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Diamonds in the Coal

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257:. Songs previous to this on the album are mainly pop-oriented with strong hooks such as on the opener "Like a Rembrandt", which The Album Network picked up for its latest compilation. There’s also the crisp rocker "Just One Moment" and the mellow ballad "The Real Thing". This latter song was the band's first single from the album and was added to the regular rotation of several Pennsylvania rock-formatted radio stations. It features a comical monologue in the bridge section by Mike Naydock, his only appearance on a Badlees record as a performer; the monologue is actually a quote from the Minutemen song "#1 Hit Song" from 745: 76: 271:, while "Spending My Inheritance" includes harmonica by Bret Alexander and fiddle-playing by guest performer David Rose. Perhaps the most unusual song on the album is the smooth, atmospheric "Sister Shirley", which includes a picturesque lyrical narrative by Naydock and a jazzy lead guitar by Alexander. "Diamonds in the Coal" is the closing song, which brings the listener into the dark, forgotten patch towns of 22: 305:. These extra features show the attention to detail the Badlees put into the creation of their first album. Simasek also located the pictures that were used for the cover and within the packaging, authentic early 20th century miner photos, from the Tamaqua (PA) Historical Society. These images would also be used in band promotions around the time of the album's release in January 1992. 233:
With the addition of Smith on bass, the Badlees quintet that would drive through their most productive years was now intact. The Badlees were now ready to start work on their first full-length album. Dedicated to performing original music, it was now time to expand their library and this would be
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The second half of the album contains songs that, while still very pop-sensible and accessible, explored deeper subject matter and richer musical structure. The upbeat "Dirty Neon Times" includes vocal harmonies by
989: 297:, obviously because of the play on the band's name, but this was not the only quote on the album. Each song on the lyrics page contained its own special quote from philosophers and artists ranging from 75: 1003: 996: 253:
which, thematically, is nearly sliced in half by the light intermission of "Badlee Rap", performed by rapper Loose Bruce, while doing a session at Waterfront Studios in
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on bass. The album is noted to have split the difference between accessible pop songs and deeper message-oriented folk and roots rock.
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first full-length album, recorded in late 1991 and released in January 1992. It is the first to feature
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Doug Conroy, Greg DiGesu, and Jeff Mauriello - Engineers at Waterfront Recording
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David Rose - Violin on "Spending My Inheritance" and "Diamonds in the Coal"
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on the bottom end and authentic, ethnic instrumentation up above.
275:. The music sets the scene with a methodic, marching rhythm by 841: 284:"There are few things easier than to live badly and die well" 83: 234:
accomplished in 1991 through the prolific songwriting of
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Mark Mattocks, Al Skiles, and J.D. Dumas - Live Sound
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Modern Rock Review Badlees Profile, October 10, 2010
653: β€“ Electric guitar, harmonica, mandolin, vocals 718:& Scott Berger - Engineers at Susquehanna Sound 709:Anthony & JoAnn Palladino - Executive producer 681:Doug Kennedy - Guitar solo on "The Next Big Thing" 1068: 766:but its sources remain unclear because it lacks 827:"PA Releases Reviews" by Bryan G. Woleslagle, 857: 834:"Badlees are Branching Out" by David Donati, 990:See Me as a Picture, The Best of 1990-2012 864: 850: 74: 797:Learn how and when to remove this message 1069: 693:- Monolog on "Back Where We Come From" 608: 586: 564: 542: 845: 816:The Badlees Archives by Alan K. Stout 520: 498: 476: 451: 426: 404: 382: 360: 332: 948:The Unfortunate Result of Spare Time 824:Vol.XI #1 (p. 11), January 1992 738: 687:Loose Bruce - Vocals on "Badlee Rap" 198:The Unfortunate Result of Spare Time 63:1992 studio album by The Badlees 15: 13: 831:Vol.XI #3 (p. 20), March 1992 14: 1093: 743: 308: 273:Pennsylvania's Anthracite Region 20: 871: 721:Donna Glass - Layout and design 665: β€“ Bass, keyboards, vocals 659: β€“ Acoustic guitar, vocals 317: 1: 734: 228: 633: 7: 293:was placed inner sleeve of 242:, and to a smaller extent, 10: 1098: 706: β€“ Producer, engineer 260:Double Nickels on the Dime 1048: 1013: 1004:The Badlees (self-titled) 997:Epiphones and Empty Rooms 932: 883: 838:(p. 8B), May 5, 1992 836:Wilkes-Barre Times Leader 671: β€“ Drums, percussion 524:"Spending My Inheritance" 364:"Back Where We Came From" 327: 324: 321: 316: 173: 165: 149: 137: 121: 103: 95: 82: 73: 68: 820:"Diamonds in the Coal", 752:This article includes a 455:"Interlude / Badlee Rap" 781:more precise citations. 571:Alexander, Naydock 549:Alexander, Naydock 505:Alexander, Naydock 483:Alexander, Naydock 411:Alexander, Naydock 612:"Diamonds in the Coal" 829:Pennsylvania Musician 822:Pennsylvania Musician 941:Diamonds in the Coal 676:Additional musicians 480:"The Next Big Thing" 295:Diamonds in the Coal 251:Diamonds in the Coal 214:Diamonds in the Coal 189:Diamonds in the Coal 107:Waterfront Recording 69:Diamonds in the Coal 40:improve this article 647: β€“ Lead vocals 255:Hoboken, New Jersey 42:by rewriting it in 1082:The Badlees albums 969:Up There Down Here 922:Steve Feltenberger 754:list of references 590:"Road to Paradise" 502:"Dirty Neon Times" 458:Loose Bruce,  336:"Like a Rembrandt" 116:Northumberland, PA 44:encyclopedic style 31:is written like a 1064: 1063: 908:Jeff Feltenberger 807: 806: 799: 657:Jeff Feltenberger 630: 629: 435:Jeff Feltenberger 430:"Heaven On Earth" 386:"Just One Moment" 269:Jeff Feltenberger 244:Jeff Feltenberger 210: 209: 206: 205: 113:Susquehanna Sound 61: 60: 1089: 1049:Related articles 1039:The Day's Parade 1032:It Ain't for You 1021:What Goes Around 878: 877: 866: 859: 852: 843: 842: 802: 795: 791: 788: 782: 777:this article by 768:inline citations 747: 746: 739: 626: 625: 621: 604: 603: 599: 582: 581: 577: 560: 559: 555: 546:"Sister Shirley" 538: 537: 533: 516: 515: 511: 494: 493: 489: 472: 471: 467: 447: 446: 442: 433:Alexander,  422: 421: 417: 408:"The Real Thing" 400: 399: 395: 378: 377: 373: 356: 355: 351: 319: 314: 313: 180:It Ain't for You 175: 174: 144:Rite-Off Records 133: 132: 128: 99:January 14, 1992 78: 66: 65: 56: 53: 47: 24: 23: 16: 1097: 1096: 1092: 1091: 1090: 1088: 1087: 1086: 1067: 1066: 1065: 1060: 1044: 1009: 928: 879: 873: 872: 870: 803: 792: 786: 783: 772: 758:related reading 748: 744: 737: 636: 631: 623: 619: 618: 601: 597: 596: 579: 575: 574: 557: 553: 552: 535: 531: 530: 513: 509: 508: 491: 487: 486: 469: 465: 464: 444: 440: 439: 419: 415: 414: 397: 393: 392: 375: 371: 370: 353: 349: 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Index

review
improve this article
encyclopedic style
Diamonds in the Coal album cover. Photo by the Tamaqua (PA) Historical Society.
Studio album
The Badlees
Hoboken, NJ
Northumberland, PA
Label
Rite-Off Records
Producer
Bret Alexander
The Badlees
The Badlees
It Ain't for You
The Unfortunate Result of Spare Time
The Badlees
Paul Smith
Bret Alexander
Mike Naydock
Jeff Feltenberger
Hoboken, New Jersey
Double Nickels on the Dime
Jeff Feltenberger
Pennsylvania's Anthracite Region
Ron Simasek
Oscar Wilde
Aristotle
Andy Warhol
Bret Alexander

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