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190:, which translates simply as "cutting down", is still the defining technique, like that of its parent style. Characteristically, practitioners often feel that they have the ability to strike freely due to their technique of cutting down the center line during an opponent's cut in order to displace their attacker's sword and gain victory. The style adheres to a philosophy articulated in the phrase "itto sunawachi banto
211:. The second headmaster from this family taught Ono Tadakata, allowing the Ono family to continue preserving the line while the Tsugaru family continued their practice of the art, thereby having two families maintain the main line of the Ono-ha Ittō-ryū tradition thereafter. The Tsugaru family also taught the system to members of Yamaga family, and they worked together to preserve the line of their art.
324:, a protective armor. (Shinai were already used in Shinkage-ryū, Nen-ryū, and Tatsumi-ryū by this time.) Using the equipment to allow swordsmen to practice techniques freely and engage in sporting matches, foreshadowing the rise of modern kendo, led to the rapid popularity of the Nakanishi branch of Ittō-ryū.
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Watching a demonstration of the
Mizoguchi-ha Ittō-ryū it easily distinguishable from its parent art, the Ono-ha Ittō-ryū, and the Nakanishi-ha and Itto Shoden Muto-ryū. The kata used in these styles bear a close resemblance to each other. The Mizoguchi-ha at times looks like an entirely different art
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The
Nakashima branch is marked by its wide stances and deliberate movements, which confer a feeling of power and dignity. This style, like the Ono-ha Ittō-ryū, employs the use of the heavily padded glove known as the "onigote," to allow forceful finishing strikes practiced as the denouement of each
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Tenshin Ittō-ryū (天辰一刀流) was founded by Suzuki
Naonoshin Akemitsu. He learned Yagyu-Shingan-ryu (柳生心眼流), Ono-ha Ittō-ryū (小野派一刀流) in Sendai-Han, and learned Hokushin Ittō-ryū (北辰一刀流) in Edo (1840). In 1857, he was appointed the kenjutsu teacher of the Sendai-han. Then, he founded Tenshin Ittō-ryū
153:(also known as Ono Jiroemon Tadaaki, 1565–1628), from whence the name of the art is derived. Oral tradition indicates that Ittosai made Tadaaki fight a serious duel with another student, Zenki, in order to establish a successor to the style. Serving as an instructor to both the second and third
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Stylistically the
Nakanishi branch is said to more closely resemble its source, the Ono-ha Ittō-ryū, than do any other branches of the Ittō-ryū. The kata practiced on the surface appear to be identical in form but differ in such aspects as timing, breathing, and use of distance.
267:). Combining methods learned there with the original teachings of Mizoguchi-ha Ittō-ryū, he created a distinct Aizu line of the Mizoguchi-ha school with many significant differences in technique. This is the line that survives today, as the original line has disappeared.
286:, it is currently maintained by the Fukushima prefecture and local kendo federations. There is also a group of practitioners in Kōbukan kendo club (Nakano, Tokyo) led by Hiroshi Ozawa sensei that regularly demonstrates Mizoguchi-ha Ittō-ryū at annual Kyoto Enbu Taikai.
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is the oldest of the many Ittō-ryū styles which descended from Ittōsai
Kagehisa's original art. It continues to be one of the most influential of the traditional kenjutsu styles today, exerting a major influence, along with Hokushin branch, upon modern
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style which focused upon the sword rather than a more multifaceted, multi-weapon, battlefield style, Ono developed a mock split-bamboo sword called a fukuro-shinai in order to reduce training injuries and allow more committed fighting practice.
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rather than just a different branch of the Ittō school, although employing some similar tactics. Many of the kata seem more overtly instructive in their orientation, teaching tactics to the left and then to the right.
167:, Tadaaki was able to continue to give his art wide exposure. It was said that Tadaaki was Munenori's superior in swordsmanship, but that his severe character led him to be the less favoured and respected of the two.
297:, claimed to maintain the traditional teachings of the Aizu clan, according to his son, Tokimune, the core of his approach to the sword, although modified, was based upon the Ono-ha Ittō-ryū rather than Mizoguchi-ha.
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was founded by
Nakanishi Chuta Tanesada who studied under either the 5th or 6th generation headmaster of Ono-ha Ittō-ryū, before establishing his own style. His son revolutionized practice by implementing the use of
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Although formally established as a system for unarmoured fighting, the techniques maintained an awareness of the demands and tactics of armoured fighting, making the techniques adaptable to such circumstances.
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was founded by Henmi
Tashiro Yoshitoshi, a student of Sakurai Gosuke Nagamase, who in turn was an exponent of the Aizu branch of Mizoguchi-ha Ittō-ryū. The Henmi dojo still stands in Saitama Prefecture.
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was founded by
Mizoguchi Shingoemon Masakatsu, who was a student of the second headmaster of Ono-ha Ittō-ryū, Ono Jiroemon Tadatsune, before creating his own style, the Mizoguchi-ha.
200:" or "one sword gives rise to ten thousand swords," meaning that a thorough understanding of the fundamental technique of cutting will lead one to understand the myriad variations.
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Takano, as a well known educator, was able to introduce swordsmanship into the public school system in Japan and was instrumental to the development of the Nihon Kendo Kata.
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clan and taught
Edamatsu Kimitada an incomplete version of the art. Ikegami Jozaemon Yasumichi, a student of Edamatsu, was sent by the
471:, an exponent of Ono-ha Ittō-ryū, Nakanishi-ha Ittō-ryū and Hokushin Ittō-ryū, in which he received a license of full transmission.
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Many famous swordsmen have emerged from this ryū, some founding schools of their own. Some of the more prominent among them were:
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218:, followed by his son, Sasamori Takemi as the 17th headmaster, and Yabuki Yuji as the 18th and current headmaster. Reigakudō
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Sasamori Junzo, a well known and high ranking kendo practitioner, succeeded the system as the 16th headmaster during the
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The transmission of the system passed out of the Ono family briefly and was maintained by the feudal lord
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is the name of his headquarters school, which was founded by
Sasamori Junzo in Setagaya, Tokyo, Japan.
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Ozawa sensei demonstrating Mizoguchi -ha Ittō-ryū at China University of Technology in Taipei, Taiwan
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From a technical standpoint this style consists of more than 150 techniques for both
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The curriculum consists of five long-sword and three short-sword techniques with
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Tadanari-ha (Chuya-ha) Ittō-ryū (忠也派一刀流) was founded by Itō Tenzen Tadanari.
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576:. Classical Warrior Traditions of Japan, volume 1. New Jersey, Koryu Books.
562:. The Martial Arts and Ways of Japan, 2. New York & Tokyo: Weatherhill.
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Official website of the Ono-ha Ittô-ryû (Branch Dôjô for the United States)
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Official website of the Hokushin Ittô-ryû Hyôhô (Dôkôkai Switzerland)
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This is Ryūnosuke Tsukue's sword school in the 1966 historical drama
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Official website of the Hokushin Ittô-ryû Hyôhô (Hombu-Dôjô Europa)
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Official website of the Hokushin Ittô-ryû Hyôhô (Hombu-Dôjô Japan)
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590:. Classical Warrior Traditions of Japan, volume 3. Koryu Books.
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was founded by Yamaoka Tetsutaro Takayuki, better known as
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One on One with Sasamori Sensei (Ono-ha Itto Ryu) Part One
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Official website of the Ono-ha Ittô-ryû (Hombu-Dôjô Japan)
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Japanese ancestor school of several Koryū kenjutsu styles
259:(feudal lord) to study the sword methods to be found in
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Ono-ha was founded by Ittōsai's immediate successor,
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Ito Masamori, a student of Mizoguchi's, visited the
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46:but its sources remain unclear because it lacks
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422:played the part of Ryūnosuke in this film.
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388:(A key developer of modern swordsmanship).
77:Learn how and when to remove this message
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632:Secrets of Ittô-ryû - Book One
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506:"Reigakudo Official Home Page"
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586:Skoss, Diane (Editor). 2002.
572:Skoss, Diane (Editor). 1997.
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115:.The style was developed by
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548:. Floating World Editions.
546:Famous Samurai: Ono Tadaaki
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1229:Classical arts practiced
647:Bushido and Christianity
645:Sasamori, Takemi. 2016.
604:. The East Publication.
544:De Lange, William 2012.
163:of the rival school the
32:This section includes a
894:Musō Jikiden Eishin-ryū
634:. Alkaid Research LLC.
630:Sasamori, Junzo. 2023.
615:Sasamori, Junzo. 1986.
61:more precise citations.
1342:Japanese swordsmanship
360:Takayanagi-ha Toda-ryū
278:(outside/surface) and
1347:Japanese martial arts
992:Gyokushin-ryū Jūjutsu
736:Japanese martial arts
558:Draeger, Donn. 1973.
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305:Nakanishi-ha Ittō-ryū
301:Nakanishi-ha Ittō-ryū
236:Mizoguchi-ha Ittō-ryū
232:Mizoguchi-ha Ittō-ryū
1188:Ittō Shōden Mutō-ryū
1027:Hyōhō Niten Ichi-ryū
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453:Itto Shoden Muto-ryu
447:Ittō Shōden Mutō-ryū
356:Takayanagi Yoshimasa
117:Itō Ittōsai Kagehisa
649:. Reigakudo Press.
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1146:Kyōshin Meichi-ryū
950:Yagyū Shinkage-ryū
866:Kashima Shintō-ryū
165:Yagyū Shinkage-ryū
34:list of references
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67:January 2014
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53:Please help
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1165:(1801–1876)
1137:(1701–1800)
1048:Ittatsu-ryū
976:(1601–1700)
936:Tatsumi-ryū
880:Kyūshin Ryū
808:(1501–1600)
780:(1401–1500)
745:(1301–1400)
350:Shirai Toru
188:Kiri-otoshi
170:Known as a
59:introducing
1331:Categories
1280:Juttejutsu
1238:Battōjutsu
1125:Yōshin-ryū
1111:Tamiya-ryū
1041:Isshin-ryū
1034:Ikkaku-ryū
929:Tamiya-ryū
915:Taisha-ryū
817:Hōzōin-ryū
492:References
1252:Hojōjutsu
1174:Fusen-ryū
1062:Mugai-ryū
1020:Hōten-ryū
943:Tendō-ryū
838:Jigen-ryū
754:Chujō-ryū
295:Daitō-ryū
289:Although
284:Fukushima
113:Mugai Ryu
1294:Kyūjutsu
1287:Kenjutsu
1259:Iaijutsu
1104:Suiō-ryū
1055:Kitō-ryū
1006:Hōki-ryū
845:Kage-ryū
831:Ittō-ryū
418:(大菩薩峠).
109:kenjutsu
103:Japanese
90:Ittō-ryū
1315:Sōjutsu
1273:Jūjutsu
1266:Jōjutsu
1245:Bōjutsu
985:Abe-ryū
768:Nen-ryū
462:一刀正伝無刀流
172:dueling
156:shōguns
55:improve
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441:Kensei
332:kata.
318:shinai
310:中西派一刀流
256:daimyō
241:溝口派一刀流
132:小野派一刀流
405:甲源一刀流
276:omote
265:Tokyo
195:一刀即万刀
140:kendo
106:Koryū
40:, or
651:ISBN
636:ISBN
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578:ISBN
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550:ISBN
322:bōgu
251:Aizu
182:and
180:long
144:kata
734:of
280:ura
261:Edo
223:礼楽堂
142:'s
96:一刀流
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