangements of his concertos for other instruments are now lost. Several violin, oboe, and flute concertos have been reconstructed from these.

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From an early age, Bach studied the works of his musical contemporaries of the Baroque period and those of prior generations, and those influences were reflected in his music. Like his contemporaries Handel, Telemann and Vivaldi, Bach composed concertos, suites, recitatives,

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when he was fifteen years old. Bach later wrote several other works on the same theme. When Bach revisited Reincken in 1720 and showed him his improvisatory skills on the organ, Reincken reportedly remarked: "I thought that this art was dead, but I see that it lives in you."

2974:. Overall, the extant early works show remarkable mastery and skill. Many feature an instrumental opening which displays effective use of the limited instrumental forces available to Bach, whether it be in the subdued combination of two recorders and two violas de gamba for 3335: 606:, some two weeks' travel north of Ohrdruf. Their journey was probably undertaken mostly on foot. His two years there were critical in exposing Bach to a broader range of European culture. In addition to singing in the choir, he played the school's three-manual organ and 646:. His role there is unclear, but it probably included menial, non-musical duties. During his seven-month tenure at Weimar, his reputation as a keyboardist spread so much that he was invited to inspect the new organ and give the inaugural recital at the New Church (now 2815: 2814: 2203: 1340:, the music for which was partly based on his own cantatas and partly original. Bach's appointment as Court Composer was an element of his long-term struggle to achieve greater bargaining power with the Leipzig council. Between 1737 and 1739, Bach's former pupil 2986:, Bach's early cantatas are impressive evidence of how the modest means at his disposal did not restrain the composer in the slightest, and they compare favourably with compositions by the most talented composers from the beginning of the 18th century, such as 1104:

had been Thomaskantor in Leipzig from 1701 until his death on 5 June 1722. Bach had visited Leipzig during Kuhnau's tenure: in 1714, he attended the service at the St. Thomas Church on the first Sunday of Advent, and in 1717 he had tested the organ of the

677:. The visit to Buxtehude and Reincken involved a 450-kilometre (280 mi) journey each way, reportedly on foot. Buxtehude probably introduced Bach to his friend Reincken so that he could learn from his compositional technique (especially his mastery of the 4640:, the standard work on Bach's life and music. Throughout the 19th century, 200 books were published on Bach. By the end of the century, local Bach societies were established in several cities, and his music had been performed in all major musical centres. 2487:. Bach's known preoccupation with structure led (peaking around the 1970s) to various numerological analyses of his compositions, although many such over-interpretations were later rejected, especially when wandering off into symbolism-ridden hermeneutics. 2184: 2106:

are considered the pinnacle of what has been written for this instrument, only within reach of accomplished players. The music fits the instrument, pushing it to the full scale of its possibilities and requiring the virtuosity of the player but without

1958:, another early experimenter with modulation, seems to have avoided confrontation with Bach because the latter went further than anyone had done before. In the "Suscepit Israel" of his 1723 Magnificat, he had the trumpets in E-flat play a melody in the 3958: 2382: 3902:(BWV 1007–1012), are widely considered to be among the most profound in the repertoire. He wrote sonatas for a solo instrument such as the viola de gamba accompanied by harpsichord or continuo, as well as trio sonatas (two instruments and continuo). 1965:

The major development taking place in Bach's time, and to which he contributed in no small way, was a temperament for keyboard instruments that allowed their use in all available keys (12 major and 12 minor) and also modulation without retuning. His

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or "Little Organ Book", an unfinished collection of 46 short chorale preludes that demonstrate compositional techniques in the setting of chorale tunes. After leaving Weimar, Bach wrote less for organ, although some of his best-known works (the six

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Bach's cantatas vary greatly in form and instrumentation. Many consist of a large opening chorus followed by one or more recitative-aria pairs for soloists (or duets) and a concluding chorale. The melody of the concluding chorale often appears as a

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These strictly contrapuntal compositions, and most of Bach's music in general, are characterised by distinct melodic lines for each of the voices, where the chords formed by the notes sounding at a given point follow the rules of four-part harmony.

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which he later incorporated in his Mass in B minor. He presented the manuscript to the Elector in an eventually successful bid to persuade the prince to give him the title of Court Composer. He later extended this work into a full mass by adding a

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for harpsichord and organ; many of these transcribed works are still regularly performed. Bach was particularly attracted to the Italian style, in which one or more solo instruments alternate section-by-section with the full orchestra throughout a

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with Bible text reflected in recitatives, arias, choruses, and chorales, but in crafting this work, Bach created an overall experience that has been found over the intervening centuries to be both musically thrilling and spiritually profound.

1498: 3533: 2204: 2400: 2364: 2162: 424:, and by the end of that century, all of his known music had been printed. Dissemination of scholarship on the composer continued through periodicals (and later also websites) exclusively devoted to him and other publications such as the 2264: 2246: 2228: 711:. A month later, Bach's application was accepted, and he took up the post in July. The position included significantly higher remuneration, improved conditions, and a better choir. Four months after arriving at Mühlhausen, Bach married 3951: 3572: 2869: 2813: 2375: 1886: 2384: 3602: 3416: 930: 4131: 2905: 2851: 3620: 3434: 998:

with the intention of meeting Handel; however, Handel had left the town. In 1730, Bach's oldest son, Wilhelm Friedemann, travelled to Halle to invite Handel to visit the Bach family in Leipzig, but the visit did not take place.

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Bach was originally buried at Old St. John's Cemetery in Leipzig. His grave went unmarked for nearly 150 years, but in 1894 his remains were located and moved to a vault in St. John's Church. This building was destroyed by

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but was allowed to employ four "prefects" (deputies) to do this instead. The prefects also aided with musical instruction. A cantata was required for the church services on Sundays and additional church holidays during the

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in the course of a piece, is another style characteristic where Bach goes beyond what was usual in his time. Baroque instruments vastly limited modulation possibilities: keyboard instruments, prior to a workable system of

306:, granted him the title of court composer in 1736. In the last decades of his life, he reworked and extended many of his earlier compositions. He died of complications after a botched eye surgery in 1750 at the age of 65. 4329:, at least the remembered parts, was for the organ and the harpsichord. Thus, his reputation as a composer was initially mostly limited to his keyboard music, which was relatively limited in its value to music education. 3545: 2265: 2247: 2229: 4088: 3534: 3333: 1807:

to the next according to certain rules, each chord being characterised by four notes. The principles of four-part harmony are found not only in Bach's four-part choral music: he also prescribes it for instance for the

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Bach devoted more attention than his contemporaries to the structure of his compositions. This can be seen in minor adjustments he made when adapting someone else's composition, such as his earliest version of the

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were named after the composer. While by the end of the 19th century, Bach had been inscribed in nationalism and religious revival, the late 20th century saw Bach as the subject of a secularised art-as-religion

4910:). Tributes to Bach in the 20th century include statues erected in his honour and a variety of things such as streets and space objects being named after him. Also, a multitude of musical ensembles such as the 3639: 3425: 2333: 2297: 2257: 2239: 2221: 2022: 9993: 2315: 3995: 3977: 3443: 10508: 3505:, revised late in his life) were composed after leaving Weimar. Later in his life, Bach extensively consulted on organ projects, tested new organs, and dedicated playing organs to afternoon recitals. The 3334: 3570: 4193: 2867: 2811: 2721: 2201: 1866: 4614:(Bach Society) was founded to promote Bach's music. In the second half of the 19th century, the Society published a comprehensive edition of the composer's works. In 1854, Bach was deemed one of the 4238:. For other works, Bach's authorship was put in doubt without a generally accepted answer to the question of whether or not he composed it: the best-known organ composition in the BWV catalogue, the 3595: 4129: 2849: 12532: 4326: 2903: 2793: 2053:

Although Bach did not write any operas, he was not averse to the genre or its ornamented vocal style. In church music, Italian composers had imitated the operatic vocal style in genres such as the

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In his early youth, Bach copied pieces by other composers to learn from them. Later, he copied and arranged music for performance or as study material for his pupils. Some of these pieces, like "

2885: 2831: 4086: 2581: 2544:, a comprehensive edition of the composer's works that was produced between 1850 and 1900. The first edition of the catalogue listed 1,080 surviving compositions indisputably composed by Bach. 2483:. In the last years of his life, Bach revised several of his prior compositions. Often, recasting such previously composed music in an enhanced structure was the most visible change, as in the 1014:, a young, highly gifted soprano 16 years his junior, who performed at the court in Köthen; they married on 3 December 1721. Together they had 13 children, six of whom survived into adulthood: 4567: 4181: 1761:

Bach published or carefully compiled in manuscript many collections of pieces that explored the range of artistic and technical possibilities inherent in almost every genre of his time except

1062:, which he held for 27 years until his death. During that time he gained further prestige through honorary appointments at the courts of Köthen and Weissenfels, as well as that of the Elector 4457: 7610: 3667:, are intended for a harpsichord with two manuals: performing them on a keyboard instrument with a single manual (like a piano) may present technical difficulties for the crossing of hands. 2934:

and additional church cantatas for weddings and funerals. Approximately 200 of these sacred works are extant, an estimated two-thirds of the total number of church cantatas he composed. The

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was printed concurrently by Simrock (Germany), Nägeli (Switzerland) and Hoffmeister (Germany and Austria) in 1801. Vocal music was also published: motets in 1802 and 1803, followed by the E

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The first decades of the 19th century saw an increasing number of first publications of Bach's music: Breitkopf started publishing chorale preludes, Hoffmeister harpsichord music, and the

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and fugues). At a young age, he established a reputation for creativity and the ability to integrate foreign styles into his organ works. A decidedly North German influence was exerted by

1867: 950:(director of music) in 1717. Prince Leopold, himself a musician, appreciated Bach's talents, paid him well and gave him considerable latitude in composing and performing. The prince was a 3631: 5040:, so in 1950, Bach's remains were taken to their present grave in St. Thomas Church. Later research has called into question whether the remains in the grave are actually those of Bach. 1831:, he upgraded the viola part (which in the original composition plays in unison with the bass part) to fill out the harmony, thus adapting the composition to his four-part harmony style. 2325: 2289: 3571: 2868: 2812: 1885: 302:

and organ music. In Leipzig, as had happened during some of his earlier positions, he had difficult relations with his employer. This situation was little remedied when his sovereign,

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Stauffer, George B. (2008). "Music for "Cavaliers et Dames": Bach and the Repertoire of His Collegium Musicum". In Butler, Gregory G.; Stauffer, George B.; Greer, Mary Galton (eds.).

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equal him in music known to me. Even in his four-part writing, we can, not infrequently, leave out the upper and lower parts and still find the middle parts harmonious and agreeable.

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the design of the Bach-Werke-Verzeichnis was to keep such works out of the main catalogue: if there was a strong association with Bach they could be listed in its appendix (German:

4130: 3987: 3969: 2904: 2850: 2794: 1503: 4306:. Such highly placed appreciation contrasted with the humiliations he had to cope with, for instance, in Leipzig. Also in the contemporary press, Bach had his detractors, such as 13749: 2886: 2832: 13975: 13953: 12548: 12454: 12427: 4485:, who had married one of Itzig's granddaughters, bought a substantial collection of Bach manuscripts that had come down from C. P. E. Bach, and donated it to the 4155: 3546: 2119: 2057:. In Protestant surroundings, there was more reluctance to adopt such a style for liturgical music. For instance, Kuhnau, Bach's predecessor in Leipzig, had notoriously shunned 431: 370: 4087: 3535: 1614:, a man widely understood today as a charlatan and believed to have blinded hundreds of people. Bach died on 28 July 1750 from complications due to the unsuccessful treatment. 16455: 16450: 12882: 3032:, containing the chorale that is known in English as "Jesu, Joy of Man's Desiring", belongs to this first cycle. The cantata cycle of his second year in Leipzig is called the 2122:

so often, and that his melodies turn up in unexpected places such as jazz music. Apart from this, Bach left several compositions without specified instrumentation: the canons

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comprises two books, each of which presents a prelude and fugue in every major and minor key, displaying a dizzying variety of structural, contrapuntal and fugal techniques.

1120:, both of whom chose to stay where they were – Telemann in Hamburg and Graupner in Darmstadt – after using the Leipzig offer to negotiate improved conditions of employment. 14705: 10413: 3326: 2111:. Notwithstanding that the music and the instrument seem inseparable, Bach made transcriptions for other instruments of some pieces of this collection. Similarly, for the 1579:

in the last years of his life. Although the complete mass was never performed during the composer's lifetime, it is considered among the greatest choral works in history.

736: 3651: 2631: 715:, his second cousin. Bach convinced the church and town government at Mühlhausen to fund an expensive renovation of the organ at the Blasius Church. In 1708, Bach wrote 3073:. Only the first three Leipzig cycles are more or less completely extant. Apart from his own work, Bach also performed cantatas by Telemann and by his distant relative 10582: 7164: 4332:

Bach's surviving family members, who inherited a large part of his manuscripts, were not all equally concerned with preserving them, leading to considerable losses.

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When starting in the 19th century in Russia, there was a discussion about the authenticity of four-part court chant settings compared to earlier Russian traditions,

1670: 3115:). Many of the secular cantatas were lost, but for some of them, the text and occasion are known. For instance, when Picander later published their librettos (e.g. 1444:, for two-manual harpsichord, contained nine canons and was published in 1741. Throughout this period, Bach also continued to adopt music of contemporaries such as 5868: 5433: 2681: 465: 10047: 3656:

Bach wrote many works for harpsichord, some of which may also have been played on the clavichord or lute-harpsichord. Some of his more significant works, such as

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posts "upon the eventual ... decease of Mr. Bach". Becoming blind, Bach underwent eye surgery, in March 1750 and again in April, by the British eye surgeon

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detention for too stubbornly forcing the issue of his dismissal and finally on December 2 was freed from arrest with notice of his unfavourable discharge."

358: 8179: 4197: 16250: 7014: 6997: 4372:, who was in Berlin from 1774 to 1784. Sara Itzig Levy became an avid collector of works by Johann Sebastian Bach and his sons and was a "patron" of CPE Bach. 4164:" (copied not by Bach but by Anna Magdalena), became famous before being dissociated with Bach. Bach copied and arranged Italian masters such as Vivaldi (e.g. 2077:

or harpsichord, usually had the role of accompaniment, providing the harmonic and rhythmic foundation of a piece. From the late 1720s, Bach had the organ play

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By 3 April 1700, Bach and his school friend Georg Erdmann – who was two years older than Bach – were enrolled in the prestigious

13246: 12142:'s complete thematic catalogue, but useful as a handy reference tool for only the instrumental works of Bach and as a partial alternative to Schmieder's work. 8895: 1530:. The king played a theme for Bach and challenged him to improvise a fugue based on his theme. Bach obliged, playing a three-part fugue on one of Frederick's 9971: 9532: 1972:, a very early work, showed a gusto for modulation, unlike any contemporary work this composition has been compared to, but the full expansion came with the 10771: 7864: 3810:

fifth). The ninth canon stands on its own due to compositional dissimilarities. The final variation, instead of being the expected canon at the tenth, is a

2123: 848:, an honour that entailed performing a church cantata monthly in the castle church. The first three cantatas in the new series Bach composed in Weimar were 12827: 12461: 9804: 3885: 2651: 1430:). Bach's own style shifted in the last decade of his life, showing an increased integration of polyphonic structures and canons and other elements of the 390: 3459:

Bach was best known during his lifetime as an organist, organ consultant, and composer of organ works in both the traditional German free genres (such as

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The hundreds of sacred works Bach created are usually seen as manifesting not just his craft but also a truly devout relationship with God. He had taught

16410: 14021: 13264: 12447: 10524: 7242: 3454: 2621: 1150:, most composed within three years of his relocation to Leipzig. He assumed the office of Thomaskantor on 30 May 1723, presenting the first new cantata, 366: 7841: 7569: 6106: 5368: 6070: 3680:, in chromatic order from C major to B minor (thus, the whole collection is often referred to as "the 48"). "Well-tempered" in the title refers to the 2693: 444:", and of recordings, such as three different box sets with complete performances of the composer's oeuvre marking the 250th anniversary of his death. 12037: 10887: 13913: 13164: 12468: 7034: 3889: 3086: 2661: 2081:(i.e. as a soloist) with the orchestra in instrumental cantata movements, a decade before Handel published his first organ concertos. Apart from the 1538:, which was a new type of instrument at the time. Upon his return to Leipzig he composed a set of fugues and canons, and a trio sonata, based on the 1354:

in 1739. From around that year he started to compile and compose the set of preludes and fugues for harpsichord that would become his second book of

334: 10156: 7400: 4386:. A new generation of Bach aficionados emerged: they studiously collected and copied his music, including some of his large-scale works such as the 1557:

Two large-scale compositions occupied a central place in Bach's last years. From around 1742, he wrote and revised the various canons and fugues of

12543: 12440: 7924: 7607: 7101: 7073: 6968: 6943: 6930: 6904: 6853: 6840: 6815: 6762: 6751: 6717: 6667: 6642: 6631: 6605: 6580: 6555: 4017: 2611: 2000: 1978: 362: 3788:. The partitas expand the model further with elaborate introductory movements and miscellaneous movements between the basic elements of the model. 15876: 12821: 12383: 10022: 7726: 6878: 6692: 4931: 2473: 1968: 8278: 4207:), and music from members of his own family. He also often copied and arranged his own music (e.g. movements from cantatas for his short masses 1256:, assuming the directorship was a shrewd move that "consolidated Bach's firm grip on Leipzig's principal musical institutions". Every week, the 771:. Johann Sebastian and Maria Barbara had three more children – twins born in 1713 and a single birth; none survived until their first birthday. 16375: 16240: 11008: 10281: 8052: 4477: 4368:, a high official of Frederick the Great's court, venerated Bach. His eldest daughters took lessons from Kirnberger and their sister Sara from 3191: 2118:

In this sense, it is no surprise that Bach's music is easily and often performed on instruments it was not necessarily written for, that it is

9962: 9428: 430:(BWV, a numbered catalogue of his works) and new critical editions of his compositions. His music was further popularised through a multitude 13174: 13169: 12538: 12400: 12335: 10557: 10297: 4251: 3684:(system of tuning); many temperaments before Bach's time were not flexible enough to allow compositions to utilise more than just a few keys. 2515: 1713: 322: 122: 14041: 14121: 13042: 12475: 10265: 7593: 7523: 5883: 2975: 2416: 799:

In Weimar, Bach continued to play and compose for the organ and perform concert music with the duke's ensemble. He also began to write the

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has rich ornamentation in nearly every measure. Bach's dealing with ornamentation can also be seen in a keyboard arrangement he made of

13502: 8394: 8074: 7698: 3563: 3237: 2860: 2804: 1859: 516:. His uncles were all professional musicians whose posts included church organists, court chamber musicians, and composers. One uncle, 374: 9274: 7434: 4228: 4143:, BWV 208: composed for soprano, recorders, and continuo, the music of this movement exists in a variety of instrumental arrangements. 2982:. Bach's compositional skills also manifest through his daring harmonies and advanced, unprecedented chord progressions. According to 16350: 12580: 12308: 10051: 9374: 6322: 5398: 4956: 4413: 4345: 4321:

After his death, Bach's reputation as a composer initially declined: his work was regarded as old-fashioned compared to the emerging

4189: 1026:, who both, especially Johann Christian, became significant musicians; Johanna Carolina (1737–1781); and Regina Susanna (1742–1809). 165:. He is known for his prolific authorship of music across a variety of instruments and forms, including orchestral music such as the 16430: 16425: 8042: 7633: 6782: 5470: 5468: 4879:, a gramophone record containing a broad sample of the images, sounds, languages, and music of Earth, sent into space with the two 4417: 4208: 3183: 3065: 3024: 2776: 1183: 11507: 10676: 9668: 6232: 4277:, used by the composer in his own compositions, was used in dozens of tributes to the composer from the 19th century to the 21st. 851: 15952: 14679: 13207: 12520: 12422: 10405: 4122: 3173: 2966: 2896: 2842: 2671: 2571: 350: 9851: 8912: 5465: 1273:

and orchestral suites, many of Bach's newly composed or reworked pieces were performed for these venues, including parts of his

16355: 11724: 10829: 10614: 10444: 9652: 7951: 7546: 7353: 6407: 5020: 2911: 2786: 2466: 1877: 35: 10478: 10313: 9914: 6291: 6275: 5910: 4812: 4201: 2446:, Bach's first biographer, gives this description of this feature of Bach's music, which sets it apart from most other music: 682: 681:), his organ playing and his skills with improvisation. Bach knew Reincken's music very well; he copied Reincken's monumental 15983: 15896: 14031: 12928: 12752: 12225: 12206: 12185: 12164: 12110: 12060: 12022: 12003: 11982: 11965: 11943: 11936:

George Frideric Handel: A Music Lover's Guide to His Life, His Faith & the Development of Messiah and His Other Oratorios

11924: 11887: 11814: 11790: 11751: 11732: 11709: 11677: 11655: 11636: 11618: 11592: 11570: 11495: 11469: 11396: 11365: 11352: 11333: 11307: 11288: 11269: 11127: 11101: 11066: 11037: 10993: 10959: 10929: 10806: 10663: 10248: 10213: 10129: 9909: 9212: 8134: 8023: 7692: 6437: 6012: 5765: 5345: 5135:

Johann Sebastian Bach drafted a genealogy around 1735, titled "Origin of the musical Bach family", printed in translation in

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in 1845. Bach's music was transcribed and arranged to suit contemporary tastes and performance practice by composers such as

4515: 4239: 3819: 3397: 3223: 3054: 2408:

A strictly contrapuntal composition (the two violins playing in canon throughout) in the guise of an Italian type of concerto

954:

and did not use elaborate music in his worship; accordingly, most of Bach's work from this period was secular, including the

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Bach also wrote secular cantatas, for instance for members of the royal Polish and prince-electoral Saxonian families (e.g.

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Johann Sebastian Bach's noch wenig bekannte Orgelcompositionen (auch am Pianoforte von einem oder zwei Spielern ausführbar)

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among those creating jazz versions of his works. Several 20th-century composers referred to Bach or his music, for example

4728:

far from the only way Bach's music came to the forefront in the 20th century: his music was heard in versions ranging from

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Bach's mother died in 1694, and his father died eight months later. The 10-year-old Bach moved in with his eldest brother,

421: 9405: 16415: 16014: 15869: 14630: 12376: 11857:"Verzeichnis der bis zum Jahre 1851 gedruckten (und der geschrieben im Handel gewesenen) Werke von Johann Sebastian Bach" 10822: 9598: 6529: 3128: 10307: 10291: 9313: 5860: 5787: 5657: 4260:

The church in Arnstadt where Bach had been the organist from 1703 to 1707. In 1935, the church was renamed "Bachkirche".

4224: 939: 813:("clavier" meaning clavichord or harpsichord), consisting of two books, each containing 24 preludes and fugues in every 16465: 16390: 16365: 15694: 12842: 11856: 10275: 9700: 9490: 7115: 5049: 5037: 4076: 3871: 2195: 1221:. As part of his regular church work, he performed other composers' motets, which served as formal models for his own. 835:

when he advised the authorities during a renovation by Christoph Cuntzius of the main organ in the west gallery of the

10107: 2102:

Bach wrote virtuoso music for specific instruments as well as music independent of instrumentation. For instance, the

1248:

Bach broadened his composing and performing beyond the liturgy by taking over, in March 1729, the directorship of the

16400: 16385: 16051: 15941: 15820: 15719: 12832: 12670: 11546: 11438: 11241: 11013: 5109: 4935: 4842: 4716: 4636: 4364:, contributed to the dissemination of his legacy. The early devotees were not all musicians; for example, in Berlin, 3925: 3921: 3355: 1318: 1172: 706: 15112: 14789: 12304: 10680: 4211:), as his music was likewise copied and arranged by others. Some of these arrangements, like the late 19th-century " 2938:

website lists 50 known secular cantatas by the composer, about half of which are extant or largely reconstructable.

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28 July 1950: memorial service for Bach in Leipzig's Thomaskirche, on the 200th anniversary of the composer's death

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Bach's predecessor as cantor, Johann Kuhnau, had also been music director for the St. Paul's Church, the church of

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organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France.

16435: 15959: 15077: 13937: 13585: 13102: 13048: 12744: 12502: 11852: 10646: 7861: 7318: 7206:– Ein pythagoreisches Werk und seine Verwirklichung", Mainz 2004; Hans-Eberhard Dentler: "Johann Sebastian Bachs 7126: 5815: 4895: 3929: 3689: 3502: 3269: 2979: 2350: 2050:: he added explicit ornamentation, which some centuries later is played by oboists when performing the concerto. 1470: 1019: 836: 338: 10239:

Chromatic Completion in the Late Vocal Music of Haydn and Mozart: A Technical, Philosophic, and Historical Study

8040:"The Libretto of Bach's John Passion and the Doctrine of Reconciliation: An Historical Perspective", pp. 179–203 6361: 16335: 15862: 15547: 15542: 14620: 13652: 13545: 13495: 13060: 12872: 12369: 12271: 7476: 4723:

acquiring prominence through their performances of Bach's music. His keyboard music was again performed on the

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In January 1703, shortly after graduating from St. Michael's and being turned down for the post of organist at

441: 10521: 7233: 3693:(BWV 772–801). These short two- and three-part contrapuntal works are arranged in the same chromatic order as 3207: 1474:, their final revisions. He also programmed and adapted music by composers of a younger generation, including 1074:. Bach frequently disagreed with his employer, Leipzig's city council, which he regarded as "penny-pinching". 718: 16460: 15714: 15430: 14416: 13982: 13960: 12675: 12513: 12102: 11953: 11253: 6099: 5012: 4968: 4854: 4780: 3045: 3041: 3014: 497: 493: 158: 88: 76: 14126: 12976: 9714: 9179: 9124: 8225: 6063: 4394:, a high-ranking Austrian official who was instrumental in passing Bach's legacy on to the composers of the 4325:

style. He was remembered more as a virtuoso organ player and a teacher. The bulk of the music that had been

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libretto is best known. However, there was a similar process in achieving a multi-layered structure for his

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performed by the Fulda Symphonic Orchestra conducted by Simon Schindler with Johannes Volker Schmidt (piano)

1563:, which he continued to prepare for publication until shortly before his death. After extracting a cantata, 1453: 505: 16405: 15315: 14774: 14446: 13852: 13561: 13553: 13137: 11916: 11513: 10848: 8169: 4741: 4554: 4273:, he began to be regarded as one of the greatest composers, a reputation he has maintained ever since. The 4235: 3853: 3841: 3717: 3676:, Books 1 and 2 (BWV 846–893). Each book consists of a prelude and fugue in each of the 24 major and minor 3371: 3126:

Some of the surviving secular cantatas have a plot involving mythological figures of Greek antiquity (e.g.

1902: 1849: 1782: 1047: 610:. He also came into contact with sons of aristocrats from northern Germany who had been sent to the nearby 551:. Johann Christoph exposed him to the works of great composers of the day, including South Germans such as 10007: 10003: 9924: 9861: 9678: 9240: 9093: 9071: 9067: 9045: 9023: 9001: 8997: 8975: 8875: 8866: 8854: 8842: 8830: 8818: 8806: 8794: 8782: 8770: 8758: 8746: 8734: 8722: 8710: 8698: 8686: 8674: 8662: 8650: 8638: 8626: 8614: 8602: 8590: 8578: 8566: 8554: 8542: 8530: 8518: 8506: 8494: 8482: 8470: 8458: 8446: 8434: 8422: 8410: 8398: 8386: 8374: 8362: 8350: 8338: 8326: 8314: 8302: 8290: 8157: 7974: 7579: 7363: 6301: 6285: 6242: 5893: 5838: 5352:

And of course the greatest master of harmony and counterpoint of all time was Johann Sebastian Bach, 'the

5000:

In 2019, Bach was named the greatest composer of all time in a poll conducted among 174 living composers.

1946:, limited the keys that could be modulated to, and wind instruments, especially brass instruments such as 16440: 16100: 15142: 15042: 14672: 13200: 10335: 10323: 10153: 9662: 7961: 7388: 4303: 4169: 3199: 1822: 1777: 1735: 1661:, although still unfinished, was published in 1751. Together with one of the composer's former students, 1475: 1109:. In 1716, Bach and Kuhnau had met on the occasion of the testing and inauguration of an organ in Halle. 724: 16163: 13967: 10091: 10063: 7912: 7098: 7070: 6963: 6938: 6924: 6898: 6848: 6835: 6810: 6759: 6748: 6712: 6662: 6639: 6628: 6600: 6575: 6550: 4344:

but after becoming unemployed sold part of the large collection of his father's works he owned. Several

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Unpartheyische Anmerckungen über eine bedenckliche stelle in dem Sechsten stück des Critischen Musicus.

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Bach wrote for single instruments, duets, and small ensembles. Many of his solo works, such as the six

3865: 2082: 1677: 1583: 1418: 1090: 1086: 1043: 1039: 420:, was appreciated for its didactic qualities. The 19th century saw the publication of some significant 279: 222:

already counted several composers when Johann Sebastian was born as the last child of a city musician,

15009: 14356: 10019: 9572: 8948:"Especially in its opening chorus, it is one of Bach's contrapuntal masterpieces": Robin A. Leaver in 7723: 6873: 6687: 5306: 4837:

publications of the Neue Bachgesellschaft, but various other biographies and studies by, among others

2061:

and Italian virtuoso vocal music. Bach was less moved. One of the comments after a performance of his

1731:

chords and progressions, often with extensive exploration of harmonic possibilities within one piece.

787:. Bach absorbed these stylistic aspects to a certain extent by transcribing Vivaldi's string and wind 599: 161:

21 March] 1685 – 28 July 1750) was a German composer and musician of the late

16420: 16031: 15746: 15290: 15235: 14864: 14859: 14834: 14697: 14391: 14381: 14256: 13488: 13360: 12970: 12964: 12921: 11832: 11828: 10504:"And Nowhere Bach. Bach Reception in a Late Twentieth-Century Dutch Composition by Elmer Schönberger" 9896:"Chapter twelve: Wilhelm Friedemann Bach's Halle performances of cantatas by his father", pp. 202–228 7155: 7151: 4404: 4353: 4333: 3672: 3215: 2484: 1915: 1728: 1662: 1405: 809: 764: 536: 470: 187: 17: 14401: 14296: 13348: 12341: 10772:"JS Bach is the greatest composer of all time, say today's leading composers for BBC Music Magazine" 9785: 4447: 4375:

While in Leipzig, performances of Bach's church music were limited to some of his motets, and under

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in singing and provide church music for the main churches in Leipzig. He was also assigned to teach

16169: 15260: 15137: 15067: 14904: 14884: 14526: 14306: 13676: 13569: 13354: 12355: 11487: 11430: 11388: 11325: 9761: 9736:

Johann Sebastian Bach. Letter to Augustus III of Poland. 27 July 1733; Quoted in Hans T. David and

9436: 7769: 5077: 4993: 4891: 4709: 4054: 4048: 2995: 2960: 2931: 2435: 2047: 1827: 1483: 1313:

in a mirror image topped with a crown. The flanking letters illustrate the arrangement on the seal.

955: 394: 215:, he has been generally regarded as one of the greatest composers in the history of Western music. 14161: 13725: 10554: 10392: 10355: 10073: 9708: 8126: 7133: 7011: 6994: 4680:, the first major performer to record these suites. Leading performers of classical music such as 2073:

In concerted playing in Bach's time, the basso continuo, consisting of instruments such as organ,

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For more information, please click the articles on performers; see also reviews and listings in

3358:. Near the end of his life, around 1748–1749, he expanded this composition into the large-scale 2194:

This video shows the intertwining of melodies and motives, including the melody of the chorale "

1727:. Bach's music was harmonically more innovative than his peer composers, employing surprisingly 1058:. This was "the leading cantorate in Protestant Germany", located in the mercantile city in the 16470: 16295: 16194: 15843: 15833: 15772: 15325: 15182: 15107: 15102: 15072: 14924: 14665: 14061: 13660: 13469: 13420: 13402: 13336: 13193: 12645: 12615: 12409: 11778: 11003: 9959: 9811: 7837: 5965: 4862: 4549:, and the Mass in B minor. A series of organ compositions saw their first publication in 1833. 4472: 4379: 4295: 2987: 2531: 2472:, where he enhances scene transitions, and in the architecture of his own compositions such as 2443: 2353:

performed by the Advent Chamber Orchestra with David Perry and Roxana Pavel Goldstein (violins)

1842:, were considered as foreign-influenced models. Such influence was deemed unavoidable, however. 1839: 1445: 1359: 1166: 1113: 1063: 987: 986:

Despite being born in the same year and only about 130 kilometres (80 mi) apart, Bach and

741: 556: 426: 303: 14176: 12786: 12150: 12052: 10237: 10202: 9895: 9724: 8102:. Leipzig: Breitkopf & Härtel, 1950. It was unaltered through its eighth printing in 1986. 7999: 6371: 6002: 5810: 5755: 5447: 5337: 4867: 4489:. The Sing-Akademie occasionally performed Bach's works in public concerts, for instance, his 4109: 3912:

are late contrapuntal works containing pieces for unspecified or combinations of instruments.

1307:

Bach's seal (centre), used throughout his Leipzig years. It contains the superimposed letters

16113: 15933: 15885: 15709: 15310: 15240: 15197: 15157: 15147: 14824: 14769: 14511: 14456: 14426: 14331: 14196: 13945: 13875: 13636: 13593: 13294: 13030: 13018: 13000: 12781: 12731: 12417: 11870: 11199: 10939: 9202: 8256: 5825: 5742: 5302: 5149: 4915: 4884: 4876: 4829: 4572: 4395: 4391: 4223:, abbreviated as Anh.). Thus, for instance, the aforementioned Mass for double chorus became 4105: 4072:

Some of Bach's most popular melodies are, more often than not, heard in various arrangements:

4007: 3706: 3180:. Several of them were composed for funerals. The six motets definitely composed by Bach are 3033: 2947: 2925: 2722:

List of masses, passions and oratorios by Johann Sebastian Bach § Passions and oratorios

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performer), and his ornamentation was often quite elaborate. For instance, the "Aria" of the

1611: 1341: 1135: 1023: 968: 647: 501: 461: 330: 275: 223: 167: 31: 8066: 7678: 5443: 2963:

date from his years in Arnstadt and Mühlhausen. The earliest surviving work in the genre is

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Sonata No. 3 in G minor for viola da gamba and harpsichord BWV 1029 performed by John Michel

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In 1735, Bach started preparing his first organ music publication, which was printed as the

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with Bach's handwritten corrections and additions from before August 1748 – description at

7041:; letter of Mizler to Spieß, 29 June 1748, in: Hans Rudolf Jung and Hans-Eberhard Dentler: 4979: 4955:

In the 21st century, Bach's compositions have become available online, for instance at the

4923: 4858: 4749: 4733: 4720: 4550: 4421: 4307: 3712: 3491: 3176:(BWV 225–231) are pieces on sacred themes for choir and continuo, with instruments playing 3009:

in late May 1723, Bach performed a cantata each Sunday and feast day, corresponding to the

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An inventory drawn up a few months after Bach's death shows that his estate included five

1550: 1348: 8: 16182: 16073: 15704: 15340: 15285: 15275: 15132: 15087: 14939: 14929: 14879: 14759: 14596: 14561: 14466: 14341: 14136: 14081: 14066: 13889: 13704: 13577: 13537: 13408: 13240: 13078: 12958: 12765: 12759: 12695: 12630: 11665: 11606: 11227: 11212: 11021: 9690: 7235:

Johann Sebastian Bach's Mass in B Minor: The Greatest Artwork of All Times and All People

6059: 5406: 5153: 4972: 4816: 4804: 4760: 4755: 4693: 4673: 4482: 4361: 4299: 4256: 4212: 4100: 3899: 3801:. The collection has a complex and unconventional structure: the variations build on the 3793: 3681: 3480: 2112: 2043: 2013: 1943: 1523: 1440: 1413: 1389: 1011: 959: 670: 564: 552: 436: 299: 230:. After being orphaned at the age of 10, he lived for five years with his eldest brother 181: 172: 15295: 12620: 11901: 11688: 10593: 8039: 7627: 7480: 3758:). The English Suites closely follow the traditional model, adding a prelude before the 3664: 3657: 3341:

performed by Solomija Drozd (voice), Petro Titiajev (violin) and Ivan Ostapovych (organ)

16189: 16007: 15280: 15202: 15167: 15117: 15097: 15047: 14809: 14799: 14615: 14556: 14486: 14386: 14366: 14266: 14226: 14191: 14186: 14166: 14106: 14091: 14086: 14071: 14051: 13819: 13795: 13644: 13342: 13119: 13072: 12655: 12605: 12146: 12139: 12043: 11699: 11629:

Worship Wars in Early Lutheranism: Choir, Congregation, and Three Centuries of Conflict

11534: 11116: 10879: 10867: 10767: 9347: 8112: 8100:

Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach

8095: 7599: 7159: 7004:, Felbick 2012, 284. In 1746, Mizler announced the membership of three famous members, 4919: 4824: 4534: 3074: 2754: 2732: 2525: 2521: 1934: 1907: 1702:

reads: "NB Bey einer andächtigen Musiq ist allezeit Gott mit seiner Gnaden Gegenwart" (

1666: 1225: 1117: 1055: 1007: 712: 592: 525: 203: 15265: 14829: 14481: 13258: 12791: 12294: 12175: 11427:

Bach in Berlin: Nation and Culture in Mendelssohn's revival of the St. Matthew Passion

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Bach left Mühlhausen in 1708, returning to Weimar this time as organist and from 1714

15839: 15797: 15532: 15481: 15082: 14934: 14914: 14894: 14889: 14749: 14566: 14531: 14461: 14351: 14346: 14271: 14026: 13718: 13066: 12722: 12221: 12202: 12181: 12160: 12106: 12056: 12018: 11999: 11978: 11961: 11939: 11920: 11883: 11840: 11810: 11804: 11786: 11766: 11747: 11728: 11705: 11673: 11651: 11632: 11614: 11588: 11566: 11560: 11542: 11523: 11491: 11465: 11434: 11392: 11361: 11348: 11329: 11303: 11284: 11265: 11137: 11123: 11097: 11087: 11062: 11033: 10989: 10965: 10955: 10925: 10871: 10802: 10244: 10209: 10125: 10077: 9905: 9208: 8130: 8019: 7688: 7299: 7291: 6729: 6008: 5906: 5761: 5341: 5327: 4838: 4808: 4737: 4681: 4609: 4529: 4507: 4357: 4266: 3798: 3697:, omitting certain rarer keys. Bach intended these pieces for instructional purposes. 3405: 3295: 3275: 3146: 1792: 1370:

From 1740 to 1748 Bach copied, transcribed, expanded or programmed music in an older

1249: 780: 291: 193: 16222: 15741: 13185: 12120: 12035:; Emery, Walter; Wollny, Peter; Leisinger, Ulrich; Roe, Stephen (17 January 2018) . 10606: 10470: 10436: 10069:

Chronologisch-thematisches Verzeichniss sämmtlicher Tonwerke Wolfgang Amade Mozart's

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Listing of manuscripts of Bach compositions once in the possession of C. P. E. Bach

9781: 7825: 7283: 5998: 5918: 5092: 4792: 4774: 4765: 4729: 4311: 3464: 3383: 2034: 1995: 1976:, using all keys, which Bach apparently had been developing since around 1720, the 1754: 1745: 1559: 1508:. In order to be admitted Bach had to submit a composition, for which he chose his 828: 793: 784: 622: 560: 14576: 14546: 14316: 14286: 14096: 13396: 12253: 10659: 4412:

owned a copy of one of Bach's motets, transcribed some of his instrumental works (

3485: 3401: 2764:

was the first passion Bach composed during his tenure as Thomaskantor in Leipzig.

2154: 1276: 823: 263: 145: 16153: 16128: 16106: 16058: 16046: 15972: 15901: 15756: 15646: 15569: 15445: 15270: 15192: 15052: 15032: 14994: 14909: 14764: 14739: 14645: 14640: 14586: 14521: 14371: 14231: 14221: 14216: 14151: 14111: 14076: 14011: 13695: 13108: 12847: 12685: 12507: 12032: 11991: 11422: 11317: 11258: 11233: 11218: 11203: 11189: 11167: 11159: 11155: 11077: 11058: 11048: 10947: 10796: 10642: 10635: 10589: 10561: 10528: 10160: 10067: 10026: 9966: 9955: 9899: 9820: 9704: 9459: 8899: 8046: 7868: 7730: 7637: 7614: 7438: 7287: 7130: 7119: 7105: 7077: 7018: 7001: 6972: 6947: 6934: 6908: 6882: 6857: 6844: 6819: 6789: 6766: 6755: 6721: 6696: 6671: 6646: 6635: 6609: 6584: 6559: 6318: 6095: 5791: 5331: 5016: 4964: 4911: 4899: 4880: 4850: 4701: 4652: 4619: 4592: 4562: 4540: 4387: 4383: 4161: 4139: 4058: 4021: 3726:, BWV 825–830). Each collection contains six suites built on the standard model ( 3559:

Prelude No. 1 in C major BWV 846 performed on harpsichord by Robert Schröter

3523: 3472: 3460: 3359: 3349: 3320: 3283: 3144:). Although Bach never expressed any interest in opera, his secular cantatas, or 3111: 3105: 3099: 3037: 2983: 2760: 2742: 2737: 2727: 2054: 1947: 1576: 1423: 1253: 879: 800: 776: 342: 208: 15057: 11229:

Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685–1750

11214:

Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685–1750

11191:

Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685–1750

9637: 7687:. Vol. Bach Studies. Cambridge: Cambridge University Press. pp. 3–17. 5270: 4603:

were among the composers who promoted Bach's music or wrote glowingly about it.

4137:

The aria "Schafe können sicher weiden" (Sheep May Safely Graze), No. 9 from the

1582:

In January 1749, Bach's daughter Elisabeth Juliane Friederica married his pupil

1082: 16307: 16217: 16200: 15486: 15460: 15395: 15305: 15187: 15152: 14854: 14819: 14724: 14551: 14516: 14421: 14406: 14291: 14181: 14156: 14146: 13773: 13668: 13609: 13450: 13384: 13330: 13312: 13300: 13282: 12665: 12640: 12130: 11897: 11185: 11111: 10977: 9397: 7872: 7764: 5402: 5336:. Cambridge, Massachusetts: Belknap Press of Harvard University Press. p. 5122: 4689: 4668:

During the 20th century, the process of recognising the musical as well as the

4631: 4600: 4596: 4584: 3140: 3018: 2708:

Bach's autograph of the recitative with the gospel text of Christ's death from

2074: 1955: 1724: 1595: 1291: 1162: 1067: 568: 15751: 12610: 12194: 11602: 11580: 9606: 8116: 7813: 6521: 4978:

In 2015, Bach's handwritten personal copy of the Mass in B minor, held by the

4846: 3021:

of 1723 to Trinity Sunday the next year. For instance, the Visitation cantata

1690: 659: 16329: 16143: 15787: 15666: 15641: 15626: 15574: 15517: 15507: 15385: 15320: 15172: 15127: 14974: 14964: 14959: 14899: 14784: 14779: 14688: 14625: 14601: 14581: 14571: 14506: 14496: 14361: 14336: 14251: 14246: 14241: 14171: 14141: 14131: 13804: 13511: 13432: 13318: 13114: 12852: 12812: 12625: 12600: 12351: 12015:

The World of the Bach Cantatas: Johann Sebastian Bach's Early Sacred Cantatas

11861: 11479: 11373:

Wolff, Christoph; Emery, Walter (20 January 2001). "Bach, Johann Sebastian".

11232:. Vol. 3. Translated by Clara Bell; J. A. Fuller Maitland. London: 11217:. Vol. 2. Translated by Clara Bell; J. A. Fuller Maitland. London: 11173: 11145: 10952:

The New Bach Reader: A Life of Johann Sebastian Bach in Letters and Documents

10943: 10509:

Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis

10198: 9737: 9520: 9305: 8011: 7784: 7629:

St. Petersburg Court Chant and the Tradition of Eastern Slavic Church Singing

7295: 5784: 5649: 4942: 4927: 4697: 4685: 4341: 4113: 3806: 3701: 3167: 2991: 2954: 1853: 1804: 1682:, a periodical journal produced by the Society of Musical Sciences, in 1754. 1650: 1231: 1101: 995: 945: 832: 588: 521: 489: 402: 354: 318: 267: 162: 60: 12893: 12331: 10969: 9694: 9568:"The Art of Fugue | History, Description & Facts | Britannica" 7109: 4057:, each suite being a series of stylised dances for orchestra, preceded by a 4016:, so named because he submitted them in the hope of gaining employment from 3476: 2272:

Continuo instruments moving to the front (here performed on cello and piano)

696: 563:(under whom Johann Christoph had studied); North Germans; Frenchmen such as 251: 16319: 16176: 15731: 15726: 15699: 15636: 15217: 14949: 14944: 14734: 14491: 14471: 14436: 14396: 14326: 14301: 14281: 14261: 13828: 13390: 13378: 13270: 13220: 13216: 13159: 12738: 12715: 12690: 12650: 12635: 12497: 12318: 12257: 11824: 10875: 10705: 10466: 10338:. Magnificat, MWV A2 edited by Pietro Zappalà. Carus, 1996. Foreword, p. VI 10103: 10081: 9355: 8862: 8850: 8153: 7857: 7303: 7085: 6976: 6951: 6912: 6886: 6861: 6823: 6770: 6725: 6700: 6675: 6650: 6613: 6588: 6563: 4960: 4796: 4769: 4677: 4576: 4443: 4399: 4376: 4365: 4322: 4270: 4020:

in 1721; his application was unsuccessful. These works are examples of the

3857: 3279: 3004: 2935: 2921: 2422: 1951: 1911: 1809: 1720: 1572: 1397: 1376: 1147: 1035: 1003: 864: 635: 607: 572: 513: 386: 326: 310: 271: 212: 11844: 11770: 9960:"A Bach Cult in Late-Eighteenth-Century Berlin: Sara Levy's Musical Salon" 6100:"From konzertmeister to thomaskantor: Bach's cantata production 1713–1723" 4959:. High-resolution facsimiles of Bach's autographs became available at the 4242:, was indicated as one of these uncertain works in the late 20th century. 3776:. The French Suites omit preludes but have multiple movements between the 16133: 16123: 16095: 15687: 15682: 15599: 15410: 15405: 15375: 15250: 15230: 14979: 14814: 14804: 14441: 14411: 14201: 14056: 14046: 14003: 13882: 13868: 12937: 12575: 12246: 12218:

J. S. Bach as Organist: His Instruments, Music, and Performance Practices

12156: 11083: 11054: 10985: 10844: 9742:

The Bach Reader: A Life of Johann Sebastian Bach in Letters and Documents

8838: 8826: 8814: 8802: 8790: 8778: 8766: 4930:

were held on several continents, and competitions and prizes such as the

4907: 4745: 4724: 4580: 4227:. But this was far from the end of the attribution issues. For instance, 3677: 3375: 3177: 3133: 3120: 3116: 2431: 2078: 1938: 1919: 1796: 1749:

create a religiously and musically powerful expression. For example, the

1695: 1622: 1618: 1591: 1401: 1265: 1112:

The position was offered to Bach only after it had been offered first to

990:

never met. In 1719, Bach made the 35-kilometre (22 mi) journey from

860: 818: 814: 692: 479: 255: 219: 132: 15854: 12361: 10533: 8140: 6733: 4715:

A significant development in the later part of the 20th century was the

4192:), and, closer to home, various German masters including Telemann (e.g. 2692:

were added to the catalogue in the second half of the 20th century, and

737:

Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172 § Background

603: 457: 235: 54: 16212: 16207: 16118: 16069: 15992: 15651: 15559: 15527: 15425: 15390: 15365: 14101: 13780: 13234: 12817: 12526: 11195: 8754: 8742: 8730: 8718: 6794: 4274: 3379: 3093: 3010: 1959: 1531: 662: 548: 259: 243: 10727:"Autograph of h-Moll-Messe (Mass in B minor) by Johann Sebastian Bach" 10503: 7326: 7123: 4310:, suggesting he write less complex music, and his supporters, such as 3518: 3260:

Bach wrote hundreds of four-part harmonisations of Lutheran chorales.

15914: 15907: 15604: 14874: 14116: 13997: 13125: 12345: 11800: 9810:

Leipzig, April 1738. Includes a reprint of Johann Abraham Birnbaum's

8277:

Bach's secular cantatas in BWV order, each followed by a link to the

5165: 5008: 4800: 3811: 3745: 3729: 2426: 1990: 1703: 1487: 1449: 1385: 1371: 951: 894: 239: 7369: 5333:

The Triumph of Music: The Rise of Composers, Musicians and Their Art

4990:, a program intended to protect culturally significant manuscripts. 3530:(title page) – performed by Mehmet Okonsar on organ and harpsichord 3158:

Bach's a cappella music includes motets and chorale harmonisations.

1542:(theme of the king). Within a few weeks this music was published as 674: 15946: 15656: 15631: 15579: 15564: 15537: 15355: 15330: 13480: 12837: 12481: 12263: 12138:.: First published in 1867; superseded, for scholarly purposes, by 9351: 8961:"one of Bach's best-known church works" wrote David Schulenberg in 8706: 8694: 8682: 8598: 8562: 8526: 8478: 8382: 8370: 8358: 8346: 4833:. All kinds of publications involved Bach: not only were there the 4705: 4669: 4615: 4490: 4173: 4165: 4151: 4095: 3945: 3920:

Surviving works in the concerto form include two violin concertos (

3802: 3737: 3243: 2495: 2491: 2282: 2090: 1818: 1800: 1654: 1518: 1479: 1427: 1409: 925: 831:

tunes set in complex textures. In 1713, Bach was offered a post in

788: 703:

performed on Easter, 24 April 1707, likely an early version of his

651: 580: 485: 413: 287: 247: 227: 93: 63: 11026:

Music in the Castle of Heaven: A Portrait of Johann Sebastian Bach

7274:

Zegers, Richard H.C. (2005). "The Eyes of Johann Sebastian Bach".

7202:

17 (1975), 95–115; Hans-Eberhard Dentler: "Johann Sebastian Bachs

7112:

Clavierübung III, Schübler-Chorales, Canonische Veränderungen

5303:"Johann Sebastian Bach | Biography, Music, Death & Facts" 4064: 920: 59:

1748 portrait of Bach, showing him holding a copy of the six-part

15777: 15584: 15554: 15522: 15512: 15465: 15440: 15435: 15370: 15350: 12298: 12126:

Thematisches Verzeichnis der Instrumentalwerke von Joh. Seb. Bach

9171: 9116: 8670: 8658: 8646: 8634: 8622: 8610: 8586: 8574: 8550: 8538: 8514: 8502: 8490: 8466: 8454: 8442: 8430: 8418: 8406: 8334: 8322: 8310: 8298: 8286: 8217: 5161: 5157: 4672:

value of some of the works continued, as in the promotion of the

4623: 4511: 3850: 3468: 2704: 2149: 2108: 1923: 1564: 1527: 1457: 1393: 1298: 1094: 1071: 700: 540: 314: 283: 111: 14657: 7875:'s 2015 recording of the concertos, Harmonia mundi HMC 902181.82 7816:(organ) and Le Parlement de Musique conducted by Martin Gester. 7341: 4340:, the eldest son, performed several of his father's cantatas in 3103:). The text of these cantatas was occasionally in dialect (e.g. 357:, not only in his larger vocal works but, for instance, also in 15978: 15736: 15594: 10550: 9232: 7495: 7052: 5524: 5372: 5117: 4983: 4883:

probes. The Bach pieces included are the First Movement of the

4481:, the first Bach biography, dedicated to van Swieten. In 1805, 4156:

List of transcriptions of compositions by Johann Sebastian Bach

3861: 3362:. The work was never performed in full during Bach's lifetime. 2421:

Another characteristic of Bach's style is his extensive use of

1646: 1626: 643: 617: 509: 309:

Bach enriched established German styles through his mastery of

12906: 12878: 9904:

edited by Daniel R. Melamed. Cambridge University Press 2006.

9352:"18th Century Quotations Relating to J. S. Bach's Temperament" 6124: 5760:(2nd ed.). University Rochester Press. pp. 104–106. 5477:, II. List of all family members alphabetically by first name. 3515:

are organ works Bach published in the last years of his life.

1460:), and gave many of his own earlier compositions, such as the 15621: 15616: 15589: 15455: 15360: 10849:"Are the alleged remains of Johann Sebastian Bach authentic?" 10684: 10165: 9878: 7845: 5843: 5353: 5098: 3753: 3246:

160), other parts of which may be based on work by Telemann.

2058: 1799:

in Western tradition was largely supplanted in favour of the

1762: 1634: 1630: 1218: 1130: 972:. Bach also composed secular cantatas for the court, such as 804: 678: 584: 412:

Throughout the 18th century, Bach was primarily valued as an

406: 11763:

Johann Sebastian Bach: An Introduction to His Life and Works

10031: 9098: 9076: 9050: 9028: 9006: 8980: 7979: 7735: 4408:

and the Mass in B minor and was influenced by Bach's music.

1708:

In a music of worship God is always present with his grace).

1303: 15502: 15450: 15420: 15415: 15400: 15380: 12428:

Masses, Mass movements, Magnificats, Passions and Oratorios

11958:

The Organ Music of J. S. Bach, Volume II: BWV 599–771, etc.

11744:

Bach's Works for Solo Violin: Style, Structure, Performance

11154:, first published in French in 1905 and in German in 1908.( 10610: 8170:"BWV 1128: A recently discovered Bach organ work" pp. 22–23 7878: 7795: 6476: 5101: 4788: 4656:

1908 Statue of Bach in front of the Thomaskirche in Leipzig

3652:

List of solo keyboard compositions by Johann Sebastian Bach

1642: 1638: 290:

churches of the city and its university's student ensemble

11960:, Cambridge Studies in Music, Cambridge University Press, 10361: 9328: 7043:

Briefe von Lorenz Mizler und Zeitgenossen an Meinrad Spieß

6464: 6160: 5584: 4644:

recognised for both his instrumental and his vocal music.

1892:

Bach re-interpreting older genres tied to the modal system

1038:

director of church music in Leipzig. He had to direct the

638:, Bach was appointed court musician in the chapel of Duke 12242: 12177:

The Routledge Research Companion to Johann Sebastian Bach

12031: 11360:

Second edition, 2013, W. W. Norton, New York and London,

10566: 9839: 9787:

Das Beschützte Orchestre, oder desselben Zweyte Eröffnung

8930: 8893:

Helmut Rilling's box set of the complete secular cantatas

8197: 7939: 7705: 6025: 5945: 5650:"Johann Sebastian Bach: a detailed informative biography" 5502: 5500: 5487: 5485: 5483: 5474: 4420:), and wrote contrapuntal music influenced by his style. 4289:

Painting of Johann Sebastian Bach by 'Gebel', before 1798

2782:

performed by the MIT Concert Choir conducted by W. Cutter

1657:. The composer's son Carl Philipp Emanuel saw to it that 11016:. New York; London: Harcourt, Brace and Howe; Constable. 10437:"What is Early Music?–Historically Informed Performance" 10406:"Robert Johnson and Pablo Casals' Game Changers Turn 70" 9832:

Bach was regarded as "passé even in his own lifetime". (

8111: 7745: 7655: 7643: 7213: 6220: 5933: 4583:, or combined with new music such as the melody line of 3507:

Canonic Variations on "Vom Himmel hoch da komm' ich her"

1510:

Canonic Variations on "Vom Himmel hoch da komm' ich her"

11587:(in German) (4 ed.). Deutscher Taschenbuchverlag. 10391:(first publication in German, in two volumes: Leipzig, 8281:(BDW) page of the cantata at the Bach-Digital website: 7818:

Johann Sebastian Bach: L'oeuvre pour orgue et orchestre

6452: 6208: 5720: 5708: 5548: 3928:

in E major) and a concerto for two violins in D minor,

3256:

List of chorale harmonisations by Johann Sebastian Bach

2805:

2. Recitative "Er kommt, er kommt, der Bräut'gam kommt"

2536:(Bach Works Catalogue). Schmieder largely followed the 1358:. He received the title of "Royal Court Composer" from 1161:, in the St. Nicholas Church on the first Sunday after 12589: 11452:. Oxford Composer Companions. Oxford University Press. 9346: 8185: 7672: 7670: 5672: 5596: 5497: 5480: 5282: 1803:. In this system a piece of music progresses from one 16456:

People celebrated in the Lutheran liturgical calendar

16451:

Organists and composers in the North German tradition

16267: 13215: 11650:. Ann Arbor, Michigan: University of Michigan Press. 10842: 10253: 10218: 9930: 9547: 9151: 7415: 6196: 5696: 5110: 4390:

and performed it privately. One such connoisseur was

1744:

in Leipzig, and some of his pieces represent it. The

11823: 10583:

Bach-Edition: The Complete Works (172 CDs & CDR)

10186: 9255: 8018:(in Italian). Vol. 1. Turin: EDT. p. 493. 7677:

Marshall, Robert L. (1989). Franklin, Don O. (ed.).

7457: 7210:– Musik als Abbild der Sphärenharmonie", Mainz 2008. 6488: 6349: 6337: 6263: 6184: 5572: 5095: 4294:

recognition, such as the title of court composer by

3886:

List of chamber music works by Johann Sebastian Bach

3479:, with whom Bach came into contact in Lüneburg, and 2930:

According to his obituary, Bach would have composed

2145:

Analysis of the counterpoint of the chorale prelude

1785:": the four-part chorale setting as included in the 1365: 1169:, each based on a single church hymn. These include 807:

which were later assembled into his monumental work

691:

In 1706, Bach applied for a post as organist at the

234:, after which he continued his musical education in 10752:Alex Ross (25 December 2016). "Bach's Holy Dread". 9630:"A compendium of works performed by the Bach Choir" 7667: 6136: 5560: 5536: 5512: 3849:Among Bach's lesser known keyboard works are seven 3519:

Harpsichord and other stringed keyboard instruments

3455:

List of organ compositions by Johann Sebastian Bach

3304:dates from 1723, but the work is best known in its 3051:Later church cantatas include the chorale cantatas 2730:for Good Friday services and oratorios such as the 1649:, along with 52 "sacred books", including works by 12036: 11506: 11257: 11115: 10766: 10182: 10180: 6850:Privatbesitz C. Thiele, BWV deest (NBA Serie II:5) 6172: 6148: 6064:"Cantatas for Christmas Day: Herderkirche, Weimar" 5684: 5301:Marshall, Robert L.; Emery, Walter (18 May 2020). 4630:replaced Berlioz with Brahms.) From 1873 to 1880, 3044:was developed over several years, followed by the 2126:fall in that category, as well as the bulk of the 1260:would give two-hour performances in winter at the 1141: 1123:Bach was required to instruct the students of the 30:Several terms redirect here. For other uses, see 11670:The Creative Development of Johann Sebastian Bach 10154:"The Bach Reception in the 18th and 19th century" 7989: 6430:"Works of Other Composers performed by J.S. Bach" 5453: 5421: 3932:, often referred to as Bach's "double concerto". 3890:List of orchestral works by Johann Sebastian Bach 3087:List of secular cantatas by Johann Sebastian Bach 16327: 11562:Baroque Music: Style and Performance: A Handbook 11118:Johann Sebastian Bach: The Culmination of an Era 10938: 9745: 9491:"Gold Standard for Bach's 'Goldberg Variations'" 7375: 7347: 7262: 7182: 7058: 6130: 5993: 5991: 5530: 5136: 4018:Margrave Christian Ludwig of Brandenburg-Schwedt 3805:of the aria rather than its melody, and musical 2736:, which is a set of six cantatas for use in the 1753:, like other works of its kind, illustrated the 1344:held the directorship of the Collegium Musicum. 727:, which was published at the council's expense. 11765:. Englewood Cliffs, New Jersey: Prentice Hall. 10177: 7475: 6516: 6514: 6007:. University of California Press. p. 205. 5732: 4932:International Johann Sebastian Bach Competition 4467:erected by Felix Mendelssohn in Leipzig in 1843 4123:"Sheep May Safely Graze" (instrumental version) 4065:Copies, arrangements and uncertain attributions 3946:Brandenburg Concerto No. 4 in G Major, BWV 1049 3879: 1969:Capriccio on the departure of a beloved brother 730: 725:cantata for the inauguration of the new council 12201:. Lanham, Maryland: Rowman & Littlefield. 12099:Bach's Changing World: Voices in the Community 11938:. Youngstown, New York: WordPower Publishing. 11009:Johann Sebastian Bach: His Life, Art, and Work 9207:. Cambridge University Press. pp. 90–94. 8053:Royal Netherlands Academy of Arts and Sciences 7516:"A Visitor's Guide to the St. Matthew Passion" 7179:. Leipzig: Mizlerischer Bücherverlag: 158–173. 4478:Johann Sebastian Bach: His Life, Art, and Work 3097:), or other public or private occasions (e.g. 1795:predate Bach, but he lived during a time when 1694:A handwritten note by Bach in his copy of the 1522:. In May 1747, Bach visited the court of King 1299:Middle years of the Leipzig period (1730–1739) 924:Bach's autograph of the first movement of the 887:Erschallet, ihr Lieder, erklinget, ihr Saiten! 464:, 1685, Bach's father. Painting attributed to 15870: 14673: 13496: 13201: 12922: 12898: 12377: 12336:Discography of American Historical Recordings 11693:(in German). Berlin: Schuster & Loeffler. 9951: 9949: 9947: 9945: 9435:. The Bach Choir of Bethlehem. Archived from 8016:Frau Musika: La vita e le opere di J. S. Bach 6783:Neuaufgefundenes Bach-Autograph in Weißenfels 5988: 5644: 5642: 5640: 5638: 5636: 5634: 5632: 5630: 5628: 5626: 5300: 4902:) and the Prelude and Fugue in C, No. 1 from 3869: 2516:List of compositions by Johann Sebastian Bach 2068: 1926:in the tonal system), is an example of this. 1714:List of compositions by Johann Sebastian Bach 614:to prepare for careers in other disciplines. 286:. There, he composed music for the principal 15984:Prelude and Fugue in C major, BWV 870, from 13043:Johann Christoph Bach (musician at Arnstadt) 12750: 12729: 12720: 12152:Gödel, Escher, Bach: An Eternal Golden Braid 11977:(2nd ed.), Cambridge University Press, 11701:Basically Bach: A 300th Birthday Celebration 11389:10.1093/gmo/9781561592630.article.6002278195 10801:. Church Publishing, Inc. 17 December 2019. 10498: 10496: 10204:Mozart, Haydn and Early Beethoven: 1781–1802 8913:"J. S. Bach: His Works | Music Appreciation" 8122:Bach-Werke-Verzeichnis: Kleine Ausgabe (BWV) 7150: 7124:Johann Sebastian Bach: Complete Organ Works. 7005: 6988: 6511: 5917:. San Diego State University. Archived from 5802: 5800: 4940: 4754:, to jazzy interpretations such as those by 4607: 4429: 4428:by the time he was 11 and described Bach as 3834: 3783: 3777: 3771: 3765: 3764:and including a single movement between the 3759: 3751: 3743: 3735: 3727: 3721: 3235: 3229: 3221: 3213: 3205: 3197: 3189: 3181: 3063: 3052: 3022: 3002: 2964: 2740:of Christmas. Shorter oratorios include the 2538: 2529: 2417:List of fugal works by Johann Sebastian Bach 2283:Keyboard Concerto No. 1 in D minor, BWV 1052 1739: 1599: 1569:1733 Kyrie-Gloria Mass for the Dresden court 1274: 1203: 1192: 1181: 1170: 1151: 1124: 1018:; Elisabeth Juliane Friederica (1726–1781); 1010:, suddenly died. The following year, he met 973: 943: 898: 883: 868: 849: 843: 842:In the spring of 1714, Bach was promoted to 754: 716: 704: 618:Weimar, Arnstadt, and Mühlhausen (1703–1708) 13055:Johann Ernst Bach (musician at Saxe-Weimar) 13037:Johann Christoph Bach (organist at Ohrdruf) 12086: 11877: 11504: 11345:Johann Sebastian Bach: The Learned Musician 9983: 9981: 8162: 7884: 7146: 7144: 7142: 6253: 6251: 5613: 5611: 5288: 5005:liturgical calendar of the Episcopal Church 4096:Orchestral Suite No. 3 in D major, BWV 1068 4034:Keyboard concertos by Johann Sebastian Bach 4012:Bach's best-known orchestral works are the 2787:1. Chorus "Wachet auf, ruft uns die Stimme" 2752:. With its double choir and orchestra, the 2031:Klavierbüchlein für Wilhelm Friedemann Bach 2001:Klavierbüchlein für Wilhelm Friedemann Bach 1979:Klavierbüchlein für Wilhelm Friedemann Bach 1910:genre as used by earlier composers such as 1605: 1335: 1329: 1323: 926:first sonata for solo violin, BWV 1001 528:, was a well-known composer and violinist. 500:). He was the eighth and youngest child of 492:, in present-day Germany, on 21 March 1685 16411:German classical composers of church music 15877: 15863: 14680: 14666: 13503: 13489: 13208: 13194: 12929: 12915: 12384: 12370: 11697: 11372: 11165: 11136: 10367: 9942: 9334: 7895: 7893: 7807: 7640:Finland: University of Turku (2011), p. 24 6042: 6040: 5951: 5623: 5491: 5276: 5180: 4963:website. 21st-century biographers include 4791:musicians have adopted Bach's music, with 4787:Bach's music has influenced other genres. 4252:Reception of Johann Sebastian Bach's music 4053:In addition to concertos, Bach wrote four 3274:Bach's church music in Latin includes the 2758:is one of Bach's most extended works. The 2434:is characteristic to the composers of the 2351:Double Violin Concerto in D minor BWV 1043 1723:, and four-part choral music and employed 1586:. Bach's health was declining. On 2 June, 1042:and provide four churches with music, the 504:, the director of the town musicians, and 53: 15884: 12391: 12309:International Music Score Library Project 12220:. Bloomington: Indiana University Press. 12216:Stauffer, George B.; May, Ernest (1986). 11851: 11601: 11555: 11505:Crist, Stephen A.; Stauff, Derek (2011). 11478: 11421: 11302:. Cambridge: Cambridge University Press. 11283:. Cambridge: Cambridge University Press. 11264:. Cambridge: Cambridge University Press. 11252: 11110: 10751: 10493: 10303: 10287: 10271: 10148: 10146: 10144: 10142: 10140: 10138: 10052:International Music Score Library Project 9987: 9823:published early January of the same year. 9636:. Bach Choir of Bethlehem. Archived from 9627: 9426: 9169: 9114: 8255:. Bach Choir of Bethlehem. Archived from 8246: 8215: 8203: 7751: 7553:. Bach Choir of Bethlehem. Archived from 7544: 7485:Grove's Dictionary of Music and Musicians 7219: 6382: 6380: 6367: 6214: 5939: 5821: 5797: 5726: 5714: 5238: 5196: 4957:International Music Score Library Project 3249: 3234:(BWV 231) is part of the composite motet 2843:4. Chorale "Zion hört die Wächter singen" 2699: 2065:was that it all sounded much like opera. 1077: 11952: 11910: 11297: 11278: 11020: 10114: 10104:"Bach, Mozart and the 'Musical Midwife'" 9978: 9744:. W. W. Norton, 1945, p. 128; Quoted in 8271: 8147: 7995: 7676: 7139: 6506: 6500: 6248: 6058: 5608: 5326: 5253: 5248: 5243: 5212: 4875:Three works by Bach are featured on the 4659: 4651: 4451: 4284: 4255: 3935: 3542: 3531: 3522: 3263: 2703: 2006: 1989: 1776: 1689: 1302: 1230: 1081: 919: 740: 621: 456: 452: 15953:Dark Was the Night, Cold Was the Ground 12278:Works by or about Johann Sebastian Bach 12053:10.1093/gmo/9781561592630.article.40023 11933: 11225: 11210: 11184: 10719: 10388: 10384: 10380: 9999: 9565: 9350:; Cruickshank, Andrew (October 2015) . 9200: 8056:Vol. 143 edited by A. A. Clement, 1995. 7890: 7594:Tilge, Höchster, meine Sünden, BWV 1083 7575: 7547:"The Well Tempered Clavier BWV 846–869" 7359: 6482: 6470: 6297: 6281: 6238: 6202: 6166: 6037: 5774:from the original on 28 September 2015. 5757:Dieterich Buxtehude: Organist in Lübeck 5590: 3356:Kyrie–Gloria Mass for the Dresden court 2459: 1512:, and a portrait, which was painted by 1002:On 7 July 1720, while Bach was away in 699:. As part of his application, he had a 14: 16328: 12199:The Aesthetic of Johann Sebastian Bach 11903:Stories Behind the World's Great Music 11896: 11777: 11741: 11725:William B. Eerdmans Publishing Company 11718: 11585:Die Kantaten von Johann Sebastian Bach 11002: 10982:The True Life of Johann Sebastian Bach 10830:Evangelical Lutheran Church in America 10677:List of works by Johann Sebastian Bach 10666:from the original on 24 February 2017. 10481:from the original on 24 September 2013 10319: 10135: 10124:(Volume 2). Indiana University Press ( 10062: 9920: 9857: 9833: 9696:Toccatas and Fugues / Individual Works 9674: 9658: 9371:"J. S. Bach: Inventions and Sinfonias" 8191: 8077:from the original on 30 September 2015 7957: 7899: 7783: 7501: 7273: 7231: 6377: 6190: 6112:from the original on 24 September 2015 6076:from the original on 24 September 2015 5905: 5889: 5753: 4894:), the "Gavotte en rondeaux" from the 4448:St Matthew Passion § 19th century 4327:printed during the composer's lifetime 4215:", helped to popularise Bach's music. 3036:as it consists mainly of works in the 1029: 254:and, for longer periods, at courts in 171:; solo instrumental works such as the 36:Johann Sebastian Bach (disambiguation) 16376:Burials at St. Thomas Church, Leipzig 15858: 14661: 13694: 13484: 13189: 12910: 12897: 12753:Internationale Bachakademie Stuttgart 12365: 12012: 11990: 11760: 11686: 11664: 11359: 11342: 11316: 11240: 11122:. New York: Oxford University Press. 10976: 10893:from the original on 2 December 2013. 10416:from the original on 24 February 2012 10224: 10110:from the original on 4 November 2015. 9936: 9845: 9769: 9553: 9535:from the original on 11 February 2012 9501:from the original on 19 February 2012 9470:from the original on 22 February 2014 9408:from the original on 27 February 2014 9157: 9145: 8936: 8119:; Kobayashi, Yoshitake, eds. (1998). 8010: 7945: 7801: 7711: 7661: 7649: 7526:from the original on 27 February 2012 7421: 7258: 6494: 6410:from the original on 24 February 2015 6386: 6355: 6343: 6269: 6257: 6226: 6142: 6094: 6046: 6031: 5997: 5871:from the original on 26 November 2015 5806: 5738: 5678: 5660:from the original on 20 February 2012 5617: 5602: 5578: 5566: 5554: 5542: 5506: 5427: 5233: 5207: 5202: 5186: 5076: 5071: 5069: 4493:, with Sara Itzig Levy at the piano. 4298:and the appreciation he was shown by 4240:Toccata and Fugue in D minor, BWV 565 4027: 3564:Prelude No. 1 in C major BWV 846 3398:Prelude and Fugue in A minor, BWV 543 3192:Der Geist hilft unser Schwachheit auf 1900:then-antiquated modi and genres. His 1571:in the mid-1740s, Bach expanded that 1146:Bach usually led performances of his 915: 16246: 13510: 12521:Performance practice of Bach's music 12305:Free scores by Johann Sebastian Bach 11799: 11645: 11626: 11579: 11533: 11456: 11447: 11089:Johann Sebastian Bach: Life and Work 11082: 11046: 10919: 10913:Biographies of Johann Sebastian Bach 10259: 9720: 9377:from the original on 20 January 2012 9316:from the original on 5 February 2014 9261: 8962: 8949: 7927:from the original on 3 December 2013 7513: 7463: 7403:from the original on 8 December 2013 7194:Hans Gunter Hoke: "Neue Studien zur 6776: 6458: 6325:from the original on 29 January 2016 6178: 6154: 5702: 5690: 5518: 5459: 5439: 5217: 5191: 5089:. The surname appears in English as 4861:, and the 1950 first edition of the 4042: 3132:), and others were almost miniature 2897:7. Chorale "Gloria sei dir gesungen" 2861:5. Recitative "So geh herein zu mir" 2825:3. Duet "Wenn kömmst du, mein Heil?" 2147:Herr Jesu Christ, dich zu uns wend', 2104:sonatas and partitas for solo violin 1982:being one of its earliest examples. 1772: 1669:"), which was published in Mizler's 1665:, the son also wrote the obituary (" 1594:to request that his music director, 1493:In 1746 Bach was preparing to enter 964:sonatas and partitas for solo violin 416:, while his keyboard music, such as 177:sonatas and partitas for solo violin 12833:Bach Prize (Royal Academy of Music) 12047:. Oxford: Oxford University Press. 11806:Johann Sebastian Bach: Play by Play 11672:. Oxford: Oxford University Press. 11631:. Oxford: Oxford University Press. 11518:. Oxford: Oxford University Press. 11347:. Oxford: Oxford University Press. 10924:. Oxford: Oxford University Press. 10843:Zegers, Richard H.C.; Maas, Mario; 10649:Gazetteer of Planetary Nomenclature 10465: 10447:from the original on 6 January 2015 10088:from the original on 29 April 2016. 9525:"Shaham: Bold, Brilliant, All-Bach" 9519: 9310:The Canons and Fugues of J. S. Bach 7701:from the original on 29 April 2016. 7435:"Johann Sebastian Bach (1685–1750)" 7316: 7241:. The Tangeman Lecture. New Haven. 6315:"Johann Sebastian Bach (1685–1750)" 5970:J. S. Bach Archive and Bibliography 5078:[ˈjoːhanzeˈbasti̯a(ː)nˈbax] 4719:practice, with forerunners such as 4622:, the other Bs being Beethoven and 4538:precipitated the Bach Revival. The 3915: 3153: 3129:Der Streit zwischen Phoebus und Pan 3080: 2932:five year-cycles of sacred cantatas 821:key. Bach also started work on the 266:, where he was mostly engaged with 24: 16396:Deaths from surgical complications 16361:18th-century German male musicians 15960:Partita for Violin No. 3, BWV 1006 12315:Music manuscripts and early prints 12078: 11322:Bach: Essays on his Life and Music 11248:. Oxford: Oxford University Press. 10868:10.5694/j.1326-5377.2009.tb02354.x 10555:Bach 2000 Box set, Limited Edition 10434: 10187:Schenk, Winston & Winston 1959 9488: 9457: 9395: 9368: 9243:from the original on 30 March 2014 9182:from the original on 30 March 2014 9127:from the original on 27 April 2015 8178:, Vol. 99 No. 22. December 2008. ( 7248:from the original on 15 July 2014. 7033:, IV.1 , 108 and Tab. IV, fig. 16 6307: 5976:from the original on 28 March 2014 5963: 5066: 5050:Portraits of Johann Sebastian Bach 5038:Allied bombing during World War II 4568:Sechs Fugen über den Namen B-A-C-H 3872:Aria variata alla maniera italiana 3311: 3302:first version of Bach's Magnificat 2941: 2528:of Bach's compositions called the 2196:Herr Jesu Christ, dich zu uns wend 2097: 1207:Wie schön leuchtet der Morgenstern 1006:with Prince Leopold, Bach's wife, 897:. Bach's first Christmas cantata, 827:in Weimar, containing traditional 484:Johann Sebastian Bach was born in 25: 16482: 15942:Beethoven's String Quartet No. 13 15720:historically informed performance 14687: 14042:Emilie Juliane of Barby-Mühlingen 13103:Johann Sebastian Bach the Younger 12342:Johann Sebastian Bach (1685–1750) 12235: 11783:Beethoven: the Universal Composer 10660:"JPL Small-Body Database Browser" 10607:"Golden Record: Music from Earth" 9303: 9221:from the original on 15 May 2015. 9117:"Cantata BWV 211, Coffee Cantata" 8228:from the original on 7 April 2014 8218:"The Christmas Oratorio, BWV 248" 7684:: a Lutheran composer's challenge 7319:"J.S. Bach: Timeline of His Life" 6532:from the original on 7 March 2012 6440:from the original on 17 July 2014 6021:from the original on 14 May 2015. 5023:, remembers Bach and Handel with 5011:on 28 July; on the same day, the 4936:Royal Academy of Music Bach Prize 4717:historically informed performance 4545:works by Bach: six cantatas, the 3833:(BWV 971) (published together as 3817:Miscellaneous pieces such as the 3365: 2017:, showing Bach's use of ornaments 1836:Bach's four-part chorale settings 1366:Final years and death (1740–1750) 1319:Kyrie–Gloria Mass in B minor 977:Die Zeit, die Tag und Jahre macht 775:in the music of Italians such as 16351:18th-century classical composers 16313: 16301: 16289: 16277: 16245: 16236: 16235: 16030: 15838: 15829: 15828: 13465: 13464: 13013:Johann Bernhard Bach the Younger 12877: 12868: 12867: 12332:Johann Sebastian Bach recordings 11880:The Keyboard Music of J. S. Bach 11809:. San Francisco: HarperCollins. 10856:The Medical Journal of Australia 10847:& Maat, George J.R. (2009). 10836: 10815: 10789: 10760: 10745: 10690: 10670: 10652: 10629: 10617:from the original on 1 July 2013 10599: 10576: 10544: 10515: 10459: 10428: 10398: 10373: 10341: 10329: 10230: 10192: 10096: 10056: 10041: 10013: 9972:Bulletin of the American Academy 9888: 9867: 9826: 9794: 9775: 9751: 9730: 9684: 9621: 9591: 9566:Schwarm, Betsy (19 April 2019). 9559: 9513: 9482: 9451: 9420: 9389: 9362: 9340: 9297: 9267: 9225: 9194: 9163: 9139: 9108: 9086: 9060: 9038: 9016: 8990: 8968: 8955: 8942: 8905: 8885: 8240: 8209: 8105: 8089: 8059: 8032: 8004: 7967: 7905: 7851: 7831: 7777: 7757: 7717: 7620: 7596:(after Pergolesi's Stabat Mater) 7591:Clemens Romijn. Liner notes for 7585: 7538: 7507: 7469: 7427: 7381: 7310: 7232:Rathey, Markus (18 April 2003). 5224: 5171: 5142: 5091: 4127: 4084: 3992: 3974: 3956: 3864:for keyboard (BWV 963–967), the 3636: 3618: 3600: 3568: 3439: 3421: 3331: 3017:ran from the first Sunday after 2978:, or the independent bassoon in 2901: 2883: 2865: 2847: 2829: 2809: 2791: 2582:Liturgical compositions in Latin 2398: 2380: 2362: 2330: 2312: 2294: 2262: 2244: 2226: 2199: 2178: 2018: 1985: 1882: 1864: 1685: 1548:and dedicated to Frederick. The 940:Leopold, Prince of Anhalt-Köthen 928: 270:. From 1723, he was employed as 144: 16431:German male classical organists 16426:German male classical composers 14322:Matthäus Apelles von Löwenstern 13586:Lutheran Hymnal with Supplement 13049:Johann Christoph Friedrich Bach 12936: 12745:Johann Sebastian Bach Institute 12089:, for an extensive bibliography 11462:The Cambridge Companion to Bach 10681:Category:Bach, Johann Sebastian 9204:J. S. Bach and the German Motet 7267: 7252: 7225: 7188: 7091: 7064: 7024: 6982: 6957: 6918: 6892: 6867: 6829: 6804: 6739: 6706: 6681: 6656: 6619: 6594: 6569: 6544: 6422: 6392: 6088: 6052: 5957: 5899: 5853: 5831: 5778: 5747: 5129: 5007:remembers Bach annually with a 4950: 4647: 4437: 4280: 4230:Schlage doch, gewünschte Stunde 3896:sonatas and partitas for violin 3503:Great Eighteen Chorale Preludes 3184:Singet dem Herrn ein neues Lied 3067:Wachet auf, ruft uns die Stimme 3026:Herz und Mund und Tat und Leben 2879:6. Duet "Mein Freund ist mein!" 2778:Wachet auf, ruft uns die Stimme 2509: 2137: 1482:) and his own students such as 1471:Great Eighteen Chorale Preludes 1185:Wachet auf, ruft uns die Stimme 1142:Cantata cycle years (1723–1729) 508:. His father likely taught him 201:; and choral works such as the 13653:Eyn geystlich Gesangk Buchleyn 13546:Evangelical Lutheran Hymn-Book 13061:Johann Gottfried Bernhard Bach 12533:Printed during Bach's lifetime 12272:Riemenschneider Bach Institute 12013:Wolff, Christoph, ed. (1997). 11524:10.1093/OBO/9780199757824-0043 11464:. Cambridge University Press. 10906: 10901: 9808:. Volume I, Part 4, pp. 61–73. 9746:David, Mendel & Wolff 1998 9233:"The Mass in B Minor, BWV 232" 7724:Klavierbüchlein für W. F. Bach 7376:David, Mendel & Wolff 1998 7348:David, Mendel & Wolff 1998 7263:David, Mendel & Wolff 1998 7200:Beiträge zur Musikwissenschaft 7183:David, Mendel & Wolff 1998 7059:David, Mendel & Wolff 1998 6522:"Bach Mass in B Minor BWV 232" 6131:David, Mendel & Wolff 1998 5531:David, Mendel & Wolff 1998 5391: 5361: 5320: 5294: 5137:David, Mendel & Wolff 1998 5030: 4740:, whose interpretation of the 3471:) and stricter forms (such as 3389: 3001:After taking up his office as 2968:Nach dir, Herr, verlanget mich 2506:libretto a few years earlier. 1817:When in the 1740s Bach staged 1700:2 Chronicles 5:13 1174:O Ewigkeit, du Donnerwort 1050:, and to a lesser extent, the 837:Market Church of Our Dear Lady 524:, and an older second cousin, 371:for other keyboard instruments 13: 1: 16356:18th-century German composers 15998:Queen of the Night aria from 15221: 15023: 14845: 14710: 14417:Christian Knorr von Rosenroth 14212:Christian Fürchtegott Gellert 13983:Den svenska psalmboken (1986) 13976:Den svenska psalmboken (1937) 13961:Den svenska psalmboken (1819) 13954:Den svenska psalmboken (1695) 12103:University of Rochester Press 11975:The Organ Music of J. S. Bach 11906:. New York: Whittlesey House. 11839:. New York: Alfred A. Knopf. 11194:. Vol. 1. Translated by 11172:. Vol. 1. Translated by 9578:Encyclopædia Britannica, Inc. 9529:San Francisco Classical Voice 8249:"Bach, Master of the Cantata" 7789:Der musicalische Quack-Salber 7071:US-PRscheide BWV 645–650 5055: 4926:adopted the composer's name. 4781:The Well-Tempered Synthesizer 4517:Ein feste Burg ist unser Gott 3591:performed by Martha Goldstein 3372:stringed keyboard instruments 3370:Bach wrote for organ and for 3289: 3238:Jauchzet dem Herrn, alle Welt 3056:Ein feste Burg ist unser Gott 1929: 1239: 942:, hired Bach to serve as his 908:, premiered in 1714 or 1715. 872:Weinen, Klagen, Sorgen, Zagen 673:play in the northern city of 630:organ Bach played in Arnstadt 401:contrapuntal techniques like 179:; keyboard works such as the 13853:Landstads reviderte salmebok 13562:Evangelical Lutheran Worship 13554:Evangelical Lutheran Hymnary 13138:Wilhelm Friedrich Ernst Bach 12070:UK public library membership 11917:University of Illinois Press 11698:Kupferberg, Herbert (1985). 11541:. R A Kessinger Publishing. 11406:UK public library membership 11324:. Cambridge, Massachusetts: 11166:Schweitzer, Albert (1923) . 10798:Lesser Feasts and Fasts 2018 9460:"Bach: Partitas, BWV 825–30" 7580:vol. 3, appendix XII, p. 315 7288:10.1001/archopht.123.10.1427 5263: 4988:Memory of the World Register 4742:Toccata and Fugue in D minor 4512:Kyrie-Gloria Mass in A major 4245: 3898:(BWV 1001–1006) and the six 3880:Orchestral and chamber music 3842:Chromatic Fantasia and Fugue 3820:Overture in the French Style 3270:Bach's church music in Latin 3224:Lobet den Herrn, alle Heiden 2696:are 21st-century additions. 1903:Chromatic Fantasia and Fugue 1850:Chromatic Fantasia and Fugue 1783:O Haupt voll Blut und Wunden 1590:wrote to one of the Leipzig 1524:Frederick II of Prussia 1196:Nun komm, der Heiden Heiland 1034:In 1723, Bach was appointed 853:Himmelskönig, sei willkommen 747:St. Paul's Church in Leipzig 731:Return to Weimar (1708–1717) 242:, working as a musician for 199:Toccata and Fugue in D minor 7: 16101:Columbia Symphony Orchestra 16015:Songs of the Humpback Whale 11878:Schulenberg, David (2006). 11785:. New York: HarperCollins. 11746:. Oxford University Press. 11613:, Oxford University Press, 11448:Boyd, Malcolm, ed. (1999). 10350:, three volumes, edited by 10336:Felix Mendelssohn Bartholdy 10048:Preludes and Fugues, K.404a 9768:VI, 14 May 1737. Quoted in 9239:. Bach Choir of Bethlehem. 9201:Melamed, Daniel R. (1995). 9178:. Bach Choir of Bethlehem. 9123:. Bach Choir of Bethlehem. 8224:. Bach Choir of Bethlehem. 5861:"History of the Bach House" 5785:Sojourn: Jan Adams Reincken 5043: 4813:Six Sonatas for solo violin 4712:, and recorded his music. 4532:'s 1829 performance of the 4402:owned manuscript copies of 4304:Hermann Karl von Keyserling 3797:(BWV 988), an aria with 30 3494:, the German Organ Mass in 3231:Sei Lob und Preis mit Ehren 2767: 1838:, such as those ending his 1499:Society of Musical Sciences 863:, which coincided with the 442:Jesu, Joy of Man's Desiring 339:composed Latin church music 238:. From 1703 he was back in 27:German composer (1685–1750) 10: 16487: 16416:German classical organists 16022:Beethoven's Symphony No. 5 15958:"Gavotte en Rondeau" from 13845:Psalmebog for Kirke og Hus 13025:Johann Christoph Altnickol 12797:St. Thomas Church, Leipzig 12514:Bach's choir and orchestra 12017:. New York: W. W. Norton. 11761:Miles, Russell H. (1962). 11723:. Grand Rapids, Michigan: 11565:. New York: W. W. Norton. 11200:J. A. Fuller Maitland 10954:. New York: W. W. Norton. 10910: 7604:J.S. Bach Complete Edition 7181:Printed in translation in 7156:Agricola, Johann Friedrich 7152:Bach, Carl Philipp Emanuel 7108:" (pp. 14, 17–18) in 6552:US-PRu M 3.1. B2 C5. 1739q 6004:Companion to Baroque Music 5911:"Baroque Music – Part One" 5754:Snyder, Kerala J. (2007). 4441: 4350:Johann Christoph Altnickol 4346:students of the old master 4249: 4234:, was later attributed to 4184:), French masters such as 4149: 4046: 4031: 4005: 3883: 3649: 3452: 3347: 3293: 3267: 3253: 3165: 3084: 2945: 2919: 2719: 2513: 2414: 2069:Continuo instruments solos 1711: 1584:Johann Christoph Altnickol 1020:Johann Christoph Friedrich 902:Christen, ätzet diesen Tag 734: 707:Christ lag in Todes Banden 506:Maria Elisabeth Lämmerhirt 477: 191:; organ works such as the 29: 16466:People from Saxe-Eisenach 16391:Composers for harpsichord 16366:18th-century keyboardists 16231: 16039: 16028: 16005:"Sacrificial Dance" from 15986:The Well-Tempered Clavier 15924: 15892: 15808: 15765: 15675: 15495: 15474: 15339: 15216: 15018: 14843: 14704: 14698:List of Baroque composers 14695: 14610: 14392:Christian Heinrich Postel 14257:Bernhard Severin Ingemann 13996: 13927: 13903: 13818: 13794: 13763: 13739: 13687: 13628: 13518: 13460: 13442: 13361:Christian Theodor Weinlig 13227: 13147: 13128:(great-great-grandfather) 13057:(2nd cousin once removed) 13033:(1st cousin once removed) 12965:Carl Philipp Emanuel Bach 12944: 12904: 12899:Links to related articles 12863: 12805: 12774: 12708: 12568: 12490: 12408: 12399: 12174:Leaver, Robin A. (2016), 11996:The New Grove Bach Family 11973:Williams, Peter (2003b), 11721:Luther's Liturgical Music 11719:Leaver, Robin A. (2007). 11704:. New York: McGraw-Hill. 11690:Beethoven im eigenen Wort 11687:Kerst, Friedrich (1904). 11611:The Cantatas of J.S. Bach 11343:Wolff, Christoph (2000). 11300:Bach: A Musical Biography 11226:Spitta, Philipp (1899c). 11211:Spitta, Philipp (1899b). 10588:29 September 2015 at the 10412:. National Public Radio. 10064:Köchel, Ludwig Ritter von 10020:A-Wgm A 169 b (III 31685) 9975:. Spring 2005. pp. 26–31. 9497:. National Public Radio. 8917:courses.lumenlearning.com 7923:. American Public Media. 7867:22 September 2015 at the 7522:. National Public Radio. 7487:. Vol. 1. New York: 7399:. American Public Media. 7276:Archives of Ophthalmology 7118:11 September 2017 at the 7076:11 September 2017 at the 7012:III.2 [1746], 357 6995:III.2 [1746], 353 6971:11 September 2017 at the 6946:11 September 2017 at the 6933:11 September 2017 at the 6907:11 September 2017 at the 6856:11 September 2017 at the 6843:11 September 2017 at the 6818:11 September 2017 at the 6788:11 September 2017 at the 6720:11 September 2017 at the 6608:11 September 2017 at the 6583:11 September 2017 at the 6558:11 September 2017 at the 4904:The Well-Tempered Clavier 4865:; but also books such as 4736:to the orchestrations of 4434:(progenitor of harmony). 4405:The Well-Tempered Clavier 4354:Johann Friedrich Agricola 4348:, such as his son-in-law 4094:"Air", 2nd movement from 3695:The Well-Tempered Clavier 3673:The Well-Tempered Clavier 3408:in the village church of 3354:In 1733, Bach composed a 3161: 3064: 3053: 3046:Picander cycle of 1728–29 3023: 2965: 2957:in the opening movement. 2714:Matthew 27:45–47a 2540:Bach-Gesellschaft-Ausgabe 1767:The Well-Tempered Clavier 1663:Johann Friedrich Agricola 1356:The Well-Tempered Clavier 1336: 1330: 1324: 1317:In 1733, Bach composed a 1204: 1193: 1182: 1171: 1152: 974: 899: 884: 869: 850: 810:The Well-Tempered Clavier 769:Johann Gottfried Bernhard 537:St. Michael's Church 418:The Well-Tempered Clavier 211:. Since the 19th century 188:The Well-Tempered Clavier 143: 138: 128: 118: 100: 71: 52: 45: 16401:German Baroque composers 16386:Composers for pipe organ 16164:Münchener Bach-Orchester 14307:Magnus Brostrup Landstad 13677:Evangelisches Gesangbuch 13570:Lutheran Book of Worship 13355:Johann Gottfried Schicht 12947:(showing relationship to 12356:Netherlands Bach Society 12097:Baron, Carol K. (2006). 11934:Van Til, Marian (2007). 11488:Indiana University Press 11486:. Scarborough, Ontario: 11431:Cornell University Press 11414: 11326:Harvard University Press 11298:Williams, Peter (2016). 11279:Williams, Peter (2007). 11076:24 February 2017 at the 10527:10 November 2016 at the 10122:The Symphonic Repertoire 9791:Hamburg: Schiller, 1717. 9703:23 November 2015 at the 9275:"Bach, Johann Sebastian" 8125:(in German). Wiesbaden: 7862:"Harpsichord Concertos," 7842:6 Organ Concertos, Op. 4 7770:Netherlands Bach Society 7729:18 November 2015 at the 7680:On the Origin of Bach's 7636:20 February 2016 at the 7613:22 November 2015 at the 7504:, pp. 280, 289–291. 7129:5 September 2015 at the 7104:22 February 2018 at the 6900:D-B Mus. ms. Bach P 271, 6765:18 November 2016 at the 6754:18 November 2016 at the 6670:18 November 2016 at the 6645:18 November 2016 at the 6634:18 November 2016 at the 5369:"Bach, Johann Sebastian" 5183:(1905 and 1908 editions) 5060: 4896:Partita for Violin No. 3 4710:Dietrich Fischer-Dieskau 4049:Orchestral suites (Bach) 3690:Inventions and Sinfonias 2961:Bach's earliest cantatas 1736:Luther's Small Catechism 1269:repertoire, such as the 1155:Die Elenden sollen essen 749:, tested by Bach in 1717 684:An Wasserflüssen Babylon 520:, introduced him to the 399:Many of his works employ 258:, where he expanded his 16159:Wolfgang Amadeus Mozart 16081:Budapest String Quartet 15966:Izlel ye Delyo Haydutin 14537:N. Samuel of Tranquebar 14477:Johann Balthasar Schupp 14432:Gottfried Wilhelm Sacer 14357:Johann Matthäus Meyfart 14312:Ludvig Mathias Lindeman 14207:Fredrik Gabriel Hedberg 13837:Landstads kirkesalmebog 13618:Service Book and Hymnal 13373:Ernst Friedrich Richter 13165:by Carl Philipp Emanuel 13132:Wilhelm Friedemann Bach 12989:Gottfried Heinrich Bach 12101:. Rochester, New York: 12087:Crist & Stauff 2011 11882:. New York: Routledge. 11529:(subscription required) 11508:"Johann Sebastian Bach" 11381:Oxford University Press 11004:Forkel, Johann Nikolaus 10776:classical-music.com Ltd 10641:23 October 2011 at the 10560:12 October 2016 at the 10536:.musicweb-international 10502:Rokus de Groot (2000). 10159:2 February 2010 at the 10025:8 December 2015 at the 9819:1 February 2014 at the 9806:Musikalische Bibliothek 9801:Lorenz Christoph Mizler 9573:Encyclopædia Britannica 8045:31 January 2016 at the 7602:, 2000. (2014 reissue: 7481:"Johann Sebastian Bach" 7389:"Did Bach really leave 7165:Musikalische Bibliothek 7097:Breig, Werner (2010). " 7080:(original print of the 7031:Musikalische Bibliothek 7017:16 January 2013 at the 7007:Musikalische Bibliothek 7000:16 January 2013 at the 6990:Musikalische Bibliothek 6881:8 December 2015 at the 6664:D-B Mus. ms. Bach P 195 5966:"Weimar (II) 1708–1717" 5307:Encyclopædia Britannica 5289:Crist & Stauff 2011 4491:first keyboard concerto 4370:Wilhelm Friedemann Bach 4316:Lorenz Christoph Mizler 3868:(BWV 933–938), and the 3042:His third cantata cycle 3015:His first cantata cycle 2682:Late contrapuntal works 2029:The second page of the 1672:Musikalische Bibliothek 1514:Elias Gottlob Haussmann 1495:Lorenz Christoph Mizler 575:; and even the Italian 447: 365:. He wrote extensively 204:St Matthew Passion 16436:Musicians from Leipzig 16195:Philharmonia Orchestra 15773:Common practice period 14402:Bartholomäus Ringwaldt 14297:Johann Balthasar König 14062:Birgitte Cathrine Boye 14022:Albert von Brandenburg 13750:Sálmabók Føroya kirkju 13661:Praxis pietatis melica 13421:Georg Christoph Biller 13349:August Eberhard Müller 13337:Johann Friedrich Doles 12751: 12730: 12721: 12434:Chorale harmonisations 12129:(in German). Leipzig: 11646:Herz, Gerhard (1985). 11242:Terry, Charles Sanford 10920:Boyd, Malcolm (2000). 10393:Breitkopf & Härtel 10356:Breitkopf & Härtel 10132:), pp. 423–432 (2002). 10074:Breitkopf & Härtel 10072:(in German). Leipzig: 9709:Breitkopf & Härtel 9628:Traupman-Carr, Carol. 9427:Traupman-Carr, Carol. 9398:"Bach: English Suites" 9306:"Arnstadt (1703–1707)" 9170:Traupman-Carr, Carol. 9115:Traupman-Carr, Carol. 8898:19 August 2016 at the 8553:, second version (BDW 8505:, second version (BDW 8247:Traupman-Carr, Carol. 8216:Traupman-Carr, Carol. 8127:Breitkopf & Härtel 8067:"Bach Works Catalogue" 7838:George Frideric Handel 7545:Traupman-Carr, Carol. 7477:Fuller Maitland, J. A. 7006: 6989: 6797:.gerda-henkel-stiftung 6526:The Baroque Music Site 5654:The Baroque Music Site 5492:Wolff & Emery 2001 5277:Wolff & Emery 2001 4941: 4863:Bach-Werke-Verzeichnis 4821:24 Preludes and Fugues 4665: 4657: 4608: 4553:started composing his 4473:Johann Nikolaus Forkel 4468: 4430: 4296:Augustus III of Poland 4290: 4261: 3870: 3835: 3784: 3778: 3772: 3766: 3760: 3752: 3744: 3736: 3728: 3722: 3553: 3551: 3540: 3250:Chorale harmonisations 3236: 3230: 3222: 3214: 3206: 3198: 3190: 3182: 3013:readings of the week. 3003: 2717: 2700:Passions and oratorios 2592:Passions and oratorios 2539: 2532:Bach-Werke-Verzeichnis 2530: 2457: 2444:Johann Nikolaus Forkel 2026: 2004: 1789: 1740: 1709: 1606: 1600: 1434:. His fourth and last 1314: 1275: 1245: 1125: 1114:Georg Philipp Telemann 1098: 1078:Appointment in Leipzig 944: 936: 844: 755: 750: 717: 705: 631: 557:Johann Jakob Froberger 490:duchy of Saxe-Eisenach 475: 466:Johann David Herlicius 427:Bach-Werke-Verzeichnis 359:his four-part chorales 304:Augustus III of Poland 16336:Johann Sebastian Bach 16086:Johann Sebastian Bach 15886:Voyager Golden Record 15695:British Baroque music 14631:In continental Europe 14457:Johann Hermann Schein 14197:Andreas Hammerschmidt 14162:Frans Michael Franzén 14037:Johann Sebastian Bach 13876:Norsk Salmebok (1985) 13637:First Lutheran hymnal 13594:Lutheran Service Book 13325:Johann Sebastian Bach 13295:Johann Hermann Schein 13122:(1st wife/2nd cousin) 13097:Johann Sebastian Bach 13031:Johann Christoph Bach 13019:Johann Christian Bach 13001:Johann Ambrosius Bach 12950:Johann Sebastian Bach 12782:Bach House (Eisenach) 12732:Neue Bachgesellschaft 12503:Church music in Latin 12393:Johann Sebastian Bach 12295:Johann Sebastian Bach 11998:. London: Macmillan. 11871:Neue Bachgesellschaft 11742:Lester, Joel (1999). 11627:Herl, Joseph (2004). 11514:Oxford Bibliographies 11281:Bach: A Life in Music 11047:Geck, Martin (2003). 11014:Charles Sanford Terry 10823:"Church Music Sunday" 10512:, volume 50, no. 1/2. 10243:New York University. 9711:. Introduction p. 20. 8541:, first version (BDW 8493:, first version (BDW 8180:archived 21 July 2011 7824:1993. Liner notes by 7765:"Concerto in d minor" 6940:D-B Mus. ms. 17155/16 6577:GB-Lbl Add. MS. 35021 6434:Bach Cantatas Website 6404:Bach Cantatas Website 6368:Dürr & Jones 2006 5794:, by Timothy A. Smith 5199:(English translation) 5197:Dürr & Jones 2006 4916:Deutsche Bachsolisten 4877:Voyager Golden Record 4843:Charles Sanford Terry 4830:Bachianas Brasileiras 4768:performances such as 4663: 4655: 4637:Johann Sebastian Bach 4573:Carl Friedrich Zelter 4559:Well-Tempered Clavier 4506:major version of the 4498:Well-Tempered Clavier 4455: 4426:Well-Tempered Clavier 4392:Gottfried van Swieten 4288: 4259: 4106:Capella Istropolitana 4032:Further information: 4014:Brandenburg Concertos 4008:Brandenburg Concertos 4006:Further information: 3937:Brandenburg Concertos 3836:Clavier-Übung II 3750:–(optional movement)– 3718:Partitas for keyboard 3700:Three collections of 3549: 3538: 3526: 3264:Church music in Latin 3034:chorale cantata cycle 2948:Church cantata (Bach) 2926:List of Bach cantatas 2707: 2448: 2376:2. Largo ma non tanto 2010: 1993: 1974:Well-Tempered Clavier 1852:BWV 903 performed by 1780: 1693: 1519:Canon triplex á 6 Voc 1402:BWV Anh. 30 1342:Carl Gotthelf Gerlach 1306: 1271:Brandenburg Concertos 1234: 1085: 1012:Anna Magdalena Wilcke 969:Brandenburg Concertos 923: 744: 735:Further information: 640:Johann Ernst III 625: 533:Johann Christoph Bach 518:Johann Christoph Bach 502:Johann Ambrosius Bach 488:, the capital of the 478:Further information: 462:Johann Ambrosius Bach 460: 453:Childhood (1685–1703) 168:Brandenburg Concertos 155:Johann Sebastian Bach 47:Johann Sebastian Bach 32:Bach (disambiguation) 16461:People from Eisenach 16149:Blind Willie Johnson 16091:Ludwig van Beethoven 16064:Bavarian State Opera 15934:Brandenburg Concerto 15113:Jacquet de La Guerre 15043:Bodin de Boismortier 14592:Carl David af Wirsén 14452:Heinrich Scheidemann 14382:Hallgrímur Pétursson 14277:Balthasar Kindermann 14017:Johann Georg Albinus 13415:Hans-Joachim Rotzsch 13155:Altbachisches Archiv 13091:Johann Nicolaus Bach 13007:Johann Bernhard Bach 12995:Johann Aegidius Bach 12983:Georg Christoph Bach 12977:Elisabeth Lämmerhirt 12828:Bach Prize (Hamburg) 12760:J.S. Bach Foundation 12254:bach-leipzig website 11919:. pp. 135–156. 11837:Mozart and His Times 11648:Essays on J. S. Bach 11607:Jones, Richard D. P. 11429:. Ithaca, New York: 11178:Macmillan Publishers 11150:Macmillan Publishers 11022:Gardiner, John Eliot 10352:Adolph Bernhard Marx 10208:W. W. Norton, 2008. 10092:No. 405, pp. 328–329 9965:4 March 2016 at the 9758:Johann Adolf Scheibe 9691:Zehnder, Jean-Claude 9603:Music of the Baroque 7489:Macmillan Publishers 7261:, p. 442, from 7198:BWV 1080", in: 6695:4 March 2016 at the 6485:, pp. 281, 287. 6400:"Motets BWV 225–231" 6060:Gardiner, John Eliot 6034:, pp. 147, 156. 5279:, "10. Iconography". 4980:Berlin State Library 4924:Bach Collegium Japan 4886:Brandenburg Concerto 4734:piano transcriptions 4721:Nikolaus Harnoncourt 4487:Berlin Sing-Akademie 4431:Urvater der Harmonie 4334:Carl Philipp Emanuel 4308:Johann Adolf Scheibe 4269:. Starting with the 3906:The Musical Offering 3723:Clavier-Übung I 3062:(final version) and 2632:Other keyboard works 2460:Structure and lyrics 2425:, as opposed to the 2085:Brandenburg Concerto 1998:as contained in the 1545:The Musical Offering 1536:Gottfried Silbermann 1516:and featured Bach's 1380:) by, among others, 1060:Electorate of Saxony 765:Carl Philipp Emanuel 669:and to hear him and 667:Johann Adam Reincken 577:Girolamo Frescobaldi 545:Saxe-Gotha-Altenburg 327:hundreds of cantatas 209:Mass in B minor 157:(31 March [ 123:List of compositions 16406:German blind people 16183:Early Music Consort 16074:Wolfgang Sawallisch 15705:early music revival 15276:Frederick the Great 14597:Catherine Winkworth 14562:Philipp Wackernagel 14467:Cyriakus Schneegass 14342:Wilhelmi Malmivaara 14177:Bartholomäus Gesius 14082:Dieterich Buxtehude 14067:Hans Adolph Brorson 13890:Norsk salmebok 2013 13705:Den Danske Salmebog 13578:The Lutheran Hymnal 13538:Common Service Book 13409:Erhard Mauersberger 13241:Johannes Galliculus 13175:by Johann Sebastian 13170:by Johann Christian 13111:(great-grandfather) 13085:Johann Michael Bach 13079:Johann Michael Bach 12959:Anna Magdalena Bach 12787:Bach House (Köthen) 12766:List of Bach choirs 12147:Hofstadter, Douglas 11535:Dent, Edward Joseph 10770:(31 October 2019). 10236:Edward Noel Green. 9848:, pp. 456–461. 9609:on 27 December 2014 9429:"French Suites 1–6" 9348:Kroesbergen, Willem 8939:, pp. 100–101. 8143:on 31 October 2016. 8113:Schmieder, Wolfgang 8051:Proceedings of the 7378:, pp. 191–197. 7329:on 26 February 2012 7323:J.S. Bach Home Page 7208:Musicalisches Opfer 6926:D-B Mus. ms. 30199, 6875:D-B N. Mus. ms. 307 6837:D-B N. Mus. ms. 468 6473:, pp. 288–290. 6461:, pp. 112–113. 6229:, pp. 98, 111. 6169:, pp. 69, 372. 5921:on 5 September 2015 5790:22 May 2006 at the 5593:, pp. 186–187. 4973:John Eliot Gardiner 4868:Gödel, Escher, Bach 4817:Dmitri Shostakovich 4805:Modern Jazz Quartet 4761:Jazz Sebastian Bach 4756:The Swingle Singers 4694:Herbert von Karajan 4555:24 Preludes, Op. 28 4526:Bach's Magnificat. 4483:Abraham Mendelssohn 4362:Johann Ludwig Krebs 4300:Frederick the Great 4213:Air on the G String 4110:Oliver von Dohnányi 4101:Air on the G String 4078:Air on the G String 3866:Six Little Preludes 3827:, BWV 831) and the 3794:Goldberg Variations 3716:(BWV 812–817), and 3501:from 1739, and the 3481:Dieterich Buxtehude 3280:Kyrie–Gloria Masses 3109:) or Italian (e.g. 2694:BWV 1127 and higher 2652:Other chamber music 2040:Goldberg Variations 2014:Goldberg Variations 1793:Four-part harmonies 1787:St. Matthew Passion 1698:. The note next to 1441:Goldberg Variations 1048:St. Nicholas Church 1030:Leipzig (1723–1750) 889: BWV 172 719:Gott ist mein König 671:Dieterich Buxtehude 565:Jean-Baptiste Lully 553:Johann Caspar Kerll 437:Air on the G String 353:. He often adopted 323:Bach's compositions 182:Goldberg Variations 16441:Oratorio composers 16190:K. P. H. Notoprojo 16020:first movement of 16008:The Rite of Spring 15931:first movement of 15005:Torrejón y Velasco 14616:Luther § Hymnodist 14557:Gottfried Vopelius 14487:Nikolaus Selnecker 14387:Michael Praetorius 14367:Erdmann Neumeister 14267:Sigfrid Karg-Elert 14227:Valerius Herberger 14192:Britt G. Hallqvist 14187:N. F. S. Grundtvig 14167:Erik Gustaf Geijer 14122:Ludmilla Elisabeth 14107:Wolfgang Dachstein 14092:Elisabeth Cruciger 14087:Christian Cappelen 14072:Johan Nordahl Brun 14052:Sigmund von Birken 13971:(in Swedish, 1891) 13949:(in Swedish, 1553) 13946:Een liten Songbook 13726:Thomissøn's hymnal 13688:In other languages 13645:Erfurt Enchiridion 13343:Johann Adam Hiller 13120:Maria Barbara Bach 13073:Johann Ludwig Bach 12448:Organ compositions 12243:"Discovering Bach" 12140:Wolfgang Schmieder 12044:Grove Music Online 11376:Grove Music Online 11138:Schweitzer, Albert 10768:BBC Music Magazine 9766:Critischer Musicus 9304:Smith, Timothy A. 9092:Bach Digital Work 9066:Bach Digital Work 9044:Bach Digital Work 9022:Bach Digital Work 8996:Bach Digital Work 8974:Bach Digital Work 8096:Wolfgang Schmieder 7973:Bach Digital Work 7871:booklet notes for 7600:Brilliant Classics 7049:2003, Nr. 32, 115. 6626:D-Cv A.V,1109,(1), 6602:D-B Mus. ms. 16714 6321:: Online Gallery. 6105:. pp. 15–16. 5915:Music in Our World 5907:Thornburgh, Elaine 5837:Bach Digital Work 5557:, pp. 19, 46. 5328:Blanning, T. C. W. 5013:Calendar of Saints 4920:Bachchor Stuttgart 4825:Heitor Villa-Lobos 4666: 4658: 4557:, inspired by the 4547:St Matthew Passion 4535:St Matthew Passion 4514:, and the cantata 4469: 4424:played the entire 4338:Wilhelm Friedemann 4291: 4262: 4098:, performed in an 4028:Keyboard concertos 3554: 3552: 3541: 3208:Fürchte dich nicht 3200:Jesu, meine Freude 3075:Johann Ludwig Bach 2755:St Matthew Passion 2749:Ascension Oratorio 2733:Christmas Oratorio 2718: 2710:St Matthew Passion 2622:Organ compositions 2602:Four-part chorales 2526:thematic catalogue 2522:Wolfgang Schmieder 2500:St Matthew Passion 2063:St Matthew Passion 2027: 2005: 1962:scale of C minor. 1908:chromatic fantasia 1790: 1751:St Matthew Passion 1710: 1588:Heinrich von Brühl 1315: 1287:keyboard concertos 1285:), his violin and 1246: 1226:Leipzig University 1118:Christoph Graupner 1099: 1064:Frederick Augustus 1056:St. Peter's Church 1016:Gottfried Heinrich 1008:Maria Barbara Bach 937: 916:Köthen (1717–1723) 761:Wilhelm Friedemann 751: 713:Maria Barbara Bach 632: 535:, the organist at 526:Johann Ludwig Bach 476: 375:composed concertos 16446:Organ improvisers 16265: 16264: 16259: 16258: 16052:and His Hot Seven 15852: 15851: 15814:Renaissance music 15482:Baroque orchestra 14655: 14654: 14567:Johan Olof Wallin 14532:Melchior Teschner 14462:Benjamin Schmolck 14352:Felix Mendelssohn 14347:Hemminki of Masku 14272:Christian Keymann 14027:Michael Altenburg 13992: 13991: 13923: 13922: 13899: 13898: 13814: 13813: 13790: 13789: 13759: 13758: 13735: 13734: 13712:Guldberg's hymnal 13530:Christian Worship 13478: 13477: 13307:Sebastian Knüpfer 13265:Johannes Bruckner 13247:Valerian Hüffeler 13183: 13182: 13067:Johann Jacob Bach 12891: 12890: 12723:Bach Gesellschaft 12704: 12703: 12564: 12563: 12455:Keyboard and lute 12266:Bach Bibliography 12227:978-0-253-33181-6 12208:978-1-4422-3290-7 12187:978-0-367-58143-5 12166:978-0-465-02656-2 12112:978-1-58046-190-0 12068:(subscription or 12062:978-1-56159-263-0 12024:978-0-393-33674-0 12005:978-0-333-34350-0 11984:978-0-521-89115-8 11967:978-0-521-31700-9 11945:978-0-9794785-0-5 11926:978-0-252-03344-5 11889:978-0-415-97400-4 11816:978-0-06-263547-1 11792:978-0-06-075974-2 11753:978-0-19-512097-4 11734:978-0-8028-3221-4 11711:978-0-07-035646-7 11679:978-0-19-816440-1 11657:978-0-8357-1989-6 11638:978-0-19-515439-9 11620:978-0-19-929776-4 11594:978-3-423-04080-8 11572:978-0-393-30052-9 11557:Donington, Robert 11497:978-0-253-10520-2 11471:978-0-521-58780-8 11404:(subscription or 11398:978-1-56159-263-0 11366:978-0-393-32256-9 11354:978-0-19-816534-7 11335:978-0-674-05926-9 11309:978-1-107-13925-1 11290:978-0-521-87074-0 11271:978-0-521-53374-4 11246:Bach: A Biography 11129:978-0-19-500554-7 11103:978-0-15-100648-9 11068:978-1-904341-16-1 11039:978-0-7139-9662-3 10995:978-0-465-01861-1 10961:978-0-393-31956-9 10931:978-0-19-514222-8 10808:978-1-64065-235-4 10249:978-0-549-79451-6 10214:978-0-393-28578-9 10130:978-0-253-33487-9 10120:Brown, A. Peter, 9910:978-0-521-02891-2 9789:, footnote p. 222 9279:GMN ClassicalPlus 9214:978-0-521-41864-5 8902:contains 22 works 8279:Bach Digital Work 8136:978-3-7651-0249-3 8038:Don O. Franklin. 8025:978-88-7063-011-4 7917:to be performed?" 7913:"Did Bach intend 7694:978-0-521-34105-9 7282:(10): 1427–1430. 7082:Schübler Chorales 6965:D-B Mus. ms. 7918 6689:D-B Mus. ms. 1160 6014:978-0-520-21414-9 5999:Sadie, Julie Anne 5894:Table VII, p. 309 5865:Bach House Weimar 5767:978-1-58046-253-2 5705:, pp. 15–16. 5681:, pp. 55–56. 5605:, pp. 41–43. 5509:, pp. 86–87. 5475:Wolff et al. 2018 5347:978-0-674-03104-3 5017:Lutheran churches 4839:Albert Schweitzer 4738:Leopold Stokowski 4732:'s late romantic 4682:Willem Mengelberg 4610:Bach-Gesellschaft 4530:Felix Mendelssohn 4523:Hans Georg Nägeli 4358:Johann Kirnberger 4267:Bach Gesellschaft 4236:Melchior Hoffmann 4186:François Couperin 4182:Missa Sine nomine 4132: 4089: 4055:orchestral suites 4043:Orchestral suites 3997: 3979: 3961: 3641: 3623: 3605: 3573: 3547: 3536: 3512:Schübler Chorales 3444: 3426: 3410:Großhartmannsdorf 3336: 3296:Magnificat (Bach) 3147:drammi per musica 2906: 2888: 2870: 2852: 2834: 2816: 2796: 2738:liturgical season 2687: 2686: 2642:Lute compositions 2612:Small vocal works 2403: 2385: 2367: 2340:Keyboard concerto 2335: 2317: 2299: 2267: 2249: 2231: 2205: 2189: 2163:BWV 632 (extract) 2023: 1887: 1869: 1773:Four-part harmony 1623:lute-harpsichords 1551:Schübler Chorales 1468:Passions and the 1360:Augustus III 1283:Keyboard Practice 1258:Collegium Musicum 1250:Collegium Musicum 1107:St. Paul's Church 1087:St. Thomas Church 1044:St. Thomas Church 1040:St. Thomas School 956:orchestral suites 933: 824:Little Organ Book 292:Collegium Musicum 194:Schubler Chorales 152: 151: 16:(Redirected from 16478: 16421:German Lutherans 16318: 16317: 16316: 16306: 16305: 16304: 16294: 16293: 16292: 16282: 16281: 16280: 16273: 16249: 16248: 16239: 16238: 16139:Anthony Holborne 16034: 15940:"Cavatina" from 15879: 15872: 15865: 15856: 15855: 15842: 15832: 15831: 15747:polychoral style 15662:sonata da chiesa 15223: 15025: 14847: 14712: 14682: 14675: 14668: 14659: 14658: 14636:Lutheran chorale 14542:Zachris Topelius 14502:Lazarus Spengler 14447:Martin Schalling 14377:Johann Pachelbel 14237:Johannes Hermann 14127:Princess Eugénie 13925: 13924: 13901: 13900: 13861:Nynorsk salmebok 13816: 13815: 13792: 13791: 13761: 13760: 13737: 13736: 13692: 13691: 13602:Lutheran Worship 13512:Lutheran hymnody 13505: 13498: 13491: 13482: 13481: 13468: 13467: 13427:Gotthold Schwarz 13367:Moritz Hauptmann 13289:Sethus Calvisius 13277:Wolfgang Figulus 13253:Johannes Hermann 13210: 13203: 13196: 13187: 13186: 12931: 12924: 12917: 12908: 12907: 12895: 12894: 12881: 12871: 12870: 12756: 12735: 12726: 12587: 12586: 12557: 12555:New Bach Edition 12535: 12523: 12516: 12478: 12471: 12469:Orchestral works 12464: 12457: 12450: 12443: 12436: 12406: 12405: 12386: 12379: 12372: 12363: 12362: 12282:Internet Archive 12270:, mirror at the 12250: 12231: 12212: 12190: 12170: 12134: 12116: 12092: 12073: 12066: 12040: 12033:Wolff, Christoph 12028: 12009: 11992:Wolff, Christoph 11987: 11970: 11949: 11930: 11907: 11893: 11874: 11848: 11829:Winston, Richard 11820: 11796: 11774: 11757: 11738: 11715: 11694: 11683: 11661: 11642: 11623: 11598: 11576: 11552: 11530: 11527: 11510: 11501: 11475: 11453: 11444: 11423:Applegate, Celia 11409: 11402: 11379:(8th ed.). 11369: 11358: 11339: 11318:Wolff, Christoph 11313: 11294: 11275: 11263: 11260:The Life of Bach 11249: 11237: 11234:Novello & Co 11222: 11219:Novello & Co 11207: 11204:Novello & Co 11181: 11153: 11144:. Translated by 11133: 11121: 11107: 11072: 11053:. Translated by 11043: 11017: 11012:. Translated by 10999: 10973: 10948:Wolff, Christoph 10935: 10895: 10894: 10892: 10853: 10840: 10834: 10833: 10827: 10819: 10813: 10812: 10793: 10787: 10786: 10784: 10782: 10764: 10758: 10757: 10749: 10743: 10742: 10740: 10738: 10723: 10717: 10716: 10714: 10712: 10694: 10688: 10674: 10668: 10667: 10656: 10650: 10633: 10627: 10626: 10624: 10622: 10603: 10597: 10594:Hänssler Classic 10580: 10574: 10573: 10570: 10568: 10548: 10542: 10540: 10537: 10535: 10519: 10513: 10500: 10491: 10490: 10488: 10486: 10475:A Bach Christmas 10463: 10457: 10456: 10454: 10452: 10435:McComb, Todd M. 10432: 10426: 10425: 10423: 10421: 10402: 10396: 10377: 10371: 10365: 10359: 10345: 10339: 10333: 10327: 10317: 10311: 10301: 10295: 10285: 10279: 10269: 10263: 10262:, pp. 9–10. 10257: 10251: 10234: 10228: 10222: 10216: 10196: 10190: 10184: 10175: 10174: 10171: 10169: 10167: 10150: 10133: 10118: 10112: 10111: 10100: 10094: 10089: 10060: 10054: 10050:: Scores at the 10045: 10039: 10038: 10035: 10033: 10017: 10011: 9997: 9991: 9985: 9976: 9953: 9940: 9934: 9928: 9918: 9912: 9892: 9886: 9885: 9882: 9880: 9871: 9865: 9855: 9849: 9843: 9837: 9830: 9824: 9798: 9792: 9782:Johann Mattheson 9779: 9773: 9755: 9749: 9734: 9728: 9718: 9712: 9688: 9682: 9672: 9666: 9656: 9650: 9649: 9647: 9645: 9625: 9619: 9618: 9616: 9614: 9605:. Archived from 9595: 9589: 9588: 9586: 9584: 9563: 9557: 9551: 9545: 9544: 9542: 9540: 9517: 9511: 9510: 9508: 9506: 9486: 9480: 9479: 9477: 9475: 9458:McComb, Todd M. 9455: 9449: 9448: 9446: 9444: 9424: 9418: 9417: 9415: 9413: 9396:McComb, Todd M. 9393: 9387: 9386: 9384: 9382: 9366: 9360: 9359: 9354:(2nd ed.). 9344: 9338: 9332: 9326: 9325: 9323: 9321: 9301: 9295: 9294: 9292: 9290: 9281:. Archived from 9271: 9265: 9259: 9253: 9252: 9250: 9248: 9229: 9223: 9222: 9198: 9192: 9191: 9189: 9187: 9167: 9161: 9155: 9149: 9143: 9137: 9136: 9134: 9132: 9112: 9106: 9105: 9102: 9100: 9090: 9084: 9083: 9080: 9078: 9064: 9058: 9057: 9054: 9052: 9042: 9036: 9035: 9032: 9030: 9020: 9014: 9013: 9010: 9008: 8994: 8988: 8987: 8984: 8982: 8972: 8966: 8959: 8953: 8946: 8940: 8934: 8928: 8927: 8925: 8923: 8909: 8903: 8889: 8883: 8879: 8870: 8858: 8846: 8834: 8822: 8810: 8798: 8786: 8774: 8762: 8750: 8738: 8726: 8714: 8702: 8690: 8678: 8666: 8654: 8642: 8630: 8618: 8606: 8594: 8582: 8570: 8558: 8546: 8534: 8522: 8510: 8498: 8486: 8474: 8462: 8450: 8438: 8426: 8414: 8402: 8390: 8378: 8366: 8354: 8342: 8330: 8318: 8306: 8294: 8275: 8269: 8268: 8266: 8264: 8244: 8238: 8237: 8235: 8233: 8213: 8207: 8201: 8195: 8189: 8183: 8168:Joel H. Kuznik. 8166: 8160: 8151: 8145: 8144: 8139:. Archived from 8109: 8103: 8093: 8087: 8086: 8084: 8082: 8063: 8057: 8036: 8030: 8029: 8008: 8002: 7993: 7987: 7986: 7983: 7981: 7971: 7965: 7955: 7949: 7943: 7937: 7936: 7934: 7932: 7921:The Art of Fugue 7909: 7903: 7897: 7888: 7885:Schulenberg 2006 7882: 7876: 7855: 7849: 7835: 7829: 7826:Gilles Cantagrel 7811: 7805: 7799: 7793: 7792: 7781: 7775: 7774: 7761: 7755: 7749: 7743: 7742: 7739: 7737: 7721: 7715: 7709: 7703: 7702: 7674: 7665: 7659: 7653: 7647: 7641: 7624: 7618: 7589: 7583: 7573: 7567: 7566: 7564: 7562: 7542: 7536: 7535: 7533: 7531: 7511: 7505: 7499: 7493: 7492: 7473: 7467: 7461: 7455: 7454: 7452: 7450: 7445:on 2 August 2020 7441:. Archived from 7431: 7425: 7419: 7413: 7412: 7410: 7408: 7397:The Art of Fugue 7385: 7379: 7373: 7367: 7357: 7351: 7345: 7339: 7338: 7336: 7334: 7325:. Archived from 7314: 7308: 7307: 7271: 7265: 7256: 7250: 7249: 7247: 7240: 7229: 7223: 7217: 7211: 7192: 7186: 7180: 7173: 7148: 7137: 7095: 7089: 7068: 7062: 7056: 7050: 7028: 7022: 7009: 6992: 6986: 6980: 6966: 6961: 6955: 6941: 6928:Fascicle 14 6927: 6922: 6916: 6901: 6896: 6890: 6876: 6871: 6865: 6851: 6838: 6833: 6827: 6813: 6808: 6802: 6801: 6798: 6796: 6780: 6774: 6747: 6743: 6737: 6715: 6710: 6704: 6690: 6685: 6679: 6665: 6660: 6654: 6627: 6623: 6617: 6603: 6598: 6592: 6578: 6573: 6567: 6553: 6548: 6542: 6541: 6539: 6537: 6518: 6509: 6504: 6498: 6492: 6486: 6480: 6474: 6468: 6462: 6456: 6450: 6449: 6447: 6445: 6426: 6420: 6419: 6417: 6415: 6396: 6390: 6384: 6375: 6365: 6359: 6353: 6347: 6341: 6335: 6334: 6332: 6330: 6311: 6305: 6295: 6289: 6279: 6273: 6267: 6261: 6255: 6246: 6236: 6230: 6224: 6218: 6212: 6206: 6200: 6194: 6188: 6182: 6176: 6170: 6164: 6158: 6152: 6146: 6140: 6134: 6128: 6122: 6121: 6119: 6117: 6111: 6104: 6096:Wolff, Christoph 6092: 6086: 6085: 6083: 6081: 6075: 6069:. pp. 1–2. 6068: 6056: 6050: 6044: 6035: 6029: 6023: 6022: 5995: 5986: 5985: 5983: 5981: 5961: 5955: 5949: 5943: 5937: 5931: 5930: 5928: 5926: 5903: 5897: 5887: 5881: 5880: 5878: 5876: 5857: 5851: 5850: 5847: 5845: 5835: 5829: 5819: 5813: 5804: 5795: 5782: 5776: 5775: 5751: 5745: 5736: 5730: 5724: 5718: 5712: 5706: 5700: 5694: 5688: 5682: 5676: 5670: 5669: 5667: 5665: 5646: 5621: 5615: 5606: 5600: 5594: 5588: 5582: 5576: 5570: 5564: 5558: 5552: 5546: 5540: 5534: 5528: 5522: 5516: 5510: 5504: 5495: 5489: 5478: 5472: 5463: 5457: 5451: 5437: 5431: 5425: 5419: 5418: 5416: 5414: 5409:on 26 March 2019 5405:. Archived from 5395: 5389: 5388: 5386: 5384: 5375:. Archived from 5365: 5359: 5358: 5324: 5318: 5317: 5315: 5313: 5298: 5292: 5286: 5280: 5274: 5258: 5228: 5222: 5175: 5169: 5146: 5140: 5133: 5127: 5113: 5108: 5107: 5104: 5103: 5100: 5097: 5088: 5087: 5086: 5080: 5073: 4946: 4793:Jacques Loussier 4775:Switched-On Bach 4730:Ferruccio Busoni 4613: 4505: 4504: 4466: 4433: 4312:Johann Mattheson 4134: 4133: 4091: 4090: 3999: 3998: 3981: 3980: 3963: 3962: 3916:Violin concertos 3910:The Art of Fugue 3875: 3838: 3830:Italian Concerto 3787: 3781: 3775: 3769: 3763: 3757: 3749: 3741: 3733: 3725: 3643: 3642: 3625: 3624: 3607: 3606: 3587:Italian Concerto 3575: 3574: 3548: 3537: 3528:The Art of Fugue 3473:chorale preludes 3446: 3445: 3428: 3427: 3406:Silbermann organ 3384:lute-harpsichord 3338: 3337: 3241: 3233: 3227: 3219: 3216:Komm, Jesu, komm 3211: 3203: 3195: 3187: 3154:A cappella music 3117:BWV Anh. 11 3081:Secular cantatas 3072: 3071: 3061: 3060: 3031: 3030: 3008: 2973: 2972: 2908: 2907: 2890: 2889: 2872: 2871: 2854: 2853: 2836: 2835: 2818: 2817: 2798: 2797: 2662:Orchestral music 2547: 2546: 2542: 2535: 2436:Classical period 2405: 2404: 2387: 2386: 2369: 2368: 2337: 2336: 2319: 2318: 2301: 2300: 2269: 2268: 2251: 2250: 2233: 2232: 2207: 2206: 2191: 2190: 2174: 2173: 2169: 2128:Musical Offering 2025: 2024: 1994:Bach's guide on 1906:, emulating the 1889: 1888: 1871: 1870: 1840:Chorale cantatas 1746:Lutheran chorale 1743: 1706: 1681: 1659:The Art of Fugue 1609: 1607:Director musices 1603: 1560:The Art of Fugue 1507: 1339: 1338: 1333: 1332: 1327: 1326: 1311: 1280: 1244: 1241: 1212: 1211: 1201: 1200: 1190: 1189: 1179: 1178: 1167:chorale cantatas 1160: 1159: 1128: 1024:Johann Christian 982: 981: 949: 935: 934: 907: 906: 892: 891: 877: 876: 858: 857: 847: 829:Lutheran chorale 758: 722: 710: 561:Johann Pachelbel 474: 434:, including the 422:Bach biographies 391:as chamber music 363:his sacred songs 280:St Thomas's 232:Johann Christoph 224:Johann Ambrosius 148: 107: 87: 85: 57: 43: 42: 21: 16486: 16485: 16481: 16480: 16479: 16477: 16476: 16475: 16326: 16325: 16324: 16314: 16312: 16302: 16300: 16296:Classical music 16290: 16288: 16278: 16276: 16268: 16266: 16261: 16260: 16255: 16227: 16154:Kesarbai Kerkar 16129:Arthur Grumiaux 16107:Igor Stravinsky 16059:Valya Balkanska 16047:Louis Armstrong 16035: 16026: 16000:The Magic Flute 15973:Johnny B. Goode 15937:No. 2, BWV 1047 15920: 15902:Voyager program 15888: 15883: 15853: 15848: 15825: 15821:Classical music 15817: 15804: 15761: 15757:Galant Schemata 15671: 15570:concerto grosso 15491: 15470: 15342: 15335: 15212: 15048:G. B. Bononcini 15014: 14839: 14708: 14700: 14691: 14686: 14656: 14651: 14650: 14646:Chorale cantata 14641:Chorale setting 14621:Hymns by Luther 14606: 14587:Olle Widestrand 14522:Jesper Swedberg 14482:Heinrich Schütz 14372:Philipp Nicolai 14232:Nikolaus Herman 14222:Ludwig Helmbold 14217:Johann Heermann 14152:Melchior Franck 14112:Nikolaus Decius 14077:Joachim a Burck 14012:Mikael Agricola 14002: 14000: 13988: 13919: 13914:Culto Cristiano 13895: 13810: 13786: 13755: 13731: 13683: 13624: 13514: 13509: 13479: 13474: 13456: 13438: 13259:Wolfgang Jünger 13223: 13214: 13184: 13179: 13143: 13109:Johannes Bach I 13081:(father-in-law) 12948: 12946: 12940: 12935: 12900: 12892: 12887: 12859: 12848:Bach quadrangle 12801: 12792:Café Zimmermann 12770: 12700: 12646:Riemenschneider 12593: 12585: 12560: 12553: 12544:Reconstructions 12531: 12519: 12512: 12486: 12474: 12467: 12460: 12453: 12446: 12441:Songs and arias 12439: 12432: 12395: 12390: 12354:website of the 12268:(23 March 2012) 12241: 12238: 12228: 12215: 12209: 12193: 12188: 12173: 12167: 12145: 12121:Dörffel, Alfred 12119: 12113: 12096: 12083: 12081: 12079:Further reading 12076: 12067: 12063: 12025: 12006: 11985: 11972: 11968: 11954:Williams, Peter 11946: 11927: 11898:Spaeth, Sigmund 11890: 11817: 11793: 11754: 11735: 11712: 11680: 11658: 11639: 11621: 11595: 11573: 11549: 11528: 11498: 11472: 11441: 11417: 11412: 11403: 11399: 11355: 11336: 11310: 11291: 11272: 11254:Williams, Peter 11186:Spitta, Philipp 11130: 11112:Geiringer, Karl 11104: 11078:Wayback Machine 11069: 11059:Haus Publishing 11040: 10996: 10962: 10932: 10915: 10909: 10904: 10899: 10898: 10890: 10851: 10841: 10837: 10825: 10821: 10820: 10816: 10809: 10795: 10794: 10790: 10780: 10778: 10765: 10761: 10750: 10746: 10736: 10734: 10725: 10724: 10720: 10710: 10708: 10702:bach-digital.de 10696: 10695: 10691: 10675: 10671: 10658: 10657: 10653: 10643:Wayback Machine 10634: 10630: 10620: 10618: 10605: 10604: 10600: 10590:Wayback Machine 10581: 10577: 10565: 10562:Wayback Machine 10549: 10545: 10541:1 December 2001 10532: 10529:Wayback Machine 10520: 10516: 10506:pp. 145–158 in 10501: 10494: 10484: 10482: 10477:. BBC Radio 3. 10471:"Bach and Jazz" 10464: 10460: 10450: 10448: 10441:Early Music FAQ 10433: 10429: 10419: 10417: 10404: 10403: 10399: 10378: 10374: 10368:Kupferberg 1985 10366: 10362: 10346: 10342: 10334: 10330: 10318: 10314: 10302: 10298: 10286: 10282: 10270: 10266: 10258: 10254: 10235: 10231: 10223: 10219: 10197: 10193: 10185: 10178: 10164: 10161:Wayback Machine 10151: 10136: 10119: 10115: 10102: 10101: 10097: 10061: 10057: 10046: 10042: 10030: 10027:Wayback Machine 10018: 10014: 9998: 9994: 9986: 9979: 9967:Wayback Machine 9956:Christoph Wolff 9954: 9943: 9935: 9931: 9919: 9915: 9893: 9889: 9877: 9872: 9868: 9856: 9852: 9844: 9840: 9831: 9827: 9821:Wayback Machine 9799: 9795: 9780: 9776: 9756: 9752: 9735: 9731: 9719: 9715: 9705:Wayback Machine 9689: 9685: 9673: 9669: 9657: 9653: 9643: 9641: 9640:on 19 July 2013 9626: 9622: 9612: 9610: 9599:"Baroque Music" 9597: 9596: 9592: 9582: 9580: 9564: 9560: 9552: 9548: 9538: 9536: 9518: 9514: 9504: 9502: 9487: 9483: 9473: 9471: 9464:Early Music FAQ 9456: 9452: 9442: 9440: 9425: 9421: 9411: 9409: 9402:Early Music FAQ 9394: 9390: 9380: 9378: 9367: 9363: 9345: 9341: 9335:Schweitzer 1923 9333: 9329: 9319: 9317: 9302: 9298: 9288: 9286: 9285:on 19 June 2008 9273: 9272: 9268: 9260: 9256: 9246: 9244: 9231: 9230: 9226: 9215: 9199: 9195: 9185: 9183: 9168: 9164: 9156: 9152: 9144: 9140: 9130: 9128: 9113: 9109: 9097: 9091: 9087: 9075: 9065: 9061: 9049: 9043: 9039: 9027: 9021: 9017: 9005: 8995: 8991: 8979: 8973: 8969: 8960: 8956: 8947: 8943: 8935: 8931: 8921: 8919: 8911: 8910: 8906: 8900:Wayback Machine 8890: 8886: 8882: 8874:BWV deest (BDW 8873: 8861: 8849: 8837: 8825: 8813: 8801: 8789: 8777: 8765: 8753: 8741: 8729: 8717: 8705: 8693: 8681: 8669: 8657: 8645: 8633: 8621: 8609: 8597: 8585: 8573: 8561: 8549: 8537: 8525: 8513: 8501: 8489: 8477: 8465: 8453: 8441: 8429: 8417: 8405: 8393: 8381: 8369: 8357: 8345: 8333: 8321: 8309: 8297: 8285: 8276: 8272: 8262: 8260: 8245: 8241: 8231: 8229: 8214: 8210: 8202: 8198: 8190: 8186: 8167: 8163: 8152: 8148: 8137: 8110: 8106: 8094: 8090: 8080: 8078: 8065: 8064: 8060: 8047:Wayback Machine 8037: 8033: 8026: 8009: 8005: 7994: 7990: 7978: 7972: 7968: 7956: 7952: 7944: 7940: 7930: 7928: 7911: 7910: 7906: 7902:, pp. 3–24 7898: 7891: 7887:, pp. 1–2. 7883: 7879: 7869:Wayback Machine 7856: 7852: 7836: 7832: 7812: 7808: 7800: 7796: 7782: 7778: 7763: 7762: 7758: 7750: 7746: 7734: 7731:Wayback Machine 7722: 7718: 7710: 7706: 7695: 7675: 7668: 7660: 7656: 7648: 7644: 7638:Wayback Machine 7625: 7621: 7615:Wayback Machine 7590: 7586: 7574: 7570: 7560: 7558: 7543: 7539: 7529: 7527: 7514:Huizenga, Tom. 7512: 7508: 7500: 7496: 7474: 7470: 7462: 7458: 7448: 7446: 7439:British Library 7433: 7432: 7428: 7420: 7416: 7406: 7404: 7387: 7386: 7382: 7374: 7370: 7358: 7354: 7346: 7342: 7332: 7330: 7315: 7311: 7272: 7268: 7257: 7253: 7245: 7238: 7230: 7226: 7218: 7214: 7193: 7189: 7167: 7149: 7140: 7131:Wayback Machine 7120:Wayback Machine 7106:Wayback Machine 7096: 7092: 7078:Wayback Machine 7069: 7065: 7057: 7053: 7029: 7025: 7019:Wayback Machine 7002:Wayback Machine 6987: 6983: 6973:Wayback Machine 6964: 6962: 6958: 6948:Wayback Machine 6939: 6935:Wayback Machine 6925: 6923: 6919: 6909:Wayback Machine 6902:Fascicle 2 6899: 6897: 6893: 6883:Wayback Machine 6874: 6872: 6868: 6858:Wayback Machine 6849: 6845:Wayback Machine 6836: 6834: 6830: 6820:Wayback Machine 6811: 6809: 6805: 6793: 6790:Wayback Machine 6781: 6777: 6767:Wayback Machine 6760:Fascicle 2 6756:Wayback Machine 6749:Fascicle 1 6745: 6744: 6740: 6722:Wayback Machine 6713: 6711: 6707: 6697:Wayback Machine 6688: 6686: 6682: 6672:Wayback Machine 6663: 6661: 6657: 6647:Wayback Machine 6636:Wayback Machine 6625: 6624: 6620: 6610:Wayback Machine 6601: 6599: 6595: 6585:Wayback Machine 6576: 6574: 6570: 6560:Wayback Machine 6551: 6549: 6545: 6535: 6533: 6520: 6519: 6512: 6505: 6501: 6493: 6489: 6481: 6477: 6469: 6465: 6457: 6453: 6443: 6441: 6428: 6427: 6423: 6413: 6411: 6398: 6397: 6393: 6385: 6378: 6366: 6362: 6354: 6350: 6342: 6338: 6328: 6326: 6319:British Library 6313: 6312: 6308: 6296: 6292: 6280: 6276: 6268: 6264: 6256: 6249: 6237: 6233: 6225: 6221: 6213: 6209: 6201: 6197: 6189: 6185: 6177: 6173: 6165: 6161: 6153: 6149: 6141: 6137: 6129: 6125: 6115: 6113: 6109: 6102: 6093: 6089: 6079: 6077: 6073: 6066: 6057: 6053: 6045: 6038: 6030: 6026: 6015: 5996: 5989: 5979: 5977: 5962: 5958: 5952:Schweitzer 1923 5950: 5946: 5938: 5934: 5924: 5922: 5904: 5900: 5888: 5884: 5874: 5872: 5859: 5858: 5854: 5842: 5836: 5832: 5820: 5816: 5805: 5798: 5792:Wayback Machine 5783: 5779: 5768: 5752: 5748: 5737: 5733: 5725: 5721: 5713: 5709: 5701: 5697: 5689: 5685: 5677: 5673: 5663: 5661: 5648: 5647: 5624: 5616: 5609: 5601: 5597: 5589: 5585: 5577: 5573: 5565: 5561: 5553: 5549: 5541: 5537: 5529: 5525: 5521:, pp. 7–8. 5517: 5513: 5505: 5498: 5490: 5481: 5473: 5466: 5458: 5454: 5438: 5434: 5426: 5422: 5412: 5410: 5397: 5396: 5392: 5382: 5380: 5367: 5366: 5362: 5348: 5325: 5321: 5311: 5309: 5299: 5295: 5287: 5283: 5275: 5271: 5266: 5261: 5229: 5225: 5181:Schweitzer 1911 5176: 5172: 5147: 5143: 5134: 5130: 5111: 5094: 5090: 5082: 5081: 5074: 5067: 5063: 5058: 5046: 5033: 5025:Heinrich Schütz 4982:, was added to 4965:Christoph Wolff 4953: 4912:Bach Aria Group 4900:Arthur Grumiaux 4851:Christoph Wolff 4758:on their album 4702:Wanda Landowska 4650: 4620:Peter Cornelius 4561:, in 1835, and 4541:St John Passion 4502: 4501: 4460: 4450: 4440: 4396:Viennese school 4388:Mass in B minor 4283: 4254: 4248: 4204:Brockes Passion 4162:Bist du bei mir 4158: 4148: 4147: 4146: 4145: 4144: 4140:Hunting Cantata 4135: 4128: 4125: 4119: 4118: 4117: 4092: 4085: 4082: 4073: 4067: 4059:French overture 4051: 4045: 4036: 4030: 4022:concerto grosso 4010: 4004: 4003: 4002: 4001: 4000: 3993: 3990: 3984: 3983: 3982: 3975: 3972: 3966: 3965: 3964: 3957: 3954: 3948: 3940: 3924:in A minor and 3918: 3892: 3882: 3860:(BWV 802–805), 3825:French Overture 3710:(BWV 806–811), 3654: 3648: 3647: 3646: 3645: 3644: 3637: 3634: 3628: 3627: 3626: 3619: 3616: 3610: 3609: 3608: 3601: 3598: 3592: 3580: 3579: 3578: 3577: 3576: 3569: 3566: 3560: 3550:Nos. 13–20 3543: 3532: 3521: 3457: 3451: 3450: 3449: 3448: 3447: 3440: 3437: 3431: 3430: 3429: 3422: 3419: 3413: 3392: 3368: 3360:Mass in B minor 3352: 3350:Mass in B minor 3346: 3345: 3344: 3343: 3342: 3339: 3332: 3329: 3323: 3321:Mass in B minor 3314: 3312:Mass in B minor 3306:D major version 3298: 3292: 3284:Mass in B minor 3272: 3266: 3258: 3252: 3170: 3164: 3156: 3112:Amore traditore 3106:Peasant Cantata 3100:Hunting Cantata 3089: 3083: 3038:chorale cantata 2984:Christoph Wolff 2950: 2944: 2942:Church cantatas 2928: 2918: 2917: 2916: 2915: 2914: 2909: 2902: 2899: 2893: 2892: 2891: 2884: 2881: 2875: 2874: 2873: 2866: 2863: 2857: 2856: 2855: 2848: 2845: 2839: 2838: 2837: 2830: 2827: 2821: 2820: 2819: 2810: 2807: 2801: 2800: 2799: 2792: 2789: 2783: 2770: 2761:St John Passion 2743:Easter Oratorio 2724: 2702: 2518: 2512: 2504:St John Passion 2485:Mass in B minor 2469:St Mark Passion 2462: 2419: 2413: 2412: 2411: 2410: 2409: 2406: 2399: 2396: 2390: 2389: 2388: 2381: 2378: 2372: 2371: 2370: 2363: 2360: 2354: 2345: 2344: 2343: 2342: 2341: 2338: 2331: 2328: 2322: 2321: 2320: 2313: 2310: 2304: 2303: 2302: 2295: 2292: 2286: 2277: 2276: 2275: 2274: 2273: 2270: 2263: 2260: 2254: 2253: 2252: 2245: 2242: 2236: 2235: 2234: 2227: 2224: 2218: 2212: 2211: 2210: 2209: 2208: 2200: 2192: 2179: 2176: 2171: 2167: 2166: 2159: 2140: 2100: 2098:Instrumentation 2091:Triple Concerto 2071: 2055:Neapolitan mass 2019: 1988: 1932: 1922:(comparable to 1897: 1896: 1895: 1894: 1893: 1890: 1883: 1880: 1874: 1873: 1872: 1865: 1862: 1856: 1819:his arrangement 1775: 1765:. For example, 1716: 1704: 1688: 1675: 1577:Mass in B minor 1501: 1368: 1309: 1301: 1262:Café Zimmermann 1254:Christoph Wolff 1242: 1236:Café Zimmermann 1144: 1136:liturgical year 1080: 1032: 929: 918: 880:Jubilate Sunday 739: 733: 620: 612:Ritter-Academie 496:(31 March 1685 482: 468: 455: 450: 432:of arrangements 383:for harpsichord 377:, for instance 262:repertory, and 114: 109: 105: 96: 91: 83: 81: 79: 67: 48: 39: 28: 23: 22: 15: 12: 11: 5: 16484: 16474: 16473: 16468: 16463: 16458: 16453: 16448: 16443: 16438: 16433: 16428: 16423: 16418: 16413: 16408: 16403: 16398: 16393: 16388: 16383: 16378: 16373: 16368: 16363: 16358: 16353: 16348: 16343: 16338: 16323: 16322: 16310: 16298: 16286: 16263: 16262: 16257: 16256: 16254: 16253: 16243: 16232: 16229: 16228: 16226: 16225: 16223:Gorō Yamaguchi 16220: 16218:Laurie Spiegel 16215: 16210: 16205: 16204: 16203: 16201:Otto Klemperer 16192: 16187: 16186: 16185: 16174: 16173: 16172: 16161: 16156: 16151: 16146: 16141: 16136: 16131: 16126: 16121: 16116: 16111: 16110: 16109: 16098: 16093: 16088: 16083: 16078: 16077: 16076: 16061: 16056: 16055: 16054: 16043: 16041: 16037: 16036: 16029: 16027: 16025: 16024: 16018: 16011: 16003: 15995: 15990: 15981: 15976: 15969: 15962: 15956: 15949: 15944: 15938: 15928: 15926: 15922: 15921: 15919: 15918: 15911: 15904: 15899: 15893: 15890: 15889: 15882: 15881: 15874: 15867: 15859: 15850: 15849: 15847: 15846: 15836: 15818: 15810: 15809: 15806: 15805: 15803: 15802: 15801: 15800: 15795: 15790: 15785: 15775: 15769: 15767: 15763: 15762: 15760: 15759: 15754: 15749: 15744: 15742:notes inégales 15739: 15734: 15729: 15724: 15723: 15722: 15717: 15712: 15702: 15697: 15692: 15691: 15690: 15679: 15677: 15673: 15672: 15670: 15669: 15664: 15659: 15654: 15649: 15644: 15639: 15634: 15629: 15624: 15619: 15614: 15609: 15608: 15607: 15602: 15597: 15592: 15587: 15582: 15572: 15567: 15562: 15557: 15552: 15551: 15550: 15545: 15535: 15530: 15525: 15520: 15515: 15510: 15505: 15499: 15497: 15493: 15492: 15490: 15489: 15487:Basso continuo 15484: 15478: 15476: 15472: 15471: 15469: 15468: 15463: 15458: 15453: 15448: 15443: 15438: 15433: 15428: 15423: 15418: 15413: 15408: 15403: 15398: 15393: 15388: 15383: 15378: 15373: 15368: 15363: 15358: 15353: 15347: 15345: 15337: 15336: 15334: 15333: 15328: 15323: 15318: 15313: 15308: 15303: 15298: 15293: 15288: 15283: 15278: 15273: 15268: 15263: 15258: 15253: 15248: 15243: 15238: 15233: 15227: 15225: 15214: 15213: 15211: 15210: 15205: 15200: 15195: 15190: 15185: 15180: 15175: 15170: 15165: 15160: 15155: 15150: 15145: 15140: 15135: 15130: 15125: 15120: 15118:Leclair l'aîné 15115: 15110: 15105: 15100: 15095: 15090: 15085: 15080: 15075: 15070: 15065: 15060: 15055: 15050: 15045: 15040: 15035: 15029: 15027: 15016: 15015: 15013: 15012: 15007: 15002: 14997: 14992: 14987: 14982: 14977: 14972: 14967: 14962: 14957: 14952: 14947: 14942: 14937: 14932: 14927: 14922: 14917: 14912: 14907: 14902: 14897: 14892: 14887: 14882: 14877: 14872: 14870:H. I. F. Biber 14867: 14862: 14857: 14851: 14849: 14841: 14840: 14838: 14837: 14832: 14827: 14822: 14817: 14812: 14807: 14802: 14797: 14792: 14787: 14782: 14777: 14772: 14767: 14762: 14757: 14752: 14747: 14742: 14737: 14732: 14727: 14722: 14716: 14714: 14702: 14701: 14696: 14693: 14692: 14685: 14684: 14677: 14670: 14662: 14653: 14652: 14649: 14648: 14643: 14638: 14633: 14628: 14623: 14618: 14612: 14611: 14608: 14607: 14605: 14604: 14599: 14594: 14589: 14584: 14579: 14574: 14569: 14564: 14559: 14554: 14552:Jaroslav Vajda 14549: 14544: 14539: 14534: 14529: 14527:Jiří Třanovský 14524: 14519: 14517:Paul Stockmann 14514: 14512:Philipp Spitta 14509: 14504: 14499: 14494: 14489: 14484: 14479: 14474: 14469: 14464: 14459: 14454: 14449: 14444: 14439: 14434: 14429: 14427:Johan Runeberg 14424: 14422:Daniel Rumpius 14419: 14414: 14409: 14407:Martin Rinkart 14404: 14399: 14394: 14389: 14384: 14379: 14374: 14369: 14364: 14359: 14354: 14349: 14344: 14339: 14334: 14329: 14324: 14319: 14314: 14309: 14304: 14299: 14294: 14292:Johann Kolross 14289: 14284: 14279: 14274: 14269: 14264: 14259: 14254: 14249: 14244: 14239: 14234: 14229: 14224: 14219: 14214: 14209: 14204: 14199: 14194: 14189: 14184: 14182:Johannes Gigas 14179: 14174: 14169: 14164: 14159: 14157:Salomon Franck 14154: 14149: 14147:Michael Franck 14144: 14139: 14134: 14129: 14124: 14119: 14114: 14109: 14104: 14099: 14094: 14089: 14084: 14079: 14074: 14069: 14064: 14059: 14054: 14049: 14044: 14039: 14034: 14032:Anna Sophia II 14029: 14024: 14019: 14014: 14008: 14006: 13994: 13993: 13990: 13989: 13987: 13986: 13979: 13972: 13968:Hemlandssånger 13964: 13957: 13950: 13942: 13938:Swenske songer 13933: 13931: 13921: 13920: 13918: 13917: 13909: 13907: 13897: 13896: 13894: 13893: 13886: 13879: 13872: 13865: 13857: 13849: 13841: 13833: 13824: 13822: 13812: 13811: 13809: 13808: 13800: 13798: 13788: 13787: 13785: 13784: 13777: 13774:Siionin Virret 13769: 13767: 13757: 13756: 13754: 13753: 13745: 13743: 13733: 13732: 13730: 13729: 13722: 13719:Kingo's hymnal 13715: 13708: 13700: 13698: 13689: 13685: 13684: 13682: 13681: 13673: 13669:Becker Psalter 13665: 13657: 13649: 13641: 13632: 13630: 13629:German hymnals 13626: 13625: 13623: 13622: 13614: 13610:ReClaim Hymnal 13606: 13598: 13590: 13582: 13574: 13566: 13558: 13550: 13542: 13534: 13525: 13523: 13516: 13515: 13508: 13507: 13500: 13493: 13485: 13476: 13475: 13473: 13472: 13461: 13458: 13457: 13455: 13454: 13451:Forum Thomanum 13446: 13444: 13440: 13439: 13437: 13436: 13430: 13424: 13418: 13412: 13406: 13400: 13394: 13388: 13385:Gustav Schreck 13382: 13376: 13370: 13364: 13358: 13352: 13346: 13340: 13334: 13331:Gottlob Harrer 13328: 13322: 13316: 13313:Johann Schelle 13310: 13304: 13301:Tobias Michael 13298: 13292: 13286: 13283:Melchior Heger 13280: 13274: 13268: 13262: 13256: 13250: 13244: 13238: 13231: 13229: 13225: 13224: 13213: 13212: 13205: 13198: 13190: 13181: 13180: 13178: 13177: 13172: 13167: 13162: 13157: 13151: 13149: 13145: 13144: 13142: 13141: 13135: 13129: 13123: 13117: 13112: 13106: 13100: 13094: 13088: 13082: 13076: 13070: 13064: 13058: 13052: 13046: 13040: 13034: 13028: 13022: 13016: 13010: 13004: 12998: 12992: 12986: 12980: 12974: 12971:Christoph Bach 12968: 12962: 12955: 12953: 12942: 12941: 12934: 12933: 12926: 12919: 12911: 12905: 12902: 12901: 12889: 12888: 12886: 12885: 12875: 12864: 12861: 12860: 12858: 12857: 12856: 12855: 12845: 12840: 12835: 12830: 12825: 12815: 12813:Bach festivals 12809: 12807: 12803: 12802: 12800: 12799: 12794: 12789: 12784: 12778: 12776: 12772: 12771: 12769: 12768: 12763: 12757: 12748: 12742: 12736: 12727: 12718: 12712: 12710: 12706: 12705: 12702: 12701: 12699: 12698: 12693: 12688: 12683: 12678: 12673: 12668: 12663: 12658: 12653: 12648: 12643: 12638: 12633: 12628: 12623: 12618: 12613: 12608: 12603: 12597: 12595: 12584: 12583: 12578: 12572: 12570: 12566: 12565: 12562: 12561: 12559: 12558: 12551: 12549:Transcriptions 12546: 12541: 12536: 12529: 12524: 12517: 12510: 12505: 12500: 12494: 12492: 12488: 12487: 12485: 12484: 12479: 12472: 12465: 12458: 12451: 12444: 12437: 12430: 12425: 12420: 12414: 12412: 12403: 12397: 12396: 12389: 12388: 12381: 12374: 12366: 12360: 12359: 12349: 12339: 12323: 12322: 12312: 12302: 12286: 12285: 12275: 12261: 12251: 12237: 12236:External links 12234: 12233: 12232: 12226: 12213: 12207: 12191: 12186: 12171: 12165: 12143: 12117: 12111: 12080: 12077: 12075: 12074: 12061: 12029: 12023: 12010: 12004: 11994:, ed. (1983). 11988: 11983: 11966: 11950: 11944: 11931: 11925: 11908: 11894: 11888: 11875: 11853:Schneider, Max 11849: 11833:Winston, Clara 11821: 11815: 11797: 11791: 11779:Morris, Edmund 11775: 11758: 11752: 11739: 11733: 11716: 11710: 11695: 11684: 11678: 11666:Jones, Richard 11662: 11656: 11643: 11637: 11624: 11619: 11599: 11593: 11577: 11571: 11553: 11547: 11531: 11502: 11496: 11480:Chiapusso, Jan 11476: 11470: 11460:, ed. (1997). 11454: 11445: 11439: 11418: 11416: 11413: 11411: 11410: 11397: 11370: 11353: 11340: 11334: 11314: 11308: 11295: 11289: 11276: 11270: 11250: 11238: 11223: 11208: 11182: 11163: 11134: 11128: 11108: 11102: 11080: 11067: 11044: 11038: 11018: 11000: 10994: 10974: 10960: 10944:Mendel, Arthur 10940:David, Hans T. 10936: 10930: 10916: 10908: 10905: 10903: 10900: 10897: 10896: 10862:(4): 213–216. 10835: 10814: 10807: 10788: 10759: 10754:The New Yorker 10744: 10718: 10698:"Bach Digital" 10689: 10669: 10651: 10628: 10598: 10575: 10543: 10522:"Bach Edition" 10514: 10492: 10458: 10427: 10397: 10395:1873 and 1880) 10372: 10370:, p. 126. 10360: 10340: 10328: 10312: 10304:Schneider 1907 10296: 10288:Schneider 1907 10280: 10272:Schneider 1907 10264: 10252: 10229: 10227:, p. 101. 10217: 10191: 10176: 10134: 10113: 10095: 10055: 10040: 10012: 9992: 9988:Applegate 2005 9977: 9941: 9939:, p. 459. 9929: 9913: 9901:Bach Studies 2 9894:Peter Wollny. 9887: 9866: 9850: 9838: 9825: 9793: 9774: 9750: 9748:, p. 158. 9729: 9713: 9683: 9667: 9651: 9620: 9590: 9558: 9556:, p. 111. 9546: 9521:Bratman, David 9512: 9481: 9450: 9439:on 2 July 2013 9419: 9388: 9361: 9339: 9337:, p. 333. 9327: 9296: 9266: 9264:, p. 187. 9254: 9224: 9213: 9193: 9172:"Choral Works" 9162: 9160:, p. 363. 9150: 9138: 9107: 9085: 9059: 9037: 9015: 8989: 8967: 8954: 8941: 8929: 8904: 8891:For instance, 8884: 8881: 8880: 8871: 8859: 8847: 8835: 8823: 8811: 8799: 8787: 8775: 8763: 8751: 8739: 8727: 8715: 8703: 8691: 8679: 8667: 8655: 8643: 8631: 8619: 8607: 8595: 8583: 8571: 8559: 8547: 8535: 8523: 8511: 8499: 8487: 8475: 8463: 8451: 8439: 8427: 8415: 8403: 8391: 8379: 8367: 8355: 8343: 8331: 8319: 8307: 8295: 8282: 8270: 8259:on 2 July 2013 8239: 8208: 8206:, p. 114. 8204:Williams 2003a 8196: 8194:, p. 430. 8184: 8161: 8146: 8135: 8104: 8088: 8058: 8031: 8024: 8012:Basso, Alberto 8003: 7988: 7966: 7950: 7938: 7904: 7889: 7877: 7873:Andreas Staier 7850: 7830: 7806: 7794: 7785:Kuhnau, Johann 7776: 7756: 7752:Donington 1982 7744: 7716: 7704: 7693: 7666: 7654: 7642: 7619: 7584: 7568: 7557:on 2 July 2013 7537: 7506: 7494: 7491:. p. 154. 7479:, ed. (1911). 7468: 7466:, p. 123. 7456: 7426: 7424:, p. 166. 7414: 7380: 7368: 7352: 7350:, p. 188. 7340: 7317:Hanford, Jan. 7309: 7266: 7251: 7224: 7222:, p. 277. 7220:Chiapusso 1968 7212: 7204:Kunst der Fuge 7196:Kunst der Fuge 7187: 7185:, p. 299. 7138: 7090: 7063: 7061:, p. 224. 7051: 7047:Studi musicali 7023: 6981: 6956: 6917: 6891: 6866: 6828: 6812:F-Pn Ms. 17669 6803: 6775: 6738: 6705: 6680: 6655: 6618: 6593: 6568: 6543: 6510: 6499: 6497:, p. 341. 6487: 6475: 6463: 6451: 6421: 6391: 6376: 6360: 6358:, p. 349. 6348: 6346:, p. 348. 6336: 6306: 6290: 6274: 6272:, p. 345. 6262: 6247: 6231: 6219: 6215:Geiringer 1966 6207: 6195: 6183: 6171: 6159: 6147: 6135: 6123: 6087: 6051: 6036: 6024: 6013: 6001:, ed. (1998). 5987: 5956: 5954:, p. 331. 5944: 5942:, p. 168. 5940:Chiapusso 1968 5932: 5898: 5882: 5852: 5830: 5822:Williams 2003a 5814: 5796: 5777: 5766: 5746: 5731: 5727:Williams 2003a 5719: 5715:Chiapusso 1968 5707: 5695: 5683: 5671: 5622: 5607: 5595: 5583: 5581:, p. 170. 5571: 5559: 5547: 5535: 5533:, p. 299. 5523: 5511: 5496: 5479: 5464: 5452: 5432: 5420: 5403:Dictionary.com 5390: 5379:on 11 May 2016 5360: 5346: 5319: 5293: 5281: 5268: 5267: 5265: 5262: 5260: 5259: 5257: 5256: 5251: 5246: 5241: 5239:Williams 2003a 5236: 5223: 5221: 5220: 5215: 5210: 5205: 5200: 5194: 5189: 5184: 5170: 5141: 5139:, p. 283. 5128: 5123:Dictionary.com 5064: 5062: 5059: 5057: 5054: 5053: 5052: 5045: 5042: 5032: 5029: 5019:, such as the 4969:Peter Williams 4952: 4949: 4928:Bach festivals 4890:(conducted by 4855:Peter Williams 4690:Georges Enescu 4649: 4646: 4632:Philipp Spitta 4628:Hans von Bülow 4585:Charles Gounod 4565:published his 4439: 4436: 4282: 4279: 4250:Main article: 4247: 4244: 4200:) and Handel ( 4136: 4126: 4121: 4120: 4104:adaptation by 4093: 4083: 4075: 4074: 4071: 4070: 4069: 4068: 4066: 4063: 4047:Main article: 4044: 4041: 4029: 4026: 3991: 3986: 3985: 3973: 3968: 3967: 3955: 3950: 3949: 3944: 3943: 3942: 3941: 3939: 3934: 3917: 3914: 3881: 3878: 3847: 3846: 3815: 3789: 3707:English Suites 3698: 3685: 3635: 3630: 3629: 3617: 3612: 3611: 3599: 3594: 3593: 3584: 3583: 3582: 3581: 3567: 3562: 3561: 3558: 3557: 3556: 3555: 3539:Nos. 1–12 3520: 3517: 3438: 3433: 3432: 3420: 3415: 3414: 3396: 3395: 3394: 3393: 3391: 3388: 3367: 3366:Keyboard music 3364: 3340: 3330: 3325: 3324: 3318: 3317: 3316: 3315: 3313: 3310: 3291: 3288: 3265: 3262: 3251: 3248: 3166:Main article: 3163: 3160: 3155: 3152: 3141:Coffee Cantata 3082: 3079: 2943: 2940: 2910: 2900: 2895: 2894: 2882: 2877: 2876: 2864: 2859: 2858: 2846: 2841: 2840: 2828: 2823: 2822: 2808: 2803: 2802: 2790: 2785: 2784: 2774: 2773: 2772: 2771: 2769: 2766: 2726:Bach composed 2701: 2698: 2685: 2684: 2679: 2675: 2674: 2669: 2665: 2664: 2659: 2655: 2654: 2649: 2645: 2644: 2639: 2635: 2634: 2629: 2625: 2624: 2619: 2615: 2614: 2609: 2605: 2604: 2599: 2595: 2594: 2589: 2585: 2584: 2579: 2575: 2574: 2569: 2565: 2564: 2559: 2555: 2554: 2551: 2511: 2508: 2474:his Magnificat 2461: 2458: 2407: 2397: 2392: 2391: 2379: 2374: 2373: 2361: 2356: 2355: 2349: 2348: 2347: 2346: 2339: 2329: 2324: 2323: 2311: 2306: 2305: 2293: 2288: 2287: 2281: 2280: 2279: 2278: 2271: 2261: 2256: 2255: 2243: 2238: 2237: 2225: 2220: 2219: 2216: 2215: 2214: 2213: 2193: 2177: 2161: 2160: 2144: 2143: 2142: 2141: 2139: 2136: 2099: 2096: 2075:viola da gamba 2070: 2067: 1987: 1984: 1956:Louis Marchand 1937:, or changing 1931: 1928: 1891: 1881: 1876: 1875: 1863: 1858: 1857: 1848: 1847: 1846: 1845: 1844: 1843: 1832: 1774: 1771: 1725:basso continuo 1687: 1684: 1639:viola da gamba 1596:Gottlob Harrer 1488:BNB I/G/2 1450:BNB I/K/2 1419:Missa Canonica 1386:BNB I/P/2 1367: 1364: 1300: 1297: 1292:Coffee Cantata 1143: 1140: 1079: 1076: 1068:King of Poland 1066:(who was also 1031: 1028: 917: 914: 845:Konzertmeister 756:Konzertmeister 732: 729: 693:Blasius Church 619: 616: 569:Louis Marchand 454: 451: 449: 446: 355:Lutheran hymns 163:Baroque period 150: 149: 141: 140: 136: 135: 130: 126: 125: 120: 116: 115: 110: 108:(aged 65) 102: 98: 97: 92: 75:21 March 1685 73: 69: 68: 58: 50: 49: 46: 26: 9: 6: 4: 3: 2: 16483: 16472: 16471:Thomaskantors 16469: 16467: 16464: 16462: 16459: 16457: 16454: 16452: 16449: 16447: 16444: 16442: 16439: 16437: 16434: 16432: 16429: 16427: 16424: 16422: 16419: 16417: 16414: 16412: 16409: 16407: 16404: 16402: 16399: 16397: 16394: 16392: 16389: 16387: 16384: 16382: 16379: 16377: 16374: 16372: 16369: 16367: 16364: 16362: 16359: 16357: 16354: 16352: 16349: 16347: 16344: 16342: 16339: 16337: 16334: 16333: 16331: 16321: 16311: 16309: 16299: 16297: 16287: 16285: 16275: 16274: 16271: 16252: 16244: 16242: 16234: 16233: 16230: 16224: 16221: 16219: 16216: 16214: 16211: 16209: 16206: 16202: 16198: 16197: 16196: 16193: 16191: 16188: 16184: 16180: 16179: 16178: 16175: 16171: 16167: 16166: 16165: 16162: 16160: 16157: 16155: 16152: 16150: 16147: 16145: 16144:Kamil Jalilov 16142: 16140: 16137: 16135: 16132: 16130: 16127: 16125: 16122: 16120: 16117: 16115: 16112: 16108: 16104: 16103: 16102: 16099: 16097: 16094: 16092: 16089: 16087: 16084: 16082: 16079: 16075: 16072:, conductor: 16071: 16067: 16066: 16065: 16062: 16060: 16057: 16053: 16050: 16049: 16048: 16045: 16044: 16042: 16038: 16033: 16023: 16019: 16017: 16016: 16012: 16010: 16009: 16004: 16002: 16001: 15996: 15994: 15991: 15989: 15987: 15982: 15980: 15977: 15974: 15970: 15967: 15963: 15961: 15957: 15954: 15950: 15948: 15945: 15943: 15939: 15936: 15935: 15930: 15929: 15927: 15923: 15917: 15916: 15912: 15910: 15909: 15905: 15903: 15900: 15898: 15895: 15894: 15891: 15887: 15880: 15875: 15873: 15868: 15866: 15861: 15860: 15857: 15845: 15841: 15837: 15835: 15827: 15826: 15823: 15822: 15816: 15815: 15807: 15799: 15796: 15794: 15791: 15789: 15786: 15784: 15781: 15780: 15779: 15776: 15774: 15771: 15770: 15768: 15764: 15758: 15755: 15753: 15750: 15748: 15745: 15743: 15740: 15738: 15735: 15733: 15730: 15728: 15725: 15721: 15718: 15716: 15713: 15711: 15708: 15707: 15706: 15703: 15701: 15698: 15696: 15693: 15689: 15686: 15685: 15684: 15681: 15680: 15678: 15674: 15668: 15665: 15663: 15660: 15658: 15655: 15653: 15650: 15648: 15645: 15643: 15640: 15638: 15635: 15633: 15630: 15628: 15625: 15623: 15620: 15618: 15615: 15613: 15610: 15606: 15603: 15601: 15598: 15596: 15593: 15591: 15588: 15586: 15583: 15581: 15578: 15577: 15576: 15573: 15571: 15568: 15566: 15563: 15561: 15558: 15556: 15553: 15549: 15546: 15544: 15541: 15540: 15539: 15536: 15534: 15531: 15529: 15526: 15524: 15521: 15519: 15516: 15514: 15511: 15509: 15506: 15504: 15501: 15500: 15498: 15496:Musical forms 15494: 15488: 15485: 15483: 15480: 15479: 15477: 15473: 15467: 15464: 15462: 15459: 15457: 15454: 15452: 15449: 15447: 15444: 15442: 15439: 15437: 15434: 15432: 15429: 15427: 15424: 15422: 15419: 15417: 15414: 15412: 15409: 15407: 15404: 15402: 15399: 15397: 15394: 15392: 15389: 15387: 15384: 15382: 15379: 15377: 15374: 15372: 15369: 15367: 15364: 15362: 15359: 15357: 15354: 15352: 15349: 15348: 15346: 15344: 15338: 15332: 15329: 15327: 15324: 15322: 15319: 15317: 15314: 15312: 15309: 15307: 15304: 15302: 15299: 15297: 15294: 15292: 15291:Padre Martini 15289: 15287: 15284: 15282: 15279: 15277: 15274: 15272: 15269: 15267: 15264: 15262: 15259: 15257: 15254: 15252: 15249: 15247: 15244: 15242: 15239: 15237: 15236:C. P. E. Bach 15234: 15232: 15229: 15228: 15226: 15219: 15215: 15209: 15206: 15204: 15201: 15199: 15196: 15194: 15191: 15189: 15186: 15184: 15181: 15179: 15176: 15174: 15171: 15169: 15166: 15164: 15161: 15159: 15156: 15154: 15151: 15149: 15146: 15144: 15141: 15139: 15136: 15134: 15131: 15129: 15126: 15124: 15121: 15119: 15116: 15114: 15111: 15109: 15106: 15104: 15101: 15099: 15096: 15094: 15091: 15089: 15086: 15084: 15081: 15079: 15076: 15074: 15071: 15069: 15066: 15064: 15061: 15059: 15056: 15054: 15051: 15049: 15046: 15044: 15041: 15039: 15036: 15034: 15031: 15030: 15028: 15021: 15017: 15011: 15008: 15006: 15003: 15001: 14998: 14996: 14993: 14991: 14988: 14986: 14983: 14981: 14978: 14976: 14973: 14971: 14968: 14966: 14963: 14961: 14958: 14956: 14953: 14951: 14948: 14946: 14943: 14941: 14938: 14936: 14933: 14931: 14928: 14926: 14923: 14921: 14918: 14916: 14913: 14911: 14908: 14906: 14903: 14901: 14898: 14896: 14893: 14891: 14888: 14886: 14883: 14881: 14878: 14876: 14873: 14871: 14868: 14866: 14863: 14861: 14858: 14856: 14853: 14852: 14850: 14842: 14836: 14833: 14831: 14828: 14826: 14823: 14821: 14818: 14816: 14813: 14811: 14810:M. Praetorius 14808: 14806: 14803: 14801: 14798: 14796: 14793: 14791: 14788: 14786: 14783: 14781: 14778: 14776: 14773: 14771: 14768: 14766: 14763: 14761: 14758: 14756: 14753: 14751: 14748: 14746: 14743: 14741: 14738: 14736: 14733: 14731: 14728: 14726: 14723: 14721: 14718: 14717: 14715: 14707: 14703: 14699: 14694: 14690: 14689:Baroque music 14683: 14678: 14676: 14671: 14669: 14664: 14663: 14660: 14647: 14644: 14642: 14639: 14637: 14634: 14632: 14629: 14627: 14626:Lutheran hymn 14624: 14622: 14619: 14617: 14614: 14613: 14609: 14603: 14602:Johannes Zahn 14600: 14598: 14595: 14593: 14590: 14588: 14585: 14583: 14582:Georg Weissel 14580: 14578: 14577:Michael Weiße 14575: 14573: 14572:Johann Walter 14570: 14568: 14565: 14563: 14560: 14558: 14555: 14553: 14550: 14548: 14547:Leonard Typpö 14545: 14543: 14540: 14538: 14535: 14533: 14530: 14528: 14525: 14523: 14520: 14518: 14515: 14513: 14510: 14508: 14507:Paul Speratus 14505: 14503: 14500: 14498: 14497:Haquin Spegel 14495: 14493: 14490: 14488: 14485: 14483: 14480: 14478: 14475: 14473: 14470: 14468: 14465: 14463: 14460: 14458: 14455: 14453: 14450: 14448: 14445: 14443: 14440: 14438: 14435: 14433: 14430: 14428: 14425: 14423: 14420: 14418: 14415: 14413: 14410: 14408: 14405: 14403: 14400: 14398: 14395: 14393: 14390: 14388: 14385: 14383: 14380: 14378: 14375: 14373: 14370: 14368: 14365: 14363: 14362:Georg Neumark 14360: 14358: 14355: 14353: 14350: 14348: 14345: 14343: 14340: 14338: 14337:Martin Luther 14335: 14333: 14330: 14328: 14325: 14323: 14320: 14318: 14317:Elias Lönnrot 14315: 14313: 14310: 14308: 14305: 14303: 14300: 14298: 14295: 14293: 14290: 14288: 14287:Børre Knudsen 14285: 14283: 14280: 14278: 14275: 14273: 14270: 14268: 14265: 14263: 14260: 14258: 14255: 14253: 14252:Konrad Hubert 14250: 14248: 14247:Anders Hovden 14245: 14243: 14242:Sebald Heyden 14240: 14238: 14235: 14233: 14230: 14228: 14225: 14223: 14220: 14218: 14215: 14213: 14210: 14208: 14205: 14203: 14200: 14198: 14195: 14193: 14190: 14188: 14185: 14183: 14180: 14178: 14175: 14173: 14172:Paul Gerhardt 14170: 14168: 14165: 14163: 14160: 14158: 14155: 14153: 14150: 14148: 14145: 14143: 14142:Johann Franck 14140: 14138: 14135: 14133: 14132:Jacobus Finno 14130: 14128: 14125: 14123: 14120: 14118: 14115: 14113: 14110: 14108: 14105: 14103: 14100: 14098: 14097:Johann Crüger 14095: 14093: 14090: 14088: 14085: 14083: 14080: 14078: 14075: 14073: 14070: 14068: 14065: 14063: 14060: 14058: 14055: 14053: 14050: 14048: 14045: 14043: 14040: 14038: 14035: 14033: 14030: 14028: 14025: 14023: 14020: 14018: 14015: 14013: 14010: 14009: 14007: 14005: 13999: 13995: 13985: 13984: 13980: 13978: 13977: 13973: 13970: 13969: 13965: 13963: 13962: 13958: 13956: 13955: 13951: 13948: 13947: 13943: 13940: 13939: 13935: 13934: 13932: 13930: 13926: 13916: 13915: 13911: 13910: 13908: 13906: 13902: 13892: 13891: 13887: 13885: 13884: 13880: 13878: 13877: 13873: 13871: 13870: 13866: 13863: 13862: 13858: 13855: 13854: 13850: 13847: 13846: 13842: 13839: 13838: 13834: 13831: 13830: 13826: 13825: 13823: 13821: 13817: 13807: 13806: 13805:Passion Hymns 13802: 13801: 13799: 13797: 13793: 13783: 13782: 13778: 13776: 13775: 13771: 13770: 13768: 13766: 13762: 13752: 13751: 13747: 13746: 13744: 13742: 13738: 13728: 13727: 13723: 13721: 13720: 13716: 13714: 13713: 13709: 13707: 13706: 13702: 13701: 13699: 13697: 13693: 13690: 13686: 13679: 13678: 13674: 13671: 13670: 13666: 13663: 13662: 13658: 13655: 13654: 13650: 13647: 13646: 13642: 13639: 13638: 13634: 13633: 13631: 13627: 13620: 13619: 13615: 13612: 13611: 13607: 13604: 13603: 13599: 13596: 13595: 13591: 13588: 13587: 13583: 13580: 13579: 13575: 13572: 13571: 13567: 13564: 13563: 13559: 13556: 13555: 13551: 13548: 13547: 13543: 13540: 13539: 13535: 13532: 13531: 13527: 13526: 13524: 13522: 13517: 13513: 13506: 13501: 13499: 13494: 13492: 13487: 13486: 13483: 13471: 13463: 13462: 13459: 13453: 13452: 13448: 13447: 13445: 13441: 13434: 13433:Andreas Reize 13431: 13428: 13425: 13422: 13419: 13416: 13413: 13410: 13407: 13404: 13401: 13398: 13397:Günther Ramin 13395: 13392: 13389: 13386: 13383: 13380: 13377: 13374: 13371: 13368: 13365: 13362: 13359: 13356: 13353: 13350: 13347: 13344: 13341: 13338: 13335: 13332: 13329: 13326: 13323: 13320: 13319:Johann Kuhnau 13317: 13314: 13311: 13308: 13305: 13302: 13299: 13296: 13293: 13290: 13287: 13284: 13281: 13278: 13275: 13272: 13269: 13266: 13263: 13260: 13257: 13254: 13251: 13248: 13245: 13242: 13239: 13236: 13233: 13232: 13230: 13228:Thomaskantors 13226: 13222: 13218: 13217:Thomaskantors 13211: 13206: 13204: 13199: 13197: 13192: 13191: 13188: 13176: 13173: 13171: 13168: 13166: 13163: 13161: 13158: 13156: 13153: 13152: 13150: 13146: 13139: 13136: 13133: 13130: 13127: 13124: 13121: 13118: 13116: 13115:Johannes Bach 13113: 13110: 13107: 13104: 13101: 13098: 13095: 13092: 13089: 13086: 13083: 13080: 13077: 13074: 13071: 13068: 13065: 13062: 13059: 13056: 13053: 13050: 13047: 13044: 13041: 13038: 13035: 13032: 13029: 13026: 13023: 13020: 13017: 13014: 13011: 13008: 13005: 13002: 12999: 12996: 12993: 12990: 12987: 12984: 12981: 12978: 12975: 12973:(grandfather) 12972: 12969: 12966: 12963: 12960: 12957: 12956: 12954: 12951: 12943: 12939: 12932: 12927: 12925: 12920: 12918: 12913: 12912: 12909: 12903: 12896: 12884: 12880: 12876: 12874: 12866: 12865: 12862: 12854: 12851: 12850: 12849: 12846: 12844: 12841: 12839: 12836: 12834: 12831: 12829: 12826: 12823: 12819: 12816: 12814: 12811: 12810: 12808: 12804: 12798: 12795: 12793: 12790: 12788: 12785: 12783: 12780: 12779: 12777: 12773: 12767: 12764: 12761: 12758: 12755: 12754: 12749: 12746: 12743: 12740: 12737: 12734: 12733: 12728: 12725: 12724: 12719: 12717: 12714: 12713: 12711: 12709:Organizations 12707: 12697: 12694: 12692: 12689: 12687: 12684: 12682: 12679: 12677: 12674: 12672: 12669: 12667: 12664: 12662: 12659: 12657: 12654: 12652: 12649: 12647: 12644: 12642: 12639: 12637: 12634: 12632: 12629: 12627: 12624: 12622: 12619: 12617: 12614: 12612: 12609: 12607: 12604: 12602: 12599: 12598: 12596: 12592: 12588: 12582: 12579: 12577: 12574: 12573: 12571: 12567: 12556: 12552: 12550: 12547: 12545: 12542: 12540: 12537: 12534: 12530: 12528: 12525: 12522: 12518: 12515: 12511: 12509: 12506: 12504: 12501: 12499: 12496: 12495: 12493: 12489: 12483: 12480: 12477: 12473: 12470: 12466: 12463: 12462:Chamber music 12459: 12456: 12452: 12449: 12445: 12442: 12438: 12435: 12431: 12429: 12426: 12424: 12421: 12419: 12416: 12415: 12413: 12411: 12407: 12404: 12402: 12398: 12394: 12387: 12382: 12380: 12375: 12373: 12368: 12367: 12364: 12357: 12353: 12350: 12347: 12343: 12340: 12337: 12333: 12330: 12329: 12328: 12327: 12320: 12316: 12313: 12310: 12306: 12303: 12300: 12296: 12293: 12292: 12291: 12290: 12283: 12279: 12276: 12273: 12269: 12267: 12262: 12259: 12255: 12252: 12248: 12244: 12240: 12239: 12229: 12223: 12219: 12214: 12210: 12204: 12200: 12196: 12192: 12189: 12183: 12180:, Routledge, 12179: 12178: 12172: 12168: 12162: 12158: 12154: 12153: 12148: 12144: 12141: 12137: 12132: 12128: 12127: 12122: 12118: 12114: 12108: 12104: 12100: 12095: 12094: 12093: 12090: 12088: 12071: 12064: 12058: 12054: 12050: 12046: 12045: 12039: 12038:"Bach family" 12034: 12030: 12026: 12020: 12016: 12011: 12007: 12001: 11997: 11993: 11989: 11986: 11980: 11976: 11969: 11963: 11959: 11955: 11951: 11947: 11941: 11937: 11932: 11928: 11922: 11918: 11914: 11909: 11905: 11904: 11899: 11895: 11891: 11885: 11881: 11876: 11872: 11868: 11864: 11863: 11862:Bach-Jahrbuch 11858: 11854: 11850: 11846: 11842: 11838: 11834: 11830: 11826: 11825:Schenk, Erich 11822: 11818: 11812: 11808: 11807: 11802: 11798: 11794: 11788: 11784: 11780: 11776: 11772: 11768: 11764: 11759: 11755: 11749: 11745: 11740: 11736: 11730: 11726: 11722: 11717: 11713: 11707: 11703: 11702: 11696: 11692: 11691: 11685: 11681: 11675: 11671: 11667: 11663: 11659: 11653: 11649: 11644: 11640: 11634: 11630: 11625: 11622: 11616: 11612: 11608: 11604: 11600: 11596: 11590: 11586: 11582: 11578: 11574: 11568: 11564: 11563: 11558: 11554: 11550: 11548:1-4191-2275-4 11544: 11540: 11536: 11532: 11525: 11521: 11517: 11515: 11509: 11503: 11499: 11493: 11489: 11485: 11481: 11477: 11473: 11467: 11463: 11459: 11455: 11451: 11446: 11442: 11440:9780801443893 11436: 11432: 11428: 11424: 11420: 11419: 11407: 11400: 11394: 11390: 11386: 11382: 11378: 11377: 11371: 11367: 11363: 11356: 11350: 11346: 11341: 11337: 11331: 11327: 11323: 11319: 11315: 11311: 11305: 11301: 11296: 11292: 11286: 11282: 11277: 11273: 11267: 11262: 11261: 11255: 11251: 11247: 11243: 11239: 11235: 11231: 11230: 11224: 11220: 11216: 11215: 11209: 11205: 11201: 11197: 11193: 11192: 11187: 11183: 11179: 11175: 11174:Ernest Newman 11171: 11170: 11164: 11161: 11157: 11151: 11147: 11146:Ernest Newman 11143: 11139: 11135: 11131: 11125: 11120: 11119: 11113: 11109: 11105: 11099: 11095: 11091: 11090: 11085: 11081: 11079: 11075: 11070: 11064: 11060: 11056: 11052: 11051: 11045: 11041: 11035: 11031: 11027: 11023: 11019: 11015: 11011: 11010: 11005: 11001: 10997: 10991: 10987: 10983: 10979: 10975: 10971: 10967: 10963: 10957: 10953: 10949: 10945: 10941: 10937: 10933: 10927: 10923: 10918: 10917: 10914: 10889: 10885: 10881: 10877: 10873: 10869: 10865: 10861: 10857: 10850: 10846: 10845:Koopman, A.G. 10839: 10831: 10824: 10818: 10810: 10804: 10800: 10799: 10792: 10777: 10773: 10769: 10763: 10755: 10748: 10732: 10728: 10722: 10707: 10703: 10699: 10693: 10686: 10682: 10678: 10673: 10665: 10661: 10655: 10648: 10644: 10640: 10637: 10632: 10616: 10612: 10608: 10602: 10595: 10591: 10587: 10584: 10579: 10572: 10563: 10559: 10556: 10552: 10547: 10539: 10530: 10526: 10523: 10518: 10511: 10510: 10505: 10499: 10497: 10480: 10476: 10472: 10468: 10467:Shipton, Alyn 10462: 10446: 10442: 10438: 10431: 10415: 10411: 10407: 10401: 10394: 10390: 10386: 10382: 10376: 10369: 10364: 10357: 10353: 10349: 10344: 10337: 10332: 10325: 10321: 10316: 10309: 10305: 10300: 10293: 10289: 10284: 10277: 10273: 10268: 10261: 10256: 10250: 10246: 10242: 10240: 10233: 10226: 10221: 10215: 10211: 10207: 10205: 10200: 10199:Daniel Heartz 10195: 10189:, p. 452 10188: 10183: 10181: 10173: 10162: 10158: 10155: 10152:McKay, Cory. 10149: 10147: 10145: 10143: 10141: 10139: 10131: 10127: 10123: 10117: 10109: 10105: 10099: 10093: 10087: 10083: 10079: 10075: 10071: 10070: 10065: 10059: 10053: 10049: 10044: 10037: 10028: 10024: 10021: 10016: 10009: 10005: 10001: 9996: 9989: 9984: 9982: 9974: 9973: 9968: 9964: 9961: 9957: 9952: 9950: 9948: 9946: 9938: 9933: 9926: 9922: 9917: 9911: 9907: 9903: 9902: 9897: 9891: 9884: 9881:.bach-digital 9875: 9870: 9863: 9859: 9854: 9847: 9842: 9835: 9829: 9822: 9818: 9815: 9814: 9809: 9807: 9802: 9797: 9790: 9788: 9783: 9778: 9771: 9767: 9763: 9759: 9754: 9747: 9743: 9739: 9738:Arthur Mendel 9733: 9726: 9722: 9717: 9710: 9706: 9702: 9699: 9697: 9692: 9687: 9680: 9676: 9671: 9664: 9660: 9655: 9639: 9635: 9631: 9624: 9608: 9604: 9600: 9594: 9579: 9575: 9574: 9569: 9562: 9555: 9550: 9534: 9530: 9526: 9522: 9516: 9500: 9496: 9492: 9489:Libbey, Ted. 9485: 9469: 9465: 9461: 9454: 9438: 9434: 9430: 9423: 9407: 9403: 9399: 9392: 9376: 9372: 9365: 9357: 9353: 9349: 9343: 9336: 9331: 9315: 9311: 9307: 9300: 9284: 9280: 9276: 9270: 9263: 9258: 9242: 9238: 9234: 9228: 9220: 9216: 9210: 9206: 9205: 9197: 9181: 9177: 9173: 9166: 9159: 9154: 9147: 9142: 9126: 9122: 9118: 9111: 9104: 9095: 9089: 9082: 9073: 9069: 9063: 9056: 9047: 9041: 9034: 9025: 9019: 9012: 9003: 8999: 8993: 8986: 8977: 8971: 8964: 8958: 8951: 8945: 8938: 8933: 8918: 8914: 8908: 8901: 8897: 8894: 8888: 8877: 8872: 8868: 8864: 8860: 8856: 8852: 8848: 8844: 8840: 8836: 8832: 8828: 8824: 8820: 8816: 8812: 8808: 8804: 8800: 8796: 8792: 8788: 8784: 8780: 8776: 8772: 8768: 8764: 8760: 8756: 8752: 8748: 8744: 8740: 8736: 8732: 8728: 8724: 8720: 8716: 8712: 8708: 8704: 8700: 8696: 8692: 8688: 8684: 8680: 8676: 8672: 8668: 8664: 8660: 8656: 8652: 8648: 8644: 8640: 8636: 8632: 8628: 8624: 8620: 8616: 8612: 8608: 8604: 8600: 8596: 8592: 8588: 8584: 8580: 8576: 8572: 8568: 8564: 8560: 8556: 8552: 8548: 8544: 8540: 8536: 8532: 8528: 8524: 8520: 8516: 8512: 8508: 8504: 8500: 8496: 8492: 8488: 8484: 8480: 8476: 8472: 8468: 8464: 8460: 8456: 8452: 8448: 8444: 8440: 8436: 8432: 8428: 8424: 8420: 8416: 8412: 8408: 8404: 8400: 8396: 8392: 8388: 8384: 8380: 8376: 8372: 8368: 8364: 8360: 8356: 8352: 8348: 8344: 8340: 8336: 8332: 8328: 8324: 8320: 8316: 8312: 8308: 8304: 8300: 8296: 8292: 8288: 8284: 8283: 8280: 8274: 8258: 8254: 8250: 8243: 8227: 8223: 8219: 8212: 8205: 8200: 8193: 8188: 8181: 8177: 8176: 8171: 8165: 8159: 8155: 8150: 8142: 8138: 8132: 8128: 8124: 8123: 8118: 8114: 8108: 8101: 8097: 8092: 8076: 8072: 8068: 8062: 8055: 8054: 8048: 8044: 8041: 8035: 8027: 8021: 8017: 8013: 8007: 8001: 7997: 7996:Williams 1980 7992: 7985: 7976: 7970: 7963: 7959: 7954: 7947: 7942: 7926: 7922: 7918: 7916: 7908: 7901: 7896: 7894: 7886: 7881: 7874: 7870: 7866: 7863: 7859: 7854: 7847: 7843: 7839: 7834: 7827: 7823: 7819: 7815: 7810: 7803: 7798: 7790: 7786: 7780: 7772: 7771: 7766: 7760: 7754:, p. 91. 7753: 7748: 7741: 7732: 7728: 7725: 7720: 7713: 7708: 7700: 7696: 7690: 7686: 7685: 7681: 7673: 7671: 7663: 7658: 7651: 7646: 7639: 7635: 7632: 7630: 7623: 7616: 7612: 7609: 7608:"Liner notes" 7605: 7601: 7597: 7595: 7588: 7581: 7577: 7572: 7556: 7552: 7548: 7541: 7525: 7521: 7517: 7510: 7503: 7498: 7490: 7486: 7482: 7478: 7472: 7465: 7460: 7444: 7440: 7436: 7430: 7423: 7418: 7402: 7398: 7394: 7392: 7384: 7377: 7372: 7365: 7361: 7356: 7349: 7344: 7328: 7324: 7320: 7313: 7305: 7301: 7297: 7293: 7289: 7285: 7281: 7277: 7270: 7264: 7260: 7255: 7244: 7237: 7236: 7228: 7221: 7216: 7209: 7205: 7201: 7197: 7191: 7184: 7178: 7175:(in German). 7174: 7171: 7166: 7161: 7157: 7153: 7147: 7145: 7143: 7135: 7132: 7128: 7125: 7121: 7117: 7114: 7113: 7110:Vol. 6: 7107: 7103: 7100: 7094: 7087: 7083: 7079: 7075: 7072: 7067: 7060: 7055: 7048: 7044: 7040: 7038: 7037:Source online 7032: 7027: 7020: 7016: 7013: 7008: 7003: 6999: 6996: 6991: 6985: 6978: 6974: 6970: 6967: 6960: 6953: 6949: 6945: 6942: 6936: 6932: 6929: 6921: 6914: 6910: 6906: 6903: 6895: 6888: 6884: 6880: 6877: 6870: 6863: 6859: 6855: 6852: 6846: 6842: 6839: 6832: 6825: 6821: 6817: 6814: 6807: 6800: 6791: 6787: 6784: 6779: 6772: 6768: 6764: 6761: 6757: 6753: 6750: 6746:D-Bsa SA 301, 6742: 6735: 6731: 6727: 6723: 6719: 6716: 6709: 6702: 6698: 6694: 6691: 6684: 6677: 6673: 6669: 6666: 6659: 6652: 6648: 6644: 6641: 6637: 6633: 6630: 6622: 6615: 6611: 6607: 6604: 6597: 6590: 6586: 6582: 6579: 6572: 6565: 6561: 6557: 6554: 6547: 6531: 6527: 6523: 6517: 6515: 6508: 6507:Stauffer 2008 6503: 6496: 6491: 6484: 6479: 6472: 6467: 6460: 6455: 6439: 6435: 6431: 6425: 6409: 6405: 6401: 6395: 6388: 6383: 6381: 6373: 6369: 6364: 6357: 6352: 6345: 6340: 6324: 6320: 6316: 6310: 6303: 6299: 6294: 6287: 6283: 6278: 6271: 6266: 6260:, p. 253 6259: 6254: 6252: 6244: 6240: 6235: 6228: 6223: 6217:, p. 50. 6216: 6211: 6205:, p. 11. 6204: 6199: 6193:, p. 37. 6192: 6187: 6181:, p. 23. 6180: 6175: 6168: 6163: 6157:, p. 74. 6156: 6151: 6145:, p. 57. 6144: 6139: 6133:, p. 80. 6132: 6127: 6108: 6101: 6097: 6091: 6072: 6065: 6061: 6055: 6048: 6043: 6041: 6033: 6028: 6020: 6016: 6010: 6006: 6005: 6000: 5994: 5992: 5975: 5971: 5967: 5964:Koster, Jan. 5960: 5953: 5948: 5941: 5936: 5920: 5916: 5912: 5908: 5902: 5895: 5891: 5886: 5870: 5866: 5862: 5856: 5849: 5846:.bach-digital 5840: 5834: 5827: 5823: 5818: 5812: 5808: 5803: 5801: 5793: 5789: 5786: 5781: 5773: 5769: 5763: 5759: 5758: 5750: 5744: 5740: 5735: 5729:, p. 40. 5728: 5723: 5717:, p. 62. 5716: 5711: 5704: 5699: 5693:, p. 27. 5692: 5687: 5680: 5675: 5659: 5655: 5651: 5645: 5643: 5641: 5639: 5637: 5635: 5633: 5631: 5629: 5627: 5619: 5614: 5612: 5604: 5599: 5592: 5587: 5580: 5575: 5569:, p. 73. 5568: 5563: 5556: 5551: 5545:, p. 45. 5544: 5539: 5532: 5527: 5520: 5515: 5508: 5503: 5501: 5493: 5488: 5486: 5484: 5476: 5471: 5469: 5461: 5456: 5449: 5445: 5441: 5436: 5429: 5424: 5408: 5404: 5400: 5394: 5378: 5374: 5370: 5364: 5357: 5355: 5349: 5343: 5339: 5335: 5334: 5329: 5323: 5308: 5304: 5297: 5290: 5285: 5278: 5273: 5269: 5255: 5254:Gardiner 2013 5252: 5250: 5249:Williams 2016 5247: 5245: 5244:Williams 2007 5242: 5240: 5237: 5235: 5232: 5231: 5227: 5219: 5216: 5214: 5213:Williams 1980 5211: 5209: 5206: 5204: 5201: 5198: 5195: 5193: 5190: 5188: 5185: 5182: 5179: 5178: 5174: 5167: 5163: 5159: 5155: 5151: 5145: 5138: 5132: 5125: 5124: 5119: 5115: 5114: 5106: 5085: 5079: 5072: 5070: 5065: 5051: 5048: 5047: 5041: 5039: 5028: 5026: 5022: 5018: 5014: 5010: 5006: 5001: 4998: 4995: 4991: 4989: 4985: 4981: 4976: 4974: 4970: 4966: 4962: 4958: 4948: 4945: 4944: 4943:Kunstreligion 4937: 4933: 4929: 4925: 4921: 4917: 4913: 4909: 4905: 4901: 4897: 4893: 4889: 4887: 4882: 4878: 4873: 4870: 4869: 4864: 4860: 4856: 4852: 4848: 4844: 4840: 4836: 4835:Bach Jahrbuch 4832: 4831: 4826: 4822: 4818: 4814: 4810: 4806: 4802: 4798: 4794: 4790: 4785: 4783: 4782: 4777: 4776: 4771: 4767: 4763: 4762: 4757: 4753: 4752: 4747: 4743: 4739: 4735: 4731: 4726: 4722: 4718: 4713: 4711: 4707: 4703: 4699: 4698:Helmut Walcha 4695: 4691: 4687: 4686:Edwin Fischer 4683: 4679: 4675: 4671: 4662: 4654: 4645: 4641: 4639: 4638: 4633: 4629: 4625: 4621: 4617: 4612: 4611: 4606:In 1850, the 4604: 4602: 4598: 4594: 4590: 4586: 4582: 4578: 4574: 4570: 4569: 4564: 4560: 4556: 4552: 4548: 4543: 4542: 4537: 4536: 4531: 4527: 4524: 4520: 4518: 4513: 4509: 4499: 4494: 4492: 4488: 4484: 4480: 4479: 4474: 4464: 4459: 4458:Bach memorial 4456:Image of the 4454: 4449: 4445: 4435: 4432: 4427: 4423: 4419: 4415: 4411: 4407: 4406: 4401: 4397: 4393: 4389: 4385: 4381: 4378: 4373: 4371: 4367: 4363: 4359: 4355: 4351: 4347: 4343: 4339: 4335: 4330: 4328: 4324: 4319: 4317: 4313: 4309: 4305: 4301: 4297: 4287: 4278: 4276: 4272: 4268: 4258: 4253: 4243: 4241: 4237: 4233: 4231: 4226: 4222: 4216: 4214: 4210: 4206: 4205: 4199: 4195: 4191: 4187: 4183: 4179: 4175: 4171: 4167: 4163: 4157: 4153: 4142: 4141: 4124: 4115: 4112:(courtesy of 4111: 4108:conducted by 4107: 4103: 4102: 4097: 4081: 4079: 4062: 4060: 4056: 4050: 4040: 4035: 4025: 4023: 4019: 4015: 4009: 3989: 3971: 3953: 3947: 3938: 3933: 3931: 3927: 3923: 3913: 3911: 3907: 3903: 3901: 3897: 3891: 3887: 3877: 3874: 3873: 3867: 3863: 3859: 3855: 3854:(BWV 910–916) 3852: 3844: 3843: 3837: 3832: 3831: 3826: 3822: 3821: 3816: 3813: 3808: 3804: 3800: 3796: 3795: 3790: 3786: 3780: 3774: 3768: 3762: 3756: 3755: 3748: 3747: 3740: 3739: 3732: 3731: 3724: 3719: 3715: 3714: 3713:French Suites 3709: 3708: 3703: 3699: 3696: 3692: 3691: 3686: 3683: 3679: 3675: 3674: 3670: 3669: 3668: 3666: 3662: 3660: 3659:Clavier-Übung 3653: 3633: 3615: 3597: 3590: 3588: 3565: 3529: 3525: 3516: 3514: 3513: 3508: 3504: 3500: 3498: 3497:Clavier-Übung 3493: 3492:Organ Sonatas 3488: 3487: 3486:Orgelbüchlein 3482: 3478: 3474: 3470: 3466: 3462: 3456: 3436: 3418: 3411: 3407: 3403: 3402:Robert Köbler 3400:performed by 3399: 3387: 3385: 3381: 3377: 3373: 3363: 3361: 3357: 3351: 3328: 3322: 3309: 3307: 3303: 3297: 3287: 3285: 3281: 3277: 3271: 3261: 3257: 3247: 3245: 3240: 3239: 3232: 3226: 3225: 3218: 3217: 3210: 3209: 3202: 3201: 3194: 3193: 3186: 3185: 3179: 3175: 3169: 3168:Motets (Bach) 3159: 3151: 3149: 3148: 3143: 3142: 3138:operas (e.g. 3137: 3136: 3131: 3130: 3124: 3122: 3118: 3114: 3113: 3108: 3107: 3102: 3101: 3096: 3095: 3088: 3078: 3076: 3070: 3068: 3059: 3057: 3049: 3047: 3043: 3039: 3035: 3029: 3027: 3020: 3016: 3012: 3007: 3006: 2999: 2997: 2993: 2989: 2985: 2981: 2977: 2971: 2969: 2962: 2958: 2956: 2955:cantus firmus 2949: 2939: 2937: 2933: 2927: 2923: 2913: 2898: 2880: 2862: 2844: 2826: 2806: 2788: 2781: 2779: 2765: 2763: 2762: 2757: 2756: 2751: 2750: 2745: 2744: 2739: 2735: 2734: 2729: 2723: 2715: 2711: 2706: 2697: 2695: 2691: 2690:BWV 1081–1126 2683: 2680: 2678:BWV 1079–1080 2677: 2676: 2673: 2670: 2668:BWV 1072–1078 2667: 2666: 2663: 2660: 2658:BWV 1041–1071 2657: 2656: 2653: 2650: 2648:BWV 1001–1040 2647: 2646: 2643: 2640: 2637: 2636: 2633: 2630: 2627: 2626: 2623: 2620: 2617: 2616: 2613: 2610: 2607: 2606: 2603: 2600: 2597: 2596: 2593: 2590: 2587: 2586: 2583: 2580: 2577: 2576: 2573: 2570: 2567: 2566: 2563: 2560: 2557: 2556: 2553:Compositions 2552: 2549: 2548: 2545: 2543: 2541: 2534: 2533: 2527: 2523: 2517: 2507: 2505: 2501: 2497: 2493: 2488: 2486: 2482: 2481: 2475: 2471: 2470: 2456: 2452: 2447: 2445: 2439: 2437: 2433: 2428: 2424: 2418: 2395: 2377: 2359: 2352: 2327: 2309: 2291: 2284: 2259: 2241: 2223: 2197: 2164: 2157: 2156: 2155:Orgelbüchlein 2151: 2148: 2135: 2133: 2129: 2125: 2124:BWV 1072–1078 2121: 2116: 2114: 2110: 2105: 2095: 2093: 2092: 2087: 2086: 2080: 2076: 2066: 2064: 2060: 2056: 2051: 2049: 2048:Oboe Concerto 2045: 2041: 2036: 2032: 2016: 2015: 2009: 2003: 2002: 1997: 1992: 1986:Ornamentation 1983: 1981: 1980: 1975: 1971: 1970: 1963: 1961: 1957: 1953: 1949: 1945: 1940: 1936: 1927: 1925: 1921: 1917: 1913: 1909: 1905: 1904: 1879: 1861: 1855: 1854:Kevin MacLeod 1851: 1841: 1837: 1833: 1830: 1829: 1824: 1820: 1816: 1815: 1814: 1811: 1806: 1802: 1798: 1794: 1788: 1784: 1779: 1770: 1768: 1764: 1759: 1756: 1752: 1747: 1742: 1737: 1732: 1730: 1726: 1722: 1721:da capo arias 1715: 1707: 1705:N(ota) B(ene) 1701: 1697: 1692: 1686:Musical style 1683: 1679: 1674: 1673: 1668: 1664: 1660: 1656: 1652: 1651:Martin Luther 1648: 1644: 1640: 1636: 1632: 1628: 1624: 1620: 1615: 1613: 1608: 1602: 1597: 1593: 1589: 1585: 1580: 1578: 1574: 1570: 1566: 1562: 1561: 1555: 1553: 1552: 1547: 1546: 1541: 1537: 1533: 1529: 1525: 1521: 1520: 1515: 1511: 1505: 1500: 1496: 1491: 1489: 1485: 1481: 1480:BWV 1083 1477: 1473: 1472: 1467: 1463: 1459: 1455: 1451: 1447: 1443: 1442: 1437: 1436:Clavier-Übung 1433: 1429: 1428:BWV 1082 1425: 1421: 1420: 1415: 1411: 1410:BWV 1081 1407: 1403: 1399: 1395: 1391: 1387: 1383: 1379: 1378: 1373: 1363: 1361: 1357: 1353: 1352: 1351:Clavier-Übung 1345: 1343: 1320: 1312: 1305: 1296: 1294: 1293: 1288: 1284: 1279: 1278: 1277:Clavier-Übung 1272: 1267: 1263: 1259: 1255: 1251: 1237: 1233: 1229: 1227: 1222: 1220: 1214: 1210: 1208: 1199: 1197: 1188: 1186: 1177: 1175: 1168: 1164: 1158: 1156: 1149: 1139: 1137: 1132: 1127: 1121: 1119: 1115: 1110: 1108: 1103: 1102:Johann Kuhnau 1096: 1092: 1088: 1084: 1075: 1073: 1069: 1065: 1061: 1057: 1053: 1049: 1045: 1041: 1037: 1027: 1025: 1021: 1017: 1013: 1009: 1005: 1000: 997: 993: 989: 984: 980: 978: 971: 970: 965: 961: 957: 953: 948: 947: 946:Kapellmeister 941: 927: 922: 913: 909: 905: 903: 896: 890: 888: 881: 875: 873: 866: 862: 856: 854: 846: 840: 838: 834: 830: 826: 825: 820: 816: 812: 811: 806: 802: 797: 795: 790: 786: 782: 778: 772: 770: 766: 762: 757: 748: 745:Organ of the 743: 738: 728: 726: 721: 720: 714: 709: 708: 702: 698: 694: 689: 686: 685: 680: 676: 672: 668: 664: 661: 655: 653: 649: 645: 641: 637: 629: 624: 615: 613: 609: 605: 602:'s School in 601: 596: 594: 591:at the local 590: 586: 582: 579:. He learned 578: 574: 570: 566: 562: 558: 554: 550: 546: 542: 538: 534: 529: 527: 523: 519: 515: 511: 507: 503: 499: 495: 491: 487: 481: 472: 467: 463: 459: 445: 443: 439: 438: 433: 429: 428: 423: 419: 415: 410: 408: 404: 400: 396: 395:for orchestra 392: 388: 384: 380: 376: 372: 368: 364: 360: 356: 352: 348: 344: 340: 336: 332: 328: 324: 320: 316: 312: 307: 305: 301: 297: 294:. From 1726, 293: 289: 285: 281: 277: 273: 269: 268:chamber music 265: 261: 257: 253: 249: 245: 241: 237: 233: 229: 225: 221: 216: 214: 210: 206: 205: 200: 196: 195: 190: 189: 184: 183: 178: 174: 170: 169: 164: 160: 156: 147: 142: 137: 134: 131: 127: 124: 121: 117: 113: 103: 99: 95: 90: 80:31 March 1685 78: 74: 70: 65: 62: 56: 51: 44: 41: 37: 34: and 33: 19: 16177:David Munrow 16170:Karl Richter 16085: 16040:Contributors 16013: 16006: 15999: 15985: 15932: 15913: 15906: 15819: 15812: 15783:Architecture 15732:Folk baroque 15727:Figured bass 15700:counterpoint 15676:Other topics 15548:18th-century 15543:17th-century 15168:D. Scarlatti 15037: 14985:A. Scarlatti 14955:J. Pachelbel 14706:Transitional 14492:Eyvind Skeie 14472:Johann Schop 14437:Lina Sandell 14397:Adam Reusner 14332:Sigurd Lunde 14327:Matthias Loy 14302:Julius Krohn 14282:Thomas Kingo 14262:Justus Jonas 14137:Paul Fleming 14036: 14004:hymnologists 13981: 13974: 13966: 13959: 13952: 13944: 13936: 13912: 13888: 13881: 13874: 13867: 13859: 13851: 13843: 13835: 13829:Nokre salmar 13827: 13803: 13779: 13772: 13748: 13724: 13717: 13710: 13703: 13675: 13667: 13659: 13651: 13643: 13635: 13616: 13608: 13600: 13592: 13584: 13576: 13568: 13560: 13552: 13544: 13536: 13528: 13449: 13435:(since 2021) 13391:Karl Straube 13379:Wilhelm Rust 13324: 13271:Ulrich Lange 13221:Thomanerchor 13160:Bach Digital 13148:Compositions 13096: 13093:(2nd cousin) 13075:(3rd cousin) 13027:(son-in-law) 13009:(2nd cousin) 12949: 12806:Other topics 12762:(St. Gallen) 12739:Bach Archive 12716:Bach Society 12594:and scholars 12498:Bach cantata 12401:Compositions 12392: 12325: 12324: 12319:Bach Digital 12288: 12287: 12265: 12264:Yo Tomita's 12258:Bach Archive 12217: 12198: 12195:Pirro, André 12176: 12155:. New York: 12151: 12135: 12131:C. F. Peters 12125: 12098: 12084: 12082: 12042: 12014: 11995: 11974: 11957: 11935: 11912: 11902: 11879: 11866: 11860: 11836: 11805: 11782: 11762: 11743: 11720: 11700: 11689: 11669: 11647: 11628: 11610: 11603:Dürr, Alfred 11584: 11581:Dürr, Alfred 11561: 11538: 11512: 11484:Bach's World 11483: 11461: 11449: 11426: 11374: 11344: 11321: 11299: 11280: 11259: 11245: 11228: 11213: 11190: 11176:. New York: 11168: 11148:. New York: 11141: 11117: 11088: 11084:Geck, Martin 11049: 11025: 11007: 10984:. New York: 10981: 10978:Eidam, Klaus 10951: 10921: 10859: 10855: 10838: 10817: 10797: 10791: 10779:. Retrieved 10775: 10762: 10753: 10747: 10735:. Retrieved 10730: 10721: 10709:. Retrieved 10706:Bach Digital 10701: 10692: 10672: 10654: 10631: 10619:. Retrieved 10601: 10578: 10546: 10517: 10507: 10483:. Retrieved 10474: 10461: 10449:. Retrieved 10440: 10430: 10418:. Retrieved 10409: 10400: 10375: 10363: 10347: 10343: 10331: 10315: 10299: 10283: 10267: 10255: 10238: 10232: 10220: 10203: 10194: 10121: 10116: 10098: 10068: 10058: 10043: 10034:.bachdigital 10015: 10000:Spitta 1899b 9995: 9990:, p. 14 9970: 9932: 9916: 9900: 9890: 9869: 9853: 9841: 9836:, p. 2) 9828: 9812: 9805: 9796: 9786: 9777: 9765: 9753: 9741: 9732: 9716: 9695: 9686: 9670: 9654: 9642:. Retrieved 9638:the original 9633: 9623: 9611:. Retrieved 9607:the original 9602: 9593: 9571: 9561: 9549: 9537:. Retrieved 9528: 9515: 9503:. Retrieved 9494: 9484: 9472:. Retrieved 9463: 9453: 9441:. Retrieved 9437:the original 9432: 9422: 9410:. Retrieved 9401: 9391: 9379:. Retrieved 9369:Tomita, Yo. 9364: 9356:Academia.edu 9342: 9330: 9318:. Retrieved 9309: 9299: 9287:. Retrieved 9283:the original 9278: 9269: 9257: 9245:. Retrieved 9236: 9227: 9203: 9196: 9184:. Retrieved 9175: 9165: 9153: 9148:, p. 65 9141: 9129:. Retrieved 9120: 9110: 9101:.bachdigital 9088: 9079:.bachdigital 9062: 9053:.bachdigital 9040: 9031:.bachdigital 9018: 9009:.bachdigital 8992: 8983:.bachdigital 8970: 8957: 8944: 8932: 8920:. Retrieved 8916: 8907: 8887: 8863:BWV Anh. 196 8851:BWV Anh. 195 8273: 8261:. Retrieved 8257:the original 8252: 8242: 8230:. Retrieved 8221: 8211: 8199: 8187: 8175:The Diapason 8173: 8164: 8154:Bach Digital 8149: 8141:the original 8121: 8117:Alfred, Dürr 8107: 8099: 8091: 8081:29 September 8079:. Retrieved 8071:Bach Digital 8070: 8061: 8050: 8034: 8015: 8006: 7991: 7982:.bachdigital 7969: 7953: 7941: 7929:. Retrieved 7920: 7915:Art of Fugue 7914: 7907: 7880: 7858:Peter Wollny 7853: 7833: 7817: 7809: 7804:, Ch. XVIII. 7797: 7788: 7779: 7768: 7759: 7747: 7738:.bachdigital 7719: 7707: 7683: 7679: 7657: 7645: 7628: 7626:Jopi Harri. 7622: 7603: 7592: 7587: 7576:Spitta 1899c 7571: 7559:. Retrieved 7555:the original 7550: 7540: 7528:. Retrieved 7519: 7509: 7497: 7484: 7471: 7459: 7447:. Retrieved 7443:the original 7429: 7417: 7405:. Retrieved 7396: 7393:unfinished?" 7391:Art of Fugue 7390: 7383: 7371: 7360:Spitta 1899c 7355: 7343: 7331:. Retrieved 7327:the original 7322: 7312: 7279: 7275: 7269: 7254: 7234: 7227: 7215: 7207: 7203: 7199: 7195: 7190: 7176: 7163: 7111: 7099:Introduction 7093: 7086:Bach Digital 7081: 7066: 7054: 7046: 7042: 7036: 7030: 7026: 6984: 6977:Bach Digital 6959: 6952:Bach Digital 6920: 6913:Bach Digital 6894: 6887:Bach Digital 6869: 6862:Bach Digital 6831: 6824:Bach Digital 6806: 6778: 6771:Bach Digital 6741: 6726:Bach Digital 6708: 6701:Bach Digital 6683: 6676:Bach Digital 6658: 6651:Bach Digital 6621: 6614:Bach Digital 6596: 6589:Bach Digital 6571: 6564:Bach Digital 6546: 6534:. Retrieved 6525: 6502: 6490: 6483:Spitta 1899b 6478: 6471:Spitta 1899b 6466: 6454: 6442:. Retrieved 6433: 6424: 6412:. Retrieved 6403: 6394: 6363: 6351: 6339: 6327:. Retrieved 6309: 6298:Spitta 1899b 6293: 6282:Spitta 1899b 6277: 6265: 6239:Spitta 1899b 6234: 6222: 6210: 6203:Spitta 1899b 6198: 6186: 6174: 6167:Van Til 2007 6162: 6150: 6138: 6126: 6114:. Retrieved 6090: 6078:. Retrieved 6054: 6049:, p. 30 6027: 6003: 5978:. Retrieved 5969: 5959: 5947: 5935: 5923:. Retrieved 5919:the original 5914: 5901: 5885: 5873:. Retrieved 5864: 5855: 5833: 5817: 5780: 5756: 5749: 5734: 5722: 5710: 5698: 5686: 5674: 5662:. Retrieved 5653: 5598: 5591:Spitta 1899a 5586: 5574: 5562: 5550: 5538: 5526: 5514: 5462:, p. 6. 5455: 5435: 5430:, p. 3. 5423: 5411:. Retrieved 5407:the original 5393: 5381:. Retrieved 5377:the original 5363: 5351: 5332: 5322: 5310:. Retrieved 5296: 5284: 5272: 5226: 5173: 5144: 5131: 5121: 5034: 5002: 4999: 4992: 4977: 4961:Bach Digital 4954: 4951:21st century 4903: 4892:Karl Richter 4885: 4874: 4866: 4834: 4828: 4809:Eugène Ysaÿe 4797:Ian Anderson 4786: 4779: 4773: 4770:Wendy Carlos 4759: 4750: 4714: 4678:Pablo Casals 4674:cello suites 4667: 4648:20th century 4642: 4635: 4605: 4577:Robert Franz 4566: 4558: 4546: 4539: 4533: 4528: 4516: 4497: 4495: 4476: 4470: 4444:Bach Revival 4438:19th century 4425: 4403: 4382:some of his 4374: 4366:Daniel Itzig 4331: 4320: 4292: 4281:18th century 4271:Bach Revival 4263: 4229: 4225:BWV Anh. 167 4220: 4217: 4203: 4190:BWV Anh. 183 4159: 4138: 4099: 4077: 4052: 4037: 4013: 4011: 3936: 3919: 3909: 3905: 3904: 3900:cello suites 3893: 3848: 3840: 3828: 3824: 3818: 3792: 3711: 3705: 3702:dance suites 3694: 3688: 3671: 3658: 3655: 3632:3rd movement 3614:2nd movement 3596:1st movement 3586: 3527: 3510: 3496: 3484: 3458: 3369: 3353: 3299: 3273: 3259: 3228:. The motet 3171: 3157: 3145: 3139: 3134: 3127: 3125: 3110: 3104: 3098: 3092: 3090: 3066: 3055: 3050: 3025: 3005:Thomaskantor 3000: 2967: 2959: 2951: 2936:Bach Digital 2929: 2922:Bach cantata 2912:Cantata text 2777: 2759: 2753: 2747: 2741: 2731: 2725: 2709: 2688: 2638:BWV 995–1000 2537: 2524:published a 2519: 2510:Compositions 2503: 2499: 2489: 2479: 2468: 2463: 2453: 2449: 2440: 2423:counterpoint 2420: 2258:3rd movement 2240:2nd movement 2222:1st movement 2153: 2146: 2138:Counterpoint 2132:Art of Fugue 2131: 2127: 2117: 2113:cello suites 2101: 2089: 2084: 2072: 2062: 2052: 2039: 2030: 2028: 2012: 2011:Aria of the 1999: 1977: 1973: 1967: 1964: 1933: 1901: 1898: 1828:Stabat Mater 1826: 1810:figured bass 1801:tonal system 1791: 1786: 1766: 1760: 1750: 1741:Thomaskantor 1733: 1717: 1671: 1658: 1619:harpsichords 1616: 1601:Thomaskantor 1592:burgomasters 1581: 1565:BWV 191 1558: 1556: 1549: 1543: 1540:Thema Regium 1539: 1517: 1492: 1469: 1465: 1461: 1458:BWV 200 1439: 1438:volume, the 1435: 1432:stile antico 1431: 1417: 1394:BWV 241 1377:stile antico 1375: 1369: 1355: 1350: 1346: 1316: 1308: 1290: 1282: 1270: 1257: 1247: 1223: 1215: 1206: 1195: 1184: 1173: 1154: 1145: 1126:Thomasschule 1122: 1116:and then to 1111: 1100: 1036:Thomaskantor 1033: 1001: 985: 976: 967: 960:cello suites 938: 910: 901: 886: 871: 865:Annunciation 852: 841: 822: 808: 798: 773: 752: 723:, a festive 690: 683: 656: 636:Sangerhausen 633: 611: 608:harpsichords 597: 573:Marin Marais 530: 514:music theory 483: 435: 425: 417: 411: 311:counterpoint 308: 298:some of his 296:he published 272:Thomaskantor 246:churches in 217: 213:Bach Revival 202: 192: 186: 180: 173:cello suites 166: 154: 153: 106:(1750-07-28) 104:28 July 1750 40: 16371:Bach family 16346:1750 deaths 16341:1685 births 16199:conductor: 16168:conductor: 16134:Guan Pinghu 16124:Glenn Gould 16105:conductor: 16096:Chuck Berry 15752:Style brisé 15688:Chamber pop 15683:Baroque pop 15627:grand motet 15600:passacaglia 15411:lautenwerck 15406:harpsichord 15376:double bass 15343:Instruments 15301:Mondonville 15133:A. Marcello 15063:F. Couperin 15010:Vejvanovský 14960:J. Playford 14940:J.-B. Lully 14905:Charpentier 14860:d'Anglebert 14745:Frescobaldi 14709:and early ( 14442:Carl Schalk 14412:Johann Rist 14202:Claus Harms 14057:Carl Boberg 14047:Martin Behm 13883:Salmer 1997 13869:Salmer 1973 13429:(2016–2021) 13423:(1992–2015) 13417:(1972–1991) 13411:(1961–1972) 13405:(1957–1960) 13403:Kurt Thomas 13399:(1939–1956) 13393:(1918–1939) 13387:(1893–1918) 13381:(1880–1892) 13375:(1868–1879) 13369:(1842–1868) 13363:(1823–1842) 13357:(1810–1823) 13351:(1801–1810) 13345:(1789–1801) 13339:(1756–1789) 13333:(1750–1755) 13327:(1723–1750) 13321:(1701–1722) 13315:(1677–1701) 13309:(1657–1676) 13303:(1631–1657) 13297:(1615–1630) 13291:(1594–1615) 13285:(1553–1564) 13279:(1549–1551) 13273:(1540–1549) 13267:(1539–1540) 13261:(1536–1539) 13255:(1531–1536) 13249:(1526–1530) 13243:(1520–1525) 13237:(1518–1520) 12938:Bach family 12822:Competition 12747:(Göttingen) 12591:Biographers 12476:Fugal works 12352:All of Bach 12247:BBC Radio 3 12157:Basic Books 11092:. Orlando: 11055:Anthea Bell 10986:Basic Books 10907:Biographies 10902:Works cited 10485:27 December 10420:22 February 10354:. Leipzig: 10320:Forkel 1920 10290:, pp. 9921:Forkel 1920 9860:, pp. 9858:Forkel 1920 9834:Morris 2005 9772:, Ch. XXII. 9677:, pp. 9675:Forkel 1920 9661:, pp. 9659:Forkel 1920 9644:23 December 9613:27 December 9576:. Chicago: 9539:23 February 9505:22 February 9474:10 December 9443:23 December 9412:10 December 9381:22 February 8839:BWV Anh. 20 8827:BWV Anh. 19 8815:BWV Anh. 18 8803:BWV Anh. 13 8791:BWV Anh. 12 8779:BWV Anh. 11 8767:BWV Anh. 10 8263:24 December 8192:Leaver 2007 7960:, pp. 7958:Forkel 1920 7900:Lester 1999 7814:André Isoir 7561:23 December 7530:25 February 7502:Leaver 2007 7168: [ 6536:21 February 6444:31 December 6414:31 December 6389:, p. 5 6241:, pp. 6191:Spaeth 1937 6116:27 December 6080:27 December 5925:24 December 5890:Forkel 1920 5809:, pp. 5741:, pp. 5664:19 February 5442:, pp. 5305:. Chicago: 5031:Burial site 4908:Glenn Gould 4906:(played by 4898:(played by 4847:Alfred Dürr 4746:Walt Disney 4725:harpsichord 4581:Franz Liszt 4521:. In 1818, 4461: [ 4209:BWV 233–236 4202:arias from 3876:(BWV 989). 3839:), and the 3682:temperament 3390:Organ works 3376:harpsichord 3178:colla parte 2628:BWV 772–994 2618:BWV 525–771 2608:BWV 439–524 2598:BWV 250–438 2588:BWV 244–249 2578:BWV 232–243 2568:BWV 225–231 2432:Sonata form 2120:transcribed 2079:concertante 1944:temperament 1920:dorian mode 1860:1. Fantasia 1797:modal music 1696:Calov Bible 1676: [ 1612:John Taylor 1598:, fill the 1532:fortepianos 1502: [ 1266:coffeehouse 1243: 1720 867:that year; 861:Palm Sunday 648:Bach Church 600:St. Michael 480:Bach family 469: [ 393:as well as 220:Bach family 133:Bach family 16330:Categories 16213:Nick Sagan 16208:Carl Sagan 16119:Ann Druyan 16114:John Cohen 16070:Edda Moser 15993:Puspawarna 15766:Background 15652:recitative 15560:concertato 15528:canzonetta 15391:fortepiano 15366:clavichord 15316:Sammartini 15296:Mysliveček 15256:Boccherini 15246:W. F. Bach 15241:J. C. Bach 15038:J. S. Bach 14965:H. Purcell 14885:Cabanilles 14800:Monteverdi 14775:Kapsberger 14765:O. Gibbons 14760:C. Gibbons 14755:V. Galilei 14735:J. Dowland 14725:G. Caccini 14102:Simon Dach 13998:Hymnodists 13781:Virsikirja 13235:Georg Rhau 13140:(grandson) 13105:(grandson) 12961:(2nd wife) 12818:Bach Medal 12527:BACH motif 12326:Recordings 11913:About Bach 11801:Rich, Alan 11458:Butt, John 11450:J. S. Bach 11202:. London: 11196:Clara Bell 11169:J. S. Bach 11142:J. S. Bach 11057:. London: 11030:Allen Lane 11028:. London: 10911:See also: 10737:31 January 10322:, p. 10306:, p. 10274:, p. 10225:Kerst 1904 10002:, p. 9937:Wolff 2013 9923:, p. 9846:Wolff 2000 9770:Eidam 2001 9723:, p. 9581:Retrieved 9554:Wolff 1991 9158:Wolff 2000 9146:Wolff 2000 8937:Wolff 2000 8755:BWV Anh. 9 8743:BWV Anh. 8 8731:BWV Anh. 7 8719:BWV Anh. 6 8098:(editor). 7998:, p. 7948:, Ch. XXX. 7946:Eidam 2001 7802:Eidam 2001 7714:, Ch. III. 7712:Eidam 2001 7682:Magnificat 7662:Eidam 2001 7650:Eidam 2001 7422:Wolff 2000 7362:, p. 7259:Wolff 2000 7160:"Nekrolog" 6495:Wolff 2000 6387:Wolff 1997 6370:, p. 6356:Wolff 2013 6344:Wolff 2013 6300:, p. 6284:, p. 6270:Wolff 2013 6258:Wolff 2013 6227:Wolff 1983 6143:Miles 1962 6047:Wolff 1991 6032:Wolff 2000 5824:, p. 5807:Wolff 2000 5739:Wolff 2000 5679:Wolff 2000 5618:Eidam 2001 5603:Wolff 2000 5579:Wolff 2000 5567:Wolff 2000 5555:Wolff 2000 5543:Wolff 2000 5507:Miles 1962 5428:Jones 2007 5356:of music'. 5234:Wolff 2000 5208:Wolff 2000 5203:Wolff 1991 5187:Terry 1928 5150:Gramophone 5056:References 4803:, and the 4766:electronic 4634:published 4508:Magnificat 4475:published 4442:See also: 4275:BACH motif 4178:Palestrina 4150:See also: 3970:2. Andante 3952:1. Allegro 3884:See also: 3858:four duets 3845:(BWV 903). 3799:variations 3650:See also: 3477:Georg Böhm 3453:See also: 3380:clavichord 3348:See also: 3294:See also: 3290:Magnificat 3282:, and the 3276:Magnificat 3268:See also: 3254:See also: 3094:Trauer-Ode 3085:See also: 3011:lectionary 2946:See also: 2920:See also: 2720:See also: 2514:See also: 2415:See also: 2394:3. Allegro 2326:3. Allegro 2290:1. Allegro 1960:enharmonic 1935:Modulation 1930:Modulation 1712:See also: 1462:St Matthew 1382:Palestrina 1372:polyphonic 1052:New Church 979:, BWV 134a 966:, and the 697:Mühlhausen 663:bassoonist 549:clavichord 512:and basic 379:for violin 252:Mühlhausen 244:Protestant 84:1685-03-31 16284:Biography 16181:with the 15988:, Book II 15915:Voyager 2 15908:Voyager 1 15798:Sculpture 15715:ensembles 15710:festivals 15605:sarabande 15533:capriccio 15475:Ensembles 15306:L. Mozart 15208:de Zumaya 15143:Pergolesi 15123:Locatelli 15108:Heinichen 15093:Gorczycki 15088:Geminiani 15068:Delalande 14990:Stradella 14945:M. Marais 14925:Froberger 14890:Carissimi 14880:Buxtehude 14835:Sweelinck 14117:Paul Eber 13820:Norwegian 13796:Icelandic 13664:(1640/47) 13126:Veit Bach 13069:(brother) 13039:(brother) 12843:Portraits 12824:(Leipzig) 12741:(Leipzig) 12656:Schmieder 12539:Reception 12491:More info 12346:Muziekweb 12197:(2014) . 12072:required) 11873:: 84–113. 11408:required) 11256:(2003a). 11188:(1899a). 10781:14 August 10451:2 January 10410:NPR Music 10260:Geck 2006 10206:, p. 678. 9762:pp. 46–47 9721:Geck 2003 9707:Leipzig, 9583:22 August 9495:NPR Music 9262:Herz 1985 8963:Boyd 1999 8950:Boyd 1999 7791:, Dresden 7664:, Ch. IX. 7652:, Ch. IV. 7520:NPR Music 7464:Herl 2004 7296:0003-9950 7134:Breitkopf 6734:250000899 6728:website ( 6714:D-WFe 191 6459:Boyd 2000 6179:Dent 2004 6155:Boyd 2000 5875:10 August 5703:Boyd 2000 5691:Rich 1995 5519:Boyd 2000 5460:Boyd 2000 5440:Geck 2003 5264:Citations 5218:Butt 1997 5192:Dürr 1981 5166:Muziekweb 5009:feast day 4994:Alex Ross 4859:John Butt 4801:Uri Caine 4670:pedagogic 4589:Ave Maria 4471:In 1802, 4422:Beethoven 4246:Reception 4198:TWV 32:14 4170:Pergolesi 4080:(excerpt) 3988:3. Presto 3812:quodlibet 3803:bass line 3779:sarabande 3767:sarabande 3761:allemande 3746:sarabande 3730:allemande 3499: III 3465:fantasias 3327:Agnus Dei 3308:of 1733. 3069:, BWV 140 3028:, BWV 147 2970:, BWV 150 2780:, BWV 140 2558:BWV 1–224 2550:BWV Range 2520:In 1950, 2492:librettos 2467:"Keiser" 2427:homophony 2358:1. Vivace 2308:2. Adagio 1996:ornaments 1916:Sweelinck 1823:Pergolesi 1729:dissonant 1575:into his 1567:from his 1476:Pergolesi 1414:Gasparini 1362:in 1736. 1337:Agnus Dei 1187:, BWV 140 952:Calvinist 895:Pentecost 855:, BWV 182 789:concertos 593:gymnasium 367:for organ 347:oratorios 240:Thuringia 139:Signature 129:Relatives 18:J.S. Bach 16241:Category 15947:Chakrulo 15897:Contents 15834:Category 15811: ← 15793:Painting 15657:ricercar 15632:madrigal 15612:fantasia 15580:courante 15565:concerto 15538:chaconne 15431:recorder 15356:carillon 15326:Telemann 15271:Corrette 15266:F. Brixi 15251:F. Benda 15183:Telemann 15148:Pisendel 15098:Graupner 15033:Albinoni 14970:Reincken 14935:Legrenzi 14920:Diletsky 14844:Middle ( 14750:Gabrieli 13519:English 13470:Category 13087:(nephew) 13015:(nephew) 13003:(father) 12979:(mother) 12873:Category 12838:Three Bs 12676:Williams 12621:Glöckner 12606:Dadelsen 12581:Students 12508:Passions 12418:Cantatas 12348:website. 12321:website. 12311:(IMSLP). 12301:project. 12149:(1999). 12123:(1882). 11956:(1980), 11900:(1937). 11855:(1907). 11835:(1959). 11803:(1995). 11781:(2005). 11668:(2007). 11609:(2006), 11583:(1981). 11559:(1982). 11537:(2004). 11482:(1968). 11425:(2005). 11320:(1991). 11244:(1928). 11140:(1911). 11114:(1966). 11094:Harcourt 11086:(2006). 11074:Archived 11024:(2013). 11006:(1920). 10980:(2001). 10970:37801400 10950:(1998). 10888:Archived 10876:19220191 10664:Archived 10639:Archived 10615:Archived 10586:Archived 10558:Archived 10553:'s 1999 10525:Archived 10479:Archived 10445:Archived 10414:Archived 10241:, p. 273 10157:Archived 10108:Archived 10086:Archived 10066:(1862). 10023:Archived 9963:Archived 9817:Archived 9701:Archived 9634:Bach 101 9533:Archived 9499:Archived 9468:Archived 9433:Bach 101 9406:Archived 9375:Archived 9320:11 April 9314:Archived 9247:29 March 9241:Archived 9237:Bach 101 9219:Archived 9186:31 March 9180:Archived 9176:Bach 101 9131:31 March 9125:Archived 9121:Bach 101 8896:Archived 8707:BWV 249b 8695:BWV 249a 8683:BWV 216a 8599:BWV 210a 8563:BWV 208a 8527:BWV 207a 8479:BWV 205a 8395:BWV 194a 8383:BWV 193a 8371:BWV 184a 8359:BWV 173a 8347:BWV 134a 8253:Bach 101 8232:29 March 8226:Archived 8222:Bach 101 8075:Archived 8043:Archived 8014:(1979). 7931:28 March 7925:Archived 7865:Archived 7822:Calliope 7787:(1700), 7727:Archived 7699:Archived 7634:Archived 7611:Archived 7551:Bach 101 7524:Archived 7407:28 March 7401:Archived 7304:16219736 7243:Archived 7158:(1754). 7127:Archived 7116:Archived 7102:Archived 7088:website) 7074:Archived 7015:Archived 6998:Archived 6969:Archived 6944:Archived 6931:Archived 6905:Archived 6879:Archived 6854:Archived 6841:Archived 6816:Archived 6786:Archived 6763:Archived 6752:Archived 6718:Archived 6693:Archived 6668:Archived 6643:Archived 6632:Archived 6606:Archived 6581:Archived 6556:Archived 6530:Archived 6438:Archived 6408:Archived 6323:Archived 6107:Archived 6098:(1996). 6071:Archived 6062:(2010). 6019:Archived 5980:11 April 5974:Archived 5869:Archived 5788:Archived 5772:Archived 5658:Archived 5330:(2008). 5154:Diapason 5075:German: 5044:See also 5015:of some 4934:and the 4751:Fantasia 4706:I Musici 4616:three Bs 4597:Bruckner 4563:Schumann 4519:(BWV 80) 4503:♭ 4384:Passions 4232:, BWV 53 4174:BWV 1083 4166:BWV 1065 4152:BWV Anh. 3930:BWV 1043 3926:BWV 1042 3922:BWV 1041 3851:toccatas 3738:courante 3661: II 3509:and the 3469:toccatas 3461:preludes 3412:, Saxony 3374:such as 3244:BWV Anh. 3058:, BWV 80 3040:format. 2775:Cantata 2768:Cantatas 2746:and the 2728:Passions 2562:Cantatas 2498:for the 2496:Picander 2480:Passions 2478:Leipzig 2130:and the 2088:and the 2044:Marcello 2035:ornament 1948:trumpets 1878:2. 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