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70:. He led a wandering life for the next two years, appearing less on the stage as an actor than as a reciter of his own poems. In 1821 he married the actress Luise Roge (1800-1825), and was appointed theatre-poet to the Breslau stage. He next removed to Berlin, where his wife fulfilled an engagement at the Court theatre. During his sojourn here he produced the vaudevilles
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148:'s plays, made a furore, and the poet-actor was given the appointment of manager of the Josefstädter theatre in the last-named city. Though proud of his successes both as actor and reciter, Holtei left Vienna in 1836, and from 1837 to 1839 conducted the theatre in
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Germany; as an actor, although remaining behind the greater artists of his time, he contrived to fascinate his audience by the dramatic force of his exposition of character as a reciter, especially of Shakespeare, he knew no rival.
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said of Holtei that by the energy of his poetic conception and plastic force he brought his audience round to his own ideas; and he added, "an eloquence such as his I have never met with in any other German."
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168:(1863). The last years of his life were spent at Breslau, where being in poor circumstances he found a home in the Kloster der Barmherzigen Brüder, and here he died.
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In 1825 his wife died; but soon after her death he accepted an engagement at the Königsstädter theatre in Berlin, when he wrote a number of plays, notably
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152:. Here his second wife died, and after wandering through Germany reciting and accepting a short engagement at Breslau, he settled in 1847 at
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as a student of law; but, attracted by the stage, he soon forsook academic life and made his debut in the
Breslau theatre as Mortimer in
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97:(1825). In 1830 he married Julie Holzbecher (1809-1839), an actress engaged at the same theatre, and with her played in
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Holtei was not only a stage-poet but, a lyric-writer of great charm. Notable among such productions are
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In 1833 Holtei again went on the stage and toured with his wife to various important cities,
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204:(2nd ed., 1854). Mention ought also to be made of Holtei's interesting autobiography,
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332:. Vol. 13 (11th ed.). Cambridge University Press. pp. 619–620.
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This article incorporates text from a publication now in the
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78:(1825), pieces which enjoyed at the time great popular favour.
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as a volunteer in 1815, he shortly afterwards entered the
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As a dramatist Holtei may be said to have introduced the
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30:(24 January 1798 – 12 February 1880) was a German
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408:Prussian Army personnel of the Napoleonic Wars
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223:, 39 vols. (1861-1866). See M. Kurnick,
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398:Writers from the Province of Silesia
403:Actors from the Province of Silesia
46:Karl Eduard von Holtei was born at
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109:(1798-1861) the text of the opera
105:in 1831 he wrote for the composer
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388:Poets from the Kingdom of Prussia
344:Works by or about Karl von Holtei
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438:19th-century German male writers
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219:appeared in 6 vols. (1867); his
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225:Karl von Holtei, ein Lebensbild
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268:Encyclopædia Britannica Online
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23:Lithography of Karl von Holtei
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359:(public domain audiobooks)
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210:Noch ein Jahr in Schlesien
175:Memorial plaque in Breslau
433:19th-century German poets
418:German untitled nobility
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393:Male actors from Wrocław
353:Works by Karl von Holtei
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196:(1830; 20th ed., 1893),
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324:Holtei, Karl Eduard von
272:Encyclopædia Britannica
87:Gottfried August Bürger
54:. Having served in the
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28:Karl Eduard von Holtei
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60:University of Breslau
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221:Erzählende Schriften
194:Schlesische Gedichte
166:Der letzte Komödiant
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231:(1889); O. Storch,
202:Stimmen des Waldes
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162:Christian Lammfell
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428:German male poets
264:"Karl von Holtei"
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227:(1880); F. Wohl,
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383:1880 deaths
378:1798 births
164:(1853) and
146:Shakespeare
117:the drama,
372:Categories
300:References
277:2010-08-30
181:vaudeville
215:Holtei's
99:Darmstadt
357:LibriVox
235:(1898).
212:(1864).
198:Gedichte
160:(1851),
121:(1837).
64:Schiller
346:at the
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239:Notes
36:actor
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