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Horace William Lee

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That year, Lee also patented the inverted telephoto lens design, which allowed color reproduction for the motion picture industry. In Lee's design, the inverted telephoto arrangement creates a
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industry, with high-speed lenses enabling sound synchronization, and the inverted telephoto providing enough space for a beam-splitter apparatus to capture color.
348:, Horace W. Lee, "Improvements in Lenses for Photography and the like.", published January 20, 1921, assigned to Taylor, Taylor & Hobson Ltd. 88: 148: 435:, Horace W. Lee, "Improvements in Lenses for Photography and the like.", published August 27, 1931, assigned to Kapella Ltd. 166: 231:
between the lens and film, which separated light into three color components which were recorded simultaneously and recombined in the
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said Lee's design influenced "other designers began to realize the virtues of this type of construction", including German designers
63:(1893–1981) in March 1919 and the couple had three sons. Burrows was an accomplished violinist and teacher who helped to organize the 247:, which required a longer flange focal distance to clear the bulky moving mirror that relays the image to the viewfinder. 296: 227:, giving the camera designer more room to insert mechanical equipment. Lee's invention allowed the insertion of a 401: 125:; in comparison, Lee's lens gathered four times as much light by introducing an asymmetry to the lens geometry. 254:, Pullin, and Aldis, publishing scientific articles on lenses and optics until 1945; Burrows and Lee moved to 365: 135: 64: 462: 32: 432: 345: 244: 19:
was an optical designer responsible for developing multiple influential lens designs, including the
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process. This was developed later after World War II by Pierre Angénieux, which he marketed as the
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and offered in a variety of focal lengths, ranging from 24 to 108 mm, starting from 1930.
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lenses were needed to compensate for the increased frame rate and decreased illumination. The
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lenses; as the first feature-length fully sound-synchronized motion picture, the fast
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near Southampton in their later years. He died in 1976 and is buried in Warsash.
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Lee left TT&H in 1936 and joined a series of companies after that, including
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Lee started at TT&H in 1913 as the assistant to prolific designer
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wide-angle lens (1930), while working for the English optics firm
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and subsequent double-Gauss type through the 1896 patent by
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lens. Inverted telephoto designs became predominant for
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Horace Lee was born in January 1889 and graduated from
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Darby, Dudley; Lowry, Barbara; Mattock, Wendy (2021).
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lens in 1920, which subsequently was marketed as the
59:in 1911 with a Bachelor of Arts degree. He married 43:brand. Lee's designs helped to develop the modern 281: 449: 399: 431: 344: 310: 308: 277: 275: 273: 271: 50: 427: 425: 340: 338: 336: 305: 268: 215:lens design by Lee (1930); GB 355,452 395: 393: 391: 389: 291:. San Diego, California: Academic Press. 35:(TT&H), which manufactured lenses in 207: 74: 422: 333: 450: 386: 357: 83:design by Lee (1920); GB 157,040 23:(1920), an asymmetric large-aperture 13: 288:A History of the Photographic Lens 14: 474: 400:Lowry, Barbara (January 2013). 1: 261: 320:Leicester Symphony Orchestra 65:Leicester Symphony Orchestra 7: 33:Taylor, Taylor & Hobson 10: 479: 245:single-lens reflex cameras 201:lenses were rebranded as 91:. He developed the first 70: 373:Leicestershire Historian 189:(1927) was filmed using 51:Early life and education 409:Film and Digital Times 216: 84: 221:flange focal distance 211: 114:, which improved the 78: 57:Cambridge University 402:"A Cooke Look Back" 217: 213:Inverted telephoto 85: 29:inverted telephoto 17:Horace William Lee 463:Optical engineers 283:Kingslake, Rudolf 241:wide angle lenses 223:that exceeds the 81:double Gauss lens 25:double Gauss lens 470: 442: 441: 440: 436: 429: 420: 419: 417: 415: 406: 397: 384: 383: 381: 379: 370: 361: 355: 354: 353: 349: 342: 331: 330: 328: 326: 312: 303: 302: 279: 175: 157: 139: 127:Rudolf Kingslake 124: 122: 97: 95: 89:Arthur Warmisham 478: 477: 473: 472: 471: 469: 468: 467: 448: 447: 446: 445: 438: 430: 423: 413: 411: 404: 398: 387: 377: 375: 368: 362: 358: 351: 343: 334: 324: 322: 316:"Grace Burrows" 314: 313: 306: 299: 280: 269: 264: 186:The Jazz Singer 169: 151: 133: 120: 119: 93: 92: 73: 53: 12: 11: 5: 476: 466: 465: 460: 458:Lens designers 444: 443: 421: 385: 356: 332: 304: 297: 266: 265: 263: 260: 72: 69: 52: 49: 45:cinematography 9: 6: 4: 3: 2: 475: 464: 461: 459: 456: 455: 453: 434: 428: 426: 410: 403: 396: 394: 392: 390: 374: 367: 360: 347: 341: 339: 337: 321: 317: 311: 309: 300: 298:0-12-408640-3 294: 290: 289: 284: 278: 276: 274: 272: 267: 259: 257: 253: 248: 246: 242: 238: 234: 230: 226: 222: 214: 210: 206: 204: 203:Speed Panchro 200: 196: 192: 188: 187: 182: 179: 173: 168: 165:, 1927), and 164: 161: 155: 150: 146: 143: 137: 132: 128: 117: 113: 109: 105: 104:Speed Panchro 101: 90: 82: 77: 68: 66: 62: 61:Grace Burrows 58: 48: 46: 42: 38: 34: 30: 26: 22: 18: 412:. Retrieved 408: 376:. Retrieved 372: 359: 323:. Retrieved 319: 287: 249: 236: 229:beamsplitter 225:focal length 218: 202: 198: 194: 190: 184: 180: 162: 144: 112:Paul Rudolph 103: 99: 86: 54: 20: 16: 15: 233:Technicolor 170: [ 152: [ 134: [ 102:(1924) and 79:Asymmetric 452:Categories 262:References 237:Retrofocus 108:Gauss lens 39:under the 27:, and the 433:GB 355452 346:GB 157040 147:, 1925), 142:Schneider 37:Leicester 414:17 March 378:17 March 325:17 March 285:(1989). 252:Scophony 243:used on 183:, 1933) 131:Tronnier 116:aperture 256:Warsash 439:  352:  295:  181:Summar 163:Biotar 71:Career 405:(PDF) 369:(PDF) 178:Leitz 174:] 167:Berek 160:Zeiss 156:] 149:MertĂ© 145:Xenon 138:] 41:Cooke 416:2023 380:2023 327:2023 293:ISBN 199:OPIC 195:OPIC 191:OPIC 100:OPIC 96:/2.0 21:Opic 118:to 454:: 424:^ 407:. 388:^ 371:. 335:^ 318:. 307:^ 270:^ 172:de 154:de 136:de 123:/4 67:. 418:. 382:. 329:. 301:. 176:( 158:( 140:( 121:f 94:f

Index

double Gauss lens
inverted telephoto
Taylor, Taylor & Hobson
Leicester
Cooke
cinematography
Cambridge University
Grace Burrows
Leicester Symphony Orchestra

double Gauss lens
Arthur Warmisham
Gauss lens
Paul Rudolph
aperture
Rudolf Kingslake
Tronnier
de
Schneider
Merté
de
Zeiss
Berek
de
Leitz
The Jazz Singer

Inverted telephoto
flange focal distance
focal length

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