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179:(SFU) in 1973. She later enrolled as a student in the communications department and completed her thesis, entitled "Listening and Soundmaking: A Study of Music-As-Environment," for a Master of Arts in 1988; she taught acoustic communication at Simon Fraser until 1990. In 2024, Westerkamp received an honorary doctorate from SFU in recognition of her contributions to acoustic ecology, music composition, and sound studies.
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256:(Vancouver Cooperative Radio). Through her work with Schafer and with radio, she developed a deep interest and concern for noise and the acoustic environment, which greatly influenced her style of composition. After this time, she began to experiment with recording, processing, and mixing environmental sounds in the recording studio.
211:. As part of her work with the World Soundscape Project she listened to and catalogued the Project's field recording archives, and has since dedicated the majority of her work to pieces that involve the layering and manipulation of field recordings. She additionally popularized the creative method/experience of
227:
She collaborated with director Gus Van Sant, with whom she seemed to share work that explored similar concepts. To quote
Randolph Jordan, "Her compositions are ideally suited for helping to flesh out Van Sant's portraits of young people adrift in worlds from which they are seemingly detached, but who
323:
Some of
Westerkamp's works are directly related to feminism. In 1990, she composed "École Polytechnique", which was commissioned by Montréal Musiques Actuelles/New Music America. According to Andra McCartney and Marta McCarthy, "Hildegard Westerkamp's (1990) composition
105:
A Walk
Through the City (1981) Harbour Symphony (1986) Cricket Voice (1987) Kits Beach Soundwalk (1989) Beneath the Forest Floor (1992) Gently Penetrating Beneath the Sounding Surfaces of Another Place (1997) Into the Labyrinth (2000) Attending to Sacred Matters (2002)
266:
Throughout the 1980s, she developed an interest in music for live performance, and in creating installations and other "composed environments" (sometimes in collaboration) for specific sites. In 1982, she was a researcher for the Women in Music project at
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718:, in collaboration with photographer Florence Debeugny (Industrial Ear, Vancouver, Sept 8-16, 2000; Whyte Museum, Banff, 11 Oct, 2002 – 19 Jan, 2003; Victoria College of the Arts, Melbourne, 19–27 March 2003)
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and collaborated with him on a number of projects before their separation. She later maintained a long-term relationship with Peter Grant, who passed away in 2014 and to whom her 1997 piece
728:(Engine 27, New York, 7–15 Nov, 2000; Sound Practice , Dartington College of Arts, UK, Feb 2001; CCNOA, Brussels, 2–9 Feb, 2003; x-tract Sculpture Musicale, Podewil, Berlin, 1–12 Apr, 2003)
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175:, which she earned in 1972. During this time as a student she encountered both Barry Truax and R. Murray Schafer, and began working for Schafer as part of the World Soundscape Project at
1438:
McCartney, A. "Hildegard
Westerkamp's Moments of Laughter: Recording Childhood, Performing Motherhood, Refusing to Shut up and Laughing." Perspectives of New Music, Vol 38, N 1, 2000.
272:
283:
After 1991, Westerkamp devoted herself to more fully to composing, lecturing, and writing, disseminating her compositions and ideas at concerts and conferences. She was editor of
259:
Westerkamp was involved in several other research projects on noise, acoustic ecology and music. From 1974 to 1975, she was a researcher with the Noise
Abatement Project of the
895:
712:, in collaboration with Savinder Anand, Mona Madan, and Veena Sharma (Mati Ghar, Indira Gandhi National Centre for the Arts Janpath, New Delhi, India, 10–25 Dec, 1998)
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McCartney, A. (1995) "Inventing Images: Constructing and
Contesting Gender in Thinking about Electroacoustic Music." Leonardo Music Journal, Vol.5 (57-66).
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Westerkamp studied flute and piano at the
Conservatory of Music in Freiburg, West Germany from 1966 to 1968, then moved to Canada to study for a
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is an artistic response to one of Canada's most profoundly disturbing mass murders, the 1989 slaying of fourteen women in
Montreal, Quebec."
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896:"Communication alumnus and renowned acoustic ecologist Hildegard Westerkamp receives honorary Doctorate of Fine Arts from SFU"
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Westerkamp became a naturalized citizen of Canada in 1975. In 1972, she married the
Canadian poet and playwright
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Woloshyn, A. Playing with the voice and blurring boundaries in
Hildegard Westerkamp’s "MotherVoiceTalk".
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She has also composed soundtracks for radio dramas and film and her music has been featured in movies by
215:, which she defines as "any excursion whose main purpose is to listen to the environment." Works such as
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in the 1970s-'80s. She has written extensively on these topics for journals and conferences, including
144:, radio artist, teacher, and sound ecologist. She is known for her contributions to and development of
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1269:"Choral. Public, and Private Listener Responses to Hildegard Westerkamp's École Polytechnique"
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Labelle, B. (1999). The sound of music: Contemporary sound-art and the phenomenal world.
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1448:(Doctoral dissertation). Retrieved from ProQuest Dissertations & Theses. (NQ46305).
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Khazam, R. (2000). Soundscapes Be)for(e 2000—Amsterdam, Holland, 19–26 November 1999.
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688:(Music from the New Wilderness Festival, Western Front Gallery, Vancouver, Feb 1980)
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Zapf, D. (1981). Inside the soundscape: the compositions of Hildegard Westerkamp.
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Jordan, R. (2007). The work of Hildegard Westerkamp in the films of Gus Van Sant.
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Werner, H. U. (1994). Hildegard Westerkamp: I am a composer, I recycle sound.
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might well be pointing towards alternative modes of environmental awareness."
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984:"Soundscape Composition as Global Music: Electroacoustic music as soundscape"
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Chatelin, R. (1988). Hildegard Westerkamp: Wake-up and hear the crickets.
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Soundscape - Akustische Landschaften: Eine Klangoekologische Spurensuche
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849:. New York, NY, United States of America: Oxford University Press.
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From 1973–80 Westerkamp worked as a research associate along with
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Gently Penetrating Beneath the Sounding Surfaces of Another Place
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Recordings featuring Westerkamp's compositions, chronologically:
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1516:"Composer showcase: Hildegard Westerkamp" Canadian Music Centre
1105:"The Work of Hildegard Westerkamp in the Films of Gus Van Sant"
362:(empreintes DIGITALes, IMED 9004, rereleased 1996 as IMED 9604)
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Listening is Action: A Soundwalk with Hildegard Westerkamp
1388:"Klavierklang, by Hildegard Westerkamp and Rachel Iwaasa"
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Clarke, Michael; Dufeu, Frédéric; Manning, Peter (2020).
1023:"Hildegard Westerkamp: A Life in Soundscape Composition"
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from 1991 - 1995 and joined the editorial committee of
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Young, G. (1984). Composing with environmental sound.
945:"Linking soundscape composition and acoustic ecology"
808:. Oxford University Press, accessed December 5, 2015.
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Ear Room interview (Mark Peter Wright 6th July 2011)
1243:"Music and the Movies: Koneline: our land beautiful"
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291:, for the World Forum for Acoustic Ecology in 2000.
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In 1974 she began working as a producer and host at
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348:Anthology of Canadian Music: Electroacoustic music
1458:Steenhuisen, P. (2009). Hildegard Westerkamp. In
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1475:http://econtact.ca/14_4/woloshyn_westerkamp.html
1435:, 33(4), 338–39. doi:10.1162/leon.2000.33.4.338.
203:Many of Westerkamp's compositions deal with the
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706:(Ars Electronica '89, Linz, Austria, Sept 1989)
385:Transmissions From Broadcast Artists, Radius #4
667:The Soundscape Speaks - Soundwalking Revisited
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680:Composed environments and sound installations
1273:Hildegard Westerkamp (Inside the Soundscape)
261:Society Promoting Environmental Conservation
207:environment, a method of composing known as
1460:Sonic Mosaics: Conversations with Composers
1427:http://offscreen.com/view/jordan_westerkamp
404:1977-1997, 20 Jahre OsnabrĂĽcker Komponisten
289:Soundscape: The Journal of Acoustic Ecology
1446:Sounding Places with Hildegard Westerkamp.
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367:Radio Rethink - art and sound transmission
1602:Academic staff of Simon Fraser University
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800:Kirk MacKenzie. "Westerkamp, Hildegard."
450:Musique inpirée et tirée du film Elephant
1462:. Edmonton: University of Alberta Press.
1364:"Breaking News, by Hildegard Westerkamp"
1316:"KRAAK | Various This Place is Dreaming"
1049:"Agosto Foundation :: Soundwalking"
493:Familie mit Pfiff (Theme and Variations)
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271:. She is also a founding member of the
156:, particularly through her work on the
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1642:20th-century Canadian women musicians
1607:University of British Columbia alumni
1340:"Into India, by Hildegard Westerkamp"
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1597:Hochschule fĂĽr Musik Freiburg alumni
1523:Ideas: With Paul Kennedy. CBC Radio.
1184:"WFAE Soundscape Newsletter Archive"
1072:Velasco-Pufleau, Luis (2023-06-05).
943:Westerkamp, Hildegard (April 2002).
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248:. This work fed into Schafer's book
194:Creative, Public, and Scholarly Work
1637:20th-century German women composers
1473:eContact!", 14(4). Retrieved from:
1267:McCartney, Andra; McCarthy, Marta.
818:Hoolboom, Michael; Frise, Heather.
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1612:Canadian women in electronic music
1562:Canadian women classical composers
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1213:"World Forum For Acoustic Ecology"
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871:"Hildegard Westerkamp - Monoskop"
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399:(empreintes DIGITALes, IMED 9631)
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1617:German women classical composers
1577:20th-century classical composers
1021:Hagood, Mack (January 9, 2023).
920:"Westerkamp Talking Rain (1997)"
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310:(2005). She collaborated with
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70:University of British Columbia
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710:Nada – An Experience in Sound
1557:Canadian classical composers
1241:Ennis, Paul (10 June 2016).
982:Truax, Barry (August 2008).
314:on the electronic score for
103:Fantasie for Horns I (1978)
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1582:German film score composers
1425:, 11(8-9). Retrieved from:
1129:Schafer, R. Murray (1977).
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613:Attending to Sacred Matters
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1632:German emigrants to Canada
1552:German classical composers
774:List of Canadian composers
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1164:The Canadian Encyclopedia
1000:10.1017/S1355771808000149
961:10.1017/S1355771802001085
894:Deneault, Tessa Perkins.
716:At the Edge of Wilderness
285:The Soundscape Newsletter
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391:The Vancouver Soundscape
250:The Tuning of the World.
242:World Soundscape Project
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158:World Soundscape Project
133:(born April 8, 1946, in
1131:The Tuning of the World
511:A Walk Through the City
269:Simon Fraser University
246:Simon Fraser University
177:Simon Fraser University
74:Simon Fraser University
1567:Canadian sound artists
1521:"The signal of noise."
1444:McCartney, A. (1999).
1275:. University of Guelph
1160:"Hildegard Westerkamp"
1084:10.5281/zenodo.7679234
820:"Hildegard Westerkamp"
655:Beads of Time Sounding
430:This Place is Dreaming
373:Der Verlust der Stille
209:soundscape composition
150:soundscape composition
108:MotherVoiceTalk (2008)
1053:agosto-foundation.org
847:Inside computer music
704:TĂĽren der Wahrnehmung
692:Zone of Silence Story
631:Liebes-Lied/Love Song
505:Fantasie for Horns II
924:Hildegard Westerkamp
724:, rev. of Part 4 of
547:Kits Beach Soundwalk
499:Fantasie for Horns I
342:Kits Beach Soundwalk
217:Kits Beach Soundwalk
131:Hildegard Westerkamp
120:.hildegardwesterkamp
22:Hildegard Westerkamp
1572:Women sound artists
1092:– via Zenodo.
1029:(Podcast Interview)
806:Oxford Music Online
577:India Sound Journal
565:École polytechnique
541:Moments of Laughter
326:École Polytechnique
1217:wfae.proscenia.net
1188:wfae.proscenia.net
1103:Jordan, Randolph.
802:Grove Music Online
607:Into the Labyrinth
523:His Master's Voice
471:(Earsay, ES 23003)
464:(Earsay, ES 22001)
445:(Earsay, ES 02002)
437:Radiant Dissonance
424:The Dreams of Gaia
419:(Earsay, ES 98005)
412:(Earsay, ES 98001)
1527:Paula Gordon Show
856:978-0-19-065968-4
722:Soniferous Garden
553:The Deep Blue Sea
238:R. Murray Schafer
169:Bachelor of Music
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1368:earsay music
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1344:earsay music
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1221:the original
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875:monoskop.org
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99:Notable work
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1592:1946 births
1416:Music Scene
1279:11 December
417:Harangue II
332:Discography
312:Jesse Zubot
304:(2003) and
56:Nationality
1536:Categories
1491:, 15, 5-8.
1489:Musicworks
1484:, 26, 4-8.
1482:Musicworks
1453:Art Papers
1397:2024-09-16
1373:2024-09-16
1349:2024-09-16
1325:2024-09-16
1302:2024-09-16
1252:7 February
1227:2015-12-05
1198:2015-12-05
1169:2015-12-05
1140:0771079656
1114:5 December
1089:2024-09-17
1078:. Zenodo.
1058:2024-09-17
929:2024-09-17
905:2024-09-17
900:www.sfu.ca
880:2024-09-17
780:References
686:Cordillera
517:Cool Drool
443:Into India
410:Harangue I
379:Klang Wege
298:including
154:soundwalks
34:1946-04-08
1423:Offscreen
1418:, 360, 7.
1133:. Knopf.
1109:Offscreen
1008:1469-8153
969:1469-8153
489:(1975–79)
307:Last Days
171:from the
135:OsnabrĂĽck
88:radio art
45:OsnabrĂĽck
1433:Leonardo
733:See also
698:Coon Bay
320:(2016).
317:Koneline
301:Elephant
275:(WFAE).
205:acoustic
142:composer
139:Canadian
84:composer
60:Canadian
467:(2023)
460:(2022)
454:(2003)
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358:(1990)
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346:(1990)
340:(1989)
240:at the
232:1973–91
113:Website
49:Germany
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700:(1988)
675:(2022)
669:(2021)
663:(2017)
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589:Dhvani
585:(1995)
579:(1993)
573:(1992)
567:(1990)
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531:(1986)
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519:(1983)
513:(1981)
507:(1979)
501:(1978)
495:(1976)
152:, and
785:Notes
199:Music
1281:2022
1254:2018
1135:ISBN
1116:2022
1035:2024
1004:ISSN
965:ISSN
851:ISBN
827:2024
726:Nada
456:S:on
254:CFRO
28:Born
1080:doi
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244:at
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