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220:. The first song also contains an excellent coda crescendo with vocal interplay between lead-singer Palladino and Feltenberger's background high harmonies. Another entertaining song is the closing number, a country-rock-ish, she-done-me-wrong song entitled "The Best Damn Things In Live Are Free". "Last Great Act of Defiance", co-written by Alexander and
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175:. It was Alexander's debut as a producer and it featured four, well-crafted, catchy, and energetic songs, each of which could stand alone well as a bar room anthem.
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The title song starts with a driving acoustic riff by Jeff
Feltenberger and gradually builds with Alexander's layered guitars and the precision rhythm of drummer
224:, is perhaps the album's best song. It has an eighties-era Springsteen quality about it with a strong, storytelling lyric and precise, rockin' guitar riffs.
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and interim bass player Ric
Stehman, filling in for Steve Feltenberger, who was now in the
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debut EP, was recorded in
Harrisburg, Pennsylvania, and Hoboken, New Jersey, and mixed by
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in 1988. Soon after there were several shifts within the band, including the addition of
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On
October 10, 1990, the band released the EP, which carried the deceptive title of
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546:"Badlees Members Stick to Hard-Driving Sound" by Jennifer Danner,
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stepping back to provide harmonies and rhythm guitar.
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Modern Rock Review
Badlees Profile, October 10, 2010
433:Gary Greyhosky - Engineer at The Production Block
198:as lead vocalist, with the former lead vocalist,
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478:but its sources remain unclear because it lacks
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230:, at the time working at Bassment Records in
430:Greg Frey - Engineer at Waterfront Recording
702:See Me as a Picture, The Best of 1990-2012
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509:Learn how and when to remove this message
352:"The Best Damn Things In Life Are Free"
238:on his newly formed independent label,
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539:"Susquehanna Valley" by Keith Hummel,
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528:The Badlees Archives by Alan K. Stout
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660:The Unfortunate Result of Spare Time
543:Vol.X #2 (p. 19), February 1991
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242:. The cover of the album, taken by
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532:"The Badlees" by Nigel Tuffnel,
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171:back at Susquehanna Sound in
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330:"Last Great Act of Defiance"
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421: β Producer, engineer
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16:1990 EP by The Badlees
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716:The Badlees (self-titled)
709:Epiphones and Empty Rooms
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550:(p.F8), February 17, 1991
408: β Drums, percussion
305:"Mama They Must Be Crazy"
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173:Selinsgrove, Pennsylvania
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464:This article includes a
442:Ken Madsen - Group photo
548:Harrisburg Patriot News
493:more precise citations.
402:Ric Stehman β Bass
399: β Guitars, vocals
333:Alexander, Naydock
248:Jersey City, New Jersey
186:derived from the band
541:Pennsylvania Musician
534:Pennsylvania Musician
393: β Guitars, keys
653:Diamonds in the Coal
427:- Executive producer
144:Diamonds in the Coal
66:The Production Block
60:Waterfront Recording
387: β Lead vocals
794:The Badlees albums
681:Up There Down Here
634:Steve Feltenberger
466:list of references
281:"It Ain't For You"
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761:Related articles
751:The Day's Parade
744:It Ain't for You
733:What Goes Around
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97:Rite-Off Records
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499:November 2010
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439:- Cover photo
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254:Track listing
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485:Please help
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310:Mike Naydock
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667:River Songs
631:Ric Stehman
615:Ron Simasek
587:The Badlees
491:introducing
437:Ron Simasek
406:Ron Simasek
244:Ron Simasek
214:Ron Simasek
184:The Badlees
165:The Badlees
120:The Badlees
113:The Badlees
63:Hoboken, NJ
42:The Badlees
783:Categories
610:Paul Smith
447:References
413:Production
179:Background
122:chronology
768:Song list
379:Musicians
374:Personnel
355:Alexander
104:Producer
49:Released
39: by
487:improve
218:Marines
148:(1992)
139:(1990)
273:Length
75:Length
57:Studio
688:Renew
472:, or
270:Music
267:Title
92:Label
735:(as
111:and
726:EPs
263:No.
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