490:
Hiroshima. She goes back to the now-closed tea room, and the man finds her and asks her to stay. She weakly says she will, but then tells him again to go away. They walk around the city, together and separately, images of
Hiroshima alternating with images of Nevers. The woman goes to a train station, where she lets go of some of her issues surrounding her first love and decides she might like to visit Nevers. She takes a cab to a nightclub, the man following. The place is nearly empty and they sit apart. As the sun rises, a Japanese man sits by the woman and hits on her in English.
1329:
1313:
1297:
1281:
486:, how she stayed with him while he died over the next two days, how the villagers shaved her head when they found out about the relationship, and how her parents locked her alternately in her room and the cellar while her hair grew out and she came out of her madness and then sent her away to Paris just before Hiroshima was bombed. She tries to convey the pain she feels about forgetting the German and their love, and indicates she has been trying to keep her distance from the Japanese man because she does not want any more such heartbreak.
772:. The 85-minute film places Pour-Azar's characters in the same circumstances as Resnais's nearly a half century later. However, the current global tension of today's world is the backdrop instead of post-war Hiroshima. When screening the film, Stuart Alson, who founded the New York International Independent Film and Video Festival, said the piece was "a parallel line of work with the French masterpiece
470:, and she is happy to see him. He takes her back to his house. She asks if he lives alone, and he replies that his wife is out of town for a few days. They both say they are happy in their marriages, though they have had casual affairs before, and make love again. After deciding to spend the woman's remaining time in Hiroshima together, they go to a
41:
489:
The man is elated when he learns the woman never told her husband about the German, but when they leave the tea room, she tells him to go away and that they will probably never see each other again. In her hotel room, she feels guilty about telling the man about the German, but decides to stay in
454:
In the morning, the woman watches the man sleep. His twitching hand reminds her of her first love, a soldier whose hand moved similarly as he lay dying. The
Japanese man wakes, and it becomes clear he and the woman met the previous night at a café. She learns he is an architect who is involved in
381:
Resnais' first feature-length work, it was a co-production between France and Japan, and documents a series of intensely personal conversations (or one long conversation) over slightly more than a 24-hour period between an unnamed French actress and a
Japanese architect. The film is notable for
1046:— dealt with the nature of history and memory, and deviated from traditional notions of narrative time as it recounted a fleeting liaison between a French actress and Japanese architect. Its sexual candor and provocative ideas, wedded to a dazzlingly sophisticated visual style, made
576:
The film was a co-production by companies from both France and Japan. The producers stipulated that one main character must be French and the other
Japanese, and also required that the film be shot in both countries employing film crews comprising technicians from each.
493:
Back in the woman's hotel room, the architect knocks at the door. She lets him in and yells that she is already starting to forget him, but abruptly calms and says his name is "Hiroshima". He responds that it is, and her name is "Nevers".
1372:
1365:
1358:
975:
475:
447:
are shown. The man calmly says the woman has not seen anything, nor does she know what it is to forget. He is from
Hiroshima and his family died in the bombing while he was off fighting in
3065:
1381:
623:, where the film was excluded from the official selection because of its sensitive subject matter of nuclear bombs and to avoid upsetting the U.S. government, the film won the
587:
Among the film's innovations is the way
Resnais intercut very brief flashback sequences into scenes to suggest a brief flash of memory. He later used a similar effect in
463:
the next day. Neither this nor the revelation that she has children change how he feels, but she, though torn, repeatedly declines to arrange another meeting.
3135:
1108:
3110:
870:
3030:
1066:
983:
628:
411:
brought international attention to the new movement in French cinema and is widely considered to be one of the most influential films of the
459:", her hometown, to which she never wants to return. The man says he would like to see the woman again, but she says she is flying back to
1133:
2465:
640:
544:
he was reluctant to work on it because it was "so nearly the film he wanted to make himself". The film's narrative structure inspired
3075:
2650:
1783:
436:
474:, where the man asks the woman to tell him more about Nevers and her life there. Intercut with flashbacks, she tells how she and an
3080:
3070:
3060:
3105:
3140:
3085:
2347:
2180:
3150:
3130:
3050:
2602:
897:
788:
2754:
3115:
2331:
1208:
1022:
3125:
3040:
2124:
1091:
608:
3145:
580:
The French scenes were shot in Nevers. However, several scenes from the film located in Nevers were, in fact, filmed in
3025:
1763:
3120:
853:
819:
1350:
3095:
632:
3100:
1334:
3090:
1183:
689:" and celebrated the film's originality, calling it "the first film without any cinematic references". Filmmaker
902:
2458:
1253:
2979:
950:
3055:
3045:
2643:
2293:
2503:
2390:
1994:
1833:
2414:
3035:
2229:
2173:
1657:
1647:
595:
367:
717:
with the consensus: "Distinguished by innovative technique and
Emmanuelle Riva's arresting performance,
2880:
2510:
2237:
2044:
1427:
1070:
559:, but spent several months confused about how to proceed because he did not want to recreate his 1956
2451:
2406:
2355:
1954:
703:
620:
565:
431:
of the backs and arms of a man and woman embracing, amidst falling ash and then covered in sweat. In
243:
2636:
2616:
1723:
1693:
1345:
443:
and fictional footage of victims, protests, war memorials, and the streets and buildings of modern
346:
2848:
2524:
1944:
1743:
1637:
1014:
1006:
2920:
2912:
2269:
2253:
2213:
2166:
2084:
1934:
589:
395:
2422:
2538:
1823:
1627:
1397:
1324:
1141:
665:
383:
647:. In 2002, the film was voted by the international contributors of the French film magazine
455:
politics. They discuss the bombing and the end of the war, and he is enchanted by the word "
2858:
2797:
2706:
2489:
2382:
2374:
2104:
2094:
2064:
1924:
1095:
707:
483:
2973:
2696:
693:
said: "I think that in a few years, in ten, twenty, or thirty years, we will know whether
8:
3020:
2739:
2517:
2014:
1984:
1893:
1733:
1683:
1522:
1417:
644:
387:
358:
2936:
1328:
1312:
1296:
2812:
2496:
2307:
1843:
1407:
1302:
1280:
1243:
1163:
650:
721:
is a poignant love story as well as a thoughtful meditation on international trauma."
2762:
2581:
2261:
2144:
2034:
1863:
1703:
1617:
1482:
1380:
1275:
1249:
1018:
849:
815:
337:
2998:
2962:
2833:
2719:
2588:
2574:
2474:
2430:
2398:
1773:
1492:
1452:
840:
699:
was the most important film since the war, the first modern film of sound cinema".
682:
636:
570:
539:
467:
416:
375:
64:
2158:
1216:
1067:"in Michael S. Smith, "Hiroshima Mon Amour", DVD release review in Popmatters.com"
2990:
2691:
2681:
2659:
2323:
2277:
1974:
1552:
1512:
1502:
1472:
1442:
1308:
1168:
809:
736:
714:
678:
670:
569:. He later went to his producer and joked that the film could not be done unless
515:
503:
451:, and the woman is a French actress who is in the city to make an anti-war film.
412:
326:
158:
96:
2853:
2843:
2807:
2782:
2676:
1803:
1793:
674:
163:
80:
2838:
2744:
2686:
2285:
534:
3014:
2928:
2896:
2888:
2777:
2734:
2315:
2221:
2190:
1813:
1592:
1572:
1318:
742:
739:
401:
371:
54:
555:, Resnais was originally commissioned to make a short documentary about the
2772:
2767:
2729:
2724:
2074:
2024:
2004:
1054:
and it deservedly won the Cannes Film
Festival International Critics Prize.
552:
364:
117:
40:
2817:
2802:
2792:
2787:
2714:
1964:
752:
690:
655:
to be one of the top 10 films since 1952, when the magazine was founded.
556:
448:
136:
20:
19:
This article is about the Alain
Resnais film. For the Ultravox song, see
2944:
1286:
1269:
2863:
2595:
2531:
2339:
2054:
1853:
1753:
1532:
1134:"Harvard Film Archive Detailed Calendar Page for "Hiroshima Mon Amour""
976:""The Artist" reçoit le grand prix de l'Union de la critique de cinéma"
686:
509:
190:
101:
2609:
2134:
1562:
1542:
560:
444:
432:
898:"Hiroshima mon amour. La version restaurée a conquis les cinéphiles"
2984:
2443:
2245:
1292:
940:, London: Continuum International Publishing Group Ltd., 2004, p229
871:"Le mythique "Hiroshima mon amour" a été en partie tourné à Nevers"
624:
471:
440:
2628:
195:
2114:
1873:
1382:
New York Film
Critics Circle Award for Best Foreign Language Film
747:
702:
The film was shown as part of the Cannes Classics section of the
479:
428:
212:
2967:
1883:
1713:
1462:
611:
in 1960, but was censored for its Canadian theatrical release.
482:
before he was shot while waiting for her on the day Nevers was
456:
1245:
Hollywood North: Creating the Canadian Motion Picture Industry
1903:
581:
460:
1607:
765:
3066:
Films about the atomic bombings of Hiroshima and Nagasaki
627:
International Critics' Prize, and it won the prestigious
351:
918:
607:
The uncensored version of the film was shown at the
2188:
363:'Twenty-four hour love affair'), is a 1959
1209:"Best French Films Ever. 39. Hiroshima, Mon Amour"
839:
713:The film holds a rating of 96% from 47 reviews on
938:French Cinema: From Its Beginnings to the Present
439:that she has seen on her trip to the city, while
3012:
1201:
635:in 1960. For her work on the film, screenwriter
1176:
943:
2644:
2459:
2174:
1366:
415:. In particular, it was a major catalyst for
386:to suggest flashes of memory, which create a
331:
1336:
1037:
811:World Film Directors – Volume 2: 1945 – 1985
773:
756:
694:
658:
648:
406:
315:
30:
3136:Japanese avant-garde and experimental films
2651:
2637:
2466:
2452:
2181:
2167:
1373:
1359:
1327:
1311:
1295:
1279:
1042:(1959) — in 1946, he made a 16 mm feature
710:between 28 November and 13 December 2014.
435:, the woman recounts the aftermath of the
39:
3111:French avant-garde and experimental films
1784:Women on the Verge of a Nervous Breakdown
951:"Festival de Cannes: Hiroshima Mon Amour"
896:Clanet, Jean-François (9 December 2014).
533:In 1954, while Alain Resnais was editing
3031:1950s avant-garde and experimental films
1164:"Hiroshima, Mon Amour - Rotten Tomatoes"
833:
831:
768:film director Bahman Pour-Azar released
573:was involved in writing the screenplay.
524:Pierre Barbaud as le père ("The Father")
1241:
1109:"Cannes Classics 2013 line-up unveiled"
924:
807:
614:
521:Stella Dassas as la mère ("The Mother")
3013:
2603:Her Venetian Name in Deserted Calcutta
1004:
895:
868:
837:
789:List of avant-garde films of the 1950s
2632:
2447:
2162:
1354:
848:. New York: Oxford University Press.
828:
724:
478:fell in love and planned to elope to
325:
2473:
609:Montreal International Film Festival
2658:
1248:. Cantos International Publishing.
1011:Leonard Maltin's Movie Encyclopedia
814:. Hw Wilson Company. p. 1142.
706:and was screened nine times at the
13:
1764:The Decline of the American Empire
14:
3162:
1263:
1098:DVD release. Accessed 23 May 2007
801:
382:Resnais' innovative use of brief
370:film directed by French director
3076:Films produced by Anatole Dauman
2434:("Claude Ridder" segment) (1967)
869:Robert, Sylvie (2 August 2021).
681:described its inventiveness as "
639:was nominated for the award for
633:Belgian Film Critics Association
466:The man visits the woman at the
3081:Films scored by Georges Delerue
3071:Films directed by Alain Resnais
3061:Films about interracial romance
1156:
1126:
1101:
1085:
1059:
3141:Japanese black-and-white films
3086:Films scored by Giovanni Fusco
2332:Private Fears in Public Places
1235:
1044:Ouvert pour cause d'inventaire
1036:Resnais's first 35 mm feature
998:
968:
930:
889:
862:
1:
3151:Japanese romantic drama films
3131:Japan in non-Japanese culture
3051:1950s Japanese-language films
2125:The Worst Person in the World
1184:"Festival de Cannes: H Story"
1092:Kent Jones, "Time Indefinite"
794:
528:
374:and written by French author
3116:French black-and-white films
3106:Films shot in Saône-et-Loire
2504:Ten-Thirty on a Summer Night
2391:Pictura: An Adventure in Art
1995:4 Months, 3 Weeks and 2 Days
1344:– an essay by Kent Jones at
903:Le Journal de Saône-et-Loire
755:about his attempt to remake
518:as l'Allemand ("The German")
7:
3126:French romantic drama films
3041:1950s French-language films
2348:You Ain't Seen Nothin' Yet!
982:(in French). Archived from
782:
437:atomic bombing of Hiroshima
352:
10:
3167:
3146:Japanese independent films
2511:The Ravishing of Lol Stein
2045:Blue Is the Warmest Colour
602:
327:[iʁoʃimamɔ̃n‿amuʁ]
196:Pathé Overseas Productions
18:
16:1959 film by Alain Resnais
3026:1959 romantic drama films
2955:
2872:
2826:
2753:
2705:
2666:
2566:
2548:
2481:
2415:Toute la mémoire du monde
2366:
2197:
1915:
1674:
1388:
1242:Spencer, Michael (2003).
704:2013 Cannes Film Festival
621:1959 Cannes Film Festival
393:Along with films such as
341:
332:
302:
285:
275:
225:
205:
172:
151:
129:
110:
89:
70:
60:
50:
45:Theatrical release poster
38:
29:
3121:French independent films
2394:(Gauguin segment) (1951)
1694:The Tree of Wooden Clogs
1346:The Criterion Collection
1005:Maltin, Leonard (1995).
641:Best Original Screenplay
476:occupying German soldier
3096:Films shot in Hiroshima
2849:Jacques Doniol-Valcroze
1744:A Sunday in the Country
1638:The Shop on Main Street
1213:www.topfrenchfilms.info
936:Lanzoni, Remi Fournier
729:
663:has been described as "
497:
422:
3091:Films set in Hiroshima
2980:Cinémathèque Française
2921:Last Year at Marienbad
2827:Theoretical influences
2270:Life Is a Bed of Roses
2214:Last Year at Marienbad
2085:BPM (Beats per Minute)
1337:
1038:
838:Monaco, James (1979).
808:Wakeman, John (1987).
774:
757:
695:
659:
649:
590:Last Year at Marienbad
407:
316:
260:20 June 1959
249:10 June 1959
31:
2539:Blue Eyes, Black Hair
1834:Farewell My Concubine
1824:Raise the Red Lantern
1628:Juliet of the Spirits
1052:The Birth of a Nation
677:. New Wave filmmaker
673:" by American critic
666:The Birth of a Nation
323:French pronunciation:
3101:Films shot in Nièvre
3056:Existentialist films
3046:1950s Japanese films
2859:Joseph-Marie Lo Duca
2798:Jean-Pierre Melville
2238:Je t'aime, je t'aime
1925:In the Mood for Love
1666:No Award (1969–1977)
1436:No Award (1941–1945)
1138:Harvard Film Archive
1096:Criterion Collection
1048:Hiroshima, Mon Amour
875:Le Journal du Centre
708:Harvard Film Archive
615:Reception and legacy
234:8 May 1959
2905:Hiroshima mon amour
2740:Alain Robbe-Grillet
2557:Hiroshima mon amour
2518:The Malady of Death
2423:Le Chant du styrène
2206:Hiroshima mon amour
1985:The Lives of Others
1935:And Your Mother Too
1894:All About My Mother
1734:Fanny and Alexander
1684:Bread and Chocolate
1338:Hiroshima mon amour
1320:Hiroshima mon amour
1304:Hiroshima mon amour
1288:Hiroshima mon amour
1271:Hiroshima mon amour
1188:festival-cannes.com
1144:on 28 December 2014
1039:Hiroshima mon amour
986:on 20 December 2013
955:festival-cannes.com
775:Hiroshima mon amour
758:Hiroshima Mon Amour
719:Hiroshima Mon Amour
696:Hiroshima mon amour
660:Hiroshima mon amour
645:33rd Academy Awards
546:Hiroshima mon amour
408:Hiroshima mon amour
388:nonlinear storyline
353:Nijūyojikan no jōji
317:Hiroshima mon amour
32:Hiroshima mon amour
3036:1950s French films
2994:(2010 documentary)
2497:Moderato Cantabile
2308:Smoking/No Smoking
2189:Films directed by
1844:Three Colours: Red
1325:TCM Movie Database
725:In popular culture
333:Hiroshima, My Love
3008:
3007:
2974:Cahiers du Cinéma
2881:Le Coup du Berger
2763:Philippe de Broca
2697:François Truffaut
2668:Cahiers du Cinéma
2626:
2625:
2582:Destroy, She Said
2441:
2440:
2294:I Want to Go Home
2262:My American Uncle
2156:
2155:
2145:Anatomy of a Fall
1864:The White Balloon
1724:Time Stands Still
1704:My American Uncle
1618:That Man from Rio
1583:Hiroshima My Love
1341:: Time Indefinite
1024:978-0-452-27058-9
1013:. Plume. p.
362:
350:
312:
311:
3158:
2963:Arthouse musical
2937:Cléo from 5 to 7
2834:Alexandre Astruc
2755:Other filmmakers
2720:Marguerite Duras
2653:
2646:
2639:
2630:
2629:
2589:Nathalie Granger
2475:Marguerite Duras
2468:
2461:
2454:
2445:
2444:
2431:Far from Vietnam
2399:Statues Also Die
2183:
2176:
2169:
2160:
2159:
2149:
2139:
2129:
2119:
2109:
2099:
2089:
2079:
2069:
2059:
2049:
2039:
2029:
2019:
2009:
1999:
1989:
1979:
1969:
1959:
1949:
1939:
1929:
1908:
1898:
1888:
1878:
1868:
1858:
1848:
1838:
1828:
1818:
1808:
1798:
1788:
1778:
1774:My Life as a Dog
1768:
1758:
1748:
1738:
1728:
1718:
1708:
1698:
1688:
1667:
1662:
1652:
1642:
1632:
1622:
1612:
1602:
1597:
1587:
1577:
1567:
1557:
1547:
1537:
1527:
1517:
1507:
1497:
1493:Miracle in Milan
1487:
1477:
1467:
1457:
1453:To Live in Peace
1447:
1437:
1432:
1428:The Baker's Wife
1422:
1412:
1402:
1375:
1368:
1361:
1352:
1351:
1340:
1331:
1315:
1299:
1283:
1259:
1229:
1228:
1226:
1224:
1219:on 11 April 2012
1215:. Archived from
1205:
1199:
1198:
1196:
1194:
1180:
1174:
1173:
1160:
1154:
1153:
1151:
1149:
1140:. Archived from
1130:
1124:
1123:
1121:
1119:
1105:
1099:
1094:, essay for the
1089:
1083:
1082:
1080:
1078:
1073:on 21 April 2006
1069:. Archived from
1063:
1057:
1056:
1041:
1033:
1031:
1002:
996:
995:
993:
991:
972:
966:
965:
963:
961:
947:
941:
934:
928:
922:
916:
915:
913:
911:
893:
887:
886:
884:
882:
866:
860:
859:
847:
835:
826:
825:
805:
777:
760:
698:
662:
654:
637:Marguerite Duras
571:Marguerite Duras
540:La Pointe Courte
468:filming location
417:Left Bank Cinema
410:
376:Marguerite Duras
357:
355:
345:
343:
335:
334:
329:
324:
319:
267:
265:
256:
254:
241:
239:
122:Michio Takahashi
65:Marguerite Duras
43:
34:
27:
26:
3166:
3165:
3161:
3160:
3159:
3157:
3156:
3155:
3011:
3010:
3009:
3004:
2999:Trouver Frisson
2991:Two in the Wave
2951:
2868:
2822:
2749:
2701:
2692:Jacques Rivette
2682:Jean-Luc Godard
2662:
2660:French New Wave
2657:
2627:
2622:
2562:
2544:
2477:
2472:
2442:
2437:
2362:
2324:Not on the Lips
2278:Love Unto Death
2230:The War Is Over
2193:
2187:
2157:
2152:
2142:
2132:
2122:
2112:
2102:
2092:
2082:
2072:
2062:
2052:
2042:
2032:
2022:
2012:
2002:
1992:
1982:
1975:Army of Shadows
1972:
1962:
1952:
1942:
1932:
1922:
1911:
1901:
1891:
1884:The Celebration
1881:
1871:
1861:
1851:
1841:
1831:
1821:
1811:
1801:
1791:
1781:
1771:
1761:
1751:
1741:
1731:
1721:
1711:
1701:
1691:
1681:
1670:
1665:
1655:
1648:The War Is Over
1645:
1635:
1625:
1615:
1605:
1601:No Award (1962)
1600:
1590:
1580:
1570:
1560:
1550:
1540:
1530:
1520:
1513:Justice Is Done
1510:
1503:Forbidden Games
1500:
1490:
1480:
1473:Bicycle Thieves
1470:
1460:
1450:
1443:Rome, Open City
1440:
1435:
1425:
1415:
1405:
1395:
1384:
1379:
1309:Rotten Tomatoes
1266:
1256:
1238:
1233:
1232:
1222:
1220:
1207:
1206:
1202:
1192:
1190:
1182:
1181:
1177:
1169:Rotten Tomatoes
1162:
1161:
1157:
1147:
1145:
1132:
1131:
1127:
1117:
1115:
1107:
1106:
1102:
1090:
1086:
1076:
1074:
1065:
1064:
1060:
1050:the New Wave's
1029:
1027:
1025:
1007:"Alain Resnais"
1003:
999:
989:
987:
974:
973:
969:
959:
957:
949:
948:
944:
935:
931:
923:
919:
909:
907:
894:
890:
880:
878:
867:
863:
856:
836:
829:
822:
806:
802:
797:
785:
732:
727:
715:Rotten Tomatoes
679:Jean-Luc Godard
671:French New Wave
617:
605:
596:The War Is Over
531:
516:Bernard Fresson
506:as Elle ("Her")
504:Emmanuelle Riva
500:
425:
413:French New Wave
322:
307:
298:
278:
271:
263:
261:
252:
250:
237:
235:
228:
221:
201:
200:
177:
175:
168:
159:Georges Delerue
147:
141:Jasmine Chasney
125:
106:
97:Emmanuelle Riva
85:
46:
23:
17:
12:
11:
5:
3164:
3154:
3153:
3148:
3143:
3138:
3133:
3128:
3123:
3118:
3113:
3108:
3103:
3098:
3093:
3088:
3083:
3078:
3073:
3068:
3063:
3058:
3053:
3048:
3043:
3038:
3033:
3028:
3023:
3006:
3005:
3003:
3002:
2995:
2987:
2982:
2977:
2970:
2965:
2959:
2957:
2953:
2952:
2950:
2949:
2941:
2933:
2925:
2917:
2909:
2901:
2893:
2885:
2876:
2874:
2870:
2869:
2867:
2866:
2861:
2856:
2854:Henri Langlois
2851:
2846:
2844:Robert Bresson
2841:
2836:
2830:
2828:
2824:
2823:
2821:
2820:
2815:
2813:Straub–Huillet
2810:
2808:Jacques Rozier
2805:
2800:
2795:
2790:
2785:
2783:Georges Franju
2780:
2775:
2770:
2765:
2759:
2757:
2751:
2750:
2748:
2747:
2742:
2737:
2732:
2727:
2722:
2717:
2711:
2709:
2703:
2702:
2700:
2699:
2694:
2689:
2684:
2679:
2677:Claude Chabrol
2673:
2671:
2664:
2663:
2656:
2655:
2648:
2641:
2633:
2624:
2623:
2621:
2620:
2613:
2606:
2599:
2592:
2585:
2578:
2570:
2568:
2567:Films directed
2564:
2563:
2561:
2560:
2552:
2550:
2546:
2545:
2543:
2542:
2535:
2528:
2521:
2514:
2507:
2500:
2493:
2485:
2483:
2479:
2478:
2471:
2470:
2463:
2456:
2448:
2439:
2438:
2436:
2435:
2427:
2419:
2411:
2403:
2395:
2387:
2379:
2370:
2368:
2364:
2363:
2361:
2360:
2352:
2344:
2336:
2328:
2320:
2312:
2304:
2298:
2290:
2282:
2274:
2266:
2258:
2250:
2242:
2234:
2226:
2218:
2210:
2201:
2199:
2195:
2194:
2186:
2185:
2178:
2171:
2163:
2154:
2153:
2151:
2150:
2140:
2130:
2120:
2110:
2100:
2090:
2080:
2070:
2060:
2050:
2040:
2030:
2020:
2010:
2000:
1990:
1980:
1970:
1960:
1950:
1940:
1930:
1919:
1917:
1913:
1912:
1910:
1909:
1899:
1889:
1879:
1869:
1859:
1849:
1839:
1829:
1819:
1809:
1804:The Nasty Girl
1799:
1794:Story of Women
1789:
1779:
1769:
1759:
1749:
1739:
1729:
1719:
1709:
1699:
1689:
1678:
1676:
1672:
1671:
1669:
1668:
1663:
1653:
1643:
1633:
1623:
1613:
1603:
1598:
1593:The Sweet Life
1588:
1578:
1568:
1558:
1548:
1538:
1528:
1518:
1508:
1498:
1488:
1478:
1468:
1458:
1448:
1438:
1433:
1423:
1413:
1408:Grand Illusion
1403:
1392:
1390:
1386:
1385:
1378:
1377:
1370:
1363:
1355:
1349:
1348:
1332:
1316:
1300:
1284:
1265:
1264:External links
1262:
1261:
1260:
1254:
1237:
1234:
1231:
1230:
1200:
1175:
1155:
1125:
1100:
1084:
1058:
1023:
997:
967:
942:
929:
917:
888:
861:
854:
827:
820:
799:
798:
796:
793:
792:
791:
784:
781:
780:
779:
762:
731:
728:
726:
723:
675:Leonard Maltin
616:
613:
604:
601:
530:
527:
526:
525:
522:
519:
513:
512:as Lui ("Him")
507:
499:
496:
424:
421:
310:
309:
304:
300:
299:
297:
296:
293:
289:
287:
283:
282:
279:
276:
273:
272:
270:
269:
258:
247:
231:
229:
226:
223:
222:
220:
219:
216:
209:
207:
206:Distributed by
203:
202:
199:
198:
193:
188:
185:
181:
180:
178:
173:
170:
169:
167:
166:
164:Giovanni Fusco
161:
155:
153:
149:
148:
146:
145:
142:
139:
133:
131:
127:
126:
124:
123:
120:
114:
112:
111:Cinematography
108:
107:
105:
104:
99:
93:
91:
87:
86:
84:
83:
81:Anatole Dauman
78:
74:
72:
68:
67:
62:
58:
57:
52:
48:
47:
44:
36:
35:
15:
9:
6:
4:
3:
2:
3163:
3152:
3149:
3147:
3144:
3142:
3139:
3137:
3134:
3132:
3129:
3127:
3124:
3122:
3119:
3117:
3114:
3112:
3109:
3107:
3104:
3102:
3099:
3097:
3094:
3092:
3089:
3087:
3084:
3082:
3079:
3077:
3074:
3072:
3069:
3067:
3064:
3062:
3059:
3057:
3054:
3052:
3049:
3047:
3044:
3042:
3039:
3037:
3034:
3032:
3029:
3027:
3024:
3022:
3019:
3018:
3016:
3001:
3000:
2996:
2993:
2992:
2988:
2986:
2983:
2981:
2978:
2976:
2975:
2971:
2969:
2966:
2964:
2961:
2960:
2958:
2954:
2947:
2946:
2942:
2939:
2938:
2934:
2931:
2930:
2929:Jules and Jim
2926:
2923:
2922:
2918:
2915:
2914:
2910:
2907:
2906:
2902:
2899:
2898:
2897:The 400 Blows
2894:
2891:
2890:
2889:Le Beau Serge
2886:
2883:
2882:
2878:
2877:
2875:
2871:
2865:
2862:
2860:
2857:
2855:
2852:
2850:
2847:
2845:
2842:
2840:
2837:
2835:
2832:
2831:
2829:
2825:
2819:
2816:
2814:
2811:
2809:
2806:
2804:
2801:
2799:
2796:
2794:
2791:
2789:
2786:
2784:
2781:
2779:
2778:Jean Eustache
2776:
2774:
2771:
2769:
2766:
2764:
2761:
2760:
2758:
2756:
2752:
2746:
2743:
2741:
2738:
2736:
2735:Alain Resnais
2733:
2731:
2728:
2726:
2723:
2721:
2718:
2716:
2713:
2712:
2710:
2708:
2704:
2698:
2695:
2693:
2690:
2688:
2685:
2683:
2680:
2678:
2675:
2674:
2672:
2669:
2665:
2661:
2654:
2649:
2647:
2642:
2640:
2635:
2634:
2631:
2619:
2618:
2614:
2612:
2611:
2607:
2605:
2604:
2600:
2598:
2597:
2593:
2591:
2590:
2586:
2584:
2583:
2579:
2577:
2576:
2572:
2571:
2569:
2565:
2559:
2558:
2554:
2553:
2551:
2547:
2541:
2540:
2536:
2534:
2533:
2529:
2527:
2526:
2522:
2520:
2519:
2515:
2513:
2512:
2508:
2506:
2505:
2501:
2499:
2498:
2494:
2492:
2491:
2487:
2486:
2484:
2482:Books written
2480:
2476:
2469:
2464:
2462:
2457:
2455:
2450:
2449:
2446:
2433:
2432:
2428:
2425:
2424:
2420:
2417:
2416:
2412:
2409:
2408:
2407:Night and Fog
2404:
2401:
2400:
2396:
2393:
2392:
2388:
2385:
2384:
2380:
2377:
2376:
2372:
2371:
2369:
2365:
2358:
2357:
2356:Life of Riley
2353:
2350:
2349:
2345:
2342:
2341:
2337:
2334:
2333:
2329:
2326:
2325:
2321:
2318:
2317:
2316:Same Old Song
2313:
2310:
2309:
2305:
2302:
2299:
2296:
2295:
2291:
2288:
2287:
2283:
2280:
2279:
2275:
2272:
2271:
2267:
2264:
2263:
2259:
2256:
2255:
2251:
2248:
2247:
2243:
2240:
2239:
2235:
2232:
2231:
2227:
2224:
2223:
2219:
2216:
2215:
2211:
2208:
2207:
2203:
2202:
2200:
2198:Feature films
2196:
2192:
2191:Alain Resnais
2184:
2179:
2177:
2172:
2170:
2165:
2164:
2161:
2147:
2146:
2141:
2137:
2136:
2131:
2127:
2126:
2121:
2117:
2116:
2111:
2107:
2106:
2101:
2097:
2096:
2091:
2087:
2086:
2081:
2077:
2076:
2071:
2067:
2066:
2061:
2057:
2056:
2051:
2047:
2046:
2041:
2037:
2036:
2031:
2027:
2026:
2021:
2017:
2016:
2011:
2007:
2006:
2001:
1997:
1996:
1991:
1987:
1986:
1981:
1977:
1976:
1971:
1967:
1966:
1961:
1957:
1956:
1955:Bad Education
1951:
1947:
1946:
1941:
1937:
1936:
1931:
1927:
1926:
1921:
1920:
1918:
1914:
1906:
1905:
1900:
1896:
1895:
1890:
1886:
1885:
1880:
1876:
1875:
1870:
1866:
1865:
1860:
1856:
1855:
1850:
1846:
1845:
1840:
1836:
1835:
1830:
1826:
1825:
1820:
1816:
1815:
1814:Europa Europa
1810:
1806:
1805:
1800:
1796:
1795:
1790:
1786:
1785:
1780:
1776:
1775:
1770:
1766:
1765:
1760:
1756:
1755:
1750:
1746:
1745:
1740:
1736:
1735:
1730:
1726:
1725:
1720:
1716:
1715:
1710:
1706:
1705:
1700:
1696:
1695:
1690:
1686:
1685:
1680:
1679:
1677:
1673:
1664:
1660:
1659:
1658:War and Peace
1654:
1650:
1649:
1644:
1640:
1639:
1634:
1630:
1629:
1624:
1620:
1619:
1614:
1610:
1609:
1604:
1599:
1595:
1594:
1589:
1585:
1584:
1579:
1575:
1574:
1573:The 400 Blows
1569:
1565:
1564:
1559:
1555:
1554:
1549:
1545:
1544:
1539:
1535:
1534:
1529:
1525:
1524:
1519:
1515:
1514:
1509:
1505:
1504:
1499:
1495:
1494:
1489:
1485:
1484:
1479:
1475:
1474:
1469:
1465:
1464:
1459:
1455:
1454:
1449:
1445:
1444:
1439:
1434:
1430:
1429:
1424:
1420:
1419:
1414:
1410:
1409:
1404:
1400:
1399:
1394:
1393:
1391:
1387:
1383:
1376:
1371:
1369:
1364:
1362:
1357:
1356:
1353:
1347:
1343:
1342:
1339:
1333:
1330:
1326:
1322:
1321:
1317:
1314:
1310:
1306:
1305:
1301:
1298:
1294:
1290:
1289:
1285:
1282:
1277:
1273:
1272:
1268:
1267:
1257:
1251:
1247:
1246:
1240:
1239:
1218:
1214:
1210:
1204:
1189:
1185:
1179:
1171:
1170:
1165:
1159:
1143:
1139:
1135:
1129:
1114:
1110:
1104:
1097:
1093:
1088:
1072:
1068:
1062:
1055:
1053:
1049:
1045:
1040:
1026:
1020:
1016:
1012:
1008:
1001:
985:
981:
977:
971:
956:
952:
946:
939:
933:
927:, p. 15.
926:
921:
905:
904:
899:
892:
876:
872:
865:
857:
855:0-19-520037-3
851:
846:
845:
843:Alain Resnais
842:
834:
832:
823:
821:9780824207632
817:
813:
812:
804:
800:
790:
787:
786:
776:
771:
770:Where or When
767:
763:
759:
754:
750:
749:
744:
743:Nobuhiro Suwa
741:
740:film director
738:
734:
733:
722:
720:
716:
711:
709:
705:
700:
697:
692:
688:
684:
680:
676:
672:
668:
667:
661:
656:
653:
652:
646:
642:
638:
634:
630:
626:
622:
612:
610:
600:
598:
597:
592:
591:
585:
583:
578:
574:
572:
568:
567:
566:Night and Fog
562:
558:
554:
551:According to
549:
547:
543:
541:
536:
523:
520:
517:
514:
511:
508:
505:
502:
501:
495:
491:
487:
485:
481:
477:
473:
469:
464:
462:
458:
452:
450:
446:
442:
438:
434:
430:
420:
418:
414:
409:
404:
403:
402:The 400 Blows
398:
397:
391:
389:
385:
379:
377:
373:
372:Alain Resnais
369:
366:
360:
354:
348:
339:
328:
320:
318:
305:
301:
294:
291:
290:
288:
284:
280:
274:
259:
257: (France)
248:
245:
233:
232:
230:
227:Release dates
224:
218:Daiei (Japan)
217:
214:
211:
210:
208:
204:
197:
194:
192:
189:
186:
183:
182:
179:
171:
165:
162:
160:
157:
156:
154:
150:
144:Anne Sarraute
143:
140:
138:
135:
134:
132:
128:
121:
119:
116:
115:
113:
109:
103:
100:
98:
95:
94:
92:
88:
82:
79:
76:
75:
73:
69:
66:
63:
59:
56:
55:Alain Resnais
53:
49:
42:
37:
33:
28:
25:
22:
2997:
2989:
2972:
2943:
2935:
2927:
2919:
2911:
2904:
2903:
2895:
2887:
2879:
2773:Jean Douchet
2768:Jacques Demy
2730:Chris Marker
2725:Armand Gatti
2667:
2617:The Children
2615:
2608:
2601:
2594:
2587:
2580:
2573:
2556:
2555:
2537:
2530:
2523:
2516:
2509:
2502:
2495:
2490:The Sea Wall
2488:
2429:
2421:
2413:
2405:
2397:
2389:
2381:
2373:
2354:
2346:
2338:
2330:
2322:
2314:
2306:
2300:
2292:
2284:
2276:
2268:
2260:
2252:
2244:
2236:
2228:
2220:
2212:
2205:
2204:
2143:
2133:
2123:
2113:
2103:
2093:
2083:
2075:Toni Erdmann
2073:
2063:
2053:
2043:
2033:
2025:A Separation
2023:
2013:
2005:Summer Hours
2003:
1993:
1983:
1973:
1963:
1953:
1943:
1933:
1923:
1916:2001–present
1902:
1892:
1882:
1872:
1862:
1852:
1842:
1832:
1822:
1812:
1802:
1792:
1782:
1772:
1762:
1752:
1742:
1732:
1722:
1712:
1702:
1692:
1682:
1656:
1646:
1636:
1626:
1616:
1606:
1591:
1582:
1581:
1571:
1561:
1551:
1541:
1531:
1523:Gate of Hell
1521:
1511:
1501:
1491:
1481:
1471:
1461:
1451:
1441:
1426:
1416:
1406:
1396:
1335:
1319:
1303:
1287:
1270:
1244:
1221:. Retrieved
1217:the original
1212:
1203:
1191:. Retrieved
1187:
1178:
1167:
1158:
1146:. Retrieved
1142:the original
1137:
1128:
1116:. Retrieved
1113:Screen Daily
1112:
1103:
1087:
1075:. Retrieved
1071:the original
1061:
1051:
1047:
1043:
1035:
1028:. Retrieved
1010:
1000:
988:. Retrieved
984:the original
979:
970:
958:. Retrieved
954:
945:
937:
932:
925:Spencer 2003
920:
908:. Retrieved
901:
891:
879:. Retrieved
874:
864:
844:
841:
810:
803:
769:
746:
718:
712:
701:
664:
657:
618:
606:
594:
588:
586:
579:
575:
564:
563:documentary
553:James Monaco
550:
545:
538:
532:
492:
488:
465:
453:
427:A series of
426:
400:
394:
392:
380:
314:
313:
277:Running time
268: (Japan)
118:Sacha Vierny
24:
2839:André Bazin
2818:Roger Vadim
2803:Luc Moullet
2793:Louis Malle
2788:Pierre Kast
2745:Agnès Varda
2715:Henri Colpi
2687:Éric Rohmer
2549:Screenplays
2367:Short films
1945:City of God
1236:Works cited
1223:12 December
1030:2 September
960:14 February
910:29 February
906:(in French)
881:29 February
877:(in French)
753:docufiction
691:Eric Rohmer
593:(1961) and
557:atomic bomb
535:Agnès Varda
399:(1960) and
184:Argos Films
137:Henri Colpi
77:Samy Halfon
71:Produced by
51:Directed by
21:Ha!-Ha!-Ha!
3021:1959 films
3015:Categories
2913:Breathless
2864:Jean Rouch
2596:India Song
2532:La Douleur
2340:Wild Grass
2303:(TV, 1992)
2254:Providence
1854:Wild Reeds
1533:Umberto D.
1255:289594007X
1193:19 October
1148:28 January
795:References
687:Stravinsky
629:Grand Prix
529:Production
510:Eiji Okada
396:Breathless
384:flashbacks
281:90 minutes
264:1959-06-20
253:1959-06-10
238:1959-05-08
187:Como Films
174:Production
102:Eiji Okada
61:Written by
2968:Auteurism
2873:Key films
2707:Left Bank
2670:Directors
2610:The Lorry
2575:La Musica
2525:The Lover
1675:1978–2000
1398:Mayerling
1389:1937–1977
764:In 2003,
745:directed
735:In 2001,
631:from the
561:Holocaust
484:liberated
445:Hiroshima
433:voiceover
347:romanized
303:Languages
286:Countries
176:companies
130:Edited by
2985:Jump cut
2945:La Jetée
2383:Guernica
2375:Van Gogh
2301:Gershwin
2246:Stavisky
2105:Parasite
2095:Cold War
2065:Timbuktu
1563:My Uncle
1553:Gervaise
1543:The Road
1293:AllMovie
1118:30 April
783:See also
737:Japanese
683:Faulkner
625:FIPRESCI
599:(1966).
537:'s film
472:tea room
441:newsreel
429:closeups
405:(1959),
365:romantic
342:二十四時間の情事
338:Japanese
308:Japanese
215:(France)
152:Music by
90:Starring
2956:Related
2115:Bacurau
1874:Ponette
1483:L'Amore
1418:Harvest
1323:at the
990:22 July
766:Iranian
748:H Story
669:of the
651:Positif
643:at the
619:At the
603:Release
480:Bavaria
449:the war
361:
349::
330:, lit.
262: (
251: (
236: (
213:Cocinor
2948:(1962)
2940:(1962)
2932:(1962)
2924:(1961)
2916:(1960)
2908:(1959)
2900:(1959)
2892:(1958)
2884:(1956)
2426:(1958)
2418:(1956)
2410:(1956)
2402:(1953)
2386:(1950)
2378:(1948)
2359:(2014)
2351:(2012)
2343:(2009)
2335:(2006)
2327:(2003)
2319:(1997)
2311:(1993)
2297:(1989)
2289:(1986)
2281:(1984)
2273:(1983)
2265:(1980)
2257:(1977)
2249:(1974)
2241:(1968)
2233:(1966)
2225:(1963)
2222:Muriel
2217:(1961)
2209:(1959)
2148:(2023)
2138:(2022)
2128:(2021)
2118:(2020)
2108:(2019)
2098:(2018)
2088:(2017)
2078:(2016)
2068:(2015)
2058:(2014)
2048:(2013)
2038:(2012)
2028:(2011)
2018:(2010)
2015:Carlos
2008:(2009)
1998:(2008)
1988:(2007)
1978:(2006)
1968:(2005)
1958:(2004)
1948:(2003)
1938:(2002)
1928:(2001)
1907:(2000)
1897:(1999)
1887:(1998)
1877:(1997)
1867:(1996)
1857:(1995)
1847:(1994)
1837:(1993)
1827:(1992)
1817:(1991)
1807:(1990)
1797:(1989)
1787:(1988)
1777:(1987)
1767:(1986)
1757:(1985)
1747:(1984)
1737:(1983)
1727:(1982)
1717:(1981)
1714:Pixote
1707:(1980)
1697:(1979)
1687:(1978)
1661:(1968)
1651:(1967)
1641:(1966)
1631:(1965)
1621:(1964)
1611:(1963)
1596:(1961)
1586:(1960)
1576:(1959)
1566:(1958)
1556:(1957)
1546:(1956)
1536:(1955)
1526:(1954)
1516:(1953)
1506:(1952)
1496:(1951)
1486:(1950)
1476:(1949)
1466:(1948)
1463:Paisan
1456:(1947)
1446:(1946)
1431:(1940)
1421:(1939)
1411:(1938)
1401:(1937)
1278:
1252:
1077:1 July
1021:
980:rtl.be
852:
818:
457:Nevers
306:French
292:France
244:Cannes
242: (
2035:Amour
1904:Yi Yi
685:plus
582:Autun
461:Paris
368:drama
295:Japan
191:Daiei
2286:Mélo
1965:2046
1276:IMDb
1250:ISBN
1225:2014
1195:2009
1150:2015
1120:2013
1079:2006
1032:2011
1019:ISBN
992:2012
962:2009
912:2024
883:2024
850:ISBN
816:ISBN
751:, a
730:Film
498:Cast
423:Plot
359:lit.
2055:Ida
1754:Ran
1307:at
1291:at
1274:at
1015:744
3017::
2135:EO
1608:8½
1211:.
1186:.
1166:.
1136:.
1111:.
1034:.
1017:.
1009:.
978:.
953:.
900:.
873:.
830:^
778:".
584:.
548:.
419:.
390:.
378:.
356:,
344:,
340::
336:,
2652:e
2645:t
2638:v
2467:e
2460:t
2453:v
2182:e
2175:t
2168:v
1374:e
1367:t
1360:v
1258:.
1227:.
1197:.
1172:.
1152:.
1122:.
1081:.
994:.
964:.
914:.
885:.
858:.
824:.
761:.
542:,
321:(
266:)
255:)
246:)
240:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.