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The people in the front office got very upset. They came down and said: "The public doesn't pay for the head or the arms or the shoulders of the actor. They want the whole body. Let's give them their money's worth." Griffith stood very close to them and said: "Can you see my feet?" When they said no,
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Close-ups are used for distinguishing main characters. Major characters are often given a close-up when they are introduced as a way of indicating their importance. Leading characters will have multiple close-ups. At the close of
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There are various degrees of close-up depending on how tight (zoomed in) the shot is. The terminology varies between countries and even different companies, but in general, these are:
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When the close-up is used in the shooting, the subject should not be put in exactly the middle of the frame. Instead, it should be located in the frame according to the
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because perspective causes objects closer to the lens to be unnaturally enlarged. That may convey a sense of confusion, intoxication, or another unusual mental state.
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Lean-In: when the juxtaposition of shots in a sequence, usually in a scene of dialogue, starts with medium or long shots, for example, and ends with close-ups.
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Extreme Close Up ("ECU" or "XCU"): The shot is so tight that only a detail of the subject, such as someone's eyes, can be seen.
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or some intricate activity with their hands. Close cuts to characters' faces are used far more often in
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a person or object. Close-ups are one of the standard shots used regularly with medium and
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Close Up ("CU"): A certain feature, such as someone's head, takes up the whole frame.
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Close-up shots do not show the subject in the broad context of its surroundings.
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Close-ups are used in many ways and for many reasons. They are often employed as
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in which his character approaches the camera and appears to swallow it.
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he replied: "That's what I'm doing. I am using what the eyes can see."
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and a close-up. Usually covers the subject's head and shoulders.
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Medium Close Up ("MCU" on camera scripts): Halfway between a
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remarked on
Griffith's pioneering use of the close-up:
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Photography and film term referring to framing a shot
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Ask The
Cameraman: Shot Sizes: The Extreme Close-Up
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504:(1881) – Details of the Women
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32:Close up (disambiguation)
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454:Place your mouse cursor
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245:Grandma's Reading Glass
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30:For other uses, see
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390:Example of close-up
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1667:Split screen
1662:Smallgantics
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1111:Camera angle
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763:. Retrieved
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560:Ellen Andrée
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59:Please help
54:verification
51:
1672:Stop motion
1647:Introvision
1627:Compositing
1617:Bullet time
1599:Stop motion
1587:Slow motion
1582:Fast motion
1527:Lens flares
1502:Bullet time
1475:Sugar glass
1465:Rubber mask
1399:wire-flying
1305:Master shot
1159:Dutch angle
1069:Perspective
304:soap operas
248:. In 1901,
186:comic strip
1691:Categories
1622:Chroma key
1577:Time-lapse
1542:Filtration
1507:Dolly zoom
1435:Kitbashing
1241:Dolly zoom
1139:Crane shot
1134:Bird's-eye
1129:High-angle
1017:Field size
992:Film score
934:Lens flare
904:Background
765:August 11,
733:References
722:Micrograph
632:Paul Lhôte
440:(1881) by
296:television
198:long shots
184:, and the
174:filmmaking
87:newspapers
76:"Close-up"
1642:Go motion
1567:Slit-scan
1489:In-camera
1388:Practical
1320:Long take
1226:SnorriCam
1221:Steadicam
1201:Hand-held
1149:Low-angle
987:Narration
949:Rembrandt
492:Close-ups
1455:Puppetry
1325:One-shot
1211:Tracking
1194:Whip pan
1144:Jib shot
1049:Two shot
1039:Close-up
1029:American
1009:Shooting
977:Diegetic
924:High-key
896:Lighting
802:Archived
711:See also
376:lean-out
349:mid shot
298:than in
292:emotions
288:cutaways
166:close-up
117:May 2016
1631:digital
1629: (
1497:Bipacks
1444:hanging
1442: (
1397: (
1284:Zooming
1272:Shallow
1262:Racking
1189:Panning
1184:Tilting
1087:Reverse
1044:Italian
939:Low-key
815:Sources
480:discuss
469:to link
432:of the
372:lean-in
365:lean-in
318:DeMille
212:History
206:zooming
170:closeup
101:scholar
18:Closeup
1609:Visual
1330:Insert
1310:B-roll
1236:Follow
1124:Aerial
1097:Single
1034:Medium
829:
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300:movies
194:frames
103:
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1257:Focus
1216:Dolly
1206:Shaky
1092:Trunk
1081:(POV)
969:Sound
954:Stage
919:Flood
909:Cameo
467:click
108:JSTOR
94:books
1277:Deep
1119:Tilt
959:Soft
944:Mood
914:Fill
827:ISBN
767:2023
754:ISBN
476:view
460:name
242:and
234:Hove
224:and
190:shot
80:news
929:Key
452:).
232:in
172:in
168:or
63:by
1693::
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220:,
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