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Schafer was particularly interested in the implications of the changes in soundscapes in industrial societies in children, and children's relationship to the world through sound. He was a proponent of
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introduced for the first time the term "soundride" as a direct derivation from a soundwalk but driven by bicycle, used to reach more far points, interesting from their sound point of view.
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Westerkamp used soundwalks to create multiple soundart pieces. "Cricket Voice", "A Walk
Through the City", and "Beneath the Forest Floor" are all soundwalk inspired works.
76:: typically ambient sounds which are not perceived, not because they are inaudible but because they are filtered out cognitively, such as a highway or air-condition hum
47:(cleaning one's ears cognitively), and he saw soundwalking as an important part of this process of re-engaging our aural senses in finding our place in the world.
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38:... any excursion whose main purpose is listening to the environment. It is exposing our ears to every sound around us no matter where we are.
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88:: a foreground sound; e.g. a dog, an alarm clock; messages/meaning is usually carried through sound signals.
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Soundwalking has also been used as artistic medium by visual artists and documentary makers, such as
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is a walk with a focus on listening to the environment. The term was first used by members of the
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174:. New York: Berandol Music; sole selling agents: Associated Music Publishers.
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Other terms closely related to soundwalking and used by
Schafer include:
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82:: a sonic landmark; a sound which is characteristic of a place
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223:. Michigan: Knopf; original: University of Michigan.
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Ear cleaning: notes for an experimental music course
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151:Westerkamp, Hildegard (1974). "Soundwalking".
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219:Schafer, R. Murray (1977).
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200:www.hildegardwesterkamp.ca
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196:"Catalogue"
65:Other Terms
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230:0394409663
205:2020-04-29
181:0911320903
138:References
100:Acousmatic
256:Acoustics
127:Sound art
80:Soundmark
18:soundwalk
111:See also
74:Keynote
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251:Sound
225:ISBN
176:ISBN
159:(4).
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16:A
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