595:, the translators did not very close translations of the Greek hymns, they rather tried to preserve the sophisticated system of the melodic models such as avtomela and irmoi without changing the melodies. Within Slavonic manuscripts, the separation between Irmolog and the Oktoich and other books of the sticherarion was less common, usually the Oktoich books were so voluminous, since they included the irmoi (similar to the composition of the older tropologia which persisted until the 12th century), that they were separated into two volumes—one for Glas I-IV (the authentic modes) and a second for Glas V-VIII (the plagal modes). But there are irmologs provided with znamennaya notation since the 12th century—the Irmolog preserved at the Russian State Archive of Ancient Acts (RUS-Mda / ргада fond 381 Ms.
28:
2275:
318:
1679:Εἱρμολόγιον καλοφωνικὸν: μελοποιηθὲν παρὰ διαφόρων ποιῃτῶν παλαιῶν τὲ καὶ νέων διδασκάλων μεταφρασθὲν δὲ εἰς τὴν νέαν τῆς Μουσικῆς μέθοδον καὶ μετὰ πάσης Ἐπιμελείας διορθωθὲν παρὰ τοῦ ἐνὸς τῶν τριῶν Διδασκάλων τῆς ῥηθείσης Μεθόδου Γρηγορίου Πρωτοψάλτου τῆς τοῦ Χριστοῦ Μεγάλης Ἐκκλησίας. νῦν πρῶτον ἐκδοθὲν εἰς τύπον παρὰ Θεοδώρου Π. Παράσκου Φωκέως. ἐπιστασία τοῦ αὐτοῦ, ἀναλώμασι δὲ τοῦ τὲ ἰδίου καὶ τῶν Φιλομούσων Συνδρομητῶν
742:
1665:Εἱρμολόγιον τῶν καταβασιῶν Πέτρου τοῦ Πελοποννησίου μετὰ τοῦ συντόμου Εἱρμολογίου Πέτρου Πρωτοψάλτου τοῦ Βυζαντίου: ἐξηγημένα κατὰ τὴν νέαν τῆς Μουσικῆς μέθοδον μετὰ προσθήκης ἰκανών μαθημάτων, ὧν ἐστεροῦντο εἰς τὸ παλαιόν. ἐπιθεωρηθέντα ἤδη, καὶ ἀκριβῶς διορθωθέντα παρὰ τοῦ Διδασκάλου Χουρμουζίου Χαρτοφύλακος
399:
has also more or less concrete descriptions of the festive occasion, and still provides a choice of several canons in different echoi and composed by different authors for the very same feast. The number of canons is higher than in the later heirmologia of the 14th century, and it should be mentioned
391:
The next ode is mostly ωδ γ᾽ for the third ode, because according to the more common canon the second one is left out. Thus, one canon follows the preceding one until the order is fulfilled. These canons usually follow within each echos section according to the calendaric order. There is no real
1377:
251:
way to perform just one certain ode during more important religious feast, if the celebration took more time than usual, but the genre became even more popular and innovative during the
Ottoman period following the example of Balasios the Priest. The printed edition of the
643:(even if they are often reduced today to a few short troparia which were once sung as a refrain), since it is a rather elaborated form, usually organised in three sections (they usually follow the Great Ectenia at the beginning of the Divine Liturgy and of the Orthros)
223:
are chanted by the choir according to the model of the irmoi. Since the
Irmologion was invented as a chant book provided with musical notation, it only contained the smaller number of heirmoi with those texts which identified them. The other canons and
345:
either according to the odes (order of the odes, OdO, divided into eight parts according to the echoi, but within each echos all odes are ordered beginning with all first odes of each canon, all second or third odes etc.) or according to the
1677:
1559:
Heirmologion kalophonikon organised in oktoechos order in exegetic neumatic notation (Middle
Byzantine) with compositions by Balasios Iereos, Petros Bereketis, Ioannes the Protopsaltes, Petros Peloponnesios, and Georgios of Crete (about
1637:
Bereketis, Petros; Balasios the Priest; Chrysaphes, Manuel; Halacoğlu, Panagiotes; Daniel the
Protopsaltes; Chourmouzios the Archivist; Ephesios, Petros; Petros Peloponnesios; Petros Vyzantios (1820). Macarie Hieromonk (ed.).
1663:
1794:
1365:
306:) which organised hymns of different genres with modal signatures according to the calendar, beginning with the Christmas and Theophany cycle. The book irmologion developed not earlier than during the 10th century (
1618:
1485:
Incomplete Greek
Heirmologion in ode order (OdO, starts with the eighth odes of echos devteros, the notated part finishes at f. 144v, it follows an appendix with later additions) with Middle Byzantine notation
353:
As example for the ode order (OdO), one might study the earlier irmologia of the Greek collection at the library of Saint
Catherine's Monastery at the food of Mount Sinai: the manuscripts
1816:
Tradition and
Innovation in Late Byzantine and Postbyzantine Liturgical Chant II: Proceedings of the Congress held at Hernen Castle, the Netherlands, 30 October - 3 November 2008
361:
are organised, that the first, second, third, etc. odes are together. Since the second ode is only sung during Lent, there were much less second odes than first or third odes.
1219:
Old Church
Slavonic Mineya služebnaya for September with troparia, stichera, kondaks and akrosticha with znamennaya notation written at a scriptorium of Novgorod (12th century)
1279:
Old Church
Slavonic Mineya služebnaya for February with troparia, stichera, kondaks and akrosticha with znamennaya notation written at a scriptorium of Novgorod (12th century)
1255:
Old Church
Slavonic Mineya služebnaya for December with troparia, stichera, kondaks and akrosticha with znamennaya notation written at a scriptorium of Novgorod (12th century)
1243:
Old Church Slavonic Mineya služebnaya for November with troparia, stichera, kondaks and akrosticha with znamennaya notation written at a scriptorium of Novgorod (12th century)
1747:
Frøyshov, Stig Simeon R. (2012). "The Georgian Witness to the Jerusalem Liturgy: New Sources and Studies". In Bert Groen; Stefanos Alexopoulos; Steven Hawkes-Teeples (eds.).
1267:
Old Church Slavonic Mineya služebnaya for January with troparia, stichera, kondaks and akrosticha with znamennaya notation written at a scriptorium of Novgorod (12th century)
1231:
Old Church Slavonic Mineya služebnaya for October with troparia, stichera, kondaks and akrosticha with znamennaya notation written at a scriptorium of Novgorod (12th century)
1327:
Old Church Slavonic Mineya služebnaya for August with troparia, stichera, kondaks and akrosticha with znamennaya notation written at a scriptorium of Novgorod (12th century)
1291:
Old Church Slavonic Mineya služebnaya for April with troparia, stichera, kondaks and akrosticha with znamennaya notation written at a scriptorium of Novgorod (12th century)
1673:
1315:
Old Church Slavonic Mineya služebnaya for June with troparia, stichera, kondaks and akrosticha with znamennaya notation written at a scriptorium of Novgorod (12th century)
1303:
Old Church Slavonic Mineya služebnaya for May with troparia, stichera, kondaks and akrosticha with znamennaya notation written at a scriptorium of Novgorod (12th century)
1988:
1339:
Old Church Slavonic Fasten Triod služebnaya with troparia, stichera, kondaks and akrosticha with znamennaya notation written at a scriptorium of Novgorod (12th century)
614:) which replaced the earlier Akolouthiai used since the 14th century. Some of these Anthologies do also contain the odes of the canon, but also many other hymns of the
1351:
Old Church Slavonic Flower Triod služebnaya with troparia, stichera, kondaks and akrosticha with znamennaya notation written at a scriptorium of Novgorod (about 1200)
1723:
Die Notation von Stichera und Kanones im Gottesdienstmenäum für den Monat Dezember nach der Hs. GIM Sin. 162: Verzeichnis der Musterstrophen und ihrer Neumenstruktur
1070:) includes a Bulgarian version of Petros Peloponnesios' Katavasies in calendaric order, the troparia have to be sung from a textbook Miney, while other Anthologies (
784:, although not all Irmologia have musical notation. Concerning the traditional repertoire of these books, a Studites edition can be distinguished from the one at
1150:) can be distinct from the earlier one at Ohrid, that the latter tried not to change the irmoi, but thus, a litterate translation of the hymns was not possible (
1749:
Inquiries into Eastern Christian Worship: Selected Papers of the Second International Congress of the Society of Oriental Liturgy (Rome, 17–21 September 2008)
770:
The oldest manuscripts which contained canons, were tropologia which are composed according to a calendaric order. There were also types like the Georgian
350:(canon order, KaO, divided into eight parts according to the echoi, but the odes within each echos are organised according to the canon of each irmos).
1442:
Incomplete Greek Heirmologion in ode order (OdO, beginning is missing and starts with the second odes of echos protos) with early Coislin notation (1100)
626:
dating back to 1332, has a second part dedicated to the recitation of psalm verses (psalmody) during Orthros and Hesperinos, including the Polyeleoi.
1835:"Observations on the Manuscript Tradition of Byzantine Music, I: A List of Heirmos Call-Numbers, based on Eustratiades's Edition of the Heirmologion"
965:
For instance, "These Truths We Hold - The Holy Orthodox Church: Her Life and Teachings". The English translation here follows the one by Monk Tykhon.
1529:
Germanos Hieromonachos; Panagiotes the New Chrysaphes; Petros Bereketes; Anastasios Skete; Balasios Iereos; Petros Peloponnesios; Petros Byzantios.
899:, with exception of the second ode which is no longer sung today. According to medieval Irmologia this second ode was only sung during Lenten tide.
395:
It also seems that the earlier manuscripts which still numbered the canons within the canon order, sorted them according to ascribed authors, Ms.
321:
Echos devteros part with first ode settings (OdO) of a Greek Heirmologion with Coislin notation as palimpsest over pages of a former tropologion (
1981:
1814:
Martani, Sandra (2013). "Koukouzeles' Heirmologia: The Manuscripts St Petersburg 121 and Sinai gr. 1256". In Gerda Wolfram; C Troelsgård (eds.).
1522:
Heirmologion mostly in canon order (KaO without first section of Heirmoi in echos protos) written near Saint Catherine's monastery (17th century)
388:. Here each ode has an ode number, such as ωδ α᾽ for the first ode, usually followed by a modal signature corresponding to the echos section.
1571:
1530:
1366:"Moscow, Российский государственный архив древних актов, ргада [Rossiysky gosudarstvenno archiv drevnich aktov], fond 381 Ms. 150"
981:
2298:
1974:
392:
chronology between both orders, both existed already in the oldest heirmologia and they persisted until the current print editions.
125:'law'). These canons of nine, eight, four or three odes are supposed to be chanted during the morning service (Orthros). The book
791:
The earliest notated Irmologion can be dated back to the 10th century in Byzantium. A full version of the Russian Irmologion, in
364:
As example for the canon order (KaO), one might study the very early fully notated manuscript of the Great Lavra on Mount Athos (
895:
The irmos is a melodic model which was used for the composition of the odes. As homiletic poetry it refers thematically to the
276:
school founded by Panagiotes Halacoğlu and his followers at the New Music School of the Patriarchate (Daniel the Protopsaltes,
1639:
1793:
Jeffery, Peter (2001). "The Earliest Oktōēchoi: The Role of Jerusalem and Palestine in the Beginnings of Modal Ordering".
422:
373:
2032:
1823:
1022:
made by the friends of music in Constantinople, at least as far as these texts are still in use until the present day.
1936:
1804:
1730:
147:
is a melodic model which preceded the composition of the odes. According to the etymology, the book 'collects' (
1576:
Katavasiai (Heirmologion argon), Prosomoia, and an incomplete Anthology for the Divine Liturgies (18th century)
785:
322:
40:
1689:Ἀκολουθία τοῦ Ὄρθρου, Τεῦχος Α' Ἀκιβὴς ἀνατύπωσις τῶν ὑπὸ Θεοδώρου Φωκαέως ἀνθολογηθέντων μαθημάτων τοῦ ὄρθρου
1430:
Incomplete Greek Heirmologion composed in canon order (KaO) with Old Byzantine Chartres notation (about 1000)
1904:. 1st International Conference of the ASBMH, 2007: Byzantine Musical Culture. Pittsburgh. pp. 668–679.
1466:
Heirmologion in canon order (KaO) and prosomoia with developed Coislin notation (11th & 12th centuries)
750:
401:
17:
1855:"Observations on the Manuscript Tradition of Byzantine Music. II: The Contents of some Early Heirmologia"
602:
Today the Irmologion is often replaced by another chant book which is called "Anthology of the Orthros" (
1659:
1347:"Moscow, Gosudarstvenniy istoričesky muzey (Государственный исторический музей), Ms. Voskr. Perg. 27"
167:
82:
1396:
Antologiya with irmolog in ode order, voskresnik and sanctoral beginning with Christmas cycle (1437)
1895:"A New Source for the Early Octoechos? Papyrus Vindobonensis G 19.934 and its musical implications"
1997:
1644:
Romanian heirmologion kalophonikon with the translated texts transliterated into Slavonic letters
1579:
1517:
1454:
Heirmologion in canon order (KaO) with Old Byzantine Coislin notation (11th & 12th centuries)
913:
852:
754:
78:
1538:
924:), obviously to control the impact of a Slavonic re-translation on the system of melodies (the
877:
622:
which are sung during the morning service (Orthros, Utrenna). Already Codex sinaiticus graecus
592:
338:
263:
1818:. Eastern Christian Studies. Vol. 17. Leuven, Paris, Walpole: Peeters. pp. 135–150.
1335:"Moscow, Gosudarstvenniy istoričesky muzey (Государственный исторический музей), Ms. Sin. 319"
1323:"Moscow, Gosudarstvenniy istoričesky muzey (Государственный исторический музей), Ms. Sin. 168"
1311:"Moscow, Gosudarstvenniy istoričesky muzey (Государственный исторический музей), Ms. Sin. 167"
1299:"Moscow, Gosudarstvenniy istoričesky muzey (Государственный исторический музей), Ms. Sin. 166"
1287:"Moscow, Gosudarstvenniy istoričesky muzey (Государственный исторический музей), Ms. Sin. 165"
1275:"Moscow, Gosudarstvenniy istoričesky muzey (Государственный исторический музей), Ms. Sin. 164"
1263:"Moscow, Gosudarstvenniy istoričesky muzey (Государственный исторический музей), Ms. Sin. 163"
1251:"Moscow, Gosudarstvenniy istoričesky muzey (Государственный исторический музей), Ms. Sin. 162"
1239:"Moscow, Gosudarstvenniy istoričesky muzey (Государственный исторический музей), Ms. Sin. 161"
1227:"Moscow, Gosudarstvenniy istoričesky muzey (Государственный исторический музей), Ms. Sin. 160"
1215:"Moscow, Gosudarstvenniy istoričesky muzey (Государственный исторический музей), Ms. Sin. 159"
2073:
1751:. Eastern Christian Studies. Vol. 12. Leuven, Paris, Walpole: Peeters. pp. 227–267.
746:
802:
were added above the text. The first printed edition of a notated Irmologion in Russia, the
48:
2085:
1651:
1599:
1595:
1567:
1554:
872:
277:
1874:
1604:
Katavasies (Heirmologion argon) in the possession of Makarios Hieromonachos (18th century)
8:
2279:
2158:
2151:
2103:
1655:
862:
619:
347:
177:
114:
1960:
1854:
780:. The book Irmologion was created later as a notated chant book by the reformers at the
663:
Theotokia, troparia in honour of the Mother of God, but not as specific as the Dogmatica
1834:
1796:
The Study of Medieval Chant: Paths and Bridges, East and West; In Honor of Kenneth Levy
1781:
1773:
1531:"Athens, Ιστορικό και Παλαιογραφικό Αρχείο (ΙΠΑ), MIET, Ms. Pezarou 15, fol. 220v-229r"
1126:
781:
372:
written about 1000 with Chartres notation), the standard example for Coislin notation (
180:, a long liturgical poem divided into nine strophes with a sophisticated meter called
2060:
1932:
1819:
1800:
1785:
1726:
896:
798:
Earlier examples provided only the written text; later, the "hooks" and "banners" of
707:
298:
289:
1966:
1875:"Echos in the Byzantine-Russian Heirmologion. An Experience of Comparative Research"
1358:
404:
had been completely abandoned in the current print editions of the Orthodox church.
1922:
1765:
1698:Рѫководство за практическото и теоретическо изучване на восточната църковна музика
1461:
912:). A fully notated office menaion was written in Novgorod during the 12th century (
847:
842:
824:
communities, which continue to use the older znamenny neumes), although elsewhere,
817:
618:(especially the more elaborated compositions the Polyeleos psalms) and of the book
588:
380:), or the later manuscripts of the Sinai collection (ET-MSsc Sin. gr.) such as Ms.
267:
206:
2081:
1894:
1391:
1185:
188:, and concerning its celebration during Orthros it is followed by troparia called
168:
The melodic irmos and the odes of the canon and its use during the morning service
2069:
2000:
1378:"Moscow, Rossiysky Gosudarstvenny Archiv Drevnich Aktov (РГАДА), Fond 381 Ms. 80"
946:
837:
825:
792:
654:
587:
Concerning the Slavonic reception, first by Cyril and Methodius' students around
342:
74:
36:
1510:
Complete Heirmologion in canon order (KaO) with Middle Byzantine notation (1332)
1498:
Complete Heirmologion in canon order (KaO) with Middle Byzantine notation (1309)
1403:
816:, was published in 1772. Today, most Russian Irmologia are printed using modern
777:
676:) (Ps. 117:27a) three times and Evlogetaria Anastasima in Echos Plagios Protos (
242:, indicated the melody which had to be applied for the recitation of the hymns.
27:
2214:
1382:
Old Church Slavonic Paraklitik (Glas 1-3) with znamennaya notation (about 1200)
799:
86:
59:
599:), for instance. All Old Church Slavonic irmologs are organised in ode order.
230:
were usually collected in a separated text book, and the incipit of a certain
2292:
2077:
1535:
Heirmologion kalophonikon in an Anthologia of Psaltic Art (late 18th century)
1346:
1334:
1322:
1310:
1298:
1286:
1274:
1262:
1250:
1238:
1226:
1214:
813:
1186:"Vienna, Österreichische Nationalbibliothek, Papyrus Vindobonensis G 19.934"
2193:
1953:
1505:
1493:
1480:
1449:
1437:
1425:
867:
821:
689:
1769:
317:
2260:
2246:
2179:
2026:
1207:
693:
413:
365:
307:
44:
1133:) combined both redactions in a diplomatic way during the 14th century (
2253:
2225:
2174:
2169:
2116:
2050:
2012:
1927:
1910:
1777:
1691:. Τάμειον Ἁνθολογίας. Vol. 2. Constantinople: Georgios Seïtanidos.
1600:"University of Birmingham, Cadbury Research Library, Ms. Mingana Gr. 5"
1555:"University of Birmingham, Cadbury Research Library, Ms. Mingana Gr. 6"
725:
719:
646:
745:
Mineya služebnaya with the page for 12 May, feast of the Holy Fathers
2220:
2164:
2131:
2055:
1473:
975:
956:) which is also used in other Orthodox traditions and their editions.
931:
925:
857:
803:
711:
699:
685:
650:
271:
253:
246:
218:
195:
189:
1911:"Der Beitrag des Theodoros Studites zur byzantinischen Hymnographie"
1450:"Jerusalem, Greek Orthodox Patriarchal Library, Ms. Hagios Sabas 83"
1410:
2207:
2137:
2045:
1619:"Sofia, St. Cyril and St. Methodius National Library, Ms. НБКМ 989"
1370:
Old Church Slavonic irmolog with znamennaya notation (12th century)
640:
334:
214:
202:
1623:
Serbian Irmolog sorted according to the Osmoglasnik (13th century)
1418:
2274:
2239:
2200:
2065:
2019:
1462:"Paris, Bibliothèque nationale de France, fonds Coislin, ms. 220"
1359:
Slavic irmologs with znamennaya notation (12th to 16th centuries)
658:
615:
210:
184:. Each ode and its prosodic meter is made according to a certain
32:
245:
Since the Byzantine period, there already developed a soloistic
1506:"Sinai, Saint Catherine's Monastery, Ms. Gr. 1257, ff. 1r-104r"
1392:"Moscow, Russian State Library, fond 304 Ms. 407, ff. 12r-110v"
741:
703:
667:
266:, Germanos of New Patras, Balasios, and later generations like
173:
2098:
1404:
Slavic irmologs with kryuki notation (16th to 20th centuries)
945:
See the current edition of Petros Peloponnesios' Katavasies (
809:
634:
603:
237:
231:
225:
185:
159:
153:
148:
142:
136:
131:
120:
108:
102:
96:
90:
68:
63:
1902:
Proceedings of the 1st International Conference of the ASBMH
1725:. Patristica Slavica. Vol. 9. Wiesbaden: Westdt. Verl.
1611:
1537:. Athens: Μορφωτικό Ίδρυμα Εθνικής Τράπεζας. Archived from
194:. Sometimes certain longer irmoi are sung which are called
1756:
Harris, Simon (2004). "The 'Kanon' and the Heirmologion".
337:' reform, the irmoi are usually arranged according to the
1040:
See Dagmar Christian's edition of the hymns of December (
181:
1799:. Woodbridge, Suffolk: Boydell Press. pp. 147–209.
288:
The earliest sources with heirmoi were the tropologion (
1413:. Petrozavodsk: National Library of Karelia. 1550–1625.
1411:"Old Believers' Irmolog "Rozniki" with kryuki notation"
1095:), while there are only fragments of Greek tropologia (
1208:
Office Menaia, Fasten and Flower Triod with Akrosticha
1031:
The first eight are missing in the current manuscript.
974:
See also the 18th-century manuscript of an Irmologion
706:
134 and 135; also Psalm 136, which is used during the
1996:
1630:
1178:
1078:) have to be used in combination with an Irmologion (
1057:) of the oldest papyrus fragments of the tropologion.
732:
677:
671:
609:
205:
sung with the canon are performed out of a textbook (
1091:
The Iadgari has survived as the oldes tropologion (
1494:"Sinai, Saint Catherine's Monastery, Ms. Gr. 1256"
1481:"Sinai, Saint Catherine's Monastery, Ms. Gr. 1258"
1474:Middle Byzantine notation (13th to 19th centuries)
1146:The Russian translation into Old Church Slavonic (
314:is probably the oldest fully notated irmologion).
1709:(reprint ed.). Sofia: Sinodalno Izdatelstvo.
1438:"Sinai, Saint Catherine's Monastery, Ms. Gr. 929"
722:, or "Hymns of Ascent", based upon Psalms 119–133
333:Within the Irmologion, the new chant book of the
283:
176:and other services in the Orthodox Church is the
2290:
1882:Cahiers de l'Institut du Moyen-Âge grec et latin
1862:Cahiers de l'Institut du Moyen-Âge grec et latin
1842:Cahiers de l'Institut du Moyen-Âge grec et latin
629:These additional hymns sung during Orthros are:
1426:"Athos, Monastery of the Great Lavra, Ms. β 32"
1419:Old Byzantine notation (10th to 13th centuries)
1018:It is possible to identify the texts with the
771:
639:) which should not be confused with the Latin
301:
292:
1982:
1125:Only later Irmologia like the one in Lesvos (
710:), which is chanted at Matins on Sundays and
262:) is dominated by Ottoman era composers like
1640:"Bucharest, Stavropoleos Monastery, Ms. 89m"
1915:Jahrbuch der Österreichischen Byzantinistik
1989:
1975:
1956:. Friends of Music of Constantinople Club.
984:, Historical and Palaeographical Archive,
1926:
1700:. Sofia: Peter Gluškov. pp. 478–630.
1612:Without notation (10th to 18th centuries)
1572:"London, British Library, Ms. Add. 16971"
1518:"London, British Library, Ms. Add. 39611"
1873:Školnik, Irina; Školnik, Marina (1994).
1167:at the National Library of Petrozavodsk.
740:
649:, hymns in honour of the Mother of God (
316:
26:
1516:
14:
2291:
1970:
1193:Fragment of a 6th-century tropologion
828:notation is nearly universally used.
716:Songs of praise for feasts and saints
400:that certain schools like the one of
1652:Petros Peloponnesios the Lampadarios
653:) which are also chanted during the
198:because of their descending melos.
1460:
1390:
1376:
1364:
1345:
1333:
1321:
1309:
1297:
1285:
1273:
1261:
1249:
1237:
1225:
1213:
921:
917:
758:
596:
426:
396:
377:
24:
2033:List of New Testament lectionaries
1705:Todorov, Manasij Pop, ed. (1992).
1682:. Constantinople: Isaac De Castro.
1676:(1835). Theodoros Phokaeos (ed.).
1668:. Constantinople: Isaac De Castro.
1631:Chrysanthine notation (since 1814)
1504:
1492:
1479:
1424:
1179:Tropologia (6th to 12th centuries)
623:
417:
385:
381:
369:
358:
311:
101:) organised in sequences of odes (
35:Use). Depicted are Irmos 705-709 (
25:
2310:
2299:Eastern Orthodox liturgical books
1946:
1687:Phokaeos, Theodoros, ed. (1869).
1578:. British Library. Archived from
1436:
354:
326:
113:) and such a sequence was called
39:Sertâ book script. 11th century,
2273:
1721:Christians, Dagmar, ed. (2001).
1617:
1954:"Αὐτόμελα καὶ εἱρμοὶ κατ᾽ ἤχων"
1636:
1409:
1164:
1157:
1140:
1119:
1102:
1085:
1060:
1047:
1020:repertory of avtomela and irmoi
976:
932:
272:
254:
247:
219:
1961:Selections from the Irmologion
1893:Troelsgård, Christian (2009).
1448:
1173:
1130:
1034:
1025:
1012:
995:
990:Mingana Collechtion, Ms. Gr. 6
968:
959:
939:
902:
889:
284:Organisation of the irmologion
13:
1:
2221:Idiomela, Avtomela, Prosomoia
1952:
1594:
1566:
1553:
1066:Todorov's Bulgarian edition (
1019:
989:
949:
883:
795:includes about 1050 irmoi.
1908:
1892:
1872:
1852:
1832:
1813:
1792:
1755:
1746:
1704:
1695:
1686:
1672:
1650:
1147:
1134:
1113:
1109:
1096:
1092:
1079:
1075:
1071:
1067:
1054:
1053:See Jørgen Raasted's study (
1006:
1002:
953:
926:
909:
820:(with the exception of some
804:
402:Germanus I of Constantinople
259:
238:
236:or, in case of troparia the
232:
226:
190:
160:
154:
143:
69:
7:
1720:
1714:
1660:Chourmouzios Chartophylakos
1528:
1151:
1041:
985:
831:
772:
733:
302:
293:
41:Saint Catherine's Monastery
10:
2315:
1740:
1696:Sarafov, Petĕr V. (1912).
1674:Gregorios the Protopsaltes
765:
635:
604:
149:
141:) which means 'link'. The
137:
121:
109:
103:
97:
64:
2270:
2234:
2188:
2146:
2126:
2094:
2041:
2007:
863:Octoechos and parakletike
678:
672:
610:
444:
441:
438:
435:
432:
421:
412:
83:Eastern Catholic Churches
1853:Raasted, Jørgen (1972).
1833:Raasted, Jørgen (1969).
805:Irmologiy notnago peniya
679:Благословенъ еси Господи
172:An important portion of
2280:Christianity portal
1909:Wolfram, Gerda (2003).
853:Joseph the Hymnographer
79:Eastern Orthodox Church
878:Theophanes the Branded
762:
593:Constantine of Preslav
384:and the first half of
330:
280:, Georgios of Crete).
264:Chrysaphes the Younger
52:
988:) and in Birmingham (
744:
698:The full text of the
666:Orthros psalm "Theos
569:πλάγιος τοῦ τετάρτου
535:πλάγιος τοῦ δευτέρου
320:
255:kalophonic irmologion
30:
1596:Petros Peloponnesios
1568:Petros Peloponnesios
1112:), Enrica Follieri (
873:Theodore the Studite
812:(square notes) on a
728:preceding the Gospel
605:Ἀνθολογία τοῦ Ὄρθρου
278:Petros Peloponnesios
217:, but the irmoi and
1770:10.1093/ml/85.2.175
1758:Music & Letters
1707:Псалтикиина Утренна
952:) by Chourmouzios (
611:Псалтикиина Утренна
518:πλάγιος τοῦ πρώτου
270:and even later the
1928:10.1553/joeb53s117
1524:. British Library.
1127:Leimonos Monastery
782:Stoudios Monastery
763:
331:
53:
49:Schøyen Collection
47:. Now part of the
2286:
2285:
2104:Canon of the Odes
1080:Chourmouzios 1825
826:Byzantine musical
776:and the Armenian
708:Pre-Lenten Season
585:
584:
85:which follow the
16:(Redirected from
2306:
2278:
2277:
2001:liturgical books
1998:Eastern Orthodox
1991:
1984:
1977:
1968:
1967:
1957:
1942:
1930:
1905:
1899:
1889:
1879:
1869:
1859:
1849:
1839:
1829:
1810:
1789:
1752:
1736:
1710:
1701:
1692:
1683:
1669:
1656:Petros Byzantios
1647:
1626:
1607:
1591:
1589:
1587:
1582:on 27 March 2021
1563:
1550:
1548:
1546:
1525:
1513:
1501:
1489:
1469:
1457:
1445:
1433:
1414:
1399:
1385:
1373:
1354:
1342:
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1318:
1306:
1294:
1282:
1270:
1258:
1246:
1234:
1222:
1203:
1201:
1199:
1190:
1168:
1161:
1155:
1144:
1138:
1123:
1117:
1106:
1100:
1089:
1083:
1064:
1058:
1051:
1045:
1038:
1032:
1029:
1023:
1016:
1010:
999:
993:
979:
978:
972:
966:
963:
957:
943:
937:
935:
934:
929:
906:
900:
893:
858:Octoechos system
848:John of Damascus
843:Cosmas of Maiuma
818:musical notation
807:
775:
736:
681:
680:
675:
674:
638:
637:
613:
612:
607:
606:
589:Clement of Ohrid
407:
406:
305:
296:
275:
274:
268:Petros Bereketis
257:
256:
250:
249:
241:
235:
229:
222:
221:
193:
163:
157:
152:
151:
146:
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106:
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99:
72:
67:
66:
21:
2314:
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2309:
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2305:
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2289:
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2287:
2282:
2272:
2266:
2230:
2184:
2142:
2122:
2090:
2037:
2003:
1995:
1949:
1939:
1897:
1877:
1857:
1837:
1826:
1807:
1743:
1733:
1717:
1633:
1614:
1585:
1583:
1544:
1542:
1541:on 4 March 2016
1476:
1421:
1406:
1361:
1210:
1197:
1195:
1188:
1184:
1181:
1176:
1171:
1165:Rozniki Irmolog
1162:
1158:
1145:
1141:
1124:
1120:
1108:Gerda Wolfram (
1107:
1103:
1097:Troelsgård 2009
1090:
1086:
1065:
1061:
1052:
1048:
1039:
1035:
1030:
1026:
1017:
1013:
1001:Peter Jeffery (
1000:
996:
973:
969:
964:
960:
944:
940:
907:
903:
894:
890:
886:
838:Andrew of Crete
834:
793:Church Slavonic
768:
655:Little Entrance
343:Byzantine chant
286:
213:) according to
170:
75:liturgical book
23:
22:
15:
12:
11:
5:
2312:
2302:
2301:
2284:
2283:
2271:
2268:
2267:
2265:
2264:
2257:
2250:
2243:
2235:
2232:
2231:
2229:
2228:
2223:
2218:
2215:Pentēkostarion
2211:
2204:
2197:
2189:
2186:
2185:
2183:
2182:
2177:
2172:
2167:
2162:
2155:
2152:Oktoechos mega
2147:
2144:
2143:
2141:
2140:
2135:
2127:
2124:
2123:
2121:
2120:
2113:
2106:
2101:
2095:
2092:
2091:
2089:
2088:
2063:
2058:
2053:
2048:
2042:
2039:
2038:
2036:
2035:
2030:
2023:
2016:
2008:
2005:
2004:
1994:
1993:
1986:
1979:
1971:
1965:
1964:
1958:
1948:
1947:External links
1945:
1944:
1943:
1937:
1906:
1890:
1870:
1850:
1830:
1825:978-9042920156
1824:
1811:
1805:
1790:
1764:(2): 175–197.
1753:
1742:
1739:
1738:
1737:
1731:
1716:
1713:
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1702:
1693:
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1175:
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1169:
1156:
1139:
1118:
1101:
1084:
1059:
1046:
1033:
1024:
1011:
994:
986:Ms. Pezarou 15
967:
958:
938:
908:Simon Harris (
901:
887:
885:
882:
881:
880:
875:
870:
865:
860:
855:
850:
845:
840:
833:
830:
800:Znamenny Chant
767:
764:
739:
738:
729:
723:
717:
714:
696:
683:
664:
661:
644:
583:
582:
579:
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531:
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451:
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446:
443:
440:
437:
434:
430:
429:
420:
411:
329:, ff. 17v-18r)
285:
282:
169:
166:
89:. It contains
87:Byzantine Rite
65:τὸ εἱρμολόγιον
9:
6:
4:
3:
2:
2311:
2300:
2297:
2296:
2294:
2281:
2276:
2269:
2263:
2262:
2258:
2256:
2255:
2251:
2249:
2248:
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2237:
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2233:
2227:
2224:
2222:
2219:
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2216:
2212:
2210:
2209:
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2203:
2202:
2198:
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2191:
2190:
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2178:
2176:
2173:
2171:
2168:
2166:
2163:
2161:
2160:
2156:
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2129:
2128:
2125:
2119:
2118:
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2112:
2111:
2107:
2105:
2102:
2100:
2097:
2096:
2093:
2087:
2083:
2079:
2075:
2071:
2067:
2064:
2062:
2061:Biblical Odes
2059:
2057:
2054:
2052:
2049:
2047:
2044:
2043:
2040:
2034:
2031:
2029:
2028:
2024:
2022:
2021:
2017:
2015:
2014:
2010:
2009:
2006:
2002:
1999:
1992:
1987:
1985:
1980:
1978:
1973:
1972:
1969:
1962:
1959:
1955:
1951:
1950:
1940:
1938:3-7001-3172-0
1934:
1929:
1924:
1920:
1916:
1912:
1907:
1903:
1896:
1891:
1887:
1883:
1876:
1871:
1867:
1863:
1856:
1851:
1847:
1843:
1836:
1831:
1827:
1821:
1817:
1812:
1808:
1806:0-85115-800-5
1802:
1798:
1797:
1791:
1787:
1783:
1779:
1775:
1771:
1767:
1763:
1759:
1754:
1750:
1745:
1744:
1734:
1732:3-531-05129-6
1728:
1724:
1719:
1718:
1708:
1703:
1699:
1694:
1690:
1685:
1681:
1680:
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1667:
1666:
1661:
1657:
1653:
1649:
1645:
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1593:
1581:
1577:
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1527:
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1507:
1503:
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1431:
1427:
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1224:
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1211:
1194:
1187:
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1149:
1143:
1136:
1132:
1128:
1122:
1115:
1111:
1105:
1098:
1094:
1093:Frøyshov 2012
1088:
1081:
1077:
1073:
1072:Phokaeos 1978
1069:
1063:
1056:
1050:
1043:
1037:
1028:
1021:
1015:
1008:
1004:
998:
991:
987:
983:
971:
962:
955:
951:
950:Ms. Add.16971
948:
942:
928:
923:
919:
915:
911:
905:
898:
897:biblical odes
892:
888:
879:
876:
874:
871:
869:
866:
864:
861:
859:
856:
854:
851:
849:
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827:
823:
819:
815:
811:
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796:
794:
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787:
783:
779:
774:
760:
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748:
743:
735:
730:
727:
724:
721:
718:
715:
713:
709:
705:
701:
697:
695:
691:
687:
684:
682:, Ps. 118:12)
669:
665:
662:
660:
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652:
648:
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642:
632:
631:
630:
627:
625:
621:
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145:
134:
133:
129:derives from
128:
118:
117:
94:
93:
88:
84:
80:
76:
71:
61:
57:
50:
46:
42:
38:
34:
29:
19:
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2245:
2238:
2213:
2206:
2199:
2194:Sticherarion
2192:
2157:
2150:
2130:
2115:
2110:Heirmologion
2109:
2108:
2025:
2020:Epistle Book
2018:
2011:
1963:(in English)
1918:
1914:
1901:
1885:
1881:
1865:
1861:
1845:
1841:
1815:
1795:
1761:
1757:
1748:
1722:
1706:
1697:
1688:
1678:
1664:
1643:
1622:
1603:
1584:. Retrieved
1580:the original
1575:
1558:
1545:29 September
1543:. Retrieved
1539:the original
1534:
1521:
1509:
1497:
1484:
1465:
1453:
1441:
1429:
1395:
1381:
1369:
1350:
1338:
1326:
1314:
1302:
1290:
1278:
1266:
1254:
1242:
1230:
1218:
1196:. Retrieved
1192:
1159:
1148:Školnik 1994
1142:
1135:Martani 2013
1121:
1104:
1087:
1076:Sarafov 1912
1062:
1049:
1036:
1027:
1014:
997:
977:kalophonikon
970:
961:
941:
904:
891:
868:Sticherarion
822:Old Believer
797:
790:
769:
731:Doxologiai (
690:Resurrection
673:Богъ Господь
628:
601:
586:
410:canon order
394:
390:
363:
352:
332:
287:
244:
200:
171:
130:
126:
115:
91:
70:heirmologion
55:
54:
31:Tropligin, (
18:Heirmologion
2261:Euchologion
2247:Anthologion
2180:Apolytikion
2159:Paraklētikē
2132:Kontakarion
2027:Gospel Book
1921:: 117–125.
1174:Chant books
1152:Dagmar 2001
1005:), Harris (
980:in Athens (
734:Slavoslovie
694:eight tones
633:Antiphons (
397:Coislin 220
378:Coislin 220
339:eight tones
45:Mount Sinai
2254:Hōrologion
2226:Doxastikon
2175:Theotokion
2170:Dogmatikon
2117:Menologion
2074:Sinaiticum
2051:Anabathmoi
2013:Lectionary
933:akrosticha
884:References
747:Epiphanius
726:Prokeimena
720:Anabathmoi
712:feast days
616:Psalterion
581:198r-235v
575:263r-312v
564:177r-197v
558:240v-262v
547:149r-176r
541:192r-240r
530:124r-148r
524:156v-191v
507:107v-156v
248:kalophonic
227:akrosticha
220:katabasiae
196:katabasiai
191:akrosticha
127:Irmologion
81:and those
56:Irmologion
2165:Troparion
2056:Polyeleos
1786:194034160
1198:4 October
778:Šaraknoc'
700:Polyeleos
651:Theotokos
647:Dogmatica
620:Octoechos
513:90r-123r
501:τέταρτος
490:74r-107v
467:δεύτερος
335:Stoudites
303:šaraknot'
98:οἱ εἱρμοί
51:, MS 577.
2293:Category
2208:Triōdion
2138:Akathist
2066:Psalters
2046:Kathisma
1868:: 35–47.
1715:Editions
1658:(1825).
1163:See the
930:and the
832:See also
808:, using
761:, f.57r)
759:Sin. 166
751:Germanus
686:Troparia
641:Antiphon
636:ἀντίφωνα
496:64r-89v
479:32r-63r
473:34r-74r
425:Coislin
299:Armenian
290:Georgian
239:avtomela
215:avtomela
203:troparia
138:ὁ εἱρμός
2240:Typikon
2201:Mēnaion
2099:Heirmos
2070:Chludov
1888:: 3–17.
1848:: 3–12.
1778:3526092
1741:Studies
1662:(ed.).
1131:Ms. 262
927:heirmoi
914:RUS-Mim
773:Iadgari
766:History
755:RUS-Mim
692:in the
688:of the
659:Vespers
484:τρίτος
462:1r-31r
456:1r-34r
450:πρῶτος
445:folios
442:canons
439:folios
436:canons
414:GR-AOml
366:GR-AOml
327:Gr. 929
323:ET-MSsc
308:GR-AOml
294:iadgari
233:heirmos
211:Menaion
132:heirmos
122:ὁ κανών
104:αἱ ᾠδαὶ
77:of the
73:) is a
33:Melkite
1935:
1822:
1803:
1784:
1776:
1729:
1486:(1257)
947:GB-Lbl
810:neumes
704:Psalms
668:kyrios
552:βαρύς
433:ēchos
273:hyphos
207:Reader
174:Matins
158:) the
155:logeuō
150:λογεύω
107:, sg.
37:Syriac
2082:Tomić
2078:Sofia
1898:(PDF)
1878:(PDF)
1858:(PDF)
1838:(PDF)
1782:S2CID
1774:JSTOR
1586:3 May
1560:1800)
1189:(PDF)
916:Sin.
814:staff
786:Sinai
348:canon
186:irmos
178:canon
161:irmoi
144:irmos
116:canon
110:ἡ ᾠδή
92:irmoi
60:Greek
2086:Kiev
1933:ISBN
1820:ISBN
1801:ISBN
1727:ISBN
1588:2012
1547:2012
1200:2013
1114:1961
1110:2003
1068:1992
1055:1969
1042:2001
1007:2004
1003:2001
982:MIET
954:1825
910:2004
757:Ms.
749:and
624:1257
591:and
423:F-Pn
418:β 32
416:Ms.
386:1257
382:1256
376:Ms.
374:F-Pn
370:β.32
368:Ms.
359:1258
357:and
325:Ms.
312:β.32
310:Ms.
260:1835
201:The
1923:doi
1766:doi
922:168
918:159
788:.
670:" (
657:of
608:or
597:150
578:24
572:54
561:17
555:28
544:23
538:53
527:20
521:41
510:25
504:47
493:23
487:37
476:26
470:43
459:25
453:40
427:220
355:929
341:of
182:ode
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