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While working with the FDP, Tamiris simultaneously acknowledged that it was not a full solution to the issue of unemployed dancers. Tamiris wanted dancers to be understood as laborers, due to the significant physical demands of their work, and believed that the difficulties faced by dancers in the
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for which Fokine choreographed the prologue. Dissatisfied with ballet, Becker studied at the
Isadora Duncan School, but left after three months. Her autobiography cited the reasons for leaving as "I don't want to be a Duncan dancer - or a ballet dancer - I want to be myself - But what was myself?"
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described her as "the great unsung pioneer of
American dance." Tamiris' longtime partner Daniel Nagrin attributed Tamiris' lesser-known legacy to her intense social, political, and artistic passion, which he argued frightened her peers; and to Tamiris' use of jazz in her early works, when its
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With her independence in mind, Becker worked in commercial dance, including at nightclubs and the Music Box Review on
Broadway. She took on the stage name of "Tamiris," from a line in a Persian poem: "Thou art Tamiris, the ruthless queen who banishes all obstacles."
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of her own, unlike her contemporaries. Tamiris' collaborative attitude towards choreography, encouraging her dancers to utilize their "inner action," and her focus on content over form, is argued by contemporary scholars to constitute a distinct style.
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Tamiris and Nagrin separated personally and professionally in 1964. Tamiris was diagnosed with cancer shortly after their separation, and retreated from public view. Tamiris died on August 5, 1966, at the age of 64.
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and its sister projects, arguing for modern dance as an art form, and choreographing multiple productions. In her later career, Tamiris choreographed on
Broadway, winning a Tony Award in 1949 for her choreography in
712:, p. 4: "I was born on Madison St. in Manhattan ... it is corroborated by a copy of a birth certificate that I saw for the first time only last week ... on April 23, 1902 of Russian Jewish immigrants."
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was referenced as part of the backlash against the
Federal Theatre Project, which eventually led to its shutdown. The final example of Tamiris' work for the Federal Theatre Project before its closure is
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The date of
Tamiris' birth is contested. Multiple sources cite 1905 as the date of her birth. Tamiris' autobiography cites her date of birth as April 23, 1902, and her 1966 obituary lists her age as 64.
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School of Dance, but
Tamiris remained independent of this group. A 2000 analysis by dance scholar Julia Foulkes argues that Tamiris' exclusion from the Bennington College program was due to either
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in its program, detailing
Tamiris' desires to keep her works contemporary, sincere, and uniquely American. This manifesto was possibly in reaction to the works of Tamiris' contemporaries
270:; they had performed at the same venue weeks after Tamiris' debut, and Tamiris was in disagreement with some of their principles. The second performance included two short pieces set to
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as a child, and began her career in the field of ballet. Tamiris refocused to modern dance, making her solo debut in 1928, with a focus on social activism. Tamiris was a leader in the
414:, a short run that nonetheless drew intense attention from Broadway producers, who feared that its low ticket prices were undercutting their commercial works. More consequentially,
343:, had a large impact on Tamiris' work. Tamiris' advocacy led to the expansion of the Federal Dance Project under the WPA, and she later became the director of the
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in 1950, and despite an internal FBI review in 1955 denying her affiliation with the
Communist Party, her legacy was likely affected greatly by the blacklisting.
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saw
Tamiris' works as early as 1936, and joined her company in 1941. They married in September 1946, and continued to collaborate professionally.
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for four seasons. Before her final season, she joined the Bracale Opera Company as a soloist on a tour of South America in the summer of 1922.
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to form the Dance Repertory Theatre. The company was financially successful, but dissolved in 1932. Many of its members went on to form the
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Upon her return from South America, Becker performed with the Met for another season, while studying with Russian ballet choreographer
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204:. The early education with the creative freedom of interpretive dance would inform her work as a choreographer for many years.
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Tamiris was born Helen Becker in New York City on April 23, 1902, to Isor and Rose (Simonov) Becker. Her parents and brothers
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from 1918 to 1920. Her focus on labor statistics preceded her later works in union organizing, a key element of her legacy.
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Becker attended New York City public schools, graduating from Eastern District High School in 1918, and later studying
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Much of Tamiris' known work deals with social issues like racism and war. She is best known for her suite of dances,
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in her casts. This, along with her earlier union organizing and antiwar activism, prompted an FBI investigation and
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at the age of eight. The Henry Street Settlement's dance program taught "interpretive dancing," an early form of
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argued that Tamiris' legacy was marred by personal rivalries among her peers. In a 1988 essay, dance historian
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1135:"FEDERAL THEATRE GIVES 'ADELANTE'; Second Dance Production of Season, Spanish Theme, Is Work of Helen Tamiris"
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in 1989. The revised draft covers Tamiris' childhood and early career, ending before her 1928 trip to Europe.
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criticized Tamiris for using white dancers to convey Black experience, calling it "metaphorical blackface".
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301:(1936) was an original dance drama by Helen Tamiris for the Federal Dance Theatre, a division of the
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Power Delivered Through Dance: Choreographer Intent in Creating American National Identity 1935-1965
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As a child, Becker was constantly in motion, and her father enrolled her in dance classes at the
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145:; April 23, 1902 β August 4, 1966) was an American choreographer, modern dancer, and teacher.
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In October 1927, Tamiris made her premiere as a solo modern dancer, accompanied by composer
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Despite the magnitude of her works, Tamiris' legacy is less known than that of her peers.
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Schlundt, Christena L. (1989). "Tamiris: A Chronicle of Her Dance Career 1927-1955".
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985:"Helen Tamiris, Dancer, is Dead; Choreographer Put a Stress on Social Responsibility"
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948:"Is Mr. Euripides a Communist? The Federal Theatre Project's 1938 'Trojan Incident'"
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created between 1928 and 1942. Eight pieces of this suite were performed at the
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experience. She trained with the Met for one season, then performed in the
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Nagrin, Daniel (2001). "Helen Tamiris and Her Teaching of Choreography".
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or backlash against Tamiris' involvement with leftist politics.
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605:(1). Pennington, NJ: Society of Dance History Scholars: 1β64.
361:(1939) was Tamiris' final work for the Federal Theatre Project
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1170:. Pittsburgh: University of Pittsburgh Press. pp. 9β23.
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837:"Angels "Rewolt!": Jewish Women in Modern Dance in the 1930s"
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workplace were relevant to contemporaneous labor movements.
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at age 15, and was accepted, despite her lack of ballet and
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legitimacy may have still been in question. Contrastingly,
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The Broadcast 41: Women and the Anti-Communist Blacklist
483:(1949). Her other musical theatre choreography includes
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Journal for the Anthropological Study of Human Movement
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McPherson, Elizabeth; Tucker, JoAnne (September 2019).
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and the programs created to mitigate it, including the
258:. A second solo performance in January 1928 included a
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Helen Tamiris: Re-Visioning Modernism in Modern Dance
1109:"Festival of the Dance: Helen Tamiris and Hanya Holm"
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Jewish Women: A Comprehensive Historical Encyclopedia
595:"Tamiris in Her Own Voice: Draft of an Autobiography"
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1229:. Moving Naturally Conference. University of Surrey.
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Stabile, Carol A.; Favara, Jeremiah; Strait, Laura.
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LC Linked Data Service: Authorities and Vocabularies
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Tamiris was not interested in developing a codified
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Tamiris: a chronicle of her dance career, 1927-1955
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658:"Helen Tamiris | American dancer and choreographer"
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148:Tamiris began her studies in modern dance at the
16:American choreographer, modern dancer and teacher
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439:Tamiris, upper right, watching auditions at the
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1029:. Holbrook, Mass: Bob Adams. pp. 176β177.
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593:Tamiris, Helen (1989) . Nagrin, Daniel (ed.).
308:In the early 1930s, Tamiris collaborated with
242:. She then danced in a Broadway production of
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290:Great Depression and Federal Dance Project
129: 1946–1964)
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1025:The remarkable lives of 100 women artists
458:in the 1940s and mid-1950s, insisting on
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396:(1938), a contemporary interpretation of
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954:. 44/45 (Winter 2010/Spring 2011): 467.
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389:'s first award for group choreography.
373:in April 1939, in a program shared with
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1417:. New York: New York Public Library.
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1168:Choreography And The Specific Image
1087:Hernandez, Patricia Yvonna (2021).
177:, Russia a decade earlier, fleeing
173:and Charles Becker immigrated from
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1323:Anderson, Jack (August 27, 1995).
1264:Kriegsman, Alan M. (May 4, 1991).
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569:Society of Dance History Scholars
37:Tamiris in a publicity photo for
1488:Tony Award for Best Choreography
1220:Wawrejko, Diane (October 2009).
903:from the original on 2019-09-28.
778:Tish, Pauline (March 20, 2009).
477:Tony Award for Best Choreography
447:Modern dancer and choreographer
219:Ballet training and early career
1409:Schlundt, Christena L. (1972).
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1192:"Helen Tamiris (Choreographer)"
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888:. No. 36. pp. 49β53.
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1360:. Penguin Press. p. 127.
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410:played 26 performances at the
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1297:Roses-Thema, Cynthia (2003).
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341:Works Progress Administration
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991:. August 5, 1966. p. 24
211:and labor statistics at the
181:. The family settled on the
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1252:McPherson & Tucker 2019
919:McPherson & Tucker 2019
724:"Remembering Helen Tamiris"
683:"Tamiris, Helen, 1905-1966"
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377:. A contemporaneous piece,
10:
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2059:Artists from New York City
2049:20th-century American Jews
1443:Internet Broadway Database
835:Foulkes, Julia L. (2000).
780:"Helen Tamris (1902β1966)"
454:Tamiris choreographed for
423:(1939), a critique of the
223:Becker auditioned for the
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371:Brooklyn Academy of Music
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599:Studies in Dance History
466:. Tamiris was listed in
464:accusations of Communism
196:taking inspiration from
2054:American modern dancers
2044:American choreographers
1356:Shapiro, James (2024).
1021:Bailey, Brooke (1994).
841:American Jewish History
662:Encyclopedia Britannica
345:Federal Theatre Project
303:Federal Theatre Project
190:Henry Street Settlement
154:Federal Theatre Project
150:Henry Street Settlement
946:Davis, Robert (2010).
814:. University of Oregon
722:Tish, Pauline (1994).
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431:Musical theatre career
381:(1937), was danced to
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523:Later life and legacy
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2005:Christopher Wheeldon
1969:Christopher Wheeldon
1951:Christopher Gattelli
504:Carnival in Flanders
198:Dalcroze eurhythmics
1981:Andy Blankenbuehler
1975:Andy Blankenbuehler
1927:Andy Blankenbuehler
691:Library of Congress
563:Tamiris drafted an
1329:The New York Times
1139:The New York Times
1011:, pp. 39, 56.
989:The New York Times
492:Up in Central Park
486:Annie Get Your Gun
460:racial integration
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379:How Long Brethren?
363:
326:Bennington College
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1945:Kathleen Marshall
1915:Kathleen Marshall
1903:Kathleen Marshall
1832:Kenneth MacMillan
1177:978-0-8229-4147-7
1097:. pp. 19β20.
1036:978-1-55850-360-1
952:Comparative Drama
545:Alan M. Kriegsman
441:St. James Theatre
425:Spanish Civil War
412:St. James Theatre
367:Negro Spirituals,
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1111:. April 18, 1939
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664:. April 20, 2023
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337:Great Depression
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322:Agnes de Mille
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2018:
2015:
2012:
2009:
2006:
2003:
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1997:
1994:
1991:
1988:
1985:
1982:
1979:
1976:
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1967:
1964:
1961:
1958:
1955:
1952:
1949:
1946:
1943:
1940:
1939:Bill T. Jones
1937:
1934:
1933:Peter Darling
1931:
1928:
1925:
1922:
1921:Bill T. Jones
1919:
1916:
1913:
1910:
1907:
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1898:
1895:
1892:
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1885:Susan Stroman
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1876:
1869:
1868:Susan Stroman
1866:
1863:
1860:
1857:
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1844:Savion Glover
1842:
1839:
1838:Susan Stroman
1836:
1833:
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1827:
1826:Wayne Cilento
1824:
1821:
1820:Susan Stroman
1818:
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1790:Cholly Atkins
1788:
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1784:Michael Smuin
1782:
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1764:
1763:Danny Daniels
1761:
1758:
1757:Thommie Walsh
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1731:Thommie Walsh
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1705:Peter Gennaro
1703:
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1528:
1525:
1524:Helen Tamiris
1522:
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1453:
1449:
1448:Helen Tamiris
1446:
1444:
1440:
1439:Helen Tamiris
1437:
1436:
1426:
1424:0-87104-233-9
1420:
1415:
1414:
1407:
1406:
1395:, p. 45.
1394:
1389:
1382:
1377:
1369:
1367:9780593490204
1363:
1359:
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1326:
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1311:
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1293:
1279:
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1254:, p. 52.
1253:
1248:
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1236:
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1199:
1198:
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1096:
1092:
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1083:
1075:
1071:
1068:(1): 65β154.
1067:
1063:
1056:
1048:
1038:
1032:
1027:
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1017:
1010:
1005:
990:
986:
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978:
976:
961:
957:
953:
949:
942:
940:
933:, p. 20.
932:
927:
921:, p. 50.
920:
915:
913:
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899:
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572:
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566:
565:autobiography
561:
559:
558:Susan Manning
555:
554:Jack Anderson
551:
546:
543:dance critic
542:
537:
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449:Daniel Nagrin
442:
437:
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383:protest songs
380:
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333:
331:
327:
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319:
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311:
310:Martha Graham
304:
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287:
285:
281:
277:
273:
269:
265:
264:Martha Graham
261:
257:
252:
248:
245:
241:
240:Michel Fokine
236:
234:
230:
226:
216:
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186:
184:
180:
176:
172:
162:
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155:
151:
146:
144:
140:
139:Helen Tamiris
119:
118:Daniel Nagrin
114:
110:
107:
104:
100:
97:
93:
92:Choreographer
90:
88:Occupation(s)
86:
82:New York City
74:
70:
66:
65:New York City
49:
45:
40:
34:
29:
25:Helen Tamiris
22:
19:
1878:2001βpresent
1850:Ann Reinking
1794:Henry LeTang
1584:Michael Kidd
1566:Michael Kidd
1548:Michael Kidd
1536:Robert Alton
1530:Michael Kidd
1523:
1506:Michael Kidd
1412:
1393:Tamiris 1989
1388:
1381:Tamiris 1989
1376:
1358:The Playbook
1357:
1351:
1340:. Retrieved
1328:
1318:
1309:
1305:
1292:
1281:. Retrieved
1269:
1259:
1247:
1235:
1222:
1201:. Retrieved
1195:
1186:
1167:
1161:
1150:. Retrieved
1138:
1128:
1118:– via
1113:. Retrieved
1103:
1089:
1082:
1065:
1061:
1055:
1045:– via
1040:. Retrieved
1024:
1016:
1009:Tamiris 1989
1004:
993:. Retrieved
988:
963:. Retrieved
951:
931:Tamiris 1989
926:
882:
869:
844:
840:
816:. Retrieved
811:
787:. Retrieved
783:
759:. Retrieved
731:
727:
717:
710:Tamiris 1989
705:
694:. Retrieved
686:
677:
666:. Retrieved
661:
652:
632:
602:
598:
587:Publications
562:
538:
530:
526:
514:
513:(1954), and
508:
502:
496:
490:
484:
481:Touch and Go
480:
474:
469:Red Channels
467:
453:
446:
420:
415:
407:
402:directed by
397:
393:
391:
386:
378:
366:
364:
358:
349:
334:
330:antisemitism
320:, and later
307:
298:
268:Angna Enters
253:
249:
243:
237:
222:
206:
194:modern dance
187:
168:
159:Touch and Go
158:
147:
143:Helen Becker
142:
138:
137:
106:Modern dance
77:(1966-08-04)
51:Helen Becker
38:
18:
2074:1902 births
2039:1966 deaths
2017:Justin Peck
1999:Sonya Tayeh
1987:Justin Peck
1897:Twyla Tharp
1891:Rob Ashford
1856:Garth Fagan
883:Dance Today
256:Louis Horst
213:Rand School
2033:Categories
1814:Tommy Tune
1808:Tommy Tune
1753:Tommy Tune
1727:Tommy Tune
1642:Joe Layton
1600:Joe Layton
1342:2023-06-06
1283:2023-06-06
1203:2024-06-10
1152:2023-04-20
1115:2023-04-20
1093:(Thesis).
1042:2023-06-16
995:2008-08-13
965:2021-12-23
886:ΧΧΧΧ Χ’ΧΧ©ΧΧ
818:2023-04-20
789:2020-11-03
761:2023-04-20
696:2023-05-13
668:2023-05-13
644:References
619:References
385:, and won
375:Hanya Holm
272:spirituals
165:Early life
57:1902-04-23
41:, ca. 1939
2001:(2020/21)
1772:Bob Fosse
1721:Bob Avian
1711:Bob Fosse
1699:Bob Avian
1688:1976β2000
1666:Bob Fosse
1648:Ron Field
1630:Ron Field
1624:Bob Fosse
1606:Bob Fosse
1578:Bob Fosse
1560:Bob Fosse
1554:Bob Fosse
1495:1947β1975
1337:0362-4331
1312:(3): 119.
1278:0190-8286
1240:Tish 1994
1147:0362-4331
1074:1043-7592
894:1565-1568
853:0164-0178
748:0147-2526
611:1043-7592
533:technique
498:Flahooley
260:manifesto
209:economics
1197:Playbill
960:23238801
898:Archived
861:23886260
575:See also
519:(1955).
507:(1953),
501:(1951),
495:(1947),
489:(1946),
421:Adelante
359:Adelante
280:Salzburg
244:Casanova
39:Adelante
1441:at the
1266:"DANCE"
756:1567892
552:critic
443:in 1948
179:pogroms
171:Maurice
131:
123:
2019:(2024)
2013:(2023)
2007:(2022)
1995:(2019)
1989:(2018)
1983:(2017)
1977:(2016)
1971:(2015)
1965:(2014)
1959:(2013)
1953:(2012)
1947:(2011)
1941:(2010)
1935:(2009)
1929:(2008)
1923:(2007)
1917:(2006)
1911:(2005)
1905:(2004)
1899:(2003)
1893:(2002)
1887:(2001)
1870:(2000)
1864:(1999)
1858:(1998)
1852:(1997)
1846:(1996)
1840:(1995)
1834:(1994)
1828:(1993)
1822:(1992)
1816:(1991)
1810:(1990)
1804:(1989)
1786:(1988)
1780:(1987)
1774:(1986)
1765:(1984)
1759:(1983)
1749:(1982)
1739:(1981)
1733:(1980)
1723:(1979)
1713:(1978)
1707:(1977)
1701:(1976)
1680:(1975)
1674:(1974)
1668:(1973)
1662:(1972)
1656:(1971)
1650:(1970)
1644:(1969)
1638:(1968)
1632:(1967)
1626:(1966)
1620:(1965)
1614:(1964)
1608:(1963)
1602:(1962)
1592:(1961)
1586:(1960)
1580:(1959)
1574:(1958)
1568:(1957)
1562:(1956)
1556:(1955)
1550:(1954)
1544:(1953)
1538:(1952)
1532:(1951)
1526:(1950)
1520:(1949)
1514:(1948)
1508:(1947)
1421:
1364:
1335:
1276:
1174:
1145:
1072:
1033:
958:
892:
859:
851:
754:
746:
609:
282:, and
276:Berlin
229:pointe
141:(born
112:Spouse
96:dancer
1302:(PDF)
1227:(PDF)
956:JSTOR
901:(PDF)
879:(PDF)
857:JSTOR
752:JSTOR
624:Notes
510:Fanny
284:Paris
125:(
121:
102:Style
1800:and
1755:and
1745:and
1729:and
1719:and
1697:and
1452:IMDb
1419:ISBN
1362:ISBN
1333:ISSN
1274:ISSN
1172:ISBN
1143:ISSN
1070:ISSN
1031:ISBN
890:ISSN
849:ISSN
744:ISSN
607:ISSN
335:The
266:and
72:Died
47:Born
1450:at
736:doi
479:in
2035::
1796:,
1792:,
1598:/
1504:/
1331:.
1327:.
1310:12
1308:.
1304:.
1272:.
1268:.
1212:^
1194:.
1141:.
1137:.
1064:.
987:.
974:^
950:.
938:^
909:^
896:.
881:.
855:.
845:88
843:.
839:.
827:^
810:.
798:^
782:.
770:^
750:.
742:.
732:17
730:.
726:.
689:.
685:.
660:.
601:.
597:.
427:.
406:.
347:.
316:,
312:,
278:,
161:.
127:m.
94:,
1480:e
1473:t
1466:v
1427:.
1383:.
1370:.
1345:.
1286:.
1206:.
1180:.
1155:.
1076:.
1066:1
1049:.
998:.
968:.
863:.
821:.
792:.
764:.
738::
699:.
671:.
613:.
603:1
59:)
55:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
