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the women to Santa
Eulalia. Other essential aspects of the film are that it offers the opportunity to understand one of the main points of the novel: the problems of the Spanish countryside. At the same time, Icíar Bollaín preserves the classic stereotypes of the typical Spanish town, where the bar is the most important forum for meetings and ideological defenses. But Bollaín doesn't leave behind the important issue of the leading sexism of the time, and she is also concerned to mitigate it largely by introducing characters like Doña Gregoria, who is the mother of one of the young men and also the reflection of the rural matriarchy.
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young men of Santa
Eulalia. This is a clear solution to the problem of foreignness. Icíar Bollaín doesn't present a problem without the corresponding solution, introducing an integrative ideology that breaks with cultural and racial barriers, which is another important pillar of the film that is a recognized pedagogical intention.
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end of the film, the director realizes his mistake and in a moment of compassion, and at the risk of his own life, saves the daughter of his star actor. The director uses creative license to create a historical drama that fictionalizes characters and narrative details, while presenting a broader historical truth.
341:
to reflect the issues and consequences that even today directly affect
Spanish society. Flowers from Another World analyses not only the racial issue but also the role of women at that time. This can even be compared to other similar cases in which women start a movement for social integration, as in
399:
through a process of film-making that commodifies indigenous peoples of
Bolivia. Contributing to their poverty and oppression, directors of the film refuse to pay them a living wage while acting in their film. At the same time, indigenous populations revolt due to said privatization. However, by the
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in impoverished nations in the late 20th and early 21st century (in
Bolivia the privatization of public resources, like water). Added to this analysis is the irony that the film company that is creating a revisionist historical drama, intended to bring light to the rape, enslavement, and genocide of
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Foreignness is another key point in this story. At the beginning of the film, with the arrival of the three women to the village, the feeling of strangeness and rejection towards the foreigners appears. However it starts disappearing with the development of loving relationships between them and the
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This cinematographic work is useful from an academic point of view, not only for its historical value, but also because it is presented as an open window that allows the viewer to take the place of the characters, suffering with them the same surprises and impressions, since the point of arrival of
321:
and the socio-cultural evolution of the country. It tells the story of three women, Milady, from Cuba, Patricia, from the
Dominican Republic and Marirrosi, from Bilbao. They have several existential problems and concerns regarding their future. These problems are similar to those suffered by three
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Somehow, through the painting, it is observed throughout the film how Pilar gets rid of the chains of the violence and abuse made by her husband. As Icíar Bollaín said, "Pilar meets art and thus begins to grow up emotionally and as a result she escapes from her difficult situation".This could be
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and a mother who was a music teacher. She grew up in a liberal household in which each member was allowed to follow their own inclination. Icíar and her twin sister Marina showed an early interest in the arts; Icíar was inclined towards filmmaking while her sister studied to become an operatic
326:, which is an unimportant small town without marriageable women. Damian, Alfonso and Carmelo (these young men) come into contact with the three women at a party organized by single people of the village. There they got to know each other and this gives place to a bittersweet story.
284:. In January 2011, the film made the final nine shortlist. A film within a film, it is set in the Bolivian highlands in 2000. A Spanish film company's work on Columbus' arrival in the New World gets caught up in local violence related to current exploitation of peasants. It stars
381:
This film by Icíar Bollaín could be perfectly defined as a "film within a film" because it uses two storylines to tell the tense situation that exists in
Bolivia. All related to the heritage and colonial legacy. On the one hand, in this film, there is a low budget film about
361:. The use of pictorial art enriches the staging and the story itself, analyzing the narrative function that the works of this style can have within the Cinematography. While the painting does not carry a major role in the story of Pilar, a victim of
390:(Bolivia) of Cochabamba (April 2000) is taking place. What Icíar Bollaín tries to represent using a historiographical discourse and filmic fiction, is the intersectionality between the European conquest and colonialism of 1492, the rise of
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taken as an example for all the women who have the same problem, so that they can stop the abuse and free themselves from those chains as Pilar does in the movie. Throughout the film different pictures (mainly
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Since then Icíar Bollaín has acted in fourteen films. At age 18, with her twin sister Marina, she was cast by their uncle Juan
Sebastián Bollaín in two films:
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who plays a native leader in the "film," takes the lead in organizing a resistance to water privatization; he was nominated for a Best
Newcomer Award at the
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in
English) (1995), a story about two young girls who dream of finding an earthly paradise and undertake a long trip towards the sea.
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This movie can also be seen as a means of instruction for foreign students. It shows several key aspects of both the history of
263:, the movie is about a man's abuse of his wife during their marriage, and their struggles to change the pattern of their lives.
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128:), which won 7 Goya Awards. Bollaín has won other awards for acting and script-writing, as well as for directing.
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Icíar Bollaín Pérez-Mínguez was born in Madrid on 12 June 1967. She was one of twin girls to a father who was an
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1318:"Iciar Bollain consigue el Premio de la Semana Internacional de la Crítica con "Flores de otro mundo""
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ones) are used to reflect the development of the main character on a personal and social level.
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1513:"Festival chiefs, 'Parasite' team, Adèle Haenel among 400 new international Academy members"
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238:. It is the story of three women who travel to rural Spain with the hopes of finding love.
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and the Discovery of America in 1492 being recorded. While, on the other hand, the famous
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346:. Everything is portrayed through the figures of the three women who star in this story.
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118:(born 12 June 1967) is a Spanish filmmaker and actress. She is best known for directing
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1739:"Yuli: The Carlos Acosta Story review – unflinching biopic of a ballet superstar"
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Szalai, Scott Roxborough,Georg; Roxborough, Scott; Szalai, Georg (2021-01-18).
1714:"Iciar Bollain Talks About 'The Olive Tree,' Spain's Crisis and Natural Beauty"
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167:(1992). Icíar Bollaín also took roles in films directed by Felipe Vega,
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Aitor Arregi, Andoni de Carlos, Jon Garaño and Jose Mari Goenaga (2017)
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Caribbean indigenous peoples by Columbus, is perhaps perpetuating
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189:. Her experience working with Loach led her to write the book:
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This film is characterized for introducing a new element: the
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Bollain at age 23 formed a production company which she named
1338:"Iciar Bollaín aboga por el cine con mensaje y sin etiquetas"
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Flowers from Another World (Flores de otro mundo) (1999)
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1772:"Netflix Drama Leads Spain's Goya Awards Nominations"
1631:"Nine foreign-language films continue in Oscar race"
1681:"The Olive Tree review – captivating Spanish drama"
255:, including Best Film and Best Director. Starring
163:(1987); several years later the twins appeared in
1488:"9 Foreign Language Films Continue to Oscar Race"
322:young men from Santa Eulalia, a village from the
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1876:
1656:"Spanish actress does nice line as action woman"
1605:""Mataharis" : femmes et détectives privés"
1537:"All film students should see this woman's work"
300:. In 2020, she was invited to membership in the
2272:, Yolanda García Serrano, Juan Luis Iborra and
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342:the case of the Mexican immigrant women in the
211:, she made her first feature film as director:
31: and the second or maternal family name is
16:Spanish actress, film director and screenwriter
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276:) was selected as the Spanish entry for the
1794:: CS1 maint: multiple names: authors list (
234:in English) (1999), which she co-wrote with
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585:Spanish official entry for Academy Awards
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1464:"Bollaín's Even the Rain joins Oscar race"
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292:as the film producer. Carlos Aduviri, an
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1358:Ken Loach : un observador solitario
377:Even the Rain (También la lluvia) (2010)
2201:Goya Award for Best Original Screenplay
1573:"Inside the Mind of an Abusive Husband"
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1432:"Discovering Columbus's Exploitation"
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350:Take my eyes (Te doy mis ojos) (2003)
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1511:Goodfellow, Melanie (1 July 2020).
1235:Noriega, José Luis Sánchez (2021).
191:Ken Loach: un observador solitario.
175:. Her red hair was partly what led
13:
2574:21st-century Spanish screenwriters
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1407:"Spain hits back at abuse culture"
1383:"Spanish protest over Basque film"
1208:Santaolalla, Isabel (2012-08-15).
1177:Ken Loach, un observador solitario
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337:Bollaín sets the film during the
2559:Best Director Goya Award winners
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1654:Mathieson, Craig (2012-11-14).
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1214:. Manchester University Press.
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1001:
600:Katmandú, un espejo en el cielo
2569:21st-century Spanish actresses
2564:20th-century Spanish actresses
1679:Bradshaw, Peter (2017-03-16).
1571:Dargis, Manohla (2006-03-17).
1430:Holden, Stephen (2011-02-17).
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151:(1983), for her acting debut.
1:
2327:and Verónica Fernández (2000)
2246:and Eduardo Bajo Ulloa (1991)
1712:Hopewell, John (2016-03-07).
1194:
667:
633:Yuli: The Carlos Acosta Story
2544:Spanish women film directors
2507:Estibaliz Urresola Solaguren
1878:Goya Award for Best Director
224:Her second feature film was
179:to choose her for his film,
141:singer. Bollaín was cast in
23:, the first or paternal
7:
1737:Clarke, Cath (2019-04-11).
1211:The Cinema of Iciar Bollaín
1138:International Critics' Week
116:Icíar Bollaín Pérez-Mínguez
61:Icíar Bollaín Pérez-Mínguez
10:
2610:
1629:King, Susan (2011-01-19).
1147:Flowers From Another World
484:Flowers From Another World
278:Best Foreign Language Film
232:Flowers from another world
207:(1994). With support from
199:and made two short films:
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1660:The Sydney Morning Herald
1535:Loach, Ken (2004-11-14).
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2254:José Luis García Sánchez
1120:Best Original Screenplay
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132:Early life and education
2491:Fernando León de Aranoa
2451:and David Pulido (2016)
2445:and Tomas Aragay (2015)
2302:Fernando León de Aranoa
2146:Fernando León de Aranoa
2010:Fernando León de Aranoa
1975:Fernando León de Aranoa
1816:(in French). 2010-01-30
1611:(in French). 2008-04-01
1241:(in Spanish). Cátedra.
1175:Bollaín, Icíar (1996).
914:El mejor de los tiempos
339:Spanish property bubble
324:Province of Guadalajara
169:Manuel Gutiérrez Aragón
2549:Spanish film directors
2539:Spanish film actresses
2346:and Alicia Luna (2003)
2296:Ángeles González-Sinde
1776:The Hollywood Reporter
1152:(Flores de otro mundo)
2584:Actresses from Madrid
2554:Spanish women writers
1892:Fernando Fernán Gómez
866:Un paraguas para tres
489:Flores de otro mundo
451:Los amigos del muerto
205:Los Amigos del muerto
138:aeronautical engineer
2274:Manuel Gómez Pereira
1945:Luis García Berlanga
1133:Cannes Film Festival
691:La noche del hermano
525:Viajes con mi abuela
384:Christopher Columbus
308:Representative films
288:as the director and
227:Flores de otro mundo
2579:Writers from Madrid
1298:www.premiosgoya.com
1179:. El País-Aguilar.
1053:
1029:Dramas y Caballeros
508:Inspired her movie
282:83rd Academy Awards
251:) (2003) won seven
2384:Alejandro Amenábar
2366:Guillermo del Toro
2350:Alejandro Amenábar
2336:Enrique Brasó and
2331:Alejandro Amenábar
2286:Alejandro Amenábar
2280:Agustín Díaz Yanes
2022:Alejandro Amenábar
2004:Alejandro Amenábar
1957:Álex de la Iglesia
1810:"LAND AND FREEDOM"
1577:The New York Times
1436:The New York Times
1346:. 24 October 2018.
1294:"Goya Awards 2004"
1052:
902:Doblones de a ocho
818:Jardines colgantes
792:El techo del mundo
730:Sara, una estrella
704:La balsa de piedra
471:Hola, ¿estás sola?
465:Hi, Are You Alone?
286:Gael García Bernal
219:Hi, are you alone?
214:Hola, ¿estás sola?
185:(1995), about the
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2501:Rodrigo Sorogoyen
2462:Rodrigo Sorogoyen
2433:Alberto Rodríguez
2415:Michel Gaztambide
2372:Sergio G. Sánchez
2338:Antonio Hernández
2270:Joaquín Oristrell
2244:Juanma Bajo Ulloa
2238:Montxo Armendáriz
2221:Agustí Villaronga
2167:
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2152:Rodrigo Sorogoyen
2117:Rodrigo Sorogoyen
2093:Alberto Rodríguez
2069:Agustí Villaronga
1635:Los Angeles Times
1248:978-84-376-4203-1
1221:978-0-7190-8058-6
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1141:Grand Prix award
1042:
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953:Mientras haya luz
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581:Tambien la lluvia
363:domestic violence
274:Tambien la lluvia
187:Spanish Civil War
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106:Years active
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842:Dime una mentira
805:Land and Freedom
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502:Amores que matan
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236:Julio Llamazares
182:Land and Freedom
165:Dime una mentira
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2258:Fernando Trueba
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2034:Pedro Almodóvar
1998:José Luis Borau
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1939:Fernando Trueba
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1092:Te Doy Mis Ojos
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978:Las dos orillas
890:Polvo enamorado
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658:La boda de rosa
545:Te doy mis ojos
511:Te doy mis ojos
422:Original title
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244:Te Doy Mis Ojos
209:Fernando Colomo
173:José Luis Borau
161:Las dos orillas
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121:Te Doy Mis Ojos
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2394:Chris Sparling
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2594:Female twins
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2437:Rafael Cobos
2427:David Trueba
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2105:J. A. Bayona
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2081:J. A. Bayona
2015:
1951:Imanol Uribe
1927:Carlos Saura
1818:. Retrieved
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1743:The Guardian
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1685:The Guardian
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1541:The Observer
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126:Take My Eyes
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109:1995–present
95:screenwriter
71:12 June 1967
32:
28:
21:Spanish name
2529:1967 births
2497:Isabel Peña
2458:Isabel Peña
2264:Mario Camus
1814:Le Monde.fr
1609:Le Monde.fr
1518:ScreenDaily
1343:Cadena COPE
1267:TVGuide.com
1081:Goya Awards
1037:Luis Ramiro
939:Malaventura
854:Entretiempo
529:Short Film
455:Short Film
440:Short Film
409:As director
404:Filmography
298:Goya Awards
261:Laia Marull
253:Goya Awards
203:(1992) and
86:Occupations
2523:Categories
1963:Pilar Miró
1820:2023-03-25
1781:2023-03-25
1756:2023-03-25
1723:2023-03-25
1698:2023-03-25
1665:2023-03-25
1640:2023-03-25
1615:2023-03-25
1590:2023-03-25
1554:2023-03-25
1497:2011-01-19
1492:oscars.org
1473:2010-10-09
1449:2023-03-25
1413:2023-03-25
1389:2023-03-25
1303:2023-03-25
1272:2023-03-25
1195:References
1186:8403597347
768:Niño nadie
668:As actress
563:Mataharis
290:Luis Tosar
257:Luis Tosar
197:La Iguana,
67:1967-06-12
2388:Mateo Gil
2354:Mateo Gil
1751:0261-3077
1693:0261-3077
1585:0362-4331
1549:0029-7712
1468:cineuropa
1444:0362-4331
1366:806994448
1086:Best Film
1063:Category
966:Al acecho
756:Subjudice
717:Nos miran
558:Mataharis
388:Water War
371:Mythology
241:Her film
177:Ken Loach
2443:Cesc Gay
2099:Cesc Gay
1790:cite web
1323:El Mundo
1035:Singer:
1026:(Album:
926:Venecias
620:El olivo
594:Katmandu
359:Painting
354:Source:
92:Director
19:In this
1718:Variety
1069:Result
280:at the
98:actress
80:, Spain
29:Bollaín
25:surname
2509:(2023)
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878:Sublet
681:Notes
678:Title
425:Notes
294:Aymara
155:Career
148:El Sur
78:Madrid
2478:2020s
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2499:and
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1842:IMDb
1796:link
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1362:OCLC
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