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Heraclius Djabadary

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Heraclius Djabadary was born in Georgia ( Russia's , not ours ) in 1891. His Georgian Rhap- sody dates from 1913 , the piano concerto from 1921 , the two little works later yet . " The Goorgian Rhapssody abounds in Oriental colour. Listening to this music we are literally transported back in time to
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was favorably compared to the composer's lengthier Piano Concerto in A, which was less well received by some and has been characterized as "half-an-hour of filmish stuff". However, Djabadary's piano concerto has also received some praise, being described as "energetic" and "quite enjoyable, raising
137:, which he despised, Djabadary had to leave the country again in 1915. After some time in France, Austria, and Switzerland, he settled in Paris in 1923, where gave a number of concerts, but after 1930 completely left the concert activity. 292:
In 1980, Djabadary's Rhapsodie Géorgienne Pour Piano Et Orchestre Op. 2 (Georgian Rhapsody), La Mélopée Du Serpent Op. 19 (The Serpent's Melody), Tiflisiana Op. 26 (Tbilissiana), and 3rd Piano Concerto in A major Op. 10 were recorded by
206:. After the composer's death, his brother Shota Djabadary promoted his music, publishing and performing orchestral arrangements of his piano pieces as a conductor. The revival of interest in the work of Djabadary is due to the pianist 573:: 1983, p.3 "After hearing the three trifles on the first side, I was prepared to dismiss the disc out of hand. However, the energetic Piano Concerto was quite enjoyable, raising Djabadary to the level of a second-rate Saint-Saëns." 155:, Piano Concerto in A major, Op. 10 (1921), "Song of the Serpent" (French: La Melopée du Serpent) for flute and orchestra Op. 19, "Tiflisiana" for oboe and orchestra Op. 26. He also authored an opera 286: 656: 245:"abounds in Oriental colour. Listening to this music we are literally transported back in time to the Georgia long ago." Described as the "most engaging" of Djabadary's works, the 359: 59:, in the 1940s. His music is noted for its fusion of Western classical traditions with folk themes from Georgia, along with the eclectic sounds of the surrounding 278: 274: 325: 748: 270: 521: 490: 310: 282: 111: 314: 306: 631: 778: 773: 508: 494: 441: 425: 409: 55:
Djabadary was largely unknown in his homeland during his lifetime and was first discovered by Georgian audiences, then behind the
768: 682: 718:ამირან ცამციშვილი. სამშობლოდან გადახვეწილი ხელოვანი: // ხელოვნება. — 1991. — No. 11-12. — გვ.38-46. 715:ნინო ქიქოძე. ლადო გუდიაშვილის ორი უცნობი ესკიზი: // საბჭოთა ხელოვნება. — 1983. — No. 1. — გვ.40-41. 262:, Djabadary's "Tiflisiana" has been cited as a vivid example of how history, geography, and local sounds inspire music. 455: 763: 712:ამირან ცამციშვილი. კომპოზიტორი ერეკლე ჯაბადარი // საბჭოთა ხელოვნება. — 1963. — No. 8. — გვ.49-57. 593: 298: 211: 709:ა. ცამციშვილი. ერეკლე ჯაბადარის მუსიკალური მემკვიდრეობა: // დროშა. — 1960. — No. 12. — გვ.18. 129:
Later in 1913, he returned to Georgia and tried to make a musical career for himself there. However, after the
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In 1967, 30 years after his death, Djabadary's remains were transferred from France back to his native
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List of Members of the American Society of Composers, Authors and Publishers and Affiliated Societies
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recorded for the Heraclius Djabadary Society pieces for cello and piano, this included:
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American Society of Composers, Authors and Publishers (ASCAP) (February 1936).
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composer and pianist who was active throughout Europe up until the 1930s.
48:, pseud. Amiran d'Alasany; 17 October 1891 – 18 August 1937) was a 269:
released an LP (as Апрелевский Завод – 33Д—10477 and 10478) containing
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Henri Dorion. "Ce que cache le nom des lieux". Éditions MultiMondes:
273:'s Fantasy-Concerto in B minor for piano and orchestra (with pianist 114:. In 1913, he made his debut in Vienna as a concert pianist with the 49: 140:
In 1936, under the pseudonym Amiran d'Alsany, Djabadary was part of
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Djabadary was married to Margit Antonia Bárczy (1877-1934), a
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Caprice for the Right Hand alone in B-flat minor (Op. 19-bis)
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This recording was released by Qualiton under ST 7421.
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that Djabadary had composed, which was well received.
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Variations sur un chant Hongrois in G minor (Op. 23)
277:) and Djabadary's Georgian Rhapsody with pianist 183:Composer's mother, Manana, a Georgian folk singer. 740: 83:, the capital city of Georgia, then part of the 491:Georgian Rhapsody, Op.2 (Djabadary, Héraclius) 43: 569:. Volume 51, Issue 10 - Volume 53, Issue 10. 687:. Vol. 7. J. Flegler. 1984. p. 180 106:to study composition under the direction of 232: 153:"Georgian Rhapsody for Piano and Orchestra" 66: 749:Classical composers from Georgia (country) 151:Djabadary's significant works include the 133:authorities decided to draft him into the 509:National Parliamentary Library of Georgia 442:National Parliamentary Library of Georgia 426:National Parliamentary Library of Georgia 410:National Parliamentary Library of Georgia 79:Djabadary was born on 17 October 1891 in 250:Djabadary to the level of a second-rate 178: 70: 18: 344:Réminiscences in G minor (Op. 6, No. 1) 741: 335:Caprice in B-flat minor (Op. 3, No. 3) 341:Guiguitte/Caprice in E (Op. 6, No. 2) 309:(as Voxigrave V/30/ST 7240) in 1981, 287:State Symphony Orchestra Of Georgia 197: 13: 202:Djabadary died of tuberculosis in 28:Heraclius Alexandres dze Djabadary 14: 790: 722: 212:Luxembourg Philharmonic Orchestra 779:Composers from Georgia (country) 774:20th-century classical composers 347:A.E.K Enigma in F minor (Op. 22) 174: 675: 649: 624: 598: 578: 559: 169:Variations on a Hungarian Chant 542: 514: 498: 484: 472: 447: 431: 415: 399: 317:(as Quantum QM 6915) in 1991. 89:Royal Conservatory of Brussels 45:ერეკლე ალექსანდრეს ძე ჯაბადარი 1: 571:Pennsylvania State University 392: 769:Burials in Georgia (country) 353:Nocturne in C minor (Op. 14) 299:Orchestre Symphonique de RTL 7: 375: 365:Regrets in F minor (Op. 24) 241:has noted that Djabadary's 10: 795: 382:Music of Georgia (country) 281:, both were conducted by 91:, where he studied under 87:. In 1905 he entered the 44: 764:Male classical composers 332:Lied in E (Op. 3, No. 1) 233:Recordings and criticism 97:François-Auguste Gevaert 67:Early life and education 254:". Alongside Debussy's 554:University of Virginia 267:Aprelevka Record Plant 184: 76: 75:Heraclius in his youth 35: 24: 565:H. R. Smith Company. 537:the Georgia long ago. 523:American Record Guide 479:Margit Antonia Bárczy 360:Margit Antonia Bárczy 338:"Les moments vécus": 305:, and released under 239:American Record Guide 182: 171:for piano and cello. 135:Imperial Russian Army 116:Tonkünstler Orchestra 74: 22: 279:Tinatin Gogolashvili 260:An American in Paris 225:and interred at the 362:in E minor (Op. 30) 256:Soirée dans Grenade 165:Nocturne in C minor 124:"Georgian Rhapsody" 118:under the baton of 102:In 1909 he went to 36:Héraclius Djabadary 23:Heraclius Djabadary 275:Gulnara Kavtaradze 185: 77: 25: 320:In 1984, cellist 271:Meri Davitashvili 247:Georgian Rhapsody 243:Georgian Rhapsody 161:Alexander Kazbegi 122:, performing the 108:Richard Heuberger 16:Georgian composer 786: 697: 696: 694: 692: 679: 673: 672: 670: 668: 653: 647: 646: 644: 642: 628: 622: 621: 619: 617: 602: 596: 582: 576: 563: 557: 546: 540: 539: 533: 531: 518: 512: 502: 496: 488: 482: 476: 470: 469: 467: 465: 451: 445: 435: 429: 419: 413: 403: 358:Sur la tombe de 295:Louis de Froment 283:Zakhari Khurodze 216:Louis de Froment 198:Death and legacy 159:(1919, based on 112:Juliusz Wolfsohn 110:and piano under 47: 46: 794: 793: 789: 788: 787: 785: 784: 783: 739: 738: 725: 701: 700: 690: 688: 681: 680: 676: 666: 664: 655: 654: 650: 640: 638: 630: 629: 625: 615: 613: 604: 603: 599: 583: 579: 567:The New Records 564: 560: 547: 543: 529: 527: 520: 519: 515: 505:ირაკლი ჯაბადარი 503: 499: 489: 485: 477: 473: 463: 461: 452: 448: 438:ირაკლი ჯაბადარი 436: 432: 422:ირაკლი ჯაბადარი 420: 416: 406:ირაკლი ჯაბადარი 404: 400: 395: 378: 326:Gérard Nougarol 297:conducting the 258:and Gershwin's 235: 227:Didube Pantheon 200: 177: 93:Arthur De Greef 69: 17: 12: 11: 5: 792: 782: 781: 776: 771: 766: 761: 756: 751: 737: 736: 731: 724: 723:External links 721: 720: 719: 716: 713: 710: 706: 705: 699: 698: 674: 648: 623: 597: 586:Quebec, Canada 577: 558: 556:, 1983, p 175. 541: 513: 497: 483: 471: 446: 430: 414: 397: 396: 394: 391: 390: 389: 387:Victor Dolidze 384: 377: 374: 370: 369: 366: 363: 356: 355: 354: 351: 348: 345: 342: 336: 333: 322:Pierre Strauch 234: 231: 199: 196: 176: 173: 85:Russian Empire 68: 65: 15: 9: 6: 4: 3: 2: 791: 780: 777: 775: 772: 770: 767: 765: 762: 760: 757: 755: 752: 750: 747: 746: 744: 735: 734:WorldCat page 732: 730: 727: 726: 717: 714: 711: 708: 707: 703: 702: 686: 685: 678: 662: 658: 652: 637: 633: 627: 611: 607: 601: 595: 594:9782897732813 591: 587: 581: 575: 572: 568: 562: 555: 551: 545: 538: 525: 524: 517: 510: 506: 501: 495: 492: 487: 480: 475: 459: 458: 450: 443: 439: 434: 427: 423: 418: 411: 407: 402: 398: 388: 385: 383: 380: 379: 373: 367: 364: 361: 357: 352: 349: 346: 343: 340: 339: 337: 334: 331: 330: 329: 327: 323: 318: 316: 313:by 1988, and 312: 308: 304: 303:Henri Goraieb 301:with pianist 300: 296: 290: 288: 284: 280: 276: 272: 268: 263: 261: 257: 253: 248: 244: 240: 230: 228: 224: 219: 217: 214:conducted by 213: 209: 208:Henri Goraïeb 205: 195: 193: 190: 181: 175:Personal life 172: 170: 166: 162: 158: 154: 149: 147: 143: 138: 136: 132: 127: 125: 121: 117: 113: 109: 105: 100: 98: 94: 90: 86: 82: 73: 64: 62: 58: 53: 51: 41: 37: 33: 29: 21: 704:Bibliography 689:. Retrieved 683: 677: 665:. Retrieved 660: 651: 639:. Retrieved 635: 626: 614:. Retrieved 609: 600: 580: 566: 561: 549: 548:J. Flegler. 544: 535: 528:. Retrieved 522: 516: 500: 486: 474: 462:. Retrieved 460:. p. 19 456: 449: 433: 417: 401: 371: 324:and pianist 319: 291: 264: 259: 255: 246: 242: 236: 220: 204:Nice, France 201: 186: 156: 150: 139: 128: 120:Oskar Nedbal 101: 78: 57:Iron Curtain 54: 27: 26: 759:1937 deaths 754:1891 births 252:Saint-Saëns 743:Categories 729:IMSLP page 393:References 192:aristocrat 636:Melomania 552:, Vol 7. 307:Voxigrave 285:with the 265:In 1962, 189:Hungarian 493:, 2022, 376:See also 311:Qualiton 63:region. 61:Caucasus 50:Georgian 40:Georgian 691:9 April 684:Fanfare 667:9 April 661:Discogs 641:9 April 616:9 April 610:Discogs 588:, 2022 550:Fanfare 530:9 April 464:30 July 315:Quantum 223:Tbilisi 157:Gulnara 131:Tsarist 663:. 1981 612:. 1962 592:  511:, 2023 481:, 2023 444:, 2023 428:, 2023 412:, 2023 104:Vienna 81:Tiflis 42:: 32:French 167:and 146:SACEM 142:ASCAP 693:2023 669:2023 643:2023 618:2023 590:ISBN 532:2023 466:2023 237:The 144:and 95:and 745:: 659:. 634:. 608:. 534:. 507:, 440:, 424:, 408:, 289:. 229:. 218:. 148:. 99:. 38:, 34:: 695:. 671:. 645:. 620:. 468:. 30:(

Index


French
Georgian
Georgian
Iron Curtain
Caucasus

Tiflis
Russian Empire
Royal Conservatory of Brussels
Arthur De Greef
François-Auguste Gevaert
Vienna
Richard Heuberger
Juliusz Wolfsohn
Tonkünstler Orchestra
Oskar Nedbal
"Georgian Rhapsody"
Tsarist
Imperial Russian Army
ASCAP
SACEM
"Georgian Rhapsody for Piano and Orchestra"
Alexander Kazbegi
Nocturne in C minor
Variations on a Hungarian Chant

Hungarian
aristocrat
Nice, France

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