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Ida Pellet ist unzweifelhaft eine der berufensten, talentvollsten
Darstellerinnen neuerer Zeit gewesen. Schönheit, Anmut, liebliche Gebärde, Auffassungsgabe und ein Zauber der Sprache, ein Klang der Stimme, der tief zum Herzen drang. Wer sie im 5. Akt der „Maria Stuart“ gesehen, wird beistimmen. Sie
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Beyond any doubt, Ida Pellet became one of the most professional and talent-filled actresses of modern times. Beauty, grace, affecting gestures, insightful presentation and a magical understanding of language, a vocal resonance that penetrated deep into the heart. Anyone who has seen her in Act 5
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90:. In Summer 1860, Ida Pellet made her first appearance at the Hofbühne, at this stage as a guest performer and a competitor for the vacancy left by Miss Fuhr who had been the theatre company's leading tragic heroine. Pellet's successes in
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war noch nicht auf der höchsten, ihr erreichbaren Stufe der Künstlerschaft. Doch ragte sie schon weit hervor mit feurigem
Streben. Da brach der Tod in seiner schleußlichen Gestalt das Schöne, jugendliche Dasein mitten in vollster Blüte.
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Theatre where she worked under the artistic direction of Edgar Hein, especially in respect of conversation pieces, and quickly became a favourite with audiences. In the first part of 1858 she signed up with the Court
Theatre in
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and took part in the morning rehearsal. Her appearance that evening was cancelled on account of her sickness, however, and she would never return from her sickbed. Twelve days later, despite attentive nursing in the
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will agree. She had not yet reached the artistic heights for which she seemed destined. But already she was far along that way in a shining career. Then death quietly destroyed the beautiful youthful being in full
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and other popular classics of the time secured for her a place in the company with effect from
September 1861. Other noteworthy performances were as
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207:"Pellet, Ida (k. preußische Hofschauspielerin, geb. nach Oettinger's "Moniteur de Dates" zu Gratz im Jahre 1838 ..."
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247:(in German). Vol. 25. Historische Kommission bei der Bayerischen Akademie der Wissenschaften. p. 334.
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where for the next three years she concentrated on tragic roles. In
November 1859,
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Joseph Kürschner (1887). "Pellet: Ida P., Schauspielerin, geb. 1838 in Graz ...".
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for a series of guest performances. In the middle to June she moved on to
26:(1838 - 10 July 1863) was a German classical actress, originally from the
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where on 20 June she opened in "The Widow of Lowood" (a drama based on
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in 1954, and there were also early appearances at the
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212:Biographisches Lexikon des Kaiserthums Oesterreich
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69:She spent the next four years at the
120:In Summer 1826 Pellet travelled to
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282:Actresses from the Austrian Empire
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38:Ida Pellet was probably born in
244:Allgemeine Deutsche Biographie
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265:(in German). Karl Rümpler.
223:– via literature.at.
117:eponymous drama-tragedy.
82:retired from the Berlin
203:Constantin von Wurzbach
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287:German stage actresses
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134:"The Maid of Orleans"
92:"The Maid of Orleans"
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297:Actresses from Linz
292:Actresses from Graz
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217:. Retrieved
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160:Maria Stuart
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141:, she died.
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96:Maria Stuart
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307:1863 deaths
302:1838 births
145:Celebration
60:Carltheater
276:Categories
179:References
111:Nibelungen
88:Eye Doctor
24:Ida Pellet
130:Jane Eyre
80:Lina Fuhr
76:Wiesbaden
52:Nuremberg
261:(1872).
219:24 March
115:Heigel's
108:Hebbel's
104:Gretchen
152:wrote:
126:Leipzig
100:Leonore
71:Stettin
44:Lemberg
164:bloom.
122:Prague
64:Vienna
221:2018
56:Linz
48:Linz
40:Graz
34:Life
157:of
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