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Hitsuzendō

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To write Zen calligraphic characters that convey truly deep meaning, one must focus intensely and become one with the meaning of the characters they create. In order to do this, one must free one's mind and heart of disturbances and focus only on the meaning of the character. Becoming one with what
188:. However, the calligraphy of Zen scholars was often more concerned with spiritual qualities and individual expression and shunned technicalities which led to unique and distinctly personal styles. Japanese calligraphy has three basic styles: Kaisho 楷書, Gyōsho 行書, and Sōsho 草書, adopted from China. 196:
True creativity is not the product of consciousness but rather the "phenomenon of life itself." True creation must arise from mu-shin 無心, the state of "no-mind," in which thought, emotions, and expectations do not matter. Truly skillful Zen calligraphy is not the product of intense "practice;"
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Roshi as a way of Zen practice. Hitsuzendo is practised standing, using a large brush and ink, usually on newspaper roll. In this way, the whole body is used to guide the brush, in contrast to writing at a table.
77: 32: 142: 134:(well-proportioned and pleasing to the eye) is foreign. Instead, the calligraphy of Hitsuzendo must breathe with the vitality of eternal experience. 43: 321: 296: 274: 251: 61: 311: 316: 336: 123:), which is a unification with the highest reality. Hitsuzendo refers specifically to a school of 36:
that states a Knowledge editor's personal feelings or presents an original argument about a topic.
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you create, essentially, is the philosophy behind Zen Calligraphy and other Japanese arts.
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rather, it is best achieved as the product of the "no-mind" state, a high level of
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Calligraphy was brought to Japan from China and Chinese masters such as
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Zen Brushwork - Focusing The Mind With Calligraphy And Painting
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style which is still practiced today. The indigenous Japanese
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personal reflection, personal essay, or argumentative essay
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through the brush." This was then further developed by
130:calligraphy to which the rating system of modern 303: 246:, Weatherhill/Heibonsha, New York/Tojyo, 1973. 102: 96: 266:An Introduction to Japanese Kanji Calligraphy 191: 263:Kunii, Takezaki; Godin, Bob (2013-01-29). 262: 145:(1885–1966), inspired by the teachings of 62:Learn how and when to remove this message 236: 75: 304: 201:, and a heart free of disturbances. 15: 322:Zen Buddhist philosophical concepts 13: 14: 353: 269:. Tuttle Publishing. p. 8. 20: 244:The Art of Japanese Calligraphy 256: 1: 229: 115:to be a method of achieving 7: 208: 103: 10: 358: 165: 161: 137: 104:"way of Zen through brush" 97: 192:Philosophical background 312:East Asian calligraphy 86: 42:by rewriting it in an 79: 317:Japanese calligraphy 168:Japanese calligraphy 337:Zen art and culture 288:Terayama, Tanchu. 87: 44:encyclopedic style 31:is written like a 72: 71: 64: 349: 281: 280: 260: 254: 242:Nakata, Yujiro. 240: 110: 109: 106: 100: 99: 85:, the Zen circle 67: 60: 56: 53: 47: 24: 23: 16: 357: 356: 352: 351: 350: 348: 347: 346: 302: 301: 285: 284: 277: 261: 257: 241: 237: 232: 211: 194: 170: 164: 143:Yokoyama Tenkei 140: 111:is believed by 107: 94: 68: 57: 51: 48: 40:help improve it 37: 25: 21: 12: 11: 5: 355: 345: 344: 339: 334: 329: 324: 319: 314: 300: 299: 283: 282: 275: 255: 234: 233: 231: 228: 227: 226: 219: 210: 207: 193: 190: 182:wayō tradition 166:Main article: 163: 160: 147:Yamaoka Tesshu 139: 136: 119:(Japanese: 三昧 70: 69: 28: 26: 19: 9: 6: 4: 3: 2: 354: 343: 340: 338: 335: 333: 332:Visual motifs 330: 328: 325: 323: 320: 318: 315: 313: 310: 309: 307: 298: 297:4-7700-2944-6 294: 291: 287: 286: 278: 276:9781462905928 272: 268: 267: 259: 253: 252:0-8348-1013-1 249: 245: 239: 235: 225: 224: 220: 218: 217: 213: 212: 206: 202: 200: 189: 187: 183: 179: 175: 169: 159: 156: 152: 151:original self 148: 144: 135: 133: 129: 126: 122: 118: 114: 113:Zen Buddhists 105: 93: 92: 84: 83: 78: 74: 66: 63: 55: 45: 41: 35: 34: 29:This article 27: 18: 17: 327:Japanese art 289: 265: 258: 243: 238: 221: 214: 203: 199:spirituality 195: 181: 177: 171: 141: 120: 90: 89: 88: 80: 73: 58: 49: 30: 155:Omori Sogen 132:calligraphy 306:Categories 230:References 174:Wang Xizhi 91:Hitsuzendō 52:April 2010 186:Heian era 223:Bokuseki 209:See also 125:Japanese 162:History 138:Origins 117:samādhi 38:Please 295:  273:  250:  178:karayō 121:sanmai 342:Zenga 216:Zenga 293:ISBN 271:ISBN 248:ISBN 82:Ensō 128:Zen 98:筆禅道 308:: 101:, 279:. 108:) 95:( 65:) 59:( 54:) 50:( 46:.

Index

personal reflection, personal essay, or argumentative essay
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encyclopedic style
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Ensō
Zen Buddhists
samādhi
Japanese
Zen
calligraphy
Yokoyama Tenkei
Yamaoka Tesshu
original self
Omori Sogen
Japanese calligraphy
Wang Xizhi
Heian era
spirituality
Zenga
Bokuseki
ISBN
0-8348-1013-1
An Introduction to Japanese Kanji Calligraphy
ISBN
9781462905928
ISBN
4-7700-2944-6
Categories
East Asian calligraphy

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