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If He Hollers Let Him Go

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The book’s title plays on the third line of a popular children’s rhyme, which follows the second line historically included a racial epithet, “catch a n** by the toe”(in the US and other English-speaking countries like Australia). Mid-20th century variants in the US replaced the epithet with “tiger.”
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The main characters are the protagonist, Bob Jones, and two women: Madge Perkins, who is white; and Alice Harrison, his higher-class African-American girlfriend. Bob struggles for place in a white-dominated world and is filled with violent thoughts against white people, but does not act on them.
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In what is described as a "sexually charged novel", Madge makes a racial slur toward Bob. His calling her a "bitch" results in his demotion. He considers raping her as a way to get back at white America, seeing her as a symbol of "whiteness", but when she expresses sexual attraction to him, he
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His fears invade his dreams, aspirations, and passions. His dream of making something of himself in California is jeopardized as he reacts to the actions of the white people around him. He struggles to contain his urges to fight, kill, and rape as ways to overcome his resentment of white power
213:. With some college education, he works as a crew leader in a naval shipyard. In this period, black workers are gaining opportunities in the defense industry as a result of executive orders of President 228:
paranoia, resentment from whites on the floor working at the same jobs as "colored boys", and the baiting of black workers by some white females.
336: 256:(Alice's light skin is associated with her higher class), employment discrimination against blacks, and class divisions among whites and blacks. 240:
rejects her. Alice tells Bob it is no use getting angry about the inequality that blacks must live with, and he has to learn to deal with it.
264:("agitators") are the only ones who talk about the issue of race in any way with which the protagonist agrees. There is some reference to 382: 224:. He believes he was promoted as a supervisor only to gain the cooperation of black workers in the war effort. He is forced to deal with 377: 387: 372: 261: 178: 367: 362: 392: 357: 293:
Critics praised this first novel by Himes, classifying it in the "protest novel" tradition established by
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The story spans four days in the life of Robert "Bob" Jones, a newcomer to Los Angeles from
170:. It earned him critical acclaim and was considered a "protest novel", in the tradition of 8: 198: 182: 318:
Michael P. Jeffries, "The Rage in Harlem, and Beyond", review of Lawrence P. Jackson's
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suffered by black people, color differentiation among
201:. The screenplay differed markedly from the novel. 349: 220:However, Jones cannot escape the pressures of 25: 314: 312: 310: 260:is featured generously, as the Communist 350: 307: 248:Themes addressed in the novel include 204: 151:is the first novel by American writer 13: 383:American novels adapted into films 14: 404: 378:Novels about race and ethnicity 388:Novels set during World War II 329: 155:, published in 1945, about an 1: 320:Chester B. Himes: A Biography 300: 288: 275:The novel is referred to in 7: 16:1945 novel by Chester Himes 10: 409: 324:New York Times Book Review 177:The book was adapted as a 373:Novels set in Los Angeles 338:Frantz Fanon: A Biography 243: 132: 120: 106: 98: 90: 82: 72: 62: 54: 46: 36: 24: 20:If He Hollers Let Him Go 148:If He Hollers Let Him Go 368:African-American novels 363:Novels by Chester Himes 393:Doubleday, Doran books 341:, Verso, 2012, p. 191. 282:Black Skin White Masks 232:arrayed against him. 217:during World War II. 215:Franklin D. Roosevelt 358:1945 American novels 205:Plot and characters 183:Raymond St. Jacques 140:PS3515.I713 I3 2002 21: 19: 254:African Americans 144: 143: 83:Publication place 400: 342: 333: 327: 326:, 27 August 2017 316: 199:Arthur O'Connell 157:African-American 136: 110: 74:Publication date 58:Literary fiction 29: 22: 18: 408: 407: 403: 402: 401: 399: 398: 397: 348: 347: 346: 345: 334: 330: 317: 308: 303: 291: 246: 207: 125: 91:Media type 75: 67:Doubleday Doran 32: 17: 12: 11: 5: 406: 396: 395: 390: 385: 380: 375: 370: 365: 360: 344: 343: 328: 305: 304: 302: 299: 295:Richard Wright 290: 287: 245: 242: 226:anti-communist 206: 203: 195:Barbara McNair 191:Kevin McCarthy 172:Richard Wright 142: 141: 138: 130: 129: 126: 121: 118: 117: 112: 104: 103: 100: 96: 95: 92: 88: 87: 84: 80: 79: 76: 73: 70: 69: 64: 60: 59: 56: 52: 51: 48: 44: 43: 38: 34: 33: 30: 15: 9: 6: 4: 3: 2: 405: 394: 391: 389: 386: 384: 381: 379: 376: 374: 371: 369: 366: 364: 361: 359: 356: 355: 353: 340: 339: 335:David Macey, 332: 325: 321: 315: 313: 311: 306: 298: 296: 286: 284: 283: 278: 273: 269: 267: 263: 259: 255: 251: 241: 237: 233: 229: 227: 223: 218: 216: 212: 202: 200: 196: 192: 188: 184: 180: 175: 173: 169: 165: 161: 158: 154: 153:Chester Himes 150: 149: 139: 137: 135:LC Class 131: 127: 124: 123:Dewey Decimal 119: 116: 113: 111: 105: 101: 97: 93: 89: 86:United States 85: 81: 77: 71: 68: 65: 61: 57: 53: 49: 45: 42: 41:Chester Himes 39: 35: 31:First edition 28: 23: 337: 331: 323: 319: 292: 280: 277:Frantz Fanon 274: 270: 247: 238: 234: 230: 219: 208: 176: 168:World War II 147: 146: 145: 187:Dana Wynter 181:, starring 164:Los Angeles 352:Categories 301:References 162:worker in 128:813/.54 21 289:Reception 279:'s book, 262:unionists 258:Communism 179:1968 film 63:Publisher 160:shipyard 115:51102812 47:Language 166:during 50:English 250:racism 244:Themes 222:racism 197:, and 37:Author 99:Pages 94:Print 55:Genre 266:jazz 211:Ohio 109:OCLC 78:1945 297:. 102:203 354:: 322:, 309:^ 268:. 193:, 189:, 185:, 174:.

Index


Chester Himes
Doubleday Doran
OCLC
51102812
Dewey Decimal
LC Class
Chester Himes
African-American
shipyard
Los Angeles
World War II
Richard Wright
1968 film
Raymond St. Jacques
Dana Wynter
Kevin McCarthy
Barbara McNair
Arthur O'Connell
Ohio
Franklin D. Roosevelt
racism
anti-communist
racism
African Americans
Communism
unionists
jazz
Frantz Fanon
Black Skin White Masks

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