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Nonlinear narrative

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In contemporary society webpages or to be more correct, hypertext, have become affluent forms of narratives. Hypertexts have great potential to create non-linear forms of narratives. They allow for individuals to navigate within the story through links, images, audio and video, consisting of multiple
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in games. It helps give the game a beginning because the audience only has the understanding that there is a history before the events of the game take place. Furthermore, by creating a nonlinear storyline the complexity of game play is greatly expanded. Nonlinear game play allows for greater replay
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is written. For example, some segments of the game take place before the events of the Prequel. It is used for dramatic effect in most cases, some characters have already had onscreen deaths but the player will not realise it until a later chapter of the character walking blindly to their already
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but, in addition to the nonlinear beginning, it later jumps between characters to build the story and character relationships in a nonlinear fashion, and a subtle branch means that players may see the stories in a different order if they walk into a different room at the beginning.
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order or in other ways where the narrative does not follow the direct causality pattern of the events featured, such as parallel distinctive plot lines, dream immersions or narrating another story inside the main plot-line. The technique is common in
1750:, begins each season with an intensely melodramatic event taking place and then traveling back six months earlier. Throughout the season, each episode shows events both in the past, present, and future that lead up to and follow said event. 1625:
made extensive use of nonlinear story telling, with each episode typically featuring a primary storyline on the island as well as a secondary storyline from another point in a character's life, either past or future. So does
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film jumps into fantasy and juxtaposes images, granting the filmmakers an ability to create statements about the Church, art, and society that are left open to interpretation. Buñuel and Dalí's
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Chen, Sherol. "Nonlinear Storytelling in Games: Deconstructing the Varieties of Nonlinear Experiences." Expressive Intelligence Studio Blog | EIS at UC Santa Cruz. Web. 17 Nov. 2009. <
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Some video games mimic film non-linearity by presenting a single plot in a chronologically distorted way instead of letting the player determine the story flow themselves. The
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the player is put into a situation that lasts approximately 10 to 15 minutes in real time, yet the events recalled seem to have a basis in years of dramatic history.
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value, allowing the player to put together different pieces of a potentially puzzling storyline. A fitting example of character amnesia is the 2005 video game
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There are certain television series that use nonlinear narrative to explore the past - or future - of one or various characters throughout its whole run. The
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also utilizes a non-linear structure, focusing on events throughout the life of the titular character rather than describing them in a linear narrative.
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In the years leading into and the beginning of the 21st century, some filmmakers have returned to the use of nonlinear narrative repeatedly, including
1420:, there are several examples of series that make use of nonlinear narrative in different forms and for different purposes. Some notable examples are 1257:'s films feature nonlinear narratives, including the ones written by Guillermo Arriaga who also uses nonlinear narratives in his other screenplays. 1755: 1653: 1596: 1568:, whose ninth episode is set in the past and explores the lives of the main characters before the critical event that drives the story took place. 2846: 1538:
Some television series use nonlinear narrative in certain episodes to fully explore an important part of the main characters' past. An example is
128: 515:(1977) are notable for extending the nonlinear narrative form in order to explore the complex nature of identity within a multiversal universe. 3537: 2367: 1340: 2186:
Some games tell their nonlinear story without the player being able to change any (or very little) of the plot structure. For example,
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also used an uncommon narrative structure as a man recalls his life through flashbacks at the time of his death, induced by the use of
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Another reason why a television series uses nonlinear narrative is to better portray the way human memory recalls events. In its
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http://eis-blog.ucsc.edu/2009/08/nonlinear-storytelling-in-games-deconstructing-the-varieties-of-nonlinear-experiences/
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used nonlinear narrative depicting the events that the main characters described and in the way they remembered them.
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subtopics that do not force the audience to make their next selection based on what their previous experiences are.
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explores the lives of the main characters in prison and also some important part of their past before they became
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has made more movies with a nonlinear narrative, but the most notorious one is probably his controversial western
2392: 1968: 1864: 1644:) stranded in an island and a main storyline five years later in which he goes back home and decides to become a 968:(2015). Critics have referred shifting of timeline as Tarantino effect. Other important nonlinear films include 1980: 1974: 1376: 3861: 3273: 1992: 1764: 1616: 984: 2050:, for example, the episodes were deliberately aired in non-chronological order. A more nonlinear example is 1554:, which features one episode per season that is entirely devoted to exploring key moments in Vanessa Ives' ( 1494:. This kind of narrative is used in several ways. Some series only have certain nonlinear episodes, such as 320: 4130: 3415: 2598: 1847: 1446: 1440: 1249: 2272: 1835: 1831: 1772: 1713: 483: 447: 123: 2716: 2509: 1926: 1550: 1496: 527:
that the narration of comics is nonlinear because it relies on the reader's choices and interactions.
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Several of Michael Moorcock's novels, particularly those in the Jerry Cornelius series, in particular
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Even though it is not common, some comedy also shows use nonlinear narrative. An example is the
856: 835:(1980) are characterized by a nonlinear approach. Other mainstream nonlinear filmmakers include 602: 4048: 3947: 3937: 3673: 3487: 2064: 1998: 1872: 1814: 1679: 888: 836: 791: 717:(1966), defy linear structure in exchange for a chronology of events that is seemingly random. 511: 220: 2240: 3957: 3782: 3777: 3757: 3658: 3111: 2337: 2149: 2124: 1914: 1908: 1890: 1759: 1621: 1526: 1508: 1490: 1422: 1301: 1183: 1103: 542: 490: 402: 108: 64: 56: 40: 93:(Latin: "into the middle of things") began in ancient times and was used as a convention of 4173: 4033: 3856: 3482: 3195: 3079: 3007: 2541: 2312: 2159: 1956: 1884: 1725: 1484: 1306: 1227: 1189: 1177: 1020: 699: 523: 355: 280: 149: 8: 4120: 3962: 3912: 3880: 3819: 3772: 3544: 3522: 3515: 3475: 3427: 3335: 3238: 3220: 3091: 2357: 2100: 2094: 2016: 1986: 1819: 1742: 1520: 1417: 1327: 1109: 1091: 1057: 1051: 1008: 959: 955: 940: 864: 786: 723: 661: 616: 435: 390: 343: 644: 4098: 4093: 4083: 4023: 3969: 3737: 3727: 3501: 3470: 3457: 3268: 3253: 3210: 3170: 3096: 3047: 2864: 2603: 2322: 2143: 2118: 2010: 1944: 1878: 1578: 1428: 1238: 1209: 1118: 807: 666: 592: 332: 112: 541:
Defining nonlinear structure in film is, at times, difficult. Films may use extensive
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influenced a tremendous increase in the popularity of nonlinear films most notably
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Some television series use nonlinear narrative in the beginning of a season as a
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within a linear storyline, while nonlinear films often contain linear sequences.
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Twisted Times: Non-linearity and Temporal Disorientation in Contemporary Cinema
2838: 2745: 2342: 2218: 1797: 1717: 1692: 1543: 1470: 1319:(2018) which has a nonlinear narrative structure. Another Tamil-language film, 1147: 1079: 974: 946: 587: 565: 495: 249: 191: 157: 1720:) and then explored what had happened to him. This technique was also used in 852: 621: 4167: 4137: 4002: 3890: 3846: 3792: 3712: 3682: 3621: 3579: 3362: 3340: 3287: 3127: 3106: 3101: 2953: 2933: 2913: 2402: 2377: 2347: 2302: 2209: 2194: 2082: 1806: 1641: 1321: 1215: 1122: 1085: 989: 871: 751: 735: 718: 713: 518: 478: 442: 409: 339: 291: 232: 227: 165: 153: 89: 69: 35: 2559: 1136: 611: 4142: 4007: 3380: 3116: 3057: 3002: 2975: 2682: 2649: 2372: 2226: 2179:
All of Quantum Games were developed nonlinear structures into the style of
2076: 1932: 1704: 1587: 1434: 1315: 1291: 1204: 1199: 1172: 1039: 900: 860: 844: 802: 774: 554: 550: 546: 397: 362: 303: 1822:, this show emphasizes how differently two people recall the same events. 4147: 4113: 4108: 3717: 3707: 3653: 3631: 3465: 3352: 3165: 3150: 3121: 3074: 3017: 2992: 2980: 2657: 2626: 2577: 2529: 2427:. Modernist literature & culture. New York: Oxford university press. 2352: 2188: 1768: 1747: 1670: 1310: 1233: 1161: 1033: 999: 969: 905: 708: 607: 583: 284: 239: 117: 94: 31: 2260: 3997: 3902: 3594: 3510: 3505: 3185: 3155: 2903: 2758: 2307: 2088: 2058: 1737: 1583: 1506:. Others use nonlinear storylines throughout the whole series, such as 1285: 1261:
is also known for his fondness of nonlinear storytelling as applied in
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also experimented with the possibilities of nonlinearity. Eisenstein's
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in the 8th century BC. The technique of narrating most of the story in
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The Technique of Film and Video Editing: History, Theory, and Practice
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A nonlinear plot structure may or may not be combined with branching:
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experimented with narrative chronology and abandoning linear order.
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which, in every episode, features a storyline following the life of
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Experimentation with nonlinear structure in film dates back to the
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Other examples of nonlinear narrative in American television are:
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is an example of fragmented narrative structure. Hong Kong auteur
1135:(2011). The element of reverse chronology was explored further in 4060: 3824: 3692: 3648: 3643: 3573: 3395: 3385: 3200: 3022: 2763:
A World in Chaos: Social Crisis and the Rise of Postmodern Cinema
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uses this narrative technique in the same way. However, by using
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series sometimes present their plot in nonlinear order. In
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embraced the experimental nature of nonlinear narrative in
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Alternative Scriptwriting: Successfully Breaking the Rules
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used a nonlinear approach in his World War II documentary
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Television and Screen Writing: From Concept to Contract
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carried the nonlinear motif in his films, including
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and flashback techniques. The medieval English poem
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The Life and Opinions of Tristram Shandy, Gentleman
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The Life and Opinions of Tristram Shandy, Gentleman
2828:Non-Linear Narratives: The Ultimate In Time Travel 2749:. Vol. 55, No. 54. Retrieved on February 9, 2008. 721:experimented with narrative and time in his films 2506:Chronoschisms: Time, Narrative, and Postmodernism 2476: 1607:use this technique only in certain episodes too. 1125:in contemporary cinema. Another example would be 4165: 2734:Hot Spots, Avatars, and Narrative Fields Forever 1325:(2022), has a single-shot non-linear structure. 743:defined his own nonlinear cinema with the films 34:where events are portrayed, for example, out of 1533: 606:(1927). Nonlinear film emerged from the French 2834:The New Disorder: Adventures in film narrative 2617: 2615: 2613: 2450:Story-Telling Techniques in the Arabian Nights 2221:use non-linear passages of time in their game 135:" also had nonlinear narratives employing the 2872: 2425:Digital modernism: making it new in new media 1341:List of nonlinear narrative television series 2484:. University of Toronto Press. p. xcv. 2482:Klaeber's Beowulf and The Fight at Finnsburg 944:(1994). He also used nonlinear narrative in 2610: 1482:shows use nonlinear narrative too, such as 1379:. Unsourced material may be challenged and 1207:explored nonlinear storylines in the films 257:Flann O'Brien (pseudonym for Brian O'Nolan) 2879: 2865: 2645: 2643: 1648:. Using a similar storytelling technique, 1002:experimented with nonlinear narrative and 506:The English Assassin: A Romance of Entropy 2689: 2167:is an example of this; another is Sega's 1399:Learn how and when to remove this message 73:Non-linear plot lines, illustration from 2851:(Dis)Orienting Media and Narrative Mazes 2621:Dancyger, Ken & Rush, Jeff. (2006). 2422: 1779: 1611:The future or past throughout the series 68: 2640: 2447: 577: 4166: 3550:Types of fiction with multiple endings 2779: 2726: 2591: 2233:Often game developers use the idea of 1851:used nonlinear narrative extensively. 1776:use a similar storytelling technique. 1686: 1313:made the Tamil-language thriller film 995:Thirteen Conversations About One Thing 111:is also seen in epic poetry, like the 2860: 1270:Eternal Sunshine of the Spotless Mind 620:, DadaĂŻst film and then in 1929 with 2597:Debruge, Peter (December 7, 2007). " 2528: 2255: 1377:adding citations to reliable sources 1344: 689: 2566: 1474:. Even though it is often found in 13: 2699:. Allen & Unwin. pp. 114-117. 2251: 929: 558:(1941)—influenced structurally by 175:Examples of nonlinear novels are: 14: 4190: 3953:Third-person omniscient narrative 2820: 2599:More scripts take nonlinear route 2047:The Melancholy of Haruhi Suzumiya 1825: 537:List of nonlinear narrative films 87:Beginning a non-linear narrative 2723:. Retrieved on February 2, 2008. 2607:. Retrieved on February 3, 2008. 2259: 2071:Yami to BĹŤshi to Hon no Tabibito 1712:showed a neglected and lonesome 1708:, which in the beginning of its 1411: 1349: 2803: 2787:An Introduction to Film Studies 2752: 2709: 2670: 3341:Conflict between good and evil 2717:Nicolas Roeg on Don't Look Now 2522: 2498: 2470: 2441: 2416: 2137: 1975:Once Upon a Time in Wonderland 1305:, which premiered in the 2016 1: 2886: 2853:. Bielefeld: Transcript 2013. 2409: 1334: 1117:, with its fragmentation and 309:The Prime of Miss Jean Brodie 50: 1534:The past in certain episodes 1159:used nonlinear narrative in 730:L'AnnĂ©e dernière Ă  Marienbad 7: 4179:Nonlinear narrative fiction 2368:Nonlinear television series 2295: 1773:How to Get Away with Murder 1558:) past. Another example is 1277:'s Japanese horror series, 1255:Alejandro González Iñárritu 1195:Alejandro González Iñárritu 484:All the Light We Cannot See 448:A Visit from the Goon Squad 10: 4197: 2510:Cambridge University Press 2423:Pressman, Jessica (2014). 2147: 2141: 1732:. Using the same formula, 1338: 534: 54: 4016: 3988: 3980:Stream of unconsciousness 3923: 3667: 3558: 3511:Falling action/Catastasis 3456: 3361: 3296: 3219: 3031: 2894: 2572:Blum, Richard A. (2001). 2504:Heise, Ursula K. (1997). 2363:Nonlinear narrative films 826:The Man Who Fell to Earth 379:Dictionary of the Khazars 3348:Self-fulfilling prophecy 2767:Rowman & Littlefield 2695:Dethridge, Lisa (2003). 2035: 1283:, brought to America as 877:McCabe & Mrs. Miller 3975:Stream of consciousness 3438:Suspension of disbelief 2697:Writing Your Screenplay 2448:Pinault, David (1992). 2393:Stream of consciousness 1658:Orange Is the New Black 1465:Orange Is the New Black 670:(1925) and Dovzhenko's 561:The Power and the Glory 530: 415:The God of Small Things 3516:Denouement/Catastrophe 3497:Rising action/Epitasis 988:(1998), and Karen and 870:In the United States, 837:Michelangelo Antonioni 512:The Condition of Muzak 221:The Sound and the Fury 84: 43:, and particularly in 3862:Utopian and dystopian 2849:". In: Eckel et al.: 2785:Nelmes, Jill (2003). 2338:Interactive narrative 2150:Interactive narrative 2125:The Garden of Sinners 1891:American Horror Story 1780:To mimic human memory 1665:. Another example is 1491:How I Met Your Mother 1250:The Constant Gardener 1104:The Dark Knight Rises 707:) (1968), as well as 491:Emily St. John Mandel 281:William S. Burroughs' 72: 65:Generative literature 57:Electronic literature 41:electronic literature 3416:Narrative techniques 3196:Story within a story 3008:Supporting character 2678:Godard only knows... 2542:Dalkey Archive Press 2313:Experimental fiction 2160:first-person shooter 1860:Arrested Development 1842:'s post-apocalyptic 1820:unreliable narrators 1740:winning legal drama 1485:Arrested Development 1373:improve this section 1307:Venice Film Festival 1228:In the Mood for Love 805:'s films, including 578:Silent and early era 524:Understanding Comics 356:Going After Cacciato 24:disjointed narrative 4121:Political narrative 3963:Unreliable narrator 3820:Speculative fiction 3528:Nonlinear narrative 3476:Three-act structure 3336:Deal with the Devil 2358:MS Paint Adventures 2101:Axis Powers Hetalia 2095:Fullmetal Alchemist 2017:The Vampire Diaries 1987:Pretty Little Liars 1687:As a narrative hook 1418:American television 1328:Friend of the World 865:Alain Robbe-Grillet 724:Hiroshima mon amour 662:Alexander Dovzhenko 421:Michael Ondaatje's 391:The English Patient 344:Slaughterhouse-Five 121:. Several medieval 32:narrative technique 28:disrupted narrative 20:Nonlinear narrative 16:Narrative technique 4099:Narrative paradigm 4094:Narrative identity 4024:Dominant narrative 3970:Multiple narrators 3254:Fictional location 3097:Dramatic structure 2836:". March 5, 2007. 2739:2008-08-20 at the 2456:. pp. 86–94. 2323:Fabula and syuzhet 2271:. You can help by 2144:Nonlinear gameplay 2119:Princess Principal 1981:Person of Interest 1619:television series 1239:Fernando Meirelles 1210:Days of Being Wild 1145:. NoĂ©'s 2009 film 1119:reverse chronology 333:House Made of Dawn 85: 4161: 4160: 4104:Narrative therapy 3538:television series 3483:Freytag's Pyramid 3326:Moral development 3229:Alternate history 2939:False protagonist 2478:Friedrich Klaeber 2434:978-0-19-993710-3 2333:Hypertext fiction 2289: 2288: 2235:character amnesia 2217:Indie developers 2164:Tribes: Vengeance 2131:Boogiepop Phantom 2113:Mekakucity Actors 2065:Monogatari Series 1951:Grounded for Life 1604:Grace and Frankie 1409: 1408: 1401: 1222:Chungking Express 1157:Richard Linklater 1153:psychedelic drugs 1069:Christopher Nolan 1029:Steven Soderbergh 985:The Thin Red Line 965:The Hateful Eight 936:Quentin Tarantino 923:Stardust Memories 849:Theo Angelopoulos 764:Fellini Satyricon 690:Post-World War II 683:Listen to Britain 678:Humphrey Jennings 658:Vsevolod Pudovkin 654:Sergei Eisenstein 648:(1930) (English: 636:An Andalusian Dog 262:At Swim-Two-Birds 129:The City of Brass 61:Hypertext fiction 45:hypertext fiction 4186: 4084:Literary science 3627:Narrative poetry 3523:Linear narrative 3433:Stylistic device 3428:Show, don't tell 3391:Figure of speech 3181:Shaggy dog story 2924:Characterization 2881: 2874: 2867: 2858: 2857: 2826:Cowgill, Linda. 2814: 2807: 2801: 2783: 2777: 2756: 2750: 2732:Kinder, Marsha " 2730: 2724: 2713: 2707: 2693: 2687: 2674: 2668: 2647: 2638: 2619: 2608: 2595: 2589: 2570: 2564: 2563: 2538:Normal, Illinois 2526: 2520: 2502: 2496: 2495: 2474: 2468: 2467: 2454:Brill Publishers 2445: 2439: 2438: 2420: 2328:Hyperlink cinema 2318:Exponential time 2284: 2281: 2263: 2256: 2225:in the same way 2204:Fragments of Him 2181:hyperlink cinema 2154:Multiple endings 1897:Better Call Saul 1848:The Walking Dead 1597:Netflix original 1447:Once Upon a Time 1441:The Walking Dead 1404: 1397: 1393: 1390: 1384: 1353: 1345: 1297:Martin Koolhoven 1168:A Scanner Darkly 1132:The Tree of Life 1015:Mulholland Drive 779:Andrei Tarkovsky 741:Federico Fellini 631:Un Chien Andalou 460:The Night Circus 455:Erin Morgenstern 386:Michael Ondaatje 328:N. Scott Momaday 216:William Faulkner 209:The Good Soldier 170:William Faulkner 133:The Three Apples 4196: 4195: 4189: 4188: 4187: 4185: 4184: 4183: 4164: 4163: 4162: 4157: 4089:Literary theory 4029:Fiction writing 4012: 3984: 3919: 3671: 3663: 3554: 3452: 3357: 3292: 3215: 3086:Deus ex machina 3027: 3013:Title character 2998:Stock character 2944:Focal character 2890: 2885: 2832:Denby, David. " 2823: 2818: 2817: 2808: 2804: 2784: 2780: 2757: 2753: 2741:Wayback Machine 2731: 2727: 2714: 2710: 2694: 2690: 2675: 2671: 2660:. pp. 393-394. 2648: 2641: 2620: 2611: 2596: 2592: 2571: 2567: 2552: 2527: 2523: 2503: 2499: 2492: 2475: 2471: 2464: 2446: 2442: 2435: 2421: 2417: 2412: 2407: 2398:Time in physics 2298: 2285: 2279: 2276: 2269:needs expansion 2254: 2252:HTML narratives 2223:Hotline Miami 2 2170:Sonic Adventure 2156: 2146: 2140: 2107:Hidamari Sketch 2038: 1903:BoJack Horseman 1828: 1782: 1756:original series 1689: 1654:original series 1613: 1536: 1414: 1405: 1394: 1388: 1385: 1370: 1354: 1343: 1337: 1275:Takashi Shimizu 1259:Charlie Kaufman 1127:Terrence Malick 980:Terrence Malick 932: 930:1990s and 2000s 841:Peter Greenaway 773:(1972), as did 695:Jean-Luc Godard 692: 586:era, including 580: 539: 533: 375:Milorad Pavić's 340:Kurt Vonnegut's 204:Ford Madox Ford 197:Sartor Resartus 180:Laurence Sterne 162:Ford Madox Ford 127:tales such as " 75:Laurence Sterne 67: 53: 17: 12: 11: 5: 4194: 4193: 4182: 4181: 4176: 4159: 4158: 4156: 4155: 4153:Verisimilitude 4150: 4145: 4140: 4135: 4134: 4133: 4123: 4118: 4117: 4116: 4106: 4101: 4096: 4091: 4086: 4081: 4080: 4079: 4069: 4068: 4067: 4058: 4056:Parallel novel 4053: 4052: 4051: 4046: 4041: 4026: 4020: 4018: 4014: 4013: 4011: 4010: 4005: 4000: 3994: 3992: 3986: 3985: 3983: 3982: 3977: 3972: 3967: 3966: 3965: 3960: 3955: 3945: 3940: 3935: 3929: 3927: 3921: 3920: 3918: 3917: 3916: 3915: 3910: 3900: 3899: 3898: 3893: 3888: 3883: 3878: 3877: 3876: 3871: 3870: 3869: 3864: 3859: 3849: 3844: 3839: 3838: 3837: 3827: 3817: 3812: 3807: 3806: 3805: 3800: 3790: 3785: 3780: 3775: 3770: 3765: 3760: 3755: 3750: 3745: 3740: 3735: 3730: 3725: 3720: 3715: 3710: 3705: 3700: 3698:Action fiction 3690: 3685: 3679: 3677: 3665: 3664: 3662: 3661: 3656: 3651: 3646: 3641: 3636: 3635: 3634: 3624: 3619: 3614: 3613: 3612: 3607: 3602: 3597: 3592: 3582: 3577: 3570: 3564: 3562: 3556: 3555: 3553: 3552: 3547: 3542: 3541: 3540: 3535: 3525: 3520: 3519: 3518: 3513: 3508: 3499: 3494: 3480: 3479: 3478: 3473: 3462: 3460: 3454: 3453: 3451: 3450: 3445: 3440: 3435: 3430: 3425: 3424: 3423: 3413: 3408: 3403: 3398: 3393: 3388: 3383: 3378: 3373: 3367: 3365: 3359: 3358: 3356: 3355: 3350: 3345: 3344: 3343: 3338: 3328: 3323: 3318: 3313: 3308: 3302: 3300: 3294: 3293: 3291: 3290: 3285: 3280: 3279: 3278: 3277: 3276: 3266: 3261: 3251: 3246: 3241: 3236: 3231: 3225: 3223: 3217: 3216: 3214: 3213: 3208: 3203: 3198: 3193: 3188: 3183: 3178: 3176:Self-insertion 3173: 3168: 3163: 3161:Poetic justice 3158: 3153: 3148: 3143: 3138: 3131: 3124: 3119: 3114: 3109: 3104: 3099: 3094: 3089: 3082: 3077: 3072: 3067: 3062: 3061: 3060: 3050: 3045: 3037: 3035: 3029: 3028: 3026: 3025: 3020: 3015: 3010: 3005: 3000: 2995: 2990: 2985: 2984: 2983: 2978: 2973: 2963: 2956: 2951: 2946: 2941: 2936: 2931: 2926: 2921: 2919:Character flaw 2916: 2911: 2906: 2900: 2898: 2892: 2891: 2884: 2883: 2876: 2869: 2861: 2855: 2854: 2845:Eckel, Julia. 2843: 2839:The New Yorker 2830: 2822: 2821:External links 2819: 2816: 2815: 2802: 2778: 2751: 2746:Film Quarterly 2725: 2708: 2688: 2669: 2639: 2629:. pp 154-163. 2609: 2590: 2565: 2550: 2521: 2497: 2490: 2480:, ed. (2008). 2469: 2462: 2440: 2433: 2414: 2413: 2411: 2408: 2406: 2405: 2400: 2395: 2390: 2385: 2380: 2375: 2370: 2365: 2360: 2355: 2350: 2345: 2343:List of cycles 2340: 2335: 2330: 2325: 2320: 2315: 2310: 2305: 2299: 2297: 2294: 2287: 2286: 2266: 2264: 2253: 2250: 2219:Dennaton Games 2142:Main article: 2139: 2136: 2037: 2034: 1969:House of Cards 1863:which, in its 1827: 1826:Other examples 1824: 1798:True Detective 1781: 1778: 1718:Bryan Cranston 1693:narrative hook 1688: 1685: 1612: 1609: 1551:Penny Dreadful 1535: 1532: 1497:Penny Dreadful 1471:True Detective 1413: 1410: 1407: 1406: 1357: 1355: 1348: 1336: 1333: 1148:Enter the Void 947:Reservoir Dogs 934:In the 1990s, 931: 928: 820:Don't Look Now 691: 688: 650:The Golden Age 588:D. W. Griffith 579: 576: 566:Akira Kurosawa 532: 529: 501: 500: 496:Station Eleven 488: 476: 464: 452: 440: 431:David Mitchell 428: 419: 407: 395: 383: 372: 360: 348: 337: 325: 316:Julio Cortázar 313: 301: 289: 278: 266: 254: 250:Finnegans Wake 237: 225: 213: 201: 192:Thomas Carlyle 189: 158:Virginia Woolf 124:Arabian Nights 52: 49: 15: 9: 6: 4: 3: 2: 4192: 4191: 4180: 4177: 4175: 4172: 4171: 4169: 4154: 4151: 4149: 4146: 4144: 4141: 4139: 4138:Screenwriting 4136: 4132: 4129: 4128: 4127: 4124: 4122: 4119: 4115: 4112: 4111: 4110: 4107: 4105: 4102: 4100: 4097: 4095: 4092: 4090: 4087: 4085: 4082: 4078: 4075: 4074: 4073: 4070: 4066: 4062: 4059: 4057: 4054: 4050: 4047: 4045: 4042: 4040: 4037: 4036: 4035: 4032: 4031: 4030: 4027: 4025: 4022: 4021: 4019: 4015: 4009: 4006: 4004: 4001: 3999: 3996: 3995: 3993: 3991: 3987: 3981: 3978: 3976: 3973: 3971: 3968: 3964: 3961: 3959: 3956: 3954: 3951: 3950: 3949: 3946: 3944: 3943:Second-person 3941: 3939: 3936: 3934: 3931: 3930: 3928: 3926: 3922: 3914: 3911: 3909: 3906: 3905: 3904: 3901: 3897: 3894: 3892: 3889: 3887: 3884: 3882: 3879: 3875: 3872: 3868: 3865: 3863: 3860: 3858: 3855: 3854: 3853: 3850: 3848: 3847:Magic realism 3845: 3843: 3840: 3836: 3833: 3832: 3831: 3828: 3826: 3823: 3822: 3821: 3818: 3816: 3813: 3811: 3808: 3804: 3801: 3799: 3796: 3795: 3794: 3791: 3789: 3786: 3784: 3781: 3779: 3778:Psychological 3776: 3774: 3771: 3769: 3766: 3764: 3761: 3759: 3758:Philosophical 3756: 3754: 3751: 3749: 3746: 3744: 3741: 3739: 3736: 3734: 3731: 3729: 3726: 3724: 3721: 3719: 3716: 3714: 3711: 3709: 3706: 3704: 3701: 3699: 3696: 3695: 3694: 3691: 3689: 3686: 3684: 3683:Autobiography 3681: 3680: 3678: 3675: 3670: 3666: 3660: 3657: 3655: 3652: 3650: 3647: 3645: 3642: 3640: 3637: 3633: 3630: 3629: 3628: 3625: 3623: 3622:Narrative art 3620: 3618: 3615: 3611: 3608: 3606: 3603: 3601: 3598: 3596: 3593: 3591: 3588: 3587: 3586: 3583: 3581: 3580:Flash fiction 3578: 3576: 3575: 3571: 3569: 3566: 3565: 3563: 3561: 3557: 3551: 3548: 3546: 3543: 3539: 3536: 3534: 3531: 3530: 3529: 3526: 3524: 3521: 3517: 3514: 3512: 3509: 3507: 3503: 3500: 3498: 3495: 3493: 3489: 3486: 3485: 3484: 3481: 3477: 3474: 3472: 3471:Act structure 3469: 3468: 3467: 3464: 3463: 3461: 3459: 3455: 3449: 3446: 3444: 3441: 3439: 3436: 3434: 3431: 3429: 3426: 3422: 3419: 3418: 3417: 3414: 3412: 3409: 3407: 3404: 3402: 3399: 3397: 3394: 3392: 3389: 3387: 3384: 3382: 3379: 3377: 3374: 3372: 3369: 3368: 3366: 3364: 3360: 3354: 3351: 3349: 3346: 3342: 3339: 3337: 3334: 3333: 3332: 3329: 3327: 3324: 3322: 3319: 3317: 3314: 3312: 3309: 3307: 3304: 3303: 3301: 3299: 3295: 3289: 3288:Worldbuilding 3286: 3284: 3281: 3275: 3272: 3271: 3270: 3267: 3265: 3262: 3260: 3257: 3256: 3255: 3252: 3250: 3247: 3245: 3242: 3240: 3237: 3235: 3232: 3230: 3227: 3226: 3224: 3222: 3218: 3212: 3209: 3207: 3204: 3202: 3199: 3197: 3194: 3192: 3189: 3187: 3184: 3182: 3179: 3177: 3174: 3172: 3169: 3167: 3164: 3162: 3159: 3157: 3154: 3152: 3149: 3147: 3144: 3142: 3139: 3137: 3136: 3135:KishĹŤtenketsu 3132: 3130: 3129: 3128:In medias res 3125: 3123: 3120: 3118: 3115: 3113: 3110: 3108: 3107:Foreshadowing 3105: 3103: 3102:Eucatastrophe 3100: 3098: 3095: 3093: 3090: 3088: 3087: 3083: 3081: 3078: 3076: 3073: 3071: 3068: 3066: 3065:Chekhov's gun 3063: 3059: 3056: 3055: 3054: 3051: 3049: 3046: 3044: 3043: 3039: 3038: 3036: 3034: 3030: 3024: 3021: 3019: 3016: 3014: 3011: 3009: 3006: 3004: 3001: 2999: 2996: 2994: 2991: 2989: 2986: 2982: 2979: 2977: 2974: 2972: 2969: 2968: 2967: 2964: 2962: 2961: 2957: 2955: 2954:Gothic double 2952: 2950: 2947: 2945: 2942: 2940: 2937: 2935: 2934:Deuteragonist 2932: 2930: 2927: 2925: 2922: 2920: 2917: 2915: 2914:Character arc 2912: 2910: 2907: 2905: 2902: 2901: 2899: 2897: 2893: 2889: 2882: 2877: 2875: 2870: 2868: 2863: 2862: 2859: 2852: 2848: 2844: 2841: 2840: 2835: 2831: 2829: 2825: 2824: 2812: 2806: 2800: 2799:0-415-26268-2 2796: 2792: 2788: 2782: 2776: 2775:0-7425-3289-5 2772: 2768: 2764: 2760: 2755: 2748: 2747: 2742: 2738: 2735: 2729: 2722: 2718: 2712: 2706: 2705:1-74114-083-8 2702: 2698: 2692: 2685: 2684: 2679: 2673: 2667: 2666:0-240-80225-X 2663: 2659: 2655: 2651: 2650:Dancyger, Ken 2646: 2644: 2636: 2635:0-240-80849-5 2632: 2628: 2624: 2618: 2616: 2614: 2606: 2605: 2600: 2594: 2587: 2586:0-240-80384-1 2583: 2579: 2575: 2569: 2561: 2557: 2553: 2551:1-56478-029-5 2547: 2543: 2539: 2535: 2531: 2525: 2519: 2518:0-521-55544-2 2515: 2511: 2507: 2501: 2493: 2491:9780802098436 2487: 2483: 2479: 2473: 2465: 2463:90-04-09530-6 2459: 2455: 2451: 2444: 2436: 2430: 2426: 2419: 2415: 2404: 2403:Wheel of time 2401: 2399: 2396: 2394: 2391: 2389: 2386: 2384: 2381: 2379: 2378:Sense of time 2376: 2374: 2371: 2369: 2366: 2364: 2361: 2359: 2356: 2354: 2351: 2349: 2348:Metacognition 2346: 2344: 2341: 2339: 2336: 2334: 2331: 2329: 2326: 2324: 2321: 2319: 2316: 2314: 2311: 2309: 2306: 2304: 2303:Anachronistic 2301: 2300: 2293: 2283: 2280:November 2022 2274: 2270: 2267:This section 2265: 2262: 2258: 2257: 2249: 2247: 2243: 2242: 2236: 2231: 2230:shown death. 2228: 2224: 2220: 2215: 2212: 2211: 2210:in medias res 2206: 2205: 2199: 2197: 2196: 2195:in medias res 2191: 2190: 2184: 2182: 2177: 2174: 2172: 2171: 2166: 2165: 2161: 2155: 2151: 2145: 2135: 2133: 2132: 2128:and (partly) 2127: 2126: 2121: 2120: 2115: 2114: 2109: 2108: 2103: 2102: 2098: 2096: 2091: 2090: 2085: 2084: 2083:Rental Magica 2079: 2078: 2073: 2072: 2067: 2066: 2061: 2060: 2055: 2054: 2049: 2048: 2043: 2033: 2031: 2030: 2025: 2024: 2023:Wayward Pines 2019: 2018: 2013: 2012: 2007: 2006: 2001: 2000: 1995: 1994: 1989: 1988: 1983: 1982: 1977: 1976: 1971: 1970: 1965: 1964: 1959: 1958: 1953: 1952: 1947: 1946: 1941: 1940: 1935: 1934: 1929: 1928: 1923: 1922: 1917: 1916: 1911: 1910: 1905: 1904: 1899: 1898: 1893: 1892: 1887: 1886: 1881: 1880: 1875: 1874: 1868: 1866: 1865:fourth season 1862: 1861: 1857: 1852: 1850: 1849: 1845: 1841: 1837: 1833: 1823: 1821: 1817: 1816: 1812: 1808: 1804: 1800: 1799: 1794: 1791: 1787: 1777: 1775: 1774: 1770: 1766: 1762: 1761: 1757: 1753: 1749: 1745: 1744: 1739: 1735: 1731: 1730:second season 1727: 1723: 1722:Breaking Bad' 1719: 1715: 1711: 1707: 1706: 1701: 1698: 1694: 1684: 1682: 1681: 1676: 1672: 1668: 1664: 1660: 1659: 1655: 1651: 1647: 1643: 1642:Stephen Amell 1639: 1635: 1634: 1629: 1624: 1623: 1618: 1608: 1606: 1605: 1601: 1598: 1594: 1593: 1589: 1585: 1581: 1580: 1575: 1571: 1567: 1566: 1565:The Leftovers 1561: 1557: 1553: 1552: 1548: 1545: 1541: 1531: 1529: 1528: 1523: 1522: 1517: 1516: 1511: 1510: 1505: 1504: 1503:The Leftovers 1499: 1498: 1493: 1492: 1487: 1486: 1481: 1477: 1473: 1472: 1467: 1466: 1461: 1460: 1455: 1454: 1449: 1448: 1443: 1442: 1437: 1436: 1431: 1430: 1425: 1424: 1419: 1412:United States 1403: 1400: 1392: 1382: 1378: 1374: 1368: 1367: 1363: 1358:This section 1356: 1352: 1347: 1346: 1342: 1332: 1330: 1329: 1324: 1323: 1322:Iravin Nizhal 1318: 1317: 1312: 1308: 1304: 1303: 1298: 1294: 1293: 1288: 1287: 1282: 1281: 1276: 1272: 1271: 1266: 1265: 1260: 1256: 1252: 1251: 1246: 1245: 1240: 1236: 1235: 1230: 1229: 1224: 1223: 1218: 1217: 1216:Ashes of Time 1212: 1211: 1206: 1202: 1201: 1196: 1192: 1191: 1190:Paranoid Park 1186: 1185: 1180: 1179: 1174: 1170: 1169: 1164: 1163: 1158: 1154: 1150: 1149: 1144: 1143: 1139:'s 2002 film 1138: 1134: 1133: 1129:'s acclaimed 1128: 1124: 1123:postmodernism 1120: 1116: 1112: 1111: 1106: 1105: 1100: 1099: 1094: 1093: 1088: 1087: 1086:Batman Begins 1082: 1081: 1076: 1075: 1070: 1066: 1065: 1060: 1059: 1054: 1053: 1048: 1047: 1042: 1041: 1036: 1035: 1030: 1025: 1023: 1022: 1021:Inland Empire 1017: 1016: 1011: 1010: 1005: 1001: 997: 996: 991: 990:Jill Sprecher 987: 986: 981: 977: 976: 971: 967: 966: 961: 957: 953: 949: 948: 943: 942: 937: 927: 925: 924: 919: 918: 913: 912: 907: 903: 902: 897: 896: 891: 890: 885: 884: 879: 878: 873: 872:Robert Altman 868: 866: 862: 858: 854: 850: 846: 842: 838: 834: 833: 828: 827: 822: 821: 816: 815: 810: 809: 804: 800: 799: 794: 793: 788: 784: 780: 776: 772: 771: 766: 765: 760: 759: 754: 753: 752:La Dolce Vita 748: 747: 742: 738: 737: 732: 731: 726: 725: 720: 719:Alain Resnais 716: 715: 714:Chelsea Girls 710: 706: 702: 701: 696: 687: 685: 684: 679: 675: 674: 669: 668: 663: 659: 655: 651: 647: 646: 641: 637: 633: 632: 627: 626:Salvador DalĂ­ 623: 619: 618: 613: 610:in 1924 with 609: 605: 604: 599: 595: 594: 589: 585: 575: 573: 572: 567: 563: 562: 557: 556: 552: 551:Orson Welles' 548: 547:flashforwards 544: 538: 528: 526: 525: 520: 519:Scott McCloud 516: 514: 513: 508: 507: 498: 497: 492: 489: 486: 485: 480: 479:Anthony Doerr 477: 474: 473: 468: 465: 462: 461: 456: 453: 450: 449: 444: 443:Jennifer Egan 441: 438: 437: 432: 429: 426: 425: 420: 417: 416: 411: 410:Arundhati Roy 408: 405: 404: 403:Trainspotting 399: 396: 393: 392: 387: 384: 381: 380: 376: 373: 370: 369: 364: 361: 358: 357: 352: 349: 346: 345: 341: 338: 335: 334: 329: 326: 323: 322: 317: 314: 311: 310: 305: 302: 299: 298: 293: 292:Joseph Heller 290: 287: 286: 282: 279: 276: 275: 270: 267: 264: 263: 258: 255: 252: 251: 246: 245: 241: 240:James Joyce's 238: 235: 234: 233:The Blind Owl 229: 228:Sadeq Hedayat 226: 223: 222: 217: 214: 211: 210: 205: 202: 199: 198: 193: 190: 187: 186: 181: 178: 177: 176: 173: 171: 167: 166:Marcel Proust 163: 159: 155: 154:Joseph Conrad 151: 146: 144: 143: 138: 137:in medias res 134: 130: 126: 125: 120: 119: 114: 110: 106: 105: 100: 96: 92: 91: 90:in medias res 82: 81: 76: 71: 66: 62: 58: 48: 46: 42: 37: 36:chronological 33: 29: 25: 21: 4143:Storytelling 3958:Subjectivity 3948:Third-person 3938:First-person 3572: 3527: 3381:Comic relief 3133: 3126: 3117:Flashforward 3084: 3058:Origin story 3040: 3003:Straight man 2958: 2850: 2837: 2805: 2786: 2781: 2762: 2754: 2744: 2728: 2711: 2696: 2691: 2683:The Observer 2681: 2672: 2653: 2622: 2602: 2593: 2573: 2568: 2534:Ava: a novel 2533: 2530:Maso, Carole 2524: 2505: 2500: 2481: 2472: 2449: 2443: 2424: 2418: 2373:Reading path 2290: 2277: 2273:adding to it 2268: 2245: 2239: 2232: 2227:Pulp Fiction 2216: 2208: 2207:also begins 2202: 2200: 2193: 2187: 2185: 2178: 2175: 2168: 2162: 2157: 2129: 2123: 2117: 2111: 2105: 2099: 2093: 2087: 2081: 2077:Touka Gettan 2075: 2069: 2063: 2057: 2051: 2045: 2039: 2027: 2021: 2015: 2009: 2003: 1997: 1993:The Returned 1991: 1985: 1979: 1973: 1967: 1961: 1955: 1949: 1943: 1937: 1933:FlashForward 1931: 1925: 1919: 1913: 1907: 1901: 1895: 1889: 1883: 1877: 1871: 1869: 1858: 1853: 1846: 1836:fifth season 1829: 1813: 1807:Golden Globe 1796: 1786:first season 1783: 1771: 1758: 1741: 1721: 1714:Walter White 1710:final season 1705:Breaking Bad 1703: 1690: 1678: 1656: 1638:Oliver Queen 1631: 1620: 1614: 1602: 1590: 1588:comedy drama 1577: 1563: 1549: 1537: 1525: 1519: 1513: 1507: 1501: 1495: 1489: 1483: 1469: 1463: 1457: 1451: 1445: 1439: 1435:Breaking Bad 1433: 1427: 1421: 1415: 1395: 1389:January 2017 1386: 1371:Please help 1359: 1326: 1320: 1316:Vada Chennai 1314: 1300: 1295:). Director 1292:The Grudge 3 1290: 1284: 1278: 1268: 1262: 1248: 1242: 1232: 1231:(2000), and 1226: 1220: 1214: 1208: 1205:Wong Kar-wai 1198: 1188: 1187:(2005), and 1182: 1176: 1173:Gus Van Sant 1166: 1160: 1146: 1142:IrrĂ©versible 1140: 1130: 1114: 1108: 1102: 1096: 1092:The Prestige 1090: 1084: 1078: 1072: 1067:(2008); and 1062: 1061:(2002), and 1056: 1052:Full Frontal 1050: 1044: 1040:Out of Sight 1038: 1032: 1026: 1019: 1018:(2001), and 1013: 1009:Lost Highway 1007: 993: 983: 973: 963: 951: 945: 941:Pulp Fiction 939: 933: 921: 920:(1978), and 915: 909: 901:Gosford Park 899: 898:(1993), and 893: 887: 881: 875: 869: 861:Carlos Saura 845:Chris Marker 830: 829:(1976), and 824: 818: 812: 806: 803:Nicolas Roeg 796: 790: 768: 767:(1969), and 762: 756: 750: 744: 734: 733:(1961), and 728: 722: 712: 704: 698: 693: 681: 671: 665: 649: 643: 635: 629: 615: 601: 591: 581: 569: 559: 555:Citizen Kane 553: 540: 522: 517: 510: 504: 502: 494: 482: 470: 458: 446: 434: 424:Anil's Ghost 422: 413: 401: 398:Irvine Welsh 389: 377: 366: 363:Stephen King 354: 342: 331: 319: 307: 304:Muriel Spark 295: 283: 274:Pedro Páramo 272: 260: 248: 242: 231: 219: 207: 195: 183: 174: 147: 140: 136: 122: 116: 102: 97:, including 88: 86: 78: 27: 23: 19: 18: 4174:Narratology 4148:Tellability 4114:Metafiction 4109:Narratology 3881:Theological 3773:Pop culture 3654:Short story 3632:Epic poetry 3353:Time travel 3166:Red herring 3151:Plot device 3122:Frame story 3075:Cliffhanger 3018:Tritagonist 2993:Protagonist 2759:Boggs, Carl 2658:Focal Press 2627:Focal Press 2578:Focal Press 2536:. 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Index

narrative technique
chronological
electronic literature
hypertext fiction
Electronic literature
Hypertext fiction
Generative literature

Laurence Sterne
The Life and Opinions of Tristram Shandy, Gentleman
in medias res
epic poetry
Homer
Iliad
flashback
Indian epic
Mahabharata
Arabian Nights
The City of Brass
The Three Apples
Beowulf
modernist
Joseph Conrad
Virginia Woolf
Ford Madox Ford
Marcel Proust
William Faulkner
Laurence Sterne
The Life and Opinions of Tristram Shandy, Gentleman
Thomas Carlyle

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

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